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Vitra Atlas of Furniture Design

Vitra Atlas of Furniture Design

Publisher: Vitra Design Museum, 2019 Concept: The book provides an in-depth description of the history of modern furniture design. Based on more than 20 years of research, the book presents up to 1,740 designs from over 540 designers and examines themes from the early days of industrialization to digital innovation and its growing importance in furniture design. The richly illustrated book contains hundreds of detailed descriptions of key pieces as well as essays that provide a sociocultural and historical context for four different eras. The Alvar Alto book is well suited as part of your decor and is a great inspiration. The book is published by Vitra Design Museum.

EUR 188.00
2

Vitra Essential Eames

Vitra Essential Eames

Authors: Eames Demetrios and Carla Hartman, 2017 Concept: The book consists of short quotations from the writings and speeches of Charles and Ray Eames sorted into different themes, and the text is complemented by vivid photos of the Eames couple and their staff. The book is published by Vitra Design Museum. About the designers Charles Ormond Eames Jr. (1907-1978) and Bernice Alexandra "Ray" Eames, née Kaiser, (1912-1988) were American designers. Each with their own background within the respective industrial furniture design (Charles) and art (Ray) they met in 1940 at the Cranbrook Academy of Art in Detroit. In 1941, they married and began experimenting with three-dimensional form-stressed plywood, with the goal of producing affordable and comfortable chairs. Due to the Second World War, their experimental work was interrupted and only resumed in 1946, when they presented an exhibition of their furniture designs at the Museum of Modern Art (MoMA) in New York. After that it took off. They entered into an agreement with The Herman Miller Company, who began producing their furniture. In 1957, Vitra entered into a licensing agreement with Herman Miller and began production of Charles and Ray Eames designs for Europe and the Middle East. It was the start of Vitra's furniture production, which is why the Eames couple have had a large influence on Vitra as a design company, and their values ​​and objectives permeate Vitra even to this day.

EUR 20.00
1

Vitra Eames House Bird Black

Vitra Eames House Bird Black

Design: Charles and Ray Eames Concept: One of the most beloved decorative figures in the house of designers Charles and Ray Eames was a black wooden bird, known as the Eames House Bird. It exudes elegance and is designed with large finesse and precision and clothes any window sill, resting on its legs of steel wire. The Eames couple found inspiration for the wooden bird, on one of their excursions to the Appalachians, where there was a piece of folk art shaped like a bird made of wood. Today, Eames House Bird is produced by Vitra and is available in the original black-painted color in lacquered alder wood and a warmer variant in lacquered walnut wood. About the designers: The couple Charles Ormond Eames Jr. (1907-1978) and Bernice Alexandra "Ray" Eames, born Kaiser, (1912-1988) were American designers. With each their background within resp. industrial furniture design (Charles) and art (Ray) they met in 1940 at the Cranbrook Academy of Art in Detroit. In 1941, they married and began experimenting with three-dimensional molded plywood, with the goal of producing affordable and comfortable chairs. Due to World War II, their experimental work was interrupted and only resumed in 1946, when they presented an exhibition of their furniture designs at the Museum of Modern Art (MoMA) in New York. Then it picked up speed. They entered into an agreement with The Herman Miller Company, which began producing their furniture. In 1957, Vitra entered into a licensing agreement with Herman Miller and began production of Charles and Ray Eames' designs for Europe and the Middle East. It was the start of Vitra's furniture production, which is why the Eames couple has had a large influence on Vitra as a design company and their values and goals permeate even Vitra to this day.

EUR 254.00
2

Vitra Eames House Bird Walnut

Vitra Eames House Bird Walnut

Design: Charles and Ray Eames Concept: One of the most beloved decorative figures in the house of designers Charles and Ray Eames was a black wooden bird, known as the Eames House Bird. It exudes elegance and is designed with large finesse and precision and clothes any window sill, resting on its legs of steel wire. The Eames couple found inspiration for the wooden bird, on one of their excursions to the Appalachians, where there was a piece of folk art shaped like a bird made of wood. Today, Eames House Bird is produced by Vitra and is available in the original black-painted color in lacquered alder wood and a warmer variant in lacquered walnut wood. About the designers: The couple Charles Ormond Eames Jr. (1907-1978) and Bernice Alexandra "Ray" Eames, born Kaiser, (1912-1988) were American designers. With each their background within resp. industrial furniture design (Charles) and art (Ray) they met in 1940 at the Cranbrook Academy of Art in Detroit. In 1941, they married and began experimenting with three-dimensional molded plywood, with the goal of producing affordable and comfortable chairs. Due to World War II, their experimental work was interrupted and only resumed in 1946, when they presented an exhibition of their furniture designs at the Museum of Modern Art (MoMA) in New York. Then it picked up speed. They entered into an agreement with The Herman Miller Company, which began producing their furniture. In 1957, Vitra entered into a licensing agreement with Herman Miller and began production of Charles and Ray Eames' designs for Europe and the Middle East. It was the start of Vitra's furniture production, which is why the Eames couple has had a large influence on Vitra as a design company and their values and goals permeate even Vitra to this day.

EUR 401.00
2

Vitra Eames House Bird Special Collection Pale Rose

Vitra Eames House Bird Special Collection Pale Rose

One of the most beloved decorative figures in the house of designers Charles and Ray Eames was a black wooden bird, known as the Eames House Bird. It exudes elegance and is crafted with large finesse and precision and adorns any window sill, resting on its steel wire legs. The Eames couple found inspiration for the wooden bird on one of their trips to the Appalachians, where there was a piece of folk art shaped like a bird made of wood. Today, the Eames House Bird is produced by Vitra and is available in the original black painted color in lacquered alder wood and a warmer variant in lacquered walnut wood.

EUR 396.00
1

Vitra Eames House Bird Special Collection Dark Green

Vitra Eames House Bird Special Collection Dark Green

One of the most beloved decorative figures in the house of designers Charles and Ray Eames was a black wooden bird, known as the Eames House Bird. It exudes elegance and is crafted with large finesse and precision and adorns any window sill, resting on its steel wire legs. The Eames couple found inspiration for the wooden bird on one of their trips to the Appalachians, where there was a piece of folk art shaped like a bird made of wood. Today, the Eames House Bird is produced by Vitra and is available in the original black painted color in lacquered alder wood and a warmer variant in lacquered walnut wood.

EUR 396.00
1

Vitra La Chaise Armchair White

Vitra La Chaise Armchair White

Design: Charles & Ray Eames, 1948 Concept: La Chaise is a seductive lounge chair with an extravagant back and armrest, designed by Charles and Ray Eames for a design competition held at the Museum of Modern Art in New York. In keeping with the sculptural shape, the chair has a generous seat that transitions into the curved backrest. It creates a feeling of enveloping comfort, while maintaining a modernist aesthetic. The organic shape provides a choice of seating options so that the long chair can be used in many ways and in many environments in the home. The narrow steel tubes that make up the base give a feeling of weightlessness to the seat and support the almost liquid shape. Precisely this form follows the inspiration back to the sculpture "Floating Figure" by Gaston Lachaise, where also the name of the famous design comes from.

EUR 11141.00
2

Vitra Occasional LTR Bedside Table Smoked Oak/ Chrome

Vitra Occasional LTR Bedside Table Smoked Oak/ Chrome

Design: Charles & Ray Eames, 1950 Concept: Vitra's Occasional LTR bedside table is a small, elegant and versatile table designed by Charles and Ray Eames in 1950. The name LTR comes from the words Low Table Rod, which sums up its structure and size well. Occasional LTR can be used as a small side table or a bedside table, and with its small size will bring finesse and degree of detail to the room. The bedside table can be used by itself or put together in a group of several tables and is available with chrome-plated or black powder-coated steel wire as a frame and with many different table tops that differ in both colors and materials. About the designers: Charles Ormond Eames Jr. (1907-1978) and Bernice Alexandra "Ray" Eames, née Kaiser, (1912-1988) were American designers. Each with their own background within the respective industrial furniture design (Charles) and art (Ray) they met in 1940 at the Cranbrook Academy of Art in Detroit. In 1941, they married and began experimenting with three-dimensional form-stressed plywood, with the goal of producing affordable and comfortable chairs. Due to the Second World War, their experimental work was interrupted and only resumed in 1946, when they presented an exhibition of their furniture designs at the Museum of Modern Art (MoMA) in New York. After that it took off. They entered into an agreement with The Herman Miller Company, who began producing their furniture. In 1957, Vitra entered into a licensing agreement with Herman Miller and began production of Charles and Ray Eames designs for Europe and the Middle East. It was the start of Vitra's furniture production, which is why the Eames couple have had a large influence on Vitra as a design company, and their values ​​and objectives permeate Vitra even to this day.

EUR 436.00
2

Vitra Prismatic Coffee Table Dark Gray

Vitra Prismatic Coffee Table Dark Gray

The Prismatic Table, created by Isamu Noguchi, is based on a strict geometric idiom. This original side table has three legs and a hexagonal top, made of folded aluminum sheet, drawing inspiration from the traditional Japanese paper folding technique. Noguchi designed this side table as more than just a functional piece of furniture, but as a piece of art that can act as an eye-catching element in the middle of the room. The table, made of coated aluminum, appears simple without unnecessary details or excessive colour. It is unusual, but in a discreet way, combining functionality and simplicity in a modern minimalist design.

EUR 732.00
2

Vitra Prismatic Coffee Table Light Gray

Vitra Prismatic Coffee Table Light Gray

The Prismatic Table, created by Isamu Noguchi, is based on a strict geometric idiom. This original side table has three legs and a hexagonal top, made of folded aluminum sheet, drawing inspiration from the traditional Japanese paper folding technique. Noguchi designed this side table as more than just a functional piece of furniture, but as a work of art that can act as an eye-catching element in the middle of the room. The table, made of coated aluminum, appears simple without unnecessary details or excessive colour. It is unusual, but in a discreet way, combining functionality and simplicity in a modern minimalist design.

EUR 732.00
2

Vitra Prismatic Coffee Table Gray

Vitra Prismatic Coffee Table Gray

The Prismatic Table, created by Isamu Noguchi, is based on a strict geometric idiom. This original side table has three legs and a hexagonal top, made from folded aluminum sheet, drawing inspiration from the traditional Japanese paper folding technique. Noguchi designed this side table as more than just a functional piece of furniture, but as a work of art that can act as an eye-catching element in the middle of the room. The table, made of coated aluminum, appears simple without unnecessary details or excessive colour. It is unusual, but in a discreet way, combining functionality and simplicity in a modern minimalist design.

EUR 732.00
2

Vitra Hang It All Coat Rack Red Multitone/Red

Vitra Hang It All Coat Rack Red Multitone/Red

Design: Charles & Ray Eames, 1953 Concept: The Hang It All coat rack was designed by Charles and Ray Eames in 1965 and was originally intended for children's clothing, but due to its colorful palette and playful design, it appealed just as much to adults. The 14 wooden balls can hold a large amount of clothes, towels or accessories and give the coat rack a lively charm for the hallway or the children's room. The Hang It All knuckle row is available in different colors and material contexts, so there is something for every decor. About the designers: The couple Charles Ormond Eames Jr. (1907-1978) and Bernice Alexandra "Ray" Eames, born Kaiser, (1912-1988) were American designers. With each their background within resp. industrial furniture design (Charles) and art (Ray) they met in 1940 at the Cranbrook Academy of Art in Detroit. In 1941, they married and began experimenting with three-dimensional molded plywood, with the goal of producing affordable and comfortable chairs. Due to World War II, their experimental work was interrupted and only resumed in 1946, when they presented an exhibition of their furniture designs at the Museum of Modern Art (MoMA) in New York. Then it picked up speed. They entered into an agreement with The Herman Miller Company, which began producing their furniture. In 1957, Vitra entered into a licensing agreement with Herman Miller and began production of Charles and Ray Eames' designs for Europe and the Middle East. It was the start of Vitra's furniture production, which is why the Eames couple has had a large influence on Vitra as a design company and their values and goals permeate even Vitra to this day.

EUR 342.00
2

Vitra Hang It All Coat Rack Pine/White

Vitra Hang It All Coat Rack Pine/White

Design: Charles & Ray Eames, 1953 Concept: The Hang It All coat rack was designed by Charles and Ray Eames in 1965 and was originally intended for children's clothing, but due to its colorful palette and playful design, it appealed just as much to adults. The 14 wooden balls can hold a large amount of clothes, towels or accessories and give the coat rack a lively charm for the hallway or the children's room. The Hang It All knuckle row is available in different colors and material contexts, so there is something for every decor. About the designers: The couple Charles Ormond Eames Jr. (1907-1978) and Bernice Alexandra "Ray" Eames, born Kaiser, (1912-1988) were American designers. With each their background within resp. industrial furniture design (Charles) and art (Ray) they met in 1940 at the Cranbrook Academy of Art in Detroit. In 1941, they married and began experimenting with three-dimensional molded plywood, with the goal of producing affordable and comfortable chairs. Due to World War II, their experimental work was interrupted and only resumed in 1946, when they presented an exhibition of their furniture designs at the Museum of Modern Art (MoMA) in New York. Then it picked up speed. They entered into an agreement with The Herman Miller Company, which began producing their furniture. In 1957, Vitra entered into a licensing agreement with Herman Miller and began production of Charles and Ray Eames' designs for Europe and the Middle East. It was the start of Vitra's furniture production, which is why the Eames couple has had a large influence on Vitra as a design company and their values and goals permeate even Vitra to this day.

EUR 342.00
2

Vitra Hang It All Coat Rack Walnut/ Chocolate

Vitra Hang It All Coat Rack Walnut/ Chocolate

Design: Charles & Ray Eames, 1953 Concept: The Hang It All coat rack was designed by Charles and Ray Eames in 1965 and was originally intended for children's clothing, but due to its colorful palette and playful design, it appealed just as much to adults. The 14 wooden balls can hold a large amount of clothes, towels or accessories and give the coat rack a lively charm for the hallway or the children's room. The Hang It All knuckle row is available in different colors and material contexts, so there is something for every decor. About the designers: The couple Charles Ormond Eames Jr. (1907-1978) and Bernice Alexandra "Ray" Eames, born Kaiser, (1912-1988) were American designers. With each their background within resp. industrial furniture design (Charles) and art (Ray) they met in 1940 at the Cranbrook Academy of Art in Detroit. In 1941, they married and began experimenting with three-dimensional molded plywood, with the goal of producing affordable and comfortable chairs. Due to World War II, their experimental work was interrupted and only resumed in 1946, when they presented an exhibition of their furniture designs at the Museum of Modern Art (MoMA) in New York. Then it picked up speed. They entered into an agreement with The Herman Miller Company, which began producing their furniture. In 1957, Vitra entered into a licensing agreement with Herman Miller and began production of Charles and Ray Eames' designs for Europe and the Middle East. It was the start of Vitra's furniture production, which is why the Eames couple has had a large influence on Vitra as a design company and their values and goals permeate even Vitra to this day.

EUR 342.00
2

Vitra Hang It All Coat Rack White Multitone/White

Vitra Hang It All Coat Rack White Multitone/White

Design: Charles & Ray Eames, 1953 Concept: The Hang It All coat rack was designed by Charles and Ray Eames in 1965 and was originally intended for children's clothing, but due to its colorful palette and playful design, it appealed just as much to adults. The 14 wooden balls can hold a large amount of clothes, towels or accessories and give the coat rack a lively charm for the hallway or the children's room. The Hang It All knuckle row is available in different colors and material contexts, so there is something for every decor. About the designers: The couple Charles Ormond Eames Jr. (1907-1978) and Bernice Alexandra "Ray" Eames, born Kaiser, (1912-1988) were American designers. With each their background within resp. industrial furniture design (Charles) and art (Ray) they met in 1940 at the Cranbrook Academy of Art in Detroit. In 1941, they married and began experimenting with three-dimensional molded plywood, with the goal of producing affordable and comfortable chairs. Due to World War II, their experimental work was interrupted and only resumed in 1946, when they presented an exhibition of their furniture designs at the Museum of Modern Art (MoMA) in New York. Then it picked up speed. They entered into an agreement with The Herman Miller Company, which began producing their furniture. In 1957, Vitra entered into a licensing agreement with Herman Miller and began production of Charles and Ray Eames' designs for Europe and the Middle East. It was the start of Vitra's furniture production, which is why the Eames couple has had a large influence on Vitra as a design company and their values and goals permeate even Vitra to this day.

EUR 342.00
2