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Educators at the Bargaining Table - Todd A. Demitchell - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Educators at the Bargaining Table - Todd A. Demitchell - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Educators at the Bargaining Table provides a roadmap for understanding the path of bargaining for those who have not sat at the table. For those beginning bargainers and experienced at the ebb and flow of table talk, this book provides signposts and practical applications for bargaining. There is something for all educators, teachers and administrators, early career and experienced educators to learn and apply from this book.

DKK 511.00
1

Educators at the Bargaining Table - Todd A. Demitchell - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Educators at the Bargaining Table - Todd A. Demitchell - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Educators at the Bargaining Table provides a roadmap for understanding the path of bargaining for those who have not sat at the table. For those beginning bargainers and experienced at the ebb and flow of table talk, this book provides signposts and practical applications for bargaining. There is something for all educators, teachers and administrators, early career and experienced educators to learn and apply from this book.

DKK 277.00
1

Writing for TV and Radio - Sue Teddern - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Writing for TV and Radio - Sue Teddern - Bog - Bloomsbury Publishing Plc - Plusbog.dk

This essential companion offers invaluable insights and solid, practical guidance to those keen to write for TV and radio. PART 1 explores the nature of the media. It looks at the history of writing drama and comedy for radio and TV through a consideration of its key elements and some of the most successful dramas and comedies of past and present. PART 2 includes reflections and tips from award-winning writers of film, television and radio from the UK, the US and Scandinavia: Sam Bain, Peter Bowker, Elly Brewer, Laura Eason, Ellen Fairey, Nick Fisher, Phil Ford, Jeppe Gjervig Gram, Katie Hims, Rachel Joyce, Marcy Kahan, Rebecca Lenkiewicz, Jan McVerry, Jonathan Myerson, Hattie Naylor, Richard Nelson, Andrew Nickolds, Georgia Pritchett, Mike Walker and Stephen Wyatt. PART 3 offers practical advice on technical aspects of writing for TV and radio including character development, structure and dialogue. It also gives guidance on how to deal with branches of the broadcasting industry, from agents and actors to producers and script editors.

DKK 276.00
1

Whiteness at the Table - - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Whiteness at the Table - - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Antiracist work in education has proceeded as if the only social relation at issue is the one between white people and people of color. But what if our antiracist efforts are being undermined by unexamined difficulties and struggles among white people?Whiteness at the Table examines whiteness in the lived experiences of young children, family members, students, teachers, and school administrators. It focuses on racism and antiracism within the context of relationships. Its authors argue that we cannot read or understand whiteness as a phenomenon without attending to the everyday complexities and conflicts of white people’s lives.This edited volume is entitled Whiteness at the Table, then, for at least three reasons. First, the title evokes the origins of this book in the ongoing storytelling and theorizing of the Midwest Critical Whiteness Collective—a small collective of antiracist educators, scholars, and activists who have been gathering at its founders’ dining room table for almost a decade.Second, the book’s authors are theorizing whiteness not just in terms of structural aspects of white power, but in terms of how whiteness is reproduced and challenged in the day-to-day interactions and relationships of white people. In this sense, whiteness is always already at the table, and this book seeks to illuminate how and why this is so.Finally, one of the primary aims of Whiteness at the Table is to persuade white people of their moral and political responsibility to bring whiteness—as an explicit topic, as perhaps the most important problem to be solved at this historical moment—to the table. This responsibility to theorize and combat whiteness cannot and should not fall only to people of color.

DKK 395.00
1

Reality TV - Mark Andrejevic - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Reality TV - Mark Andrejevic - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Drawing on cultural theory and interviews with fans, cast members and producers, this book places the reality TV trend within a broader social context, tracing its relationship to the development of a digitally enhanced, surveillance-based interactive economy and to a savvy mistrust of mediated reality in general. Surveying several successful reality TV formats, the book links the rehabilitation of ''Big Brother'' to the increasingly important economic role played by the work of being watched. The author enlists critical social theory to examine how the appeal of ''the real'' is deployed as a pervasive but false promise of democratization.

DKK 433.00
1

TV - Professor Or Dr. Susan (professor Emeritus Bordo - Bog - Bloomsbury Publishing Plc - Plusbog.dk

TV - Professor Or Dr. Susan (professor Emeritus Bordo - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Once upon a time, the news was only 15 minutes long and middle-class families huddled around a tiny black-and-white screen, TV dinners on their laps, awaiting weekly sitcoms that depicted an all-white world in which mom wore pearls and heels as she baked endless pies. If this seems a distant past, that’s a measure of just how much TV has changed—and changed us. Weaving together personal memoir, social and political history, and reflecting on key moments in the history of news broadcasting and prime time entertainment, Susan Bordo opens up the 75-year-old time-capsule that is TV and illustrates what a constant companion and dominant cultural force television has been, for good and for bad, in carrying us from the McCarthy hearings and The Adventures of Ozzie and Harriet to Mad Men , Killing Eve , and the emergence of our first reality TV president.Object Lessons is published in partnership with an essay series in The Atlantic .

DKK 140.00
1

Better Living through TV - - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Better Living through TV - - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Watching television need not be a passive activity or simply for entertainment purposes. Television can be the site of important identity work and moral reflection. Audiences can learn about themselves, what matters to them, and how to relate to others by thinking about the implicit and explicit moral messages in the shows they watch. Better Living through TV: Contemporary TV and Moral Identity Formation analyzes the possibility of identifying and adopting moral values from television shows that aired during the latest Golden Era of television and Peak TV. The diversity of shows and approaches to moral becoming demonstrate how television during these eras took advantage of new technologies to become more film-like in both production quality and content. The increased depth of characterization and explosion of content across streaming and broadcast channels gave viewers a diversity of worlds and moral values to explore. The possibility of finding a moral in the stories told on popular shows such as The Sopranos, Breaking Bad, The Wire, and The Good Place, as well as lesser known shows such as Letterkenny and The Unicorn, are explored in a way that centers television viewing as a site for moral identity formation.

DKK 962.00
1

Better Living through TV - - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Better Living through TV - - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Watching television need not be a passive activity or simply for entertainment purposes. Television can be the site of important identity work and moral reflection. Audiences can learn about themselves, what matters to them, and how to relate to others by thinking about the implicit and explicit moral messages in the shows they watch. Better Living through TV: Contemporary TV and Moral Identity Formation analyzes the possibility of identifying and adopting moral values from television shows that aired during the latest Golden Era of television and Peak TV. The diversity of shows and approaches to moral becoming demonstrate how television during these eras took advantage of new technologies to become more film-like in both production quality and content. The increased depth of characterization and explosion of content across streaming and broadcast channels gave viewers a diversity of worlds and moral values to explore. The possibility of finding a moral in the stories told on popular shows such as The Sopranos, Breaking Bad, The Wire, and The Good Place, as well as lesser known shows such as Letterkenny and The Unicorn, are explored in a way that centers television viewing as a site for moral identity formation.

DKK 355.00
1

Home and Sense of Belonging among Iraqi Kurds in the UK - Ali Zalme - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Home and Sense of Belonging among Iraqi Kurds in the UK - Ali Zalme - Bog - Bloomsbury Publishing Plc - Plusbog.dk

In Home and Sense of Belonging among Iraqi Kurds in the UK , Ali Zalme explores how Iraqi Kurdish generations in the UK conceptualise home and belonging. Zalme challenges the essentialist and nationalist approach that often dominates discussions of diasporic community research, instead promoting perspectives from individuals’ experiences and their social practices. Home and Sense of Belonging investigates the Iraqi Kurdish community using a bottom-up approach, analyzing the new generation of Kurdish immigrants in the UK as a new culture with complex practices and rituals of their own. Throughout the book, Ali Zalme focuses on lived experiences from Iraqi Kurdish diasporic communities in the United Kingdom and acknowledges the diversity of both gender and generational distinctions. Using an autoethnographic approach and interviews with Iraqi Kurdish immigrants in the UK, Zalme questions the homogeneity of Kurdishness and examines its particularities in diaspora.

DKK 754.00
1

Teachers at the Table - Annalee G. Good - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Teachers at the Table - Annalee G. Good - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Teachers at the Table is based on the simple premise that policy matters in education and teachers matter to policy. Policy reflects and shapes society’s beliefs about schools, teachers, children, learning, and society, as well as the power structures embedded in our communities and decision-making processes. If policy is a public response to perceived social problems, it matters who is at the table when the problems are defined, the agendas set, and the policy itself designed. Although teachers may be central to the implementation of education policy, they are marginal to the design of it, especially around issues of teaching and learning. In short, teachers are not at the table. This is important because the lack of teacher voice in educational policymaking disconnects the goals and design of education policy from the actual lived challenges of implementing it. This book draws on a qualitative case study with both practicing and pre-service teachers involved in a policy advocacy professional development program. Findings from the study illustrate norms and routines (the nature of teachers’ work, hierarchy of authority and professional status) that act as barriers to teacher involvement in policy creation. The book then follows with clear examples of teacher “pushback” against these same norms and details the conditions under which teachers can interact in authentic ways with decision making structures in schools and policy. Teachers at the Table is a unique examination into these dynamics, informing the critical efforts of teacher leaders to participate in educational policy creation, and helps us to understand, and more importantly, act upon the structures around teachers to better support their involvement in policymaking – with the ultimate goal of producing better educational policy that is more relevant and responsive to the youth, educators, families, and communities it serves.

DKK 373.00
1

Hollywood Divas, Indie Queens, and TV Heroines - Susanne Kord - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Hollywood Divas, Indie Queens, and TV Heroines - Susanne Kord - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Hollywood Divas, Indie Queens, and TV Heroines offers an entertaining and critical look at the representation of women in recent movies. Written in a refreshingly accessible style, the book analyzes over thirty box-office hits. The authors explore the screen personae of top stars such as Julia Roberts, Sandra Bullock, Meg Ryan, and Renée Zellweger, as well as independent movie queens like Parker Posey and TV heroines like Sarah Michelle Gellar of Buffy the Vampire Slayer. A must-read book for all film buffs who are tired of the mixed gender messages of mainstream culture.

DKK 355.00
1

The Aesthetics of Nostalgia TV - Alex Bevan - Bog - Bloomsbury Publishing Plc - Plusbog.dk

The Aesthetics of Nostalgia TV - Alex Bevan - Bog - Bloomsbury Publishing Plc - Plusbog.dk

The Aesthetics of Nostalgia TV explores the aesthetic politics of nostalgia for 1950s and 60s America on contemporary television. Specifically, it looks at how nostalgic TV production design shapes and is shaped by larger historical discourses on gender and technological change, and America’s perceived decline as a global power. Alex Bevan argues that the aesthetics of nostalgic TV tell stories of their own about historical decline and progress, and the place of the baby boomer television suburb in American national memory. She contests theories on nostalgia that see it as stagnating, regressive, or a reversion to outdated gender and racial politics, and the technophobic longing for a bygone era; and, instead, argues nostalgia is an important form of historical memory and vehicle for negotiating periods of historical transition. The book addresses how and why the shows construct the boomer era as a placeholder for gender, racial, technological, and declensionist discourses of the present. The book uses Mad Men (AMC, 2007-2015), Ugly Betty (ABC, 2006-2010), Desperate Housewives (ABC, 2004-2012), and film remakes of 1950s and 60s family sitcoms as primary case studies.

DKK 395.00
1

The Eternal Table - Karima Moyer Nocchi - Bog - Bloomsbury Publishing Plc - Plusbog.dk

The Eternal Table - Karima Moyer Nocchi - Bog - Bloomsbury Publishing Plc - Plusbog.dk

The Eternal Table: A Cultural History of Food in Rome is the first concise history of the food, gastronomy, and cuisine of Rome spanning from pre-Roman to modern times. It is a social history of the Eternal City seen through the lens of eating and feeding, as it advanced over the centuries in a city that fascinates like no other. The history of food in Rome unfolds as an engaging and enlightening narrative, recounting the human partnership with what was raised, picked, fished, caught, slaughtered, cooked, and served, as it was experienced and perceived along the continuum between excess and dearth by Romans and the many who passed through. Like the city itself, Rome’s culinary history is multi-layered, both vertically and horizontally, from migrant shepherds to the senatorial aristocracy, from the papal court to the flow of pilgrims and Grand Tourists, from the House of Savoy and the Kingdom of Italy to Fascism and the rise of the middle classes. The Eternal Table takes the reader on a culinary journey through the city streets, country kitchens, banquets, markets, festivals, osterias, and restaurants illuminating yet another facet of one of the most intriguing cities in the world.

DKK 373.00
1

Why TV Is Not Our Fault - Eileen R. Meehan - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Why TV Is Not Our Fault - Eileen R. Meehan - Bog - Bloomsbury Publishing Plc - Plusbog.dk

For more than five decades, we''ve been told by pundits, commentators, advertisers, scholars, and politicians that television is both a window on the world and a mirror reflecting our culture. We''ve been led to believe that it shows us the world''s events through news programs and, through entertainment programs, reflects the preferences, values, beliefs, and understandings shared by most Americans. We''re told that if you don''t like what you see on TV, don''t blame the industry, blame yourself. This book dispels the myth that the television industry is just giving viewers the programming they want to see and, thus, we as viewers are "responsible" for the existence of shows like Fear Factor and yet another Survivor. In fact, Eileen Meehan explains, viewers exert no demand in the market for ratings, advertising slots, program production, or telecasting. She also counters the idea that TV programs reflect our culture directly. Introducing us to the political economy of television, Meehan covers programming, corporate strategies, advertising, the misnomer of "competition" among networks, and organizations that seek more industry accountability. She tells us why TV isn''t our fault—and who''s really to blame.

DKK 312.00
1

Concept TV - Luca Bandirali - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Concept TV - Luca Bandirali - Bog - Bloomsbury Publishing Plc - Plusbog.dk

What is a television series? A widespread answer takes it to be a totality of episodes and seasons. Luca Bandirali and Enrico Terrone argue against this characterization. In Concept TV: An Aesthetics of Television Series, they contend that television series are concepts that manifest themselves through episodes and seasons, just as works of conceptual art can manifest themselves through installations or performances. In this sense, a television series is a conceptual narrative, a principle of construction of similar narratives. While the film viewer directly appreciates a narrative made of images and sounds, the TV viewer relies on images and sounds to grasp the conceptual narrative that they express. Here lies the key difference between television and film. Reflecting on this difference paves the way for an aesthetics of television series that makes room for their alleged prolixity, their tendency to repetition, and their lack of narrative closure. Bandirali and Terrone shed light on the specific ways in which television series are evaluated, arguing that some apparent flaws of them are, indeed, aesthetic merits when considered from a conceptual perspective. Hence, to maximize the aesthetic value of television series, one should not assess them in the same framework in which films are assessed but rather in this new conceptual framework.

DKK 719.00
1

Concept TV - Luca Bandirali - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Concept TV - Luca Bandirali - Bog - Bloomsbury Publishing Plc - Plusbog.dk

What is a television series? A widespread answer takes it to be a totality of episodes and seasons. Luca Bandirali and Enrico Terrone argue against this characterization. In Concept TV: An Aesthetics of Television Series, they contend that television series are concepts that manifest themselves through episodes and seasons, just as works of conceptual art can manifest themselves through installations or performances. In this sense, a television series is a conceptual narrative, a principle of construction of similar narratives. While the film viewer directly appreciates a narrative made of images and sounds, the TV viewer relies on images and sounds to grasp the conceptual narrative that they express. Here lies the key difference between television and film. Reflecting on this difference paves the way for an aesthetics of television series that makes room for their alleged prolixity, their tendency to repetition, and their lack of narrative closure. Bandirali and Terrone shed light on the specific ways in which television series are evaluated, arguing that some apparent flaws of them are, indeed, aesthetic merits when considered from a conceptual perspective. Hence, to maximize the aesthetic value of television series, one should not assess them in the same framework in which films are assessed but rather in a distinct conceptual framework.

DKK 312.00
1

Crime in TV, the News, and Film - Beth E. Adubato - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Crime in TV, the News, and Film - Beth E. Adubato - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Crime in TV, the News, and Film provides a fresh look at the interplay between criminal events and the media outlets that cover them. The authors’ diverse backgrounds— a criminologist researcher, a documentarian and media professor, a police officer, and a criminologist who is a former TV reporter— allow for frank discussion. Combining field experience with criminological research, the book gives insight to the everyday media operations that can produce most people’s views on crime and profoundly influence public opinion— public opinion that often frames public policy. Viewers of crime dramas and consumers of news will gain a new understanding of the way their programs are produced. Readers will become more aware of the issues and biases that sometimes cloud perceptions of crime and criminals. Finally, both experts and scholars interested in the subject will improve their discernment of media stories and media depictions, shining a light on crime in a hazy field. This book can be used in the classroom for an array of courses in the fields of media and communications, criminology, sociology, and more.

DKK 312.00
1

At the Table - - Bog - Bloomsbury Publishing Plc - Plusbog.dk

At the Table - - Bog - Bloomsbury Publishing Plc - Plusbog.dk

What''s for dinner? Not just in America, but around the world? And how is it cooked, what''s the historical significance of that food, how is it served and consumed, and who gets to clean up? This book provides fascinating insight into how dinner is defined in countries around the world. Almost universally, "dinner" is a key meal in most countries around the world, whether it be a simple dish of rice and beans, a slice of pizza on the go, or a multi-course formal meal. What do the specifics of how a meal is eaten—by hand instead of with utensils, for example—say about a specific culture? This fascinating one-volume reference guide examines all aspects of dinner in international settings, enabling insightful cross-cultural comparisons and an understanding of the effects of modernization and globalization on food habits.Some 50 countries are covered in chapters focusing on present-day meal habits in Europe, Asia, the Middle East, Africa, and North and South America. The commentary covers everything about the meal, such as the time, the cooking and preparation, shopping for ingredients, the clean-up process, gender-based participation roles, conversation or other social interactions, and etiquette—just about everything that happens at the table. The book is ideal for classroom teaching and learning, as the entries and photos are conducive to teaching students about other cultures, directly supporting the National Geography Standards. Students will be able to make informed comparisons between their own lives and the various cultural experiences described in the book.

DKK 899.00
1

Native Americans on Network TV - Michael Ray Fitzgerald - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Native Americans on Network TV - Michael Ray Fitzgerald - Bog - Bloomsbury Publishing Plc - Plusbog.dk

The American Indian has figured prominently in many films and television shows, portrayed variously as a villain, subservient friend, or a hapless victim of progress. Many Indian stereotypes that were derived from European colonial discourse—some hundreds of years old—still exist in the media today. Even when set in the contemporary era, novels, films, and programs tend to purvey rehashed tropes such as Pocahontas or man Friday. In Native Americans on Network TV: Stereotypes, Myths, and the “Good Indian,” Michael Ray FitzGerald argues that the colonial power of the U.S. is clearly evident in network television’s portrayals of Native Americans. FitzGerald contends that these representations fit neatly into existing conceptions of colonial discourse and that their messages about the “Good Indian” have become part of viewers’ understandings of Native Americans. In this study, FitzGerald offers close examinations of such series as The Lone Ranger, Daniel Boone, Broken Arrow, Hawk, Nakia, and Walker, Texas Ranger. By examining the traditional role of stereotypes and their functions in the rhetoric of colonialism, the volume ultimately offers a critical analysis of images of the “Good Indian”—minority figures that enforce the dominant group’s norms. A long overdue discussion of this issue, Native Americans on Network TV will be of interest to scholars of television and media studies, but also those of Native American studies, subaltern studies, and media history.

DKK 950.00
1

The American Civil War on Film and TV - - Bog - Bloomsbury Publishing Plc - Plusbog.dk

The American Civil War on Film and TV - - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Whether on the big screen or small, films featuring the American Civil War are among the most classic and controversial in motion picture history. From D. W. Griffith’s Birth of a Nation (1915) to Free State of Jones (2016), the war has provided the setting, ideologies, and character archetypes for cinematic narratives of morality, race, gender, and nation, as well as serving as historical education for a century of Americans.In The American Civil War on Film and TV: Blue and Gray in Black and White and Color, Douglas Brode, Shea T. Brode, and Cynthia J. Miller bring together nineteen essays by a diverse array of scholars across the disciplines to explore these issues. The essays included here span a wide range of films, from the silent era to the present day, including Buster Keaton’s The General (1926), Red Badge of Courage (1951), Glory (1989), Gettysburg (1993), and Cold Mountain (2003), as well as television mini-series The Blue and The Gray (1982) and John Jakes’ acclaimed North and South trilogy (1985-86).As an accessible volume to dedicated to a critical conversation about the Civil War on film, The American Civil War on Film and TV will appeal to not only to scholars of film, military history, American history, and cultural history, but to fans of war films and period films, as well.

DKK 390.00
1

HIV on TV - Malynnda A. Johnson - Bog - Bloomsbury Publishing Plc - Plusbog.dk

HIV on TV - Malynnda A. Johnson - Bog - Bloomsbury Publishing Plc - Plusbog.dk

In the 80’s and 90’s it was Designing Women and The Real World, today it’s Grey’sAnatomy and How to Get Away with Murder. 35 years since HIV hit prime time it remains a hot topic for TV producers to include in storylines. While the motivationbehind creating an HIV narrative is sometimes the disseminate facts about HIV and STIs, farmore often it is the sexy ratings a show can receive by including a “taboo” or controversial topic. As a result, while some education is provided to audiences, far more shows are found only perpetuating misinformation and stereotypes. As a result viewers, young populations especially,continue to believe they are not at risk.HIV on TV: Popular Culture’s Epidemic offers a discussion of how HIV haspermeated popular culture. News broadcasts, movies, television shows, even musiclyrics have imbedded messages about HIV. Examining over 35-years of the HIV evolution on television this book offers a critical lens for examining how medial topics, specifically HIV, are covered in the media. Cutting across three common genres (news, drama, and comedy), characterizations, contexts, and themes are critically analyzed to uncover what each genre has contributed to audience’s understanding of risk, and what it is like to live with HIV. In total, the book offers three perspectives of the lessons presented about HIV. First, is the view from the screen; asking what the characters themselves say to the viewer. Second the book shares results from interviews with viewers themselves who have recalled seeing the shows mentioned. Finally, the book offers thoughts and reflections from writers, producers, and actors involved in the narratives. Providing the greatest insight, an interview with Daniel Franzese (Mean Girls, Road to Recovery, Looking) offers his experience in playing multiple roles as someone living with HIV and a challenge to media writers to be cautious in how they choose to write HIV into a storyline.

DKK 788.00
1

Voices From Around the IEP Table - Karrin Lukacs - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Voices From Around the IEP Table - Karrin Lukacs - Bog - Bloomsbury Publishing Plc - Plusbog.dk

When a group meets to discuss a student’s Individualized Education Program (IEP), they are called a team, but they rarely understand the perspectives of the people with whom they are sitting at the table. This is especially true when cultural and linguistic diversity is part of the equation. This unique book explores the individual perspectives of IEP meeting participants who work with students who are culturally and linguistically diverse (CLD). Authors interviewed a principal, a general education teacher, a special education teacher, a teacher of English for Speakers of Other Languages (ESOL), an educational advocate, a disability rights attorney, a parent, a translator, a school psychologist, a specialist, a transition services specialist, and a guidance counselor. Their experiences provide critical insight for those seeking to realize the potential of these sometimes marginalized students. Interviews examined the dynamics of home-school communication, IEP meetings, and cross-cultural interactions. The perspectives shared in this book relate to known best practices and also provide practical suggestions for improving the experiences of teams serving the CLD population.

DKK 269.00
1

Voices From Around the IEP Table - Karrin Lukacs - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Voices From Around the IEP Table - Karrin Lukacs - Bog - Bloomsbury Publishing Plc - Plusbog.dk

When a group meets to discuss a student’s Individualized Education Program (IEP), they are called a team, but they rarely understand the perspectives of the people with whom they are sitting at the table. This is especially true when cultural and linguistic diversity is part of the equation. This unique book explores the individual perspectives of IEP meeting participants who work with students who are culturally and linguistically diverse (CLD). Authors interviewed a principal, a general education teacher, a special education teacher, a teacher of English for Speakers of Other Languages (ESOL), an educational advocate, a disability rights attorney, a parent, a translator, a school psychologist, a specialist, a transition services specialist, and a guidance counselor. Their experiences provide critical insight for those seeking to realize the potential of these sometimes marginalized students. Interviews examined the dynamics of home-school communication, IEP meetings, and cross-cultural interactions. The perspectives shared in this book relate to known best practices and also provide practical suggestions for improving the experiences of teams serving the CLD population.

DKK 468.00
1

The Switch Image - Lorenz Engell - Bog - Bloomsbury Publishing Plc - Plusbog.dk

The Switch Image - Lorenz Engell - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Television is the most powerful system of images in the late 20th and early 21st centuries. Nonetheless, TV has attained only little philosophical attention so far, especially compared to other (visual) media such as film. This book looks at TV as what happens on the screen and beyond it; which is mainly the operation of switching images. It therefore proposes a new definition of TV as the first picture that can be switched on, off, and over, which stresses that TV is more tactile than visual. Through the operation of switching, TV figures the world from within and as the course of its figuration. This is grasped here by the term of “ontography”. Through the ongoing interlacing and bridging of “TV 1.0” (the image is being switched) and “TV 2.0” (the image is a switch), TV exponentially increases the production and circulation of images. It transforms the world and itself from an analogue state to a digital one and from central perspectivism to pluri-perspective. In terms of time, through switching and the switch, it develops and reworks new temporal orderings, such as instantaneity, synchronicity, flow, and seriality. TV makes its own history. In space, it creates a mediasphere as its habitat and hence new forms of being-in-the-world, of proximity and distance, and scale. Anthropologically, it works on what a subject and an object is, on what makes the human being, and ontographically, how it is possible that there is something at all instead of nothing: through switch-images.

DKK 354.00
1