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Sounds of Vacation - - Bog - Duke University Press - Plusbog.dk

Sounds of Vacation - - Bog - Duke University Press - Plusbog.dk

The contributors to Sounds of Vacation examine the commodification of music and sound at popular vacation destinations throughout the Caribbean in order to tease out the relationships between political economy, hospitality, and the legacies of slavery and colonialism. Drawing on case studies from Barbados, the Bahamas, Guadeloupe, Saint Martin, and Saint Lucia, the contributors point to the myriad ways live performances, programmed music, and the sonic environment heighten tourists' pleasurable vacation experience. They explore, among other topics, issues of authenticity in Bahamian music; efforts to give tourists in Barbados peace and quiet at a former site of colonial violence; and how resort soundscapes extend beyond music to encompass the speech accents of local residents. Through interviews with resort managers, musicians, and hospitality workers, the contributors also outline the social, political, and economic pressures and interests that affect musical labor and the social encounters of musical production. In so doing, they prompt a rethinking of how to account for music and sound's resonances in postcolonial spaces. Contributors. Jerome Camal, Steven Feld, Francio Guadeloupe, Jocelyne Guilbault, Jordi Halfman, Susan Harewood, Percy C. Hintzen, Timothy Rommen

DKK 766.00
1

Sounds of Vacation - - Bog - Duke University Press - Plusbog.dk

Sounds of Vacation - - Bog - Duke University Press - Plusbog.dk

The contributors to Sounds of Vacation examine the commodification of music and sound at popular vacation destinations throughout the Caribbean in order to tease out the relationships between political economy, hospitality, and the legacies of slavery and colonialism. Drawing on case studies from Barbados, the Bahamas, Guadeloupe, Saint Martin, and Saint Lucia, the contributors point to the myriad ways live performances, programmed music, and the sonic environment heighten tourists' pleasurable vacation experience. They explore, among other topics, issues of authenticity in Bahamian music; efforts to give tourists in Barbados peace and quiet at a former site of colonial violence; and how resort soundscapes extend beyond music to encompass the speech accents of local residents. Through interviews with resort managers, musicians, and hospitality workers, the contributors also outline the social, political, and economic pressures and interests that affect musical labor and the social encounters of musical production. In so doing, they prompt a rethinking of how to account for music and sound's resonances in postcolonial spaces. Contributors. Jerome Camal, Steven Feld, Francio Guadeloupe, Jocelyne Guilbault, Jordi Halfman, Susan Harewood, Percy C. Hintzen, Timothy Rommen

DKK 254.00
1

Apology to Apostrophe - J Fernandez - Bog - Duke University Press - Plusbog.dk

Apology to Apostrophe - J Fernandez - Bog - Duke University Press - Plusbog.dk

Who writes "I"? To whom are autobiographies addressed? What kinds of readers are inscribed in autobiographical narratives? In Apology to Apostrophe, James D. Fernandez's offers a lucid and powerful meditation on the nature of autobiographical writing through his investigation of the historical conditions and literary stagings of autobiographical writing in Spain. As Fernandez demonstrates, recent developments in critical theory provide new and fruitful approaches to autobiographical works that have long been neglected, misunderstood, or, in some cases, virtually unknown. Focusing primarily but not exclusively on nineteenth-century Spain, Fernandez exposes a rhetorical tension that often occurs in autobiographical discourse, between self-justification, or "apology," and the transcendence of this worldly impulse, or "apostrophe." This tension, he argues, is of particular interest in the case of Spain, but not peculiar to that nation, and his attention to the theoretical nature of autobiography leads to insightfl considerations of many canonical European autobiographies, including those of Saint Augustine, Rousseau, Saint Teresa, and Cardinal Newman. Considering Spanish autobiography in the context of first-person narrative in Europe and in the terms of current debates on the relationship between writing and selfhood, Apology to Apostrophe marks a significant advance in our historical understanding and critical discussion of the genre. The book will be of great value not only to Hispanists but also to those interested in autobiography and cultural history.

DKK 430.00
1

Experimenting with Ethnography - - Bog - Duke University Press - Plusbog.dk

Experimenting with Ethnography - - Bog - Duke University Press - Plusbog.dk

Experimenting with Ethnography collects twenty-one essays that open new paths for doing ethnographic analysis. The contributors-who come from a variety of intellectual and methodological traditions-enliven analysis by refusing to take it as an abstract, disembodied exercise. Rather, they frame it as a concrete mode of action and a creative practice. Encompassing topics ranging from language and the body to technology and modes of collaboration, the essays invite readers to focus on the imaginative work that needs to be performed prior to completing an argument. Whether exchanging objects, showing how to use drawn images as a way to analyze data, or working with smartphones, sound recordings, and social media as analytic devices, the contributors explore the deliberate processes for pursuing experimental thinking through ethnography. Practical and broad in theoretical scope, Experimenting with Ethnography is an indispensable companion for all ethnographers. Contributors. Patricia Alvarez Astacio, Andrea Ballestero, Ivan da Costa Marques, Steffen Dalsgaard, Endre DÁnyi, Marisol de la Cadena, Marianne de Laet, Carolina DomÍnguez GuzmÁn, Rachel Douglas-Jones, ClÉment DrÉano, Joseph Dumit, Melanie Ford Lemus, Elaine Gan, Oliver Human, Alberto CorsÍn JimÉnez, Graham M. Jones, Trine Mygind Korsby, Justine Laurent, James Maguire, George E. Marcus, Annemarie Mol, Sarah Pink, Els Roding, Markus Rudolfi, Ulrike Scholtes, Anthony Stavrianakis, Lucy Suchman, Katie Ulrich, Helen Verran, Else Vogel, Antonia Walford, Karen Waltorp, Laura Watts, Brit Ross Winthereik

DKK 238.00
1

Experimenting with Ethnography - - Bog - Duke University Press - Plusbog.dk

Experimenting with Ethnography - - Bog - Duke University Press - Plusbog.dk

Experimenting with Ethnography collects twenty-one essays that open new paths for doing ethnographic analysis. The contributors-who come from a variety of intellectual and methodological traditions-enliven analysis by refusing to take it as an abstract, disembodied exercise. Rather, they frame it as a concrete mode of action and a creative practice. Encompassing topics ranging from language and the body to technology and modes of collaboration, the essays invite readers to focus on the imaginative work that needs to be performed prior to completing an argument. Whether exchanging objects, showing how to use drawn images as a way to analyze data, or working with smartphones, sound recordings, and social media as analytic devices, the contributors explore the deliberate processes for pursuing experimental thinking through ethnography. Practical and broad in theoretical scope, Experimenting with Ethnography is an indispensable companion for all ethnographers. Contributors. Patricia Alvarez Astacio, Andrea Ballestero, Ivan da Costa Marques, Steffen Dalsgaard, Endre DÁnyi, Marisol de la Cadena, Marianne de Laet, Carolina DomÍnguez GuzmÁn, Rachel Douglas-Jones, ClÉment DrÉano, Joseph Dumit, Melanie Ford Lemus, Elaine Gan, Oliver Human, Alberto CorsÍn JimÉnez, Graham M. Jones, Trine Mygind Korsby, Justine Laurent, James Maguire, George E. Marcus, Annemarie Mol, Sarah Pink, Els Roding, Markus Rudolfi, Ulrike Scholtes, Anthony Stavrianakis, Lucy Suchman, Katie Ulrich, Helen Verran, Else Vogel, Antonia Walford, Karen Waltorp, Laura Watts, Brit Ross Winthereik

DKK 950.00
1

Queer Companions - Omar Kasmani - Bog - Duke University Press - Plusbog.dk

Queer Companions - Omar Kasmani - Bog - Duke University Press - Plusbog.dk

In Queer Companions Omar Kasmani theorizes saintly intimacy and the construction of queer social relations at Pakistan’s most important site of Sufi pilgrimage. Conjoining queer theory and the anthropology of Islam, Kasmani outlines the felt and enfleshed ways in which saintly affections bind individuals, society, and the state in Pakistan through a public architecture of intimacy. Islamic saints become lovers and queer companions just as a religious universe is made valuable to critical and queer forms of thinking. Focusing on the lives of ascetics known as fakirs in Pakistan, Kasmani shows how the affective bonds with the place’s patron saint, a thirteenth-century antinomian mystic, foster unstraight modes of living in the present. In a national context where religious shrines are entangled in the state’s infrastructures of governance, coming close to saints further entails a drawing near to more-than-official histories and public forms of affect. Through various fakir life stories, Kasmani contends that this intimacy offers a form of queer world making with saints.

DKK 270.00
1

Juan Soldado - Paul J Vanderwood - Bog - Duke University Press - Plusbog.dk

Juan Soldado - Paul J Vanderwood - Bog - Duke University Press - Plusbog.dk

Paul J. Vanderwood offers a fascinating look at the events, beliefs, and circumstances that have motivated popular devotion to Juan Soldado, a Mexican folk saint. In his mortal incarnation, Juan Soldado was Juan Castillo Morales, a twenty-four-year-old soldier convicted of and quickly executed for the rape and murder of eight-year-old Olga Camacho in Tijuana in 1938. Immediately after Morales’s death, many people began to doubt the evidence of his guilt, or at least the justice of his brutal execution. People reported seeing blood seeping from his grave and hearing his soul cry out protesting his innocence. Soon the “martyred” Morales was known as Juan Soldado, or John the Soldier. Believing that those who have died unjustly sit closest to God, people began visiting Morales’s grave asking for favors. Within months of his death, the young soldier had become a popular saint. He is not recognized by the Catholic Church, yet thousands of people have made pilgrimages to his gravesite. While Juan Soldado is well known in Tijuana, southern California’s Mexican American community, and beyond, this book is the first to situate his story within a broader exploration of how and why popular canonizations such as his take root and flourish. In addition to conducting extensive archival research, Vanderwood interviewed central actors in the events of 1938, including Olga Camacho’s mother, citizens who rioted to demand Morales’s release to a lynch mob, those who witnessed his execution, and some of the earliest believers in his miraculous powers. Vanderwood also interviewed many present-day visitors to the shrine at Morales’s grave. He describes them, their petitions—for favors such as health, a good marriage, or safe passage into the United States—and how they reconcile their belief in Juan Soldado with their Catholicism. Vanderwood puts the events of 1938 within the context of Depression-era Tijuana and he locates people’s devotion, then and now, within the history of extra-institutional religious activity. In Juan Soldado , a gripping true-crime mystery opens up into a much larger and more elusive mystery of faith and belief.

DKK 240.00
1

Juan Soldado - Paul J Vanderwood - Bog - Duke University Press - Plusbog.dk

Juan Soldado - Paul J Vanderwood - Bog - Duke University Press - Plusbog.dk

Paul J. Vanderwood offers a fascinating look at the events, beliefs, and circumstances that have motivated popular devotion to Juan Soldado, a Mexican folk saint. In his mortal incarnation, Juan Soldado was Juan Castillo Morales, a twenty-four-year-old soldier convicted of and quickly executed for the rape and murder of eight-year-old Olga Camacho in Tijuana in 1938. Immediately after Morales’s death, many people began to doubt the evidence of his guilt, or at least the justice of his brutal execution. People reported seeing blood seeping from his grave and hearing his soul cry out protesting his innocence. Soon the “martyred” Morales was known as Juan Soldado, or John the Soldier. Believing that those who have died unjustly sit closest to God, people began visiting Morales’s grave asking for favors. Within months of his death, the young soldier had become a popular saint. He is not recognized by the Catholic Church, yet thousands of people have made pilgrimages to his gravesite. While Juan Soldado is well known in Tijuana, southern California’s Mexican American community, and beyond, this book is the first to situate his story within a broader exploration of how and why popular canonizations such as his take root and flourish. In addition to conducting extensive archival research, Vanderwood interviewed central actors in the events of 1938, including Olga Camacho’s mother, citizens who rioted to demand Morales’s release to a lynch mob, those who witnessed his execution, and some of the earliest believers in his miraculous powers. Vanderwood also interviewed many present-day visitors to the shrine at Morales’s grave. He describes them, their petitions—for favors such as health, a good marriage, or safe passage into the United States—and how they reconcile their belief in Juan Soldado with their Catholicism. Vanderwood puts the events of 1938 within the context of Depression-era Tijuana and he locates people’s devotion, then and now, within the history of extra-institutional religious activity. In Juan Soldado , a gripping true-crime mystery opens up into a much larger and more elusive mystery of faith and belief.

DKK 800.00
1

Cachita's Streets - Jalane D. Schmidt - Bog - Duke University Press - Plusbog.dk

Cachita's Streets - Jalane D. Schmidt - Bog - Duke University Press - Plusbog.dk

Cuba’s patron saint, the Virgin of Charity of El Cobre, also called Cachita, is a potent symbol of Cuban national identity. Jalane D. Schmidt shows how groups as diverse as Indians and African slaves, Spanish colonial officials, Cuban independence soldiers, Catholic authorities and laypeople, intellectuals, journalists and artists, practitioners of spiritism and Santería, activists, politicians, and revolutionaries each have constructed and disputed the meanings of the Virgin. Schmidt examines the occasions from 1936 to 2012 when the Virgin''s beloved, original brown-skinned effigy was removed from her national shrine in the majority black- and mixed-race mountaintop village of El Cobre and brought into Cuba''s cities. There, devotees venerated and followed Cachita''s image through urban streets, amassing at large-scale public ceremonies in her honor that promoted competing claims about Cuban religion, race, and political ideology. Schmidt compares these religious rituals to other contemporaneous Cuban street events, including carnival, protests, and revolutionary rallies, where organizers stage performances of contested definitions of Cubanness. Schmidt provides a comprehensive treatment of Cuban religions, history, and culture, interpreted through the prism of Cachita.

DKK 242.00
1

Cachita's Streets - Jalane D. Schmidt - Bog - Duke University Press - Plusbog.dk

Cachita's Streets - Jalane D. Schmidt - Bog - Duke University Press - Plusbog.dk

Cuba’s patron saint, the Virgin of Charity of El Cobre, also called Cachita, is a potent symbol of Cuban national identity. Jalane D. Schmidt shows how groups as diverse as Indians and African slaves, Spanish colonial officials, Cuban independence soldiers, Catholic authorities and laypeople, intellectuals, journalists and artists, practitioners of spiritism and Santería, activists, politicians, and revolutionaries each have constructed and disputed the meanings of the Virgin. Schmidt examines the occasions from 1936 to 2012 when the Virgin''s beloved, original brown-skinned effigy was removed from her national shrine in the majority black- and mixed-race mountaintop village of El Cobre and brought into Cuba''s cities. There, devotees venerated and followed Cachita''s image through urban streets, amassing at large-scale public ceremonies in her honor that promoted competing claims about Cuban religion, race, and political ideology. Schmidt compares these religious rituals to other contemporaneous Cuban street events, including carnival, protests, and revolutionary rallies, where organizers stage performances of contested definitions of Cubanness. Schmidt provides a comprehensive treatment of Cuban religions, history, and culture, interpreted through the prism of Cachita.

DKK 920.00
1

Contested Histories in Public Space - - Bog - Duke University Press - Plusbog.dk

Contested Histories in Public Space - - Bog - Duke University Press - Plusbog.dk

Contested Histories in Public Space brings multiple perspectives to bear on historical narratives presented to the public in museums, monuments, texts, and festivals around the world, from Paris to Kathmandu, from the Mexican state of Oaxaca to the waterfront of Wellington, New Zealand. Paying particular attention to how race and empire are implicated in the creation and display of national narratives, the contributing historians, anthropologists, and other scholars delve into representations of contested histories at such “sites” as a British Library exhibition on the East India Company, a Rio de Janeiro shantytown known as “the cradle of samba,” the Ellis Island immigration museum, and high-school history textbooks in Ecuador. Several contributors examine how the experiences of indigenous groups and the imperial past are incorporated into public histories in British Commonwealth nations: in Te Papa, New Zealand’s national museum; in the First Peoples’ Hall at the Canadian Museum of Civilization; and, more broadly, in late-twentieth-century Australian culture. Still others focus on the role of governments in mediating contested racialized histories: for example, the post-apartheid history of South Africa’s Voortrekker Monument, originally designed as a tribute to the Voortrekkers who colonized the country’s interior. Among several essays describing how national narratives have been challenged are pieces on a dispute over how to represent Nepali history and identity, on representations of Afrocuban religions in contemporary Cuba, and on the installation in the French Pantheon in Paris of a plaque honoring Louis Delgrès, a leader of Guadeloupean resistance to French colonialism. Contributors . Paul Amar, Paul Ashton, O. Hugo Benavides, Laurent Dubois, Richard Flores, Durba Ghosh, Albert Grundlingh, Paula Hamilton, Lisa Maya Knauer, Charlotte Macdonald, Mark Salber Phillips, Ruth B. Phillips, Deborah Poole, Anne M. Rademacher, Daniel J. Walkowitz

DKK 920.00
1

The Novel and Neoliberalism - - Bog - Duke University Press - Plusbog.dk

The Novel and Neoliberalism - - Bog - Duke University Press - Plusbog.dk

How has the form of the novel responded to the conditions now grouped under the term “neoliberalism”? These conditions have generated an explosion of narrative forms that make the past two decades one of the two or three most significant periods in the history of the novel. The contributors ask whether these formal innovations can be understood as an unprecedented break from the past or the latest chapter in a process that has been playing out over the past three centuries. In response to this question, they use a range of contemporary novels to consider whether conditions of multinational capitalism limit the novel’s ability to imagine a future beyond the limits of that world. Do novels that reject the option of an alternative world nevertheless reimagine the limits of multinational capitalism as the precondition for such a future? With these concerns in mind, contributors demonstrate how major contemporary novelists challenge national traditions of the novel both in the Anglophone West and across the Global South. This collective inquiry begins with a new essay by and interview with British novelist Tom McCarthy. Contributors Nancy Armstrong, Jane Elliott, Matthew Hart, Nathan Hensley, Nicholas Huber, Jeanne-Marie Jackson, John Marx, Tom McCarthy, Vaughn Rasberry, Deisdra Reber, Lily Saint, Emilio Sauri, Rachel Greenwald Smith, Paul Stasi

DKK 146.00
1

The Libertine Colony - Doris L Garraway - Bog - Duke University Press - Plusbog.dk

The Libertine Colony - Doris L Garraway - Bog - Duke University Press - Plusbog.dk

Presenting incisive original readings of French writing about the Caribbean from the inception of colonization in the 1640s until the onset of the Haitian Revolution in the 1790s, Doris Garraway sheds new light on a significant chapter in French colonial history. At the same time, she makes a pathbreaking contribution to the study of the cultural contact, creolization, and social transformation that resulted in one of the most profitable yet brutal slave societies in history. Garraway’s readings highlight how French colonial writers characterized the Caribbean as a space of spiritual, social, and moral depravity. While tracing this critique in colonial accounts of Island Carib cultures, piracy, spirit beliefs, slavery, miscegenation, and incest, Garraway develops a theory of “the libertine colony.” She argues that desire and sexuality were fundamental to practices of domination, laws of exclusion, and constructions of race in the slave societies of the colonial French Caribbean. Among the texts Garraway analyzes are missionary histories by Jean-Baptiste Du Tertre, Raymond Breton, and Jean-Baptiste Labat; narratives of adventure and transgression written by pirates and others outside the official civil and religious power structures; travel accounts; treatises on slavery and colonial administration in Saint-Domingue; the first colonial novel written in French; and the earliest linguistic description of the native Carib language. Garraway also analyzes legislation—including the Code noir —that codified slavery and other racialized power relations. The Libertine Colony is both a rich cultural history of creolization as revealed in Francophone colonial literature and an important contribution to theoretical arguments about how literary critics and historians should approach colonial discourse and cultural representations of slave societies.

DKK 850.00
1

The Libertine Colony - Doris L Garraway - Bog - Duke University Press - Plusbog.dk

The Libertine Colony - Doris L Garraway - Bog - Duke University Press - Plusbog.dk

Presenting incisive original readings of French writing about the Caribbean from the inception of colonization in the 1640s until the onset of the Haitian Revolution in the 1790s, Doris Garraway sheds new light on a significant chapter in French colonial history. At the same time, she makes a pathbreaking contribution to the study of the cultural contact, creolization, and social transformation that resulted in one of the most profitable yet brutal slave societies in history. Garraway’s readings highlight how French colonial writers characterized the Caribbean as a space of spiritual, social, and moral depravity. While tracing this critique in colonial accounts of Island Carib cultures, piracy, spirit beliefs, slavery, miscegenation, and incest, Garraway develops a theory of “the libertine colony.” She argues that desire and sexuality were fundamental to practices of domination, laws of exclusion, and constructions of race in the slave societies of the colonial French Caribbean. Among the texts Garraway analyzes are missionary histories by Jean-Baptiste Du Tertre, Raymond Breton, and Jean-Baptiste Labat; narratives of adventure and transgression written by pirates and others outside the official civil and religious power structures; travel accounts; treatises on slavery and colonial administration in Saint-Domingue; the first colonial novel written in French; and the earliest linguistic description of the native Carib language. Garraway also analyzes legislation—including the Code noir —that codified slavery and other racialized power relations. The Libertine Colony is both a rich cultural history of creolization as revealed in Francophone colonial literature and an important contribution to theoretical arguments about how literary critics and historians should approach colonial discourse and cultural representations of slave societies.

DKK 240.00
1

The Afro-Latin@ Reader - - Bog - Duke University Press - Plusbog.dk

The Afro-Latin@ Reader - - Bog - Duke University Press - Plusbog.dk

The Afro-Latin@ Reader focuses attention on a large, vibrant, yet oddly invisible community in the United States: people of African descent from Latin America and the Caribbean. The presence of Afro-Latin@s in the United States (and throughout the Americas) belies the notion that Blacks and Latin@s are two distinct categories or cultures. Afro-Latin@s are uniquely situated to bridge the widening social divide between Latin@s and African Americans; at the same time, their experiences reveal pervasive racism among Latin@s and ethnocentrism among African Americans. Offering insight into Afro-Latin@ life and new ways to understand culture, ethnicity, nation, identity, and antiracist politics, The Afro-Latin@ Reader presents a kaleidoscopic view of Black Latin@s in the United States. It addresses history, music, gender, class, and media representations in more than sixty selections, including scholarly essays, memoirs, newspaper and magazine articles, poetry, short stories, and interviews. While the selections cover centuries of Afro-Latin@ history, since the arrival of Spanish-speaking Africans in North America in the mid-sixteenth-century, most of them focus on the past fifty years. The central question of how Afro-Latin@s relate to and experience U.S. and Latin American racial ideologies is engaged throughout, in first-person accounts of growing up Afro-Latin@, a classic essay by a leader of the Young Lords, and analyses of U.S. census data on race and ethnicity, as well as in pieces on gender and sexuality, major-league baseball, and religion. The contributions that Afro-Latin@s have made to U.S. culture are highlighted in essays on the illustrious Afro-Puerto Rican bibliophile Arturo Alfonso Schomburg and music and dance genres from salsa to mambo, and from boogaloo to hip hop. Taken together, these and many more selections help to bring Afro-Latin@s in the United States into critical view. Contributors : Afro–Puerto Rican Testimonies Project, Josefina Baéz, Ejima Baker, Luis Barrios, Eduardo Bonilla-Silva, Adrian Burgos Jr., Ginetta E. B. Candelario, Adrián Castro, Jesús Colón, Marta I. Cruz-Janzen, William A. Darity Jr., Milca Esdaille, Sandra María Esteves, María Teresa Fernández (Mariposa), Carlos Flores, Juan Flores, Jack D. Forbes, David F. Garcia, Ruth Glasser, Virginia Meecham Gould, Susan D. Greenbaum, Evelio Grillo, Pablo “Yoruba” Guzmán, Gabriel Haslip-Viera, Tanya K. Hernández, Victor Hernández Cruz, Jesse Hoffnung-Garskof, Lisa Hoppenjans, Vielka Cecilia Hoy, Alan J. Hughes, María Rosario Jackson, James Jennings, Miriam Jiménez Román, Angela Jorge, David Lamb, Aida Lambert, Ana M. Lara, Evelyne Laurent-Perrault, Tato Laviera, John Logan, Antonio López, Felipe Luciano, Louis Pancho McFarland, Ryan Mann-Hamilton, Wayne Marshall, Marianela Medrano, Nancy Raquel Mirabal, Yvette Modestin, Ed Morales, Jairo Moreno, Marta Moreno Vega, Willie Perdomo, Graciela Pérez Gutiérrez, Sofia Quintero, Ted Richardson, Louis Reyes Rivera, Pedro R. Rivera , Raquel Z. Rivera, Yeidy Rivero, Mark Q. Sawyer, Piri Thomas, Silvio Torres-Saillant, Nilaja Sun, Sherezada “Chiqui” Vicioso, Peter H. Wood

DKK 282.00
1