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Le tambourin

The series Moments Musicaux contains popular and well-known short masterpieces and transcriptions. An admitted aim of the publisher was to release high-standard editions of these popular pieces for a moderate price. Each piece of the series may be performed on violoncello solo with piano accompaniment.

Le coucou

Le coucou

Pour le piano

Viva tutte le vezzose

Le quattro stagioni op. 8 : Concertos

Le Quattro Stagioni, Op. 8 No. 1 La Primavera Rv

Le cygne pour violoncelle (ou viola) et guitare : pour violoncelle (ou viola) et guitare

This is a transcription for cello and guitar of the masterpiece of the French romantic composer which will probably prove to be a rewarding piece for performance for young music pupils. The work appears in the series 'Musica per chitarra'.

Deux Études de Concert

- Étude de concert No. 1 - Le vol du bourdon (d'après Rimsky Korsakov) - Étude de concert No. 2 - Tritsch-tratsch Polka (d'après Johann Strauss)

Le quattro stagioni op, 8 no. 4 L'inverno RV 297 : no. 4 L'inverno RV 297 (F.I. No. 25, P.V. 442)

New edition printed on quality creamy paper.

Le quattro stagioni, op. 8 no. 2. L'estate RV 31 : no. 2. L'estate RV 315 (F.I. No. 23, P.V. 336)

Le quattro stagioni, op. 8 no. 3 L'autumno RV. 2 : no. 3 L'autumno RV. 293 (F.I. No. 24, P.V. 257)

3 Sonaten

The present edition is based on the Second Livre de Sonates pour le Violon et pour la Flute traversiére printed in Paris around 1728. Of the twelve sonatas of that volume the third, fifth and eleventh sonatas are being published here since they bear the remark Cette Sonate peut ce jouer sur la Flute Allemande.

Kinderlieder aus 23 Ländern für Akkordeon : Selected and arranged by Vas Gábor

From the very beginning - we might use this expression borrowed from Microcosmos to describe this volume of selections from Gábor Vas’s most successful children’s song arrangements, ranging from the simplest, single-line harmonization to page-long little compositions that presuppose deeper knowledge, and providing accordion students with several years’ supply of showy and enjoyable performance pieces. The volume includes such popular melodies as "Sur le pont d’Avignon", "Goodbye, winter", the German "Cuckoo" and the Polish song "The cuckoo is singing".

Ausgewählte Etüden V für Klavier : zongorára

The multi-volume collection of etudes by prominent piano educator Marianne Teöke provides piano teachers and their students with essential help in developing technical versatility for playing. Each volume generally contains one year s worth of studies and features pieces by masters of older periods as well as works by contemporary composers. The etudes can be taught in many ways, either transposed or with varied articulation. The six-volume collection can serve students from the beginning of their piano studies through the 6th grade of music school. (Bertini, Czerny, Kadosa, Le Couppey, Lemoine, Maikapar, Nikolaevna, Slavicky)

Ausgewählte Etüden IV für Klavier : zongorára

The multi-volume collection of etudes by prominent piano educator Marianne Teöke provides piano teachers and their students with essential help in developing technical versatility for playing. Each volume generally contains one year s worth of studies and features pieces by masters of older periods as well as works by contemporary composers. The etudes can be taught in many ways, either transposed or with varied articulation. The six-volume collection can serve students from the beginning of their piano studies through the 6th grade of music school. Reschofsky, Behrens, Berkovic, Czerny, Duvernoy, Huszár, Kadosa, Le Couppey, Lemoine, Loeschhorn, Tetzel)

Ausgewählte Etüden III für Klavier : zongorára

The multi-volume collection of etudes by prominent piano educator Marianne Teöke provides piano teachers and their students with essential help in developing technical versatility for playing. Each volume generally contains one year s worth of studies and features pieces by masters of older periods as well as works by contemporary composers. The etudes can be taught in many ways, either transposed or with varied articulation. The six-volume collection can serve students from the beginning of their piano studies through the 6th grade of music school. Reschofsky, Clementi, Czerny, Geodicke, Gnyeszina, Golubovszkaja, Gurlitt, Kadosa, Keller, Le Couppey, Lemoine, Mozart, Papp,Schytte, Zilinskis)

Fantasie op. post., R.6 über Themen aus Mozarts F : über Themen aus Mozarts Figaro und Don Giovanni - Erstausgabe

Ferenc Liszt composed his Fantasy on themes from Mozart's two masterly operas Le nozze di Figaro and Don Giovanni by the end of 1842 or the beginning of January 1843 at the latest on the evidence that he played the piece in Berlin on 11th January 1843. The piece was not quite finished in manuscript, but the lacunae-the end of a brief transition in the closing section (bars 574-576) and the end of the work (bars 602-616)-are so insignificant that he probably tried out an improvised solution in performance. For reasons which have not come down to us Liszt never finished the manuscript and he does not seem to have played the work again.

Harold en Italie (Berlioz) und andere Werke

Volume 9 in the series of Supplements is mainly devoted to hitherto unpublished or inaccessible works. Apart from the piano score of the Berlioz symphony it contains smaller-scale late masterpieces (Excelsior!, Resignazione), the Album leaves written in Woronince in 1847, the large-scale but unfinished and not fully worked out Figaro and Don Juan fantasia, incorporating several Mozart themes, the piano piece No.1 in A flat major, two unpublished works incorrectly identified up till now by the special literature, the Maometto fantasia and the Siege de Corinthe (both transcriptions of Rossini works), and the volume also includes three other unpublished works (the Piano piece in Fmajor, the Cavatina from Robert le Diable by Meyerbeer, and Freudvoll und leidvoll, written down for Pauline von Iwanowska. The Prefaces preceding the scores, which give very accurate, detailed information about the genesis of the works, make interesting reading in themselves,

Dalok Ady E. verseire

Nicolae Bretan (1887-1968) was a great singer and composer who had the keys to create great lieder. He understood that the imagery of poetry deeply stirs the subconscious, that verbal images must be weighed and translated with precise yet unmeasurab le artistry into rhythm and harmony. Given songs that penetrate the listener's psyche, that arouse the listener's humanity, that increase the listener's sense of beauty, the singer has munch of his work already done for him. And the singer who sings Bretan is far ahead on the pathways to his audience's mind and heart. The listeners sense new doors onto vistas of order and beauty, torment and calm. This release of energy withinthe audience is the secret of art. Art is eternity's dialogue in whic h the listener participates, which the listener fills in with his own emotion, his own experience... Frederica von Stade