yves saint laurent tuxedo fra DKK 130 | Se de billigste priser og tilbud på css.lazzaweb.dk

Camille Saint-Saëns: Havanaise Op.83

Camille Saint-Saëns ' Havanaise Op.83 for Violin and Piano. Urtext edition. It is said that Camille Saint-Saëns ' was inspired to write Havanaise Op.83 after observing a crackling open fire at one of the hotels where he stayed whilst on tour with the violinist Rafael Diaz Albertini in 1885. We do not know whether, when writing the composition two years later, the Habanera (French Havanaise) with its typical two beat dance rhythms was an allusion to the Cuban origin of his friend Albertini , to whom this work is dedicated. At any rate, the composition was extremely well received from the very beginning, both in its original form and in the Orchestral version. Ingolf Turban kindly provided the bowings for the virtuoso Violin part.

DKK 186.00

1

Morceau de Concert f-moll Opus 94

As with Schumann’s "Concert Piece for four Horns" op. 86 (HN 1138) Saint-Saëns’ "Morceau de Concert" was also composed with the idea of exploiting the technical possibilities of the new valve-horn mechanism. In this case, the French horn player HenriChaussier provided the impulse. He had developed a novel “Cor omnitonique” and wanted to demonstrate the merits of his instrument with Saint-Saëns’ composition. Chaussier’s invention did not gain acceptance amongst horn players although the"Morceau de Concert" did! From today’s standpoint the popular work with one movement is not overly demanding technically; in addition, Saint-Saëns himself suggested two abridgements to simplify the piece, meaning that even advanced pupils can ventureto play it.

DKK 177.00

1

Introduction Et Rondo Capriccioso Op. 28

This highly virtuosic concert piece, composed in 1863, is one of the works that Saint-Saëns wrote especially for his friend Pablo de Sarasate. The great violin virtuosos of the 19th century delighted their audiences with it -first the dedicatee himself, then later, most notably, Eugène Ysae. It's a kind of fantasy waltz in the Spanish manner, enchanting in its effect, wrote a music critic back in 1876. Today, this work is in the repertoire of all thegreat violinists. The Henle Urtext edition is the first-ever critical edition of this work. The solo part has been annotated by Augustin Hadelich.

DKK 199.00

1

Romance in D flat major op. 37

The Romance for a melodic instrument and Piano was a very popular genre in French salon music of the nineteenth century. Saint-Saëns also wrote several such pieces for Violin, Cello, and Horn. His only Romance for Flute was composed in 1871, shortly after the Société nationale de musique had been founded. It was premiered in this new forum for Piano music and chamber works a year later, too. In spite of its brevity, the piece contains numerous harmonic and melodic refinements, which rapidly made it popular among flautists – both in the original setting with Piano accompaniment as well as in the later orchestral version. The Henle Urtext edition is the firstcritical edition of this piece, which is also very popular with learners of the Flute.

DKK 130.00

1

Klavierkonzert Nr. 4 c-moll Opus 44 : Piano Concerto no. 4 in c minor op. 44

Despite its unusual form - a structure with two sections, each comprising two movements that are to be played without interruption - this work from 1875 enjoyed great success from the start. In its balanced proportion of solo part to orchestra, it corresponds almost perfectly to the model of the “symphonic concerto” and numbers among the most popular concerti by this French composer. For the first edition of 1877, no less a figure than Gabriel Fauré undertook the piano transcription of the orchestral part - an optimal basis for Johannes Umbreit’s piano reduction for the first Urtext edition ever of this work. As for the Piano Concerti no. 2 and no. 5 already issued by Henle, Pascal Rogé, one of the greatest experts on Saint-Saëns’ piano works, also provided the fingerings for this edition.

DKK 276.00

1

Le Carnaval des animaux

Written in March 1886 as a humorous occasional work for the traditional carnival concert organized by his cellist friend Charles-Joseph Lebouc, the Carnival of the Animals was so successful that Saint-Saëns banned performances and publication soon afterwards. He was worried that this “grand zoological fantasy” - consisting of 14 short individual pieces for eleven instruments - might overshadow his serious works. Yet only five months after the composer’s death, it appeared in print after all, beginning its worldwide victory march - in its original setting as well as in numerous arrangements. Thus, the Carnival did in fact arguably become the most popular work by this French composer and, owing to its musical originality, it is also a favourite in music lessons or for school orchestra performances. With this combination of a study edition and an edition in parts (for which additional parts for larger numbers of strings may be ordered), G. Henle Publishers now presents the perfect resource for such occasions.

DKK 401.00

1

Awardvindende Google Marketing Powerhouse

Mærke

Butik