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Gabriel Fauré: Romance In A Op. 69 For Violoncello And Piano

Gabriel Fauré: Romance In A Op. 69 For Violoncello And Piano

This brief, utterly charming and tuneful piece was probably committed to paper in 1894, though Fauré based it on an older version for cello and organ. The subsequent tempo change to “Andante quasi Allegretto” made the work’s original title of “Andante” obsolete. The change of name to “Romance” was also better suited to its songlike nature. After its first performance in November 1894 the piece rapidly became popular and is a well-loved encore piece at concerts today. This “Romance” continues the Henle Urtext series of short pieces for cello by Fauré, for which we have been able to engage David Geringas to add the performance markings.

DKK 141.00
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Ludwig Van Beethoven: Sonatas For Piano And Violoncello

Ludwig Van Beethoven: Sonatas For Piano And Violoncello

Alongside Bach?s Solo Suites, a further highlight for cellists are Beethoven?s five Cello Sonatas. They were published between 1797 and 1817 and thus cover a large part of Beethoven?s compositional lifetime, mirroring important stages of his musical development. This revised edition incorporates the findings contained in the critical report of the Beethoven Complete Edition which was compiled at the same time. The Urtext edition has been re-engraved, but the proven page layout of the previous edition has been preserved. The renowned cellist David Geringas provided completely new fingerings and bowings for the cello part, which also has excellent page turns. An unmarked Urtext part is also included.

DKK 366.00
1

Camille Saint-Saëns: Sonata No.1 In C Minor Op.32

Camille Saint-Saëns: Sonata No.1 In C Minor Op.32

At the beginning of the 1870s, Camille Saint-Saëns showed a particular fondness for the Violoncello. He completed his first Cello Sonata in December 1872, immediately after finishing his first Cello Concerto. The sonata is strongly reminiscent of Beethoven, not only due to the key of c minor but also predominantly on account of its gripping dramatic art. The exceptional position of this demanding, in parts highly virtuosic sonata was quickly recognised by the public and critics and so the work soon found its way into concert repertoire. Henle's Urtext edition takes all surviving sources into account ? for the first time ever. Pascal Rogé and David Geringas kindly provided the markings for the Piano and Cello parts.

DKK 298.00
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Camille Saint-Saëns: Allegro Appassionato Op. 43 For Violoncello And Piano (Henle Urtext Edition)

Camille Saint-Saëns: Allegro Appassionato Op. 43 For Violoncello And Piano (Henle Urtext Edition)

**Not for sale outside of the UK and Commonwealth** Camille Saint-Saëns Allegro Appassionato Op. 43 for Cello and Piano. Urtext edition score. At the beginning of the 1870s, Saint-Saëns displayed a particular partiality for the Violoncello. He composed his first Cello sonata in December 1872, immediately after having completed the first Cello concerto. It was presumably directly after this that he wrote the Allegro Appassionato for Cello and Piano op. 43 that also appeared in a version for Orchestra three years later. We do not know why he wrote the work, but it is likely that after having written two weighty works for Cello, Saint-Saëns wanted to write something “easier” that was also suitable as an encore. In this Henle Urtext edition, David Geringas has kindly provided the fingering and bowing for the brilliant Cello part.

DKK 128.00
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