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Albeniz Iberia Second Book

Albeniz Iberia Second Book

The first book of Albéniz’ four-part cycle “Iberia” has already been published in an acclaimed Henle Urtext edition and many pianists are now eagerly awaiting the remaining ones. The second book in this collection of melodious portraits of Spanish places is now available. In “Rondeña”, “Almería” and “Triana” Albéniz once again fuses his knowledge of European classical music with elements of Spanish folk music, although he hardly ever directly cites the latter, but rather reinvents it in an authentic manner. The rhythmic and colourful effects will delight both players and listeners.

DKK 294.00
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Isaac Albéniz: Iberia - Third Book

Isaac Albéniz: Iberia - Third Book

Since their publication as Urtext editions, the first two volumes of ?Iberia? issued by G. Henle Publishers have become an established part of the pianists? world. Now comes the third book, in which Albéniz once again fuses his knowledge of European classical music with elements of Spanish folk music. In ?El Albaicín? he evokes the mysterious atmosphere of the gypsy quarter in Granada, followed by hints of temperamental Flamenco in ?El Polo?. At the end, Albéniz depicts the exuberant mood of a former Jewish quarter in Madrid (?Lavapiés?); in so doing he intersperses the music with some dissonant dashes of colour, an allusion to an organ grinder.

DKK 264.00
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Isaac Albéniz: Iberia - Fourth Book

Isaac Albéniz: Iberia - Fourth Book

Publication of the fourth and last book in the ?Iberia? cycle in Henle Urtext coincides perfectly with the 150th anniversary Isaac Albeniz's birth.Albéniz had greatly struggled to complete the work because he was very ill. Yet he was able to hand over all of the twelve pieces he had promised to the pianist Joaquin with whom he was friends.Following the sensuous dance rhythms in ?Málaga? and the cheerful and lively ?Eritaña?, he succeeded in creating a striking musical portrait of the famous Spanish wine-growing region with ?Jerez?. ?Music has never achieved such a diverse and colourful form,? was the judgement passed on Albéniz? late Romantic masterpiece by none other than Claude Debussy.

DKK 264.00
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Edvard Grieg: Lyric Pieces Book III Op.43

Edvard Grieg: Lyric Pieces Book III Op.43

The extraordinary popularity of the first two books of Lyric Pieces (opp. 12 and 38) was interpreted differently by Grieg and his publisher. Whereas Grieg would have liked to call his third book “Spring Songs,” so as to counteract the impression of a serial publication, the publisher recommended keeping the Lyric Pieces “brand name” and he got what he wanted. Huge and long-lasting success quickly followed: some 20 years later the publisher proudly reported to Grieg that his Lyric Pieces, especially opp. 12 and 43, were selling “like hot cakes”.

DKK 162.00
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Isaac Albéniz: Iberia - First Book

Isaac Albéniz: Iberia - First Book

Spanish music with a universal touch: that is what Isaac Albéniz set out to compose, and he brought it off to perfection in his Iberia Suite. At last all four "books" of this late-romantic masterpiece will be issued in an urtext edition worthy of the name, with top-quality appearance and engraving. Being manageable in their technique, Evocation , El Puerto , and Fête-Dieu à Séville – the three pieces in volume 1 – are especially popular. Enjoy these pieces in the same manner as Debussy, who wrote of Iberia : "One closes one‘s eyes and is bedazzled by the sheer wealth of invention in this music!"

DKK 294.00
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Debussy: Valse Romantique Piano Book

Debussy: Valse Romantique Piano Book

In his youth, when still searching for his own personal style, Debussy composed a series of short, stand-alone piano pieces. He took traditional genres such as the ballade, mazurka, nocturne and waltz, but in general used each of them just once, as if trying them out. One such was the “Valse romantique”, published by Choudens of Paris in 1891 and thus written at the same time as his famous piano works Two Arabesques and the Suite bergamasque. This charming waltz is of moderate difficulty and thus ideal either as a pedagogical piece or for concert performance. Our collected volume Debussy: Piano Pieces (HN 404) offers numerous other short piano pieces of modest difficulty for those who find that this practical, stand-alone edition awakens in them a desire for more.

DKK 82.00
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Joseph Haydn: String Quartets Book VII

Joseph Haydn: String Quartets Book VII

The chamber music world has been eagerly awaiting this ? all of Haydn's string quartets are finally available in Henle Urtext quality! The last edition to be finished contains the String Quartets op. 54/55, sometimes also known as the "First Tost Quartets". Contrary to what the opus numbers might suggest, it is a cohesive cycle of six works. Mozart's influence is felt more deeply, the forms are more diverse and the first Violin is every now and then required to do real acrobatics. In this volume in particular several treasures can be found that are not often played.

DKK 575.00
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W.A. Mozart: String Quintets - Book 1 (Study Score)

W.A. Mozart: String Quintets - Book 1 (Study Score)

“Because I only need four parts to express everything” – Haydn is said to have replied thus when asked why he had not composed a string quintet. Mozart saw things differently. He applied himself to this genre six times, even giving important parts to the two Violas. Following Volume II, which contains the three most often played quintets, we warmly recommend Mozart ’s first Quintet K. 174 to ensembles, (the 3rd and final volume was published in 2008). The editors were able to refer to the autograph, which is once again accessible. It shows Mozart ’s intensive compositional work, resulting in the fact that he composed the minuet and finale of the work a second time. The first version of both movements is included in the appendix of our edition, enabling insightful comparisons.

DKK 184.00
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Alexander Scrjabin: Piano Sonata No.8 Op.66 (Urtext)

Alexander Scrjabin: Piano Sonata No.8 Op.66 (Urtext)

In his last years, Skryabin realized a noble and great idea. Inspired by his study of theosophical writings, he dreamed of joining music, poetry, mime, architecture, light, colour and even aromas to create a 'Gesamtkunstwerk', and thus elevate human beings to a higher level of consciousness. This 'Mysterium' was never completed, but his late piano sonatas ? conceived as preliminary studies ? enable us to see what moved Skryabin. He spent a particularly long time working on his eighth sonata and proofread it intensively; but later quite a few mistakes still found their way into it. Thanks to the autograph and the first edition, ambiguous passages have now been cleared up and corrected in our Urtext edition.

DKK 209.00
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Franz Liszt: Piano Sonata b minor

Franz Liszt: Piano Sonata b minor

The surviving autograph of Franz Liszt’s b-minor Sonata is a fascinating document that illuminates the compositional process: many cuts and paste-overs show how Liszt refined the architecture of the work. The previously available facsimile of theautograph in the Henle catalogue also allowed a profound look into this work process but it was not possible to see what Liszt had originally notated in the passages that were pasted over. These paste-overs have since been removed and in our newedition we can see for the first time what is hidden behind them. The knowledgeable introduction by the Liszt expert Mária Eckhardt provides an abundance of information and a unique look over the composer’s shoulder.

DKK 1213.00
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Franz Joseph Haydn: String Quartets Book IV - Sun Quartets Op. 20

Franz Joseph Haydn: String Quartets Book IV - Sun Quartets Op. 20

The preface by Christin Heitmann provides illuminating background information. Haydn did not assign the nickname “ Sun Quartets ”: it alludes to an edition of the time, in which the title page was decorated with a rising sun. The Quartets op. 20 are the last series in a group of earlier string quartets, but are clearly ahead of their time. The demanding fugues which close three of the six quartets are a particular structural feature. The study edition HN 9208 complements the parts of the String Quartets op. 20 .

DKK 507.00
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Beethoven Piano Sonata No 27 In E Minor Op 90 Piano Book

Beethoven Piano Sonata No 27 In E Minor Op 90 Piano Book

“It is, aside from two passages, one of Beethoven’s easiest; but as far as the performance of individual passages and its whole spirit is concerned, requires every kind of care”, thus wrote a contemporary critic. And it is for this reason that Beethoven’s Sonata op. 90 is extremely popular today, both with piano students and also with professional pianists. It provides enough challenges: for example the notorious tenth figures in the left hand and – in the words of a contemporary – “uniqueness, striking twists and turns and an unfamiliar, yet no less stringent, composition”. Murray Perahia’s remarks and fingerings provide assistance in all of these areas from a very practised hand.

DKK 103.00
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Edvard Grieg: Lyric Pieces - Volume 1 Op.12

Edvard Grieg: Lyric Pieces - Volume 1 Op.12

The “Little Lyrical Pieces” which is how the title still reads in the earliest editions rank among Grieg’s most popular works. He had just turned 24 when these delightful and easily playable miniatures appeared, since when they have accompanied many piano students on the path towards classical music. Grieg himself would never have dreamed in 1867 that a further nine books of Lyric Pieces were to follow, the series ended in 1901 with Book Ten.

DKK 133.00
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Edvard Grieg: Lyric Pieces - Volume VIII Op.65 (Henle Urtext Edition)

Edvard Grieg: Lyric Pieces - Volume VIII Op.65 (Henle Urtext Edition)

Grieg’s successful series of Lyric Pieces reaches a unique climax in the eighth book. After the publisher almost had to force him Grieg was at the point of becoming tired of composing Lyric Pieces the composer succeeded in creating a spectacular and brilliant closing piece, “Wedding Day at Troldhaugen”. This recollection of Grieg’s own silver wedding anniversary is extremely effective, and performable not just by piano virtuosos -- talented newcomers will also enjoy unlocking its technical secrets!

DKK 184.00
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Sergei Rachmaninoff: Prelude In G Op.32 No.5

Sergei Rachmaninoff: Prelude In G Op.32 No.5

Sergei Rachmaninoff ’s second book of Préludes, Op. 32, was written in the summer of 1910 whilst the composer was staying his family’s idyllic country house in Ivanovka. This sleepy, rural area inspired the composer to write this wonderful, impressionistic G-Major Prélude . The piece is not very difficult, and is thus also suitable for advanced amateur pianists. Thanks to the cooperation of the Glinka Archive in Moscow, all the autograph sources were consulted for this Henle Urtext edition of the Préludes. As in all of Henle’s Rachmaninoff editions, the fingerings are by Marc-André Hamelin.

DKK 86.00
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Frederic Chopin: Piano Pieces

Frederic Chopin: Piano Pieces

Mazurkas, nocturnes, waltzes and polonaises constitute the core of Chopin’s expressive world. However, he also moved comfortably beyond such genre cycles, and pieces of this sort are brought together in this “Klavierstücke” book, in which we find lesser-known works (two Variation cycles, three Ecossaises) from Chopin’s earlier creative period along with rousing dance movements (Bolero and Tarantelle) and, to finish, the orchestrally conceived Allegro de concert. This forms the introduction to a sequence of three great individual works from Chopin’s middle and later creative periods: the Fantasie op. 49, the Berceuse op. 57, and the Barcarolle op. 60 the finest Chopin, availablein Henle paperback, cloth-bound, and study editions.

DKK 473.00
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Frédéric Chopin: Nocturne In E Minor Op. Post. 72 No. 1

Frédéric Chopin: Nocturne In E Minor Op. Post. 72 No. 1

The Nocturne In E Minor Op. Post.72 No.1 was Frédéric Chopin ’s first Nocturne to be written and his 19th to be published. The Nocturne was composed in 1827 and was published after Chopin ’s death in 1855. In his book The Life and Death of Chopin, Casimir Wierzyknski explains more about the history of the piece: ‘ Up until then this form [the nocturne] had been the exclusive domain of John Field, an Irish-born composer. But his Nocturne in E minor did not satisfy him [Chopin] and was published only posthumously .’ This Henle Urtext Edition for solo Piano has been edited by Ewald Zimmermann and includes fingering by Hans-Martin Theopold.

DKK 86.00
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Carl Maria von Weber: Selected Piano Works (Concert Pieces, Variations)

Carl Maria von Weber: Selected Piano Works (Concert Pieces, Variations)

Carl Maria von Weber is best-known as a master of Romantic opera, but he was originally a virtuoso pianist who created a substantial amount of piano music for concert use. Next to his four piano sonatas, the five large and brilliant concert pieces brought together in this book, and two final variation cycles, are certainly his most important piano solo pieces. From the early Momento capriccioso op. 12 of 1808 to the dazzling Aufforderung zum Tanz op. 65 and Polacca brillante op. 72, it is possible to trace by these technically-demanding works the composer/pianist’s development of a very mature and impressive formal compositional mastery. In the extensive preface to thisthoroughly-researched Urtext edition one can read, among other things, the underlying programme that Weber came up with for the Aufforderung zum Tanz.

DKK 303.00
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Ferruccio Busoni/Johann Sebastian Bach: Chorale Preludes

Ferruccio Busoni/Johann Sebastian Bach: Chorale Preludes

**Please note: This title is not available for sale outside of the UK and Commonwealth.** Alongside his Chaconne for Violin, the ten Chorale Preludes for Organ are Busoni ’s best-known Piano transcriptions of works by J. S. Bach. Whilst Busoni envisaged the Chaconne for concert performance, the Chorale Preludes are transcribed in a 'chamber-music style'. The Preludes in this book are of varying levels of difficulty, some are suitable for intermediate level players and others for the more advanced pianist. This Henle Urtext Edition is Busoni 's definitive version with valuable fingering suggestions by Marc-André Hamelin. The appendix contains an eleventh chorale prelude, Busoni ’s transcription of “ Aus tiefer Not ”, which is published here for the very first time. With regard to performing its six-part setting, the composer himself spoke of an “extreme performance limit” – but why not judge for yourself?

DKK 294.00
1

J.S. Bach: The Well-Tempered Clavier Part 1 (Urtext)

J.S. Bach: The Well-Tempered Clavier Part 1 (Urtext)

The Well-Tempered Clavier was the title given to the book of twenty-four preludes and fugues in all the major and minor keys, which was composed and compiled during Bach?s appointment in Kothen in 1722. Bach later wrote a further twenty-four preludes and fugues and so the forty-eight preludes and fugues eventually became collectively known as the Well-Tempered Clavier Parts 1 And 2.Bach composed the Well-Tempered Clavier Part 1 ?for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study.? Even today these forty-eight preludes and fugues remain a necessity to all advancing pianists wishing to develop, secure and perfect technique and technical control.The Well-Tempered Clavier is a major work, of great breadth and depth and musical, aesthetic, and psychological diversity and complexity. This Urtext edition, edited by Ernst-Gunter Heinemann and fingered by Andras Schiff, provides you with an accurate realisation of the composer?s original intentions, with thorough and detailed editorial markings and suggestions.

DKK 256.00
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