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The Survival of the Jesuits in the Low Countries, 1773-1850 - - Bog - Leuven University Press - Plusbog.dk

How the Jesuits re-emerged after forty years of suppression In 1773, Pope Clement XIV suppressed the Society of Jesus. For the 823 Jesuits living in the Low Countries, it meant the end of their institutional religious life. In the Austrian Netherlands, the Jesuits were put under strict surveillance, but in the Dutch Republic they were able to continue their missionary work. It is this regional contrast and the opportunities it offered for the Order to survive that make the Low Countries an exceptional and interesting case in Jesuit history. Just as in White Russia, former Jesuits and new Jesuits in the Low Countries prepared for the restoration of the Order, with the help of other religious, priests, and lay benefactors. In 1814, eight days before the restoration of the Society by Pope Pius VII, the novitiate near Ghent opened with eleven candidates from all over the United Netherlands. Barely twenty years later, the Order in the Low Countries – by then counting one hundred members – formed an independent Belgian Province. A separate Dutch Province followed in 1850. Obviously, the reestablishment, with new churches and new colleges, carried a heavy survival burden: in the face of their old enemies and the black legends they revived, the Jesuits had to retrieve their true identity, which had been suppressed for forty years. Contributors: Peter van Dael, SJ (Vrije Universiteit Amsterdam & Pontifical Gregorian University Rome), Pierre Antoine Fabre (École des hautes études en sciences sociales Paris), Joep van Gennip (Tilburg School of Catholic Theology), Michel Hermans, SJ (University of Namur), Marek Inglot, SJ (Pontifical Gregorian University Rome), Frank Judo (lawyer Brussels), Leo Kenis (KU Leuven) Marc Lindeijer, SJ (Bollandist Society Brussels), Jo Luyten (KADOC-KU Leuven), Kristien Suenens (KADOC-KU Leuven), Vincent Verbrugge (historian) This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

DKK 514.00

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Heraldic Hierarchies - - Bog - Leuven University Press - Plusbog.dk

The social use and changing character of armorial display in the early modern period Early modern heraldry was far from a nostalgic remnant from a feudal past. From the Reformation to the French Revolution, aspiring men seized on these signs to position themselves in a changing society, imbuing heraldic tradition with fresh meaning. Whereas post-medieval developments are all too often described in terms of decadence and stifling formality, recent studies rightly stress the dynamic capacity of bearing arms. Heraldic Hierarchies aims to correct former misconceptions. Contributing authors rethink the influence of shifting notions of nobility on armorial display and expand this topic to heraldry’s share in shaping and contesting status. Moreover, addressing a common thread, the volume explores how emerging states turned the heraldic experience into an instrument of power and policy. Contributing to debates on social and noble identity, Heraldic Hierarchies uncovers a vital and surprising aspect of the pre-modern hierarchical world. Contributors: Richard Cust (University of Birmingham), Dominique Delgrange (Lille), Luc Duerloo (University of Antwerp), Joseph McMillan (Alexandria VA), Camille Pollet (Université de Nantes), Antoine Robin (École Pratique des Hautes Études), Simon Rousselot (École Pratique des Hautes Études), Clément Savary (École Pratique des Hautes Études), Hamish Scott (Jesus College, Oxford), Steven Thiry (University of Antwerp), José Manuel Valle Porras (Universidad de Córdoba), Nicolas Vernot (Université de Cergy-Pontoise) This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

DKK 533.00

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Art History after Deleuze and Guattari - - Bog - Leuven University Press - Plusbog.dk

At the crossroads of philosophy, artistic practice, and art history Though Gilles Deleuze and Felix Guattari were not strictly art historians, they reinvigorated ontological and formal approaches to art, and simultaneously borrowed art historical concepts for their own philosophical work. They were dedicated modernists, inspired by the German school of expressionist art historians such as Riegl, Wölfflin, and Worringer and the great modernist art critics such as Rosenberg, Steinberg, Greenberg, and Fried. The work of Deleuze and Guattari on mannerism and Baroque art has led to new approaches to these artistic periods, and their radical transdisciplinarity has influenced contemporary art like no other philosophy before it. Their work therefore raises important methodological questions on the differences and relations among philosophy, artistic practice, and art history. In Art History after Deleuze and Guattari international scholars from all three fields explore what a ‘Deleuzo-Guattarian art history’ could be today. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). Contributors Éric Alliez (Kingston University, Université Paris VIII), Claudia Blümle (Humboldt Universität zu Berlin), Jean-Claude Bonne (École des Hautes Études en Sciences Sociales), Ann-Cathrin Drews (Humboldt Universität zu Berlin), James Elkins (School of the Art Institute of Chicago), Sascha Freyberg (Max Planck Institute for the History of Science), Antoine l’Heureux (independent researcher), Vlad Ionescu (Hasselt University), Juan Fernando Mejía Mosquera (Pontificia Universidad Javeriana), Gustavo Chirolla Ospina (Pontificia Universidad Javeriana), Bertrand Prévost (Université Bordeaux Montaigne), Elisabeth von Samsonow (Akademie für bildende Künste Wien), Sjoerd van Tuinen (Erasmus University Rotterdam), Kamini Vellodi (Edinburgh College of Art), Stephen Zepke (independent researcher)

DKK 552.00

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A Truly Golden Handbook - - Bog - Leuven University Press - Plusbog.dk

‘A Truly Golden Handbook, No Less Instructive than Delightful, by the Most Learned and Distinguished Professors of the Renowned University of Leuven.’ 500 Years Utopia. What would the ideal society of the future look like? In 1516, the eminent English humanist Thomas More tried his hand at imagining a perfect society on a distant island. His Utopia was published in the Flemish town of Leuven, home of a university that was established almost a century earlier. 500 years later, scholars of this university revisit More’s best-known work and reflect on the ideal society of the future, using the scientific insights of today, including perspectives which More could never have imagined. What will our cities look like a hundred years from now? How will stem cell research and 3D printing change the world? Will we be able to cure all diseases? Will we be traveling to other planets? Will computers take over? Or will humanity find a way to improve the quality of life for everyone and feed a growing world population? In A Truly Golden Handbook , more than fifty KU Leuven scholars share their science-based utopian dreams. From the creation of spare organs, artificial intelligence and the genetic future, to global governance, ecological sustainability and pathways to more equality, this visionary book offers a broad interdisciplinary look at the world of tomorrow. Contributors: All contributions were written by academics of KU Leuven. Conny Aerts, Ivo Aertsen, Marc Boogaerts, Geert Bouckaert, René Bouwen, Frederik Ceyssens, Stephan Claes, Katrijn Clémer, Sara Coemans, Goele Cornelissen, Marc Craps, Joep Crompvoets, Lieven De Cauter, Ortwin de Graef, Jan De Lepeleire, Dorien De Man, Bart De Moor, Koen Devriendt, Rudi D’Hooge, Thomas D’Hooghe, Philip Dutré, Jan Elen, Liesbet Geris, Gerard Govers, Styn Grieten, Karin Hannes, Ann Heylighen, Hilde Heynen, Rianne Janssen, Rudy Lauwereins, Koen Lemmens, Peter Lievens, Katlijn Malfliet, Jan Masschelein, Terrence Merrigan, Yves Moreau, Bart Muys, Marten Ovaere, Jan Rongé, Erik Schokkaert, Frans Schuit, Maarten Simons, Manuel Sintubin, Stéphane Symons, Rik Torfs, Chantal Van Audenhove, Kenneth Van den Bergh, André Van de Putte, Hilde Van Esch, Inge Vanfraechem, Ine Van Hoyweghen, Geertrui Van Overwalle, Peter Van Puyvelde, Arne van Stiphout, An Verburgh, Peter Vermeersch, Johan Wagemans, Lode Walgrave.

DKK 428.00

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Eloquent Images - - Bog - Leuven University Press - Plusbog.dk

The Christian image in the process of modern globalisation Drawing on original research covering different periods and spaces, this book sets out to appreciate the specific place of images in the history of evangelisation in the long modern period. How can we reconceptualise the functions of the visual mediation of the gospel message, both in terms of the production and reception of this message and in terms of its effective mediators, artists, religious, and cultural ambassadors? The contributions in this book offer multiple geographical and historical insights regarding the circulation of the image on the global scale of the Christianised world or the world in the process of being Christianised, from China to Iberia. Combining the contribution of historians and art historians, the authors highlight the points of intercultural encounter and tension around preaching, catechesis, devotional practices, and the propagandistic use of images. Through its aesthetic and social study of the image, and by examining the inner and outer borders of Europe and the mission lands, Eloquent Images contributes significantly to the history of evangelisation, one of the major dynamics of the first European globalisation. Contributors: Pierre-Antoine Fabre (EHESS, Paris), Clara Lieutaghi (EHESS Paris), Silvia Notarfonso (Università di Macerata), Silvia Mostaccio (UCLouvain), Mauro Salis (Università di Cagliari), Valentina Borniotto (Università di Genova), Gwladys Le Cuff (Paris-Sorbonne – EHESS Paris), Mauricio Oviedo Salazar (Rijksuniversiteit Groningen), Maria João Pereira Coutinho (IHA/FCSH/NOVA Lisbon), Sílvia Ferreira (IHA/FCSH/NOVA Lisbon), Paulo De Campos Pinto (Universidade Católica Portuguesa), Lorenzo Ratto (Università di Genova), Stephanie Porras (Tulane University), Arianna Magnani (Università Ca’ Foscari di Venezia), Michela Catto (Università di Torino), Federico Palomo (Universidad Complutense de Madrid), Roberto Ricci (Istituto storico italiano per l’età moderna e contemporanea, Roma), Francesco Sorce (independent scholar), Maria Vittoria Spissu (Università di Bologna). This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

DKK 737.00

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Sagalassos V - - Bog - Leuven University Press - Plusbog.dk

Sagalassos, once the metropolis of the Western Taurus range (Pisidia, Turkey), was only thoroughly surveyed in 1884 and 1885 by an Austrian team directed by K. Lanckoronski. In 1986-1989 this work was resumed by a British-belgian team co-directed by Dr. Stephen Mitchell (University College of Swansea) and by Prof. Dr. Marc Waelkens (Catholic University of Leuven). In 1990 Sagalassos became a full scale Belgian project and a leading centre for interdisciplinary archaeological and archaeometrical research. Due to its altitude, the site is one of the best preserved towns from classical antiquity, with a rich architectural and sculptural tradtion dating from the second century BC to the sixth century AD. From early Imperial times untiel the early Byzantine period a complete range of coarse and red slip wares was produced locally. Excavations are concentrated on qthe upper and lower agoras to document the plitical and commercial life in the town and also in the area where a late Hellenistic fountain house, which stll functions to date, and a Roman library were discovered. Major efforts are undertaken to restore the excavated monuments in their old glory. Several disciplines integrate the town again within its ancient environment and document the central role which Sagalassos played in the area.

DKK 250.00

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Afterschool - - Bog - Leuven University Press - Plusbog.dk

Tangible tension of omnipresent images in education. The intricate relation between images and education is an old issue that can easily be dated back to the rise of Modernity. Ever since, it has been argued that images on the one hand might assist teachers in educating the new generation, but on the other might detract students’ attention by offering them mere entertainment instead of seriously pursuing essential subject material. Today, with the omnipresence of screens in our daily life, this tension has become all the more tangible. Some may even start to wonder whether education, traditionally conceived as schooling, is still achievable under these conditions. The title Afterschool refers to a film by Antonio Campos, which depicted these new conditions very accurately. In the same way the book articulates in an affirmative manner the role of education in an ‘Afterschool’ era, and also what images could signify in such an era, both for educators and educational researchers. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). Contributors: Sönke Ahrens (independent researcher), Marc De Blieck (LUCA School of Arts, Ghent), Pieter-Jan Decoster (Ghent University), Florelle D’Hoest (Universidad Complutense de Madrid), Jan Dietvorst (visual artist), Jan Masschelein (KU Leuven), Nancy Vansieleghem (LUCA School of Arts, Ghent), Maarten Vanvolsem (LUCA School of Arts, Brussels), Pieter Verstraete (KU Leuven), Roy Villevoye (visual artist) & Joris Vlieghe (Liverpool Hope University)

DKK 240.00

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Recognition and Redistribution in Multinational Federations - - Bog - Leuven University Press - Plusbog.dk

World’s leading theorists of multinational justice on sub-state national minority groups. Almost without exception, multinational states across the West are facing existential crises precipitated by the resurgence of sub-state national minority groups. This edited volume brings together many of the world’s leading theorists of multinational justice in order to analyse two of the most frequent areas of debate and dispute in multinational federations: recognition and redistribution. The authors address questions such as the following: What are the most appropriate forms of institutional recognition for sub-state national groups? How is the concept of redistributive justice affected by the presence of federal institutions and autonomous sub-state nationalities? And what are the potential sources of stability that fractious federations can call upon? As well as extensive theoretical analyses, the book is peppered throughout with examples drawn from actual multinational states including Canada, Belgium, Spain, and the United Kingdom. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). Contributors: Jean-François Grégoire (KU Leuven), Michael Jewkes (KU Leuven), Helder De Schutter (KU Leuven), Antoon Vandevelde (KU Leuven), Alain-G Gagnon (Université du Québec à Montréal), Geneviève Nootens (Université du Québec à Chicoutimi), Philippe Van Parijs (Université Catholique de Louvain), François Boucher (University of Montreal), Jocelyn Maclure (Université Laval), Andrew Shorten (University of Limerick), David Robichaud (University of Ottawa), Ferran Requejo (Universitat Pompeu Fabra), Marc Sanjaume (Université du Québec à Montréal).

DKK 467.00

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Radicalisation - - Bog - Leuven University Press - Plusbog.dk

Vital insights into the complex nature of the concept of radicalisation Radicalisation is a topical and a much-discussed concept in current European societies. Its use in policy and societal discourses, such as media coverage and educational contexts, is very sensitive. This thought-provoking collection of essays critically addresses the topic of radicalisation from different angles, combining discipline-specific insights from the fields of sociology, philosophy, history, religious studies, and media studies, with new empirical data. The authors step away from readily available explanations and rethink the notion of ‘the radical’. Rather than merely focusing on individuals or ideologies, they advocate for a contextual perspective that allows to consider the complex interaction between individuals, groups, and institutions, both at a national and international level. Radicalisation: A Marginal Phenomenon, or a Mirror to Society? provides the reader not only with much-needed knowledge of the complex nature of the concept of radicalisation, but also offers insights into the various ways radicalisation processes can be triggered, prevented, or addressed.This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). Contributors Contributors: Rik Coolsaet (Ghent University), Stiene Ravn (University of Antwerp), Tom Sauer (University of Antwerp), Jessika Soors (KU Leuven), François Levrau (University of Antwerp), Janiv Stamberger (University of Antwerp), Ward Nouwen (University of Antwerp), Rut Van Caudenberg (University of Antwerp), Noel Clycq (University of Antwerp), Thomas Frissen (KU Leuven), Kevin Smets (Vrije Universiteit Brussel / University of Antwerp), Leen d’Haenens (KU Leuven), Kristof Verfaillie (Vrije Universiteit Brussel), Sofie De Kimpe (Vrije Universiteit Brussel), Marc Cools (Vrije Universiteit Brussel), Karel Van Nieuwenhuyse (KU Leuven)

DKK 514.00

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Architectures of Resistance - - Bog - Leuven University Press - Plusbog.dk

Spatial borders as sites of meaningful adjacencies and exchange. Borders between countries, neighbourhoods, people, beliefs, and policies are proliferating and expanding despite what self-proclaimed progressive societies wish or choose to believe. For a wide variety of reasons, the early 21st century is caught struggling between breaking down barriers and raising them. Architecture is complicit in both. It is central to the perpetuation of borders, and key to their dismantling. Architectures of Resistance: Negotiating Borders Through Spatial Practices approaches borders as sites of meaningful encounter between others (other cultures, other nations, other perspectives), guided not by fear or hatred but by respect and tolerance. The contributors to this volume - including architects, urban planners, artists, human geographers, and political scientists - address spatial boundaries as places where social and political conditions are intensified and where new spatial practices of architectural resistance arise. Moving across contemporary, historical, and speculative conditions of borders, Architectures of Resistance discusses new and innovative forms of architectural, artistic, and political practice that facilitate constructive human interaction. Contributors: Nishat Awan (UCL Urban Laboratory), Teddy Cruz (University of California San Diego), Sofia Dona (independent artist), Ursula Emery McClure (Kansas State University), Fonna Forman (University of California San Diego), Marisa Gomez (University of Texas at Arlington), Mohamad Hafeda (University College London), Paul Holmquist (Louisiana State University), Panos Leventis (Drury University), Eugene McCann (Simon Fraser University), Aya Musmar (American University of Cairo), Kristopher Palagi (Louisiana State University), Marc Schoonderbeek (TU Delft), Nicholas Serrano (University of Florida), Angeliki Sioli (TU Delft), Aleksandar Staničić (TU Delft). Ebook available in Open Access. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

DKK 561.00

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Transfer Thinking in Translation Studies - - Bog - Leuven University Press - Plusbog.dk

Innovative and interdisciplinary approach to transfer The concept of transfer covers the most diverse phenomena of circulation, transformation and reinterpretation of cultural goods across space and time, and are among the driving forces in opening up the field of translation studies. Transfer processes cross linguistic and cultural boundaries and cannot be reduced to simple movements from a source to a target (culture or text). In a time of paradigm shifts, this book aims to explore the potential and interdisciplinary power of transfer as a concept and an analytical tool to account for complex cultural dynamics. The contributions in this book adopt various research angles (literary studies, imagology, translation studies, translator studies, periodical studies, postcolonialism) to study an array of entangled transfer processes that apply to different objects and aspects, ranging from literary texts, legal texts, news, images and identities to ideologies, power asymmetries, titles and heterolingualisms. By embracing a process-oriented way of thinking, all these contributions aim to open the ‘black box’ of transfer in the widest sense. Contributors: Susan Bassnett (University of Glasgow / University of Warwick), Pieter Boulogne (KU Leuven), Andrew Chesterman (University of Helsinki), Yves Chevrel (Sorbonne University / University Ştefan cel Mare), Dirk Delabastita (University of Namur), Yves Gambier (University of Turku), Maud Gonne (University of Namur / UCLouvain), Ramunė Kasperavičienė (Kaunas University of Technology), Dainora Maumevičienė (Kaunas University of Technology), Reine Meylaerts (KU Leuven / University of Bloemfontein), Jean-Marc Moura (University of Paris Nanterre), Isabelle Nières-Chevrel (Rennes 2 University), Christina Schäffner (Aston University), Michael Schreiber (University of Mainz), Luc van Doorslaer (University of Tartu / Stellenbosch University) This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

DKK 505.00

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Doing Double Dutch - - Bog - Leuven University Press - Plusbog.dk

The importance of a minor language in the field of world literature. Dutch literature is increasingly understood as a network of texts and poetics connected to other languages and literatures through translations and adaptations. In this book, a team of international researchers explores how Dutch literary texts cross linguistic, historical, geophysical, political, religious, and disciplinary borders, and reflects on a wide range of methods for studying these myriad border crossings. As a result, this volume provides insight into the international dissemination of Dutch literature and the position of a smaller, less-translated language within the field of world literature. The title Doing Double Dutch evokes a popular rope-skipping game in which two people turn two long jump ropes in opposite directions while a third person jumps them. A fitting metaphor for how literature circulates internationally: two dynamic spheres, the source culture and the target culture, engage one another in a complex pattern of movement resulting in a new literary work, translation, or adaptation formed somewhere in the middle. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). Contributors: Chiara Beltrami Gottmer (American International School of Rotterdam), Peter Boot (Huygens ING), Pieter Boulogne (KU Leuven), Elke Brems (KU Leuven), Michel De Dobbeleer (University of Ghent), Caroline de Westenholz (Louis Couperus Museum), Gillis Dorleijn (University of Groningen), Wilken Engelbrecht (Palacký University Olomouc), Veerle Fraeters (University of Antwerp), Maud Gonne (KU Leuven), Christine Hermann (University of Vienna), Peter Kegel (Huygens ING), Tessa Lobbes (Utrecht University), Marijke Meijer Drees (University of Groningen), Reine Meylaerts (KU Leuven), Marco Prandoni (University of Bologna), Marion Prinse (Utrecht University), Orsolya Réthelyi (Eötvös Loránd University Budapest, Huygens ING), Diana Sanz Roig (Universitat Pompeu Fabra), Rita Schlusemann (Utrecht University), Matthieu Sergier (Université Saint Louis Brussels), Natalia Stachura (Adam Mickiewicz University in Poznan), Janek Urbaniak (University of Wroclaw), Stéphanie Vanasten (UCL Louvain-la-Neuve), Ton van Kalmthout (Huygens ING), Suzanne van Putten-Brons, Herbert Van Uffelen (University of Vienna), Marc van Zoggel (Huygens ING), Nico Wilterdink (University of Amsterdam).

DKK 542.00

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Aberrant Nuptials - - Bog - Leuven University Press - Plusbog.dk

More volumes on ''Deleuze and Artistic Research'': - - Machinic Assemblages of Desire - - The Dark Precursor (Two-Volume Set) - Unique focus on the relation between artistic research and the philosophy of Gilles Deleuze Aberrant Nuptials explores the diversity and richness of the interactions between artistic research and Deleuze studies. “Aberrant nuptials” is the expression Gilles Deleuze uses to refer to productive encounters between systems characterised by fundamental difference. More than imitation, representation, or reproduction, these encounters foster creative flows of energy, generating new material configurations and intensive experiences. Within different understandings of artistic research, the contributors to this book—architects, composers, film-makers, painters, performers, philosophers, sculptors, and writers—map current practices at the intersection between music, art, and philosophy, contributing to an expansion of horizons and methodologies. Written by established Deleuze scholars who have been working on interferences between art and philosophy, and by musicians and artists who have been reflecting Deleuzian and Post-Deleuzian discourses in their artworks, this volume reflects the current relevance of artistic research and Deleuze studies for the arts. Contributors: Suzie Attiwill (RMIT University), Sara Baranzoni (Universidad de las Artes of Guayaquil), Zsuzsa Baross (Trent University), Terri Bird (Monash University), Ronald Bogue (University of Georgia), Barbara Bolt (VCA University of Melbourne), Peter Burleigh (University of Basel / HGK, Basel), Edward Campbell (University of Aberdeen / Centre for Modern Thought), Marianna Charitonidou (University of Paris West Nanterre / National Technical University of Athens), Jean-Marc Chouvel (Paris-Sorbonne University), Guillaume Collett (University of Kent), Zornitsa Dimitrova (University of Münster), Lilija Duobliene (University of Vilnius), Andrea Eckersley (RMIT University), Anders Elberling (visual artist), Lucia D’Errico (Orpheus Institute), Bracha L. Ettinger (artist, painter, theorist), Henrik Frisk (Royal Academy of Music Malmö), jan jagodzinski (University of Alberta), Oleg Lebedev (Université Catholique de Louvain), Gustavo Penha (University of São Paulo), Katie Pleming (King’s College London), Liana Psarologaki (University of Suffolk), Emilia Marra (University of Trieste), Tero Nauha (Helsinki Collegium), Stefan Östersjö (Orpheus Institute), Simon O’Sullivan (theorist, artist), Antonia Pont (Deakin University), Elisabeth Presa (University of Melbourne), Spencer Roberts (University of Huddersfield), Jonas Rutgeerts (dramaturge, performance theorist), Anne Sauvagnargues (University of Paris Ouest Nanterre La Défense), Janae Sholtz (Alvernia University), Steve Tromans (musician, independent researcher), Kamini Vellodi (University of Edinburgh), Paolo Vignola (Universidad de las Artes of Guayaquil), Audronė Žukauskaitė (Lithuanian Culture Research Institute). This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

DKK 690.00

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