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Perspectives on Jewish Music - - Bog - Lexington Books - Plusbog.dk

Guerrilla Music - - Bog - Lexington Books - Plusbog.dk

Guerrilla Music - - Bog - Lexington Books - Plusbog.dk

Guerrilla Music: Musicking as Resistance, Defiance, and Subversion provides a timely exploration of human initiations and responses to music as a process and product intrinsically part of our culture, history, place, time, and ecological musical worlds. The contributors challenge scholarly approaches wherein music is detached from the social relationships in which it is produced, transmitted, used, and judged. The notion of ‘guerrilla’ is a trope long applied to socio-political machinations, human conflict, and confrontation. Providing a provocative lens through which to view musicking, Guerrilla Music explores research involving human practices of music, stories, communities, and musickers worldwide that employ music to resist, defy, and subvert, whether by silence and non-compliance, reluctant subordination, subversive depowering, resistive counterpoint, or destructive, violent dismantling. The ambition of such musicking experiences resides in the richness of specific contexts spanning the subcultural local, glocal, and the universal. What better way to understand the potency of these passionate human traits than through interrogation and celebration of the life worlds of music, musicians, and those that become engulfed in musical maelstroms that incite change. Guerrilla Music both invigorates and advances scholarly debates about social power, colonisation, and difference by simultaneously exploring the social semiotics of music making and music communities, identifying powerful new ways of understanding human communication, the power of music, and what musicking means to people in the twenty-first century.

DKK 830.00
1

Revolutions in Music Education - - Bog - Lexington Books - Plusbog.dk

Revolutions in Music Education - - Bog - Lexington Books - Plusbog.dk

Rock Music Icons - - Bog - Lexington Books - Plusbog.dk

Music, Theology, and Justice - - Bog - Lexington Books - Plusbog.dk

Music, Theology, and Justice - - Bog - Lexington Books - Plusbog.dk

Music does not make itself. It is made by people: professionals and amateurs, singers and instrumentalists, composers and publishers, performers and audiences, entrepreneurs and consumers. In turn, making music shapes those who make it—spiritually, emotionally, physically, mentally, socially, politically, economically—for good or ill, harming and healing. This volume considers the social practice of music from a Christian point of view. Using a variety of methodological perspectives, the essays explore the ethical and doctrinal implications of music-making. The reflections are grouped according to the traditional threefold ministry of Christ: prophet, priest, and shepherd: the prophetic role of music, as a means of articulating protest against injustice, offering consolation, and embodying a harmonious order; the pastoral role of music: creating and sustaining community, building peace, fostering harmony with the whole of creation; and the priestly role of music: in service of reconciliation and restoration, for individuals and communities, offering prayers of praise and intercession to God. Using music in priestly, prophetic, and pastoral ways, Christians pray for and rehearse the coming of God’s kingdom—whether in formal worship, social protest, concert performance, interfaith sharing, or peacebuilding. Whereas temperance was of prime importance in relation to the ethics of music from antiquity to the early modern period, justice has become central to contemporary debates. This book seeks to contribute to those debates by means of Christian theological reflection on a wide range of musics: including monastic chant, death metal, protest songs, psalms and worship music, punk rock, musical drama, interfaith choral singing, Sting, and Daft Punk.

DKK 970.00
1

Music, Theology, and Justice - - Bog - Lexington Books - Plusbog.dk

Music, Theology, and Justice - - Bog - Lexington Books - Plusbog.dk

Music does not make itself. It is made by people: professionals and amateurs, singers and instrumentalists, composers and publishers, performers and audiences, entrepreneurs and consumers. In turn, making music shapes those who make it—spiritually, emotionally, physically, mentally, socially, politically, economically—for good or ill, harming and healing. This volume considers the social practice of music from a Christian point of view. Using a variety of methodological perspectives, the essays explore the ethical and doctrinal implications of music-making. The reflections are grouped according to the traditional threefold ministry of Christ: prophet, priest, and shepherd: the prophetic role of music, as a means of articulating protest against injustice, offering consolation, and embodying a harmonious order; the pastoral role of music: creating and sustaining community, building peace, fostering harmony with the whole of creation; and the priestly role of music: in service of reconciliation and restoration, for individuals and communities, offering prayers of praise and intercession to God. Using music in priestly, prophetic, and pastoral ways, Christians pray for and rehearse the coming of God’s kingdom—whether in formal worship, social protest, concert performance, interfaith sharing, or peacebuilding. Whereas temperance was of prime importance in relation to the ethics of music from antiquity to the early modern period, justice has become central to contemporary debates. This book seeks to contribute to those debates by means of Christian theological reflection on a wide range of musics: including monastic chant, death metal, protest songs, psalms and worship music, punk rock, musical drama, interfaith choral singing, Sting, and Daft Punk.

DKK 379.00
1

The Art of Ancient Music - David Walter Leinweber - Bog - Lexington Books - Plusbog.dk

The Art of Ancient Music - David Walter Leinweber - Bog - Lexington Books - Plusbog.dk

Music Education on the Verge - - Bog - Lexington Books - Plusbog.dk

Creating Global Music in Turkey - Koray Degirmenci - Bog - Lexington Books - Plusbog.dk

The Music of Our Lives - Kathleen Marie Higgins - Bog - Lexington Books - Plusbog.dk

Heavy Metal Music in Latin America - - Bog - Lexington Books - Plusbog.dk

Heavy Metal Music in Latin America - - Bog - Lexington Books - Plusbog.dk

Death Metal and Music Criticism - Michelle Phillipov - Bog - Lexington Books - Plusbog.dk

Death Metal and Music Criticism - Michelle Phillipov - Bog - Lexington Books - Plusbog.dk

Death metal is one of popular music''s most extreme variants, and is typically viewed as almost monolithically nihilistic, misogynistic, and reactionary. Michelle Phillipov''s Death Metal and Music Criticism: Analysis at the Limits offers an account of listening pleasure on its own terms. Through an analysis of death metal''s sonic and lyrical extremity, Phillipov shows how violence and aggression can be configured as sites for pleasure and play in death metal music, with little relation to the "real" lives of listeners. In some cases, gruesome lyrical themes and fractured song forms invite listeners to imagine new experiences of the body and of the self. In others, the speed and complexity of the music foster a "technical" or distanced appreciation akin to the viewing experiences of graphic horror film fans. These aspects of death metal listening are often neglected by scholarly accounts concerned with evaluating music as either ''progressive'' or "reactionary." By contextualizing the discussion of death metal via substantial overviews of popular music studies as a field, Phillipov''s Death Metal and Music Criticism highlights how the premium placed on political engagement in popular music studies not only circumscribes our understanding of the complexity and specificity of death metal, but of other musical styles as well. Exploring death metal at the limits of conventional music criticism helps not only to develop a more nuanced account of death metal listening—it also offers some important starting points for rethinking popular music scholarship as a whole.

DKK 450.00
1

The Rock Music Imagination - Robert Mcparland - Bog - Lexington Books - Plusbog.dk

The Rock Music Imagination - Robert Mcparland - Bog - Lexington Books - Plusbog.dk

Music, Dance, Affect, and Emotions in Latin America - - Bog - Lexington Books - Plusbog.dk

Music, Dance, Affect, and Emotions in Latin America - - Bog - Lexington Books - Plusbog.dk

Civil Rights Music - Reiland Rabaka - Bog - Lexington Books - Plusbog.dk

Civil Rights Music - Reiland Rabaka - Bog - Lexington Books - Plusbog.dk

While there have been a number of studies that have explored African American “movement culture” and African American “movement politics,” rarely has the mixture of black music and black politics or, rather, black music an as expression of black movement politics, been explored across several genres of African American “movement music,” and certainly not with a central focus on the major soundtracks of the Civil Rights Movement: gospel, freedom songs, rhythm & blues, and rock & roll. Here the mixture of music and politics emerging out of the Civil Rights Movement is critically examined as an incredibly important site and source of spiritual rejuvenation, social organization, political education, and cultural transformation, not simply for the non-violent civil rights soldiers of the 1950s and 1960s, but for organic intellectual-artist-activists deeply committed to continuing the core ideals and ethos of the Civil Rights Movement in the twenty-first century. Civil Rights Music: The Soundtracks of the Civil Rights Movement is primarily preoccupied with that liminal, in-between, and often inexplicable place where black popular music and black popular movements meet and merge. Black popular movements are more than merely social and political affairs. Beyond social organization and political activism, black popular movements provide much-needed spaces for cultural development and artistic experimentation, including the mixing of musical and other aesthetic traditions. “Movement music” experimentation has historically led to musical innovation, and musical innovation in turn has led to new music that has myriad meanings and messages—some social, some political, some cultural, some spiritual and, indeed, some sexual. Just as black popular movements have a multiplicity of meanings, this book argues that the music that emerges out of black popular movements has a multiplicity of meanings as well.

DKK 476.00
1

Civil Rights Music - Reiland Rabaka - Bog - Lexington Books - Plusbog.dk

Civil Rights Music - Reiland Rabaka - Bog - Lexington Books - Plusbog.dk

While there have been a number of studies that have explored African American “movement culture” and African American “movement politics,” rarely has the mixture of black music and black politics or, rather, black music an as expression of black movement politics, been explored across several genres of African American “movement music,” and certainly not with a central focus on the major soundtracks of the Civil Rights Movement: gospel, freedom songs, rhythm & blues, and rock & roll. Here the mixture of music and politics emerging out of the Civil Rights Movement is critically examined as an incredibly important site and source of spiritual rejuvenation, social organization, political education, and cultural transformation, not simply for the non-violent civil rights soldiers of the 1950s and 1960s, but for organic intellectual-artist-activists deeply committed to continuing the core ideals and ethos of the Civil Rights Movement in the twenty-first century. Civil Rights Music: The Soundtracks of the Civil Rights Movement is primarily preoccupied with that liminal, in-between, and often inexplicable place where black popular music and black popular movements meet and merge. Black popular movements are more than merely social and political affairs. Beyond social organization and political activism, black popular movements provide much-needed spaces for cultural development and artistic experimentation, including the mixing of musical and other aesthetic traditions. “Movement music” experimentation has historically led to musical innovation, and musical innovation in turn has led to new music that has myriad meanings and messages—some social, some political, some cultural, some spiritual and, indeed, some sexual. Just as black popular movements have a multiplicity of meanings, this book argues that the music that emerges out of black popular movements has a multiplicity of meanings as well.

DKK 980.00
1

Dance Music Spaces - Danielle Antoinette Hidalgo - Bog - Lexington Books - Plusbog.dk

Sing Romantic Music Romantically - David Friddle - Bog - Lexington Books - Plusbog.dk

Sing Romantic Music Romantically - David Friddle - Bog - Lexington Books - Plusbog.dk

Music and Peacebuilding - - Bog - Lexington Books - Plusbog.dk