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Masking the Abject - Mechthild Nagel - Bog - Lexington Books - Plusbog.dk

Dancing Culture Religion - Sam Gill - Bog - Lexington Books - Plusbog.dk

Dancing Culture Religion - Sam Gill - Bog - Lexington Books - Plusbog.dk

Unlocking the Wealth of Indian Nations - - Bog - Lexington Books - Plusbog.dk

Unlocking the Wealth of Indian Nations - - Bog - Lexington Books - Plusbog.dk

Under Wraps - Sharra L. Vostral - Bog - Lexington Books - Plusbog.dk

Under Wraps - Sharra L. Vostral - Bog - Lexington Books - Plusbog.dk

The Kalamata Diary - Eduardo Faingold - Bog - Lexington Books - Plusbog.dk

The Kalamata Diary - Eduardo Faingold - Bog - Lexington Books - Plusbog.dk

Marxist Theory, Black/African Specificities, and Racism - Babacar Camara - Bog - Lexington Books - Plusbog.dk

Marxist Theory, Black/African Specificities, and Racism - Babacar Camara - Bog - Lexington Books - Plusbog.dk

This book deals with substantive issues that have the potential to enhance our understanding regarding how Marxist theory can be quite useful in interpreting Black specificities and the race paradigm. So far, Marxist theory has been excluded because it is supposedly class and economy reductionist, but the essence of this theory-dialectic-not only proves that it is a meaningful way of seeing racism for what it truly is, but also a way of filtering through the plethora of interpretations of what constitutes race. The timeliness of the approach should help revive discussion on ethnophilosophy as an ideology. So much academic consideration has led scholars to seriously underestimate ideology''s extraordinary efficiency in blending into lived experience to the point where much of its most telling effects have become undetectable. This work suggests that critical theory must reorient itself and offers an important discussion on the dominant discourse of poststructuralism, postmodernism, postcolonialism, Marxism, African socialism, Négritude, and Afrocentricity. The book''s approach sheds a radical light on the claim for Black specificities and racism. It shows that racial and ethnological discourses are ideological and political mystifications, masking exploitation. Under such circumstances, racial and racist ideologies become cards to be played by the perpetrators or the victims, as the case studies of Haiti and South Africa illustrate. As can be seen, then, the intelligibility of racism and its various forms can only stem from an analysis of the social structures upon which they rest. Just to show how inextricably linked ideology, race, racism, political expansion, and economic domination are, the book looks at Africa and its Diaspora, revealing how Africans remain the scapegoat for racial "othering" in the global economy''s ideological praxis. In so doing, the book is also able to include African intellectuals'' perspectives that have often been omitted from the dialogue on critical theory, race, racism, and Bla

DKK 881.00
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Mixtape Nostalgia - Jehnie I. Burns - Bog - Lexington Books - Plusbog.dk

Audio Book - Mikko Keskinen - Bog - Lexington Books - Plusbog.dk

Audio Book - Mikko Keskinen - Bog - Lexington Books - Plusbog.dk

Audio Book deals with the ways in which the auditory—voices, sounds, noises—is represented in postphonograph narrative fiction. More specifically, it examines how the various technologies enabling the transmission or storing of sound and voice are figured in selected prose works. Drawing from contemporary American, British, French, and German literature, the author discusses these use of these technologies in Nicholson Baker''s Vox, Michel Tournier''s Tristan Vox, Heinrich Böll''s Murke''s Collected Silences, Don DeLillo''s The Body Artist, Nick Hornby''s High Fidelity, and Sylvia Brownrigg''s The Metaphysical Touch. The texts foreground sound technologies (the telephone, radio, tape recorder, answering machine, record player, or, counterintuitively, e-mail) in their narration and manifest important aspects of audio in literature. In prior criticism, these texts have not been systematically read from media-technological perspectives. The sound technologies represented in the texts problematize the clear distinction between speech and writing, or between "natural" articulation and its technological reproduction. Audio Book suggests that literary writing is metaphorically conceivable as a transmitting and storing technology, as an audiobook of sorts, capable of recording (upon writing) and reproducing (upon reading) auditory information. The sound technologies proper have also bearing on the narrative structure, metaphorics, and style of each fictional work studied in Audio Book. In addition, themes such as identity, genre, the nature of literary representation, and the absence/presence problem are brought to the fore on account of the technologies depicted.

DKK 874.00
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