39 resultater (0,29875 sekunder)

Mærke

Butik

Pris (EUR)

Nulstil filter

Produkter
Fra
Butikker

Beyond Justice as Fairness - Paul Nnodim - Bog - Lexington Books - Plusbog.dk

Paul Ricoeur and the Lived Body - - Bog - Lexington Books - Plusbog.dk

Opera as Art - Paul Thom - Bog - Lexington Books - Plusbog.dk

The Current Collegiate Hookup Culture - Aditi Paul - Bog - Lexington Books - Plusbog.dk

Sociology of Waiting - Paul Christopher Price - Bog - Lexington Books - Plusbog.dk

The Institutionalization of Indoctrination - Paul Dragos Aligica - Bog - Lexington Books - Plusbog.dk

The Institutionalization of Indoctrination - Paul Dragos Aligica - Bog - Lexington Books - Plusbog.dk

How do we conceptualize and theorize about the social organization of ideology? How should we think methodically—in theoretically and empirically informed ways—about the institutionalization of indoctrination and propaganda? How should we approach the study of the social and political instrumentation of ideology in regimes that assume that historical missions of messianic social change are the stringent organizing and legitimization principles of their very existence? This book is an attempt to answer these questions. On the one hand, this book explores key elements of conceptualization and theoretical framing of the phenomena associated with the institutionalization of indoctrination. New potential venues of theoretical elaboration are identified, and in several cases, these venues are tentatively engaged. On the other hand, this book balances the exploratory theoretical approach with an exploratory historical investigation. Concentrating on the case study of Communist Romania, this book charts various facets of the institutionalization of the “political-ideological commissars” in the education system, while tracking their evolution. The two dimensions of the book offer, in conjunction, a contribution to our understanding of the institutional arrangements of indoctrination and their associated social monitoring and control practices, as well as to our awareness regarding their avatars, as manifested in recent history.

DKK 317.00
1

Understanding and Explaining the Iranian Nuclear 'Crisis' - Halit M. E. Tagma - Bog - Lexington Books - Plusbog.dk

Jin Yong’s Martial Arts Fiction and the Kungfu Industrial Complex - Paul B Foster - Bog - Lexington Books - Plusbog.dk

Social Media and Politics in Turkey - Erkan Saka - Bog - Lexington Books - Plusbog.dk

Artistic Creation - Jeff Mitscherling - Bog - Lexington Books - Plusbog.dk

Ecological Solidarity and the Kurdish Freedom Movement - - Bog - Lexington Books - Plusbog.dk

Entrepreneurs and Capitalism since Luther - Ivan Light - Bog - Lexington Books - Plusbog.dk

Creating Restorative Justice - Ian M. Borton - Bog - Lexington Books - Plusbog.dk

A Hermeneutics of Poetic Education - Catherine Homan - Bog - Lexington Books - Plusbog.dk

The Phenomenology of Revelation in Heidegger, Marion, and Ricoeur - Adam J Graves - Bog - Lexington Books - Plusbog.dk

The Phenomenology of Revelation in Heidegger, Marion, and Ricoeur - Adam J Graves - Bog - Lexington Books - Plusbog.dk

The Phenomenology of Revelation in Heidegger, Marion, and Ricoeur provides a critical framework for understanding the phenomenology of revelation through a series of close readings that serve as the basis for an imagined dialogue between Martin Heidegger, Jean-Luc Marion, and Paul Ricoeur. Adam J. Graves distinguishes between two dominant approaches to revelation: a “radical” approach that seeks to disclose a pre-linguistic experience of revelation through a radicalization of the phenomenological reduction, and a “hermeneutical” one that characterizes revelation as an eruption of meaning arising from our encounter with concrete symbols, narratives, and texts. According to Graves, the radical approach is often driven by a misplaced concern for maintaining philosophical rigor and for avoiding theological biases, or “contaminations.” This preoccupation leads to a process of “counter-contamination” in which the concept of revelation is ultimately estranged from the phenomenon’s rich historical and linguistic content. While Ricoeur’s hermeneutic phenomenology may do a better job of accommodating the concrete content of revelation, it does so at the price of having to renouncing the kind of “presuppositionlessness” generally associated with phenomenological method. Ultimately, Graves argues that a more nuanced appreciation of the complex nature of our linguistic inheritance enables us to reconceive the relationship between revelation and philosophical thought.

DKK 317.00
1

Is Marx's Theory of Profit Right? - - Bog - Lexington Books - Plusbog.dk

Is Marx's Theory of Profit Right? - - Bog - Lexington Books - Plusbog.dk

This collection focuses on a long-running debate over the logical validity of Karl Marx’s theory that exploitation is the exclusive source of capitalists’ profits. The “Fundamental Marxian Theorem” was long thought to have shown that orthodox Marxian economics succeeds in replicating Marx’s conclusion. The debate begins with Andrew Kliman’s disproof of that claim. On one side of the debate, representing orthodox Marxian economics, are contributions by Simon Mohun and Roberto Veneziani. Although they concede that their simultaneist models cannot replicate Marx’s theory of profit in all cases, they insist that this is as good as it gets. On the other side, representing the temporal single-system interpretation of Marx’s theory (TSSI), are contributions by Kliman and Alan Freeman. They argue that his theory is logically valid, since it can indeed be replicated when it is understood in accordance with the TSSI. While the debate initially focused on logical concerns, issues of pluralism, truth, and scientificity increasingly assumed center stage. In his introduction to the volume, Nick Potts situates the debate in its historical context and argues forcefully that the arguments of the orthodox Marxist economists, and the manner in which those arguments were couched, were “suppressive and contrary to scientific norms.”The volume concludes with a 2014 debate, in which many of the same issues re-surfaced, between the philosopher Robert Paul Wolff and proponents of the TSSI.

DKK 370.00
1

Memorials in Berlin and Buenos Aires - Brigitte Sion - Bog - Lexington Books - Plusbog.dk

Memorials in Berlin and Buenos Aires - Brigitte Sion - Bog - Lexington Books - Plusbog.dk

The Memorial to the Murdered Jews in Berlin, inaugurated in 2005, and the Monument to the Victims of State Terrorism within the Memory Park (Parque de la Memoria) in Buenos Aires, partially unveiled in 2007, have been controversial from start to finish. While these sites differ in many respects, Germany and Argentina share a history of dictatorial regimes that murdered civilians on a massive scale. The Nazis implemented the genocide of millions of Jews and other minorities during World War II. In Argentina, the junta-led state repression was responsible for the “disappearance” and subsequent murder of thousands of civilians between 1976 and 1983. Decades later, new governments in Germany and Argentina acknowledged the responsibility of their respective states for these mass murders by memorializing the victims with a national monument in the capital city for the first time. This study of two memorials develops a model and method for analyzing the memorialization of recent tragedies that share several basic characteristics: the state creates a self-indicting national memorial to the victims of state-sponsored mass murder in the absence of their bodies. Analyzed as sites of conflicting performances and as performances themselves, these memorials illuminate the ways in which people engage with them, and how an architecture of absence triggers embodied memory through somatic experience. While death tourism and architourism are a key to their success in attracting visitors, they also pose a threat to their commemorative role. Besides assessing the success and failure of these memorials, Sion explores the ways in which these sites are paradigmatic and offers a model for analyzing a transnational circuit of commemorative practices.

DKK 310.00
1

Netflix Nostalgia - - Bog - Lexington Books - Plusbog.dk

Netflix Nostalgia - - Bog - Lexington Books - Plusbog.dk

Whether it’s “Flashback Friday” or “Throwback Thursday,” audiences are hungry for nostalgic film and television, and the streaming giant Netflix serves up shows from the past that satisfy this craving, in addition to producing original contemporary content with nostalgic flavor. As a part of the series “Reboots, Remakes and Adaptations” originated by series editors Dr. Carlen Lavigne and Dr. Paul Booth, this edited volume focuses exclusively on the intersection between the Netflix platform and the current nostalgia trend in popular culture. As both a creator and distributor of media texts, Netflix takes great advantage of a wide variety of audience nostalgic responses, banking on attracting audiences who seek out nostalgic content that takes them back in time, as well as new audiences who discover “old” and reimagined content. The book aims to interrogate the complex and contradictory notions of nostalgia through the contemporary lens of Netflix, examining angles such as the Netflix business model, the impact of streaming platforms such as Netflix on the consumption of nostalgia, the ideological nature of nostalgic representation in Netflix series, and the various ways that Netflix content incorporates nostalgic content and viewer responses. Many of the contributed chapters analyze current, ongoing Netflix series, providing very timely and original analysis by established and emerging scholars in a variety of disciplines.What can we learn about our selves, our times, our cultures, in response to an examination of “Netflix and Nostalgia”?

DKK 379.00
1

Danger and Vulnerability in Nineteenth-century American Literature - Jennifer Travis - Bog - Lexington Books - Plusbog.dk

Danger and Vulnerability in Nineteenth-century American Literature - Jennifer Travis - Bog - Lexington Books - Plusbog.dk

Nineteenth-Century Americans saw danger lurking everywhere: in railway cars and trolleys, fireplaces and floods, and amid social and political movements, from the abolition of slavery to suffrage. After the Civil War, Americans were shaken by financial panic and a volatile post-slave economy. They were awe-struck and progressively alarmed by technological innovations that promised speed and commercial growth, but also posed unprecedented physical hazard. Most of all, Americans were uncertain, particularly in light of environmental disasters like hurricanes and wildfires, about their own city on a hill and the once indisputable and protective hand of a beneficent God. The disasters, accidents, and social and political upheavals that characterized nineteenth-century culture had enormous explanatory power, metaphoric and real. Today we speak of similar insecurities: financial, informational, environmental, and political, and we obsessively express our worry and fear for the future. Cultural theorist Paul Virilio refers to these feelings as the “threat horizon,” one that endlessly identifies and produces new dangers. Why, he asks, does it seem easier for humanity to imagine a future shaped by ever-deadlier accidents than a decent future? Danger and Vulnerability in Nineteenth Century American Literature; or, Crash and Burn American invites readers to examine the “threat horizon” through its nascent expression in literary and cultural history. Against the emerging rhetoric of danger in the long nineteenth century, this book examines how a vocabulary of vulnerability in the American imaginary promoted the causes of the structurally disempowered in new and surprising ways, often seizing vulnerability as the grounds for progressive insight. The texts at the heart of this study, from nineteenth-century sensation novels to early twentieth-century journalistic fiction, imagine spectacular collisions, terrifying conflagrations, and all manner of catastrophe, social, political, and environmental. Together they write against illusions of inviolability in a growing technological and managerial culture, and they imagine how the recognition of universal vulnerability may challenge normative representations of social, political, and economic marginality.

DKK 361.00
1

American Literature, Lynching, and the Spectator in the Crowd - Debbie Lelekis - Bog - Lexington Books - Plusbog.dk

American Literature, Lynching, and the Spectator in the Crowd - Debbie Lelekis - Bog - Lexington Books - Plusbog.dk

American Literature, Lynching, and the Spectator in the Crowd: Spectacular Violence examines spectatorship in American literature at the turn of the twentieth century, focusing on texts by Theodore Dreiser, Miriam Michelson, Irvin S. Cobb, and Paul Laurence Dunbar. The spectator functions as a lens through which we view the relationship between violence and social change as depicted in the politically-charged crowds of fictional lynch mob scenes that expose the central tension of American democracy—the struggle for balance between the rights of the individual and the demands of the community. This has played out in American fiction through clashes between crowds and the primarily rural images that have so often been used to describe America. While this pastoral vision of America has dominated the study of American literature, this book argues for a reassessment of fiction that takes into consideration that the way the country defines itself collectively is as significant as the way its people define themselves individually.This study distinguishes itself from others by bringing together journalism, crowds, lynching, spectatorship, and literature in new and innovative ways that uncover how American literature at the turn of the twentieth century confronted and pushed beyond passive observation and static visual performances, which are traditionally associated with the terms "spectator" and "spectacle." The crowds in fictional lynch mob scenes clash with the idea of positive collective action because the crowd''s vigilantism defies legitimate legal and democratic processes. Lynch mobs, in contrast to other crowds like strikes or political rallies, do not reclaim the democratic process from the control of the powerful and wealthy, but rather oppose those practices violently without regard to justice. As a figure who is simultaneously within and outside the crowd, the spectator (often in the form of a reporter character) is in a unique position to express the fractures occurring between the individual and the collective in American society. Racial conflicts are a key aspect of the crowd scenes examined. American writers contended with these issues by using the spectator to observe, question, and challenge readers to consider the impact on the structure of American society.

DKK 370.00
1