22 resultater (0,27680 sekunder)

Vis alle filtre

Mærke

Butik

Pris (EUR)

Nulstil filter

Produkter
Fra
Butikker

Caught on Tape - Casey Ryan Kelly - Bog - Oxford University Press Inc - Plusbog.dk

Caught on Tape - Casey Ryan Kelly - Bog - Oxford University Press Inc - Plusbog.dk

In a surveillance culture, the ubiquity of audio-visual recording devices has enabled the unprecedented documentation of private indiscretions, scandalous conversations, and obscene behaviors performed by both ordinary and high-profile people. From former President Donald J. Trump''s lewd banter on the infamous Access Hollywood video and leaked audio of celebrity racist tirades to outburst of violent hate speech posted daily to YouTube, contemporary media culture is awash in obscene performances of transgressive white masculinity. Such exposés are screened and viewed under the assumption that revealing secret prejudices will necessarily realize the promises of democracy and bring about a postracial and postfeminist future. This book addresses why the culture of public revelations has failed to hold the perpetrators accountable. Caught on Tape illustrates how public revelations constitute a symbolic and imaginary world for the public that is preoccupied with the obscene enjoyment of transgressive white masculinity: a compulsively repetitive experience of ecstatic and excessive pleasure-in-pain that arises from encounters with that which disturbs, traumatizes, and interrupts illusory notions of our coherent selves and reality. Caught on Tape argues that addressing race and gender inequality with the promise of scandalous hot mics and obscene private videos transforms antiracism and gender justice into disempowering forms of spectatorship that ultimately conceal the structural nature of whiteness, white supremacy, and patriarchy. The central argument of this book is that the spectators are the ones really caught on tape.

DKK 269.00
1

Caught on Tape - Casey Ryan Kelly - Bog - Oxford University Press Inc - Plusbog.dk

Caught on Tape - Casey Ryan Kelly - Bog - Oxford University Press Inc - Plusbog.dk

In a surveillance culture, the ubiquity of audio-visual recording devices has enabled the unprecedented documentation of private indiscretions, scandalous conversations, and obscene behaviors performed by both ordinary and high-profile people. From former President Donald J. Trump''s lewd banter on the infamous Access Hollywood video and leaked audio of celebrity racist tirades to outburst of violent hate speech posted daily to YouTube, contemporary media culture is awash in obscene performances of transgressive white masculinity. Such exposés are screened and viewed under the assumption that revealing secret prejudices will necessarily realize the promises of democracy and bring about a postracial and postfeminist future. This book addresses why the culture of public revelations has failed to hold the perpetrators accountable. Caught on Tape illustrates how public revelations constitute a symbolic and imaginary world for the public that is preoccupied with the obscene enjoyment of transgressive white masculinity: a compulsively repetitive experience of ecstatic and excessive pleasure-in-pain that arises from encounters with that which disturbs, traumatizes, and interrupts illusory notions of our coherent selves and reality. Caught on Tape argues that addressing race and gender inequality with the promise of scandalous hot mics and obscene private videos transforms antiracism and gender justice into disempowering forms of spectatorship that ultimately conceal the structural nature of whiteness, white supremacy, and patriarchy. The central argument of this book is that the spectators are the ones really caught on tape.

DKK 805.00
1

Claiming Power in Doctor-Patient Talk - Nancy Ainsworth Vaughn - Bog - Oxford University Press Inc - Plusbog.dk

Claiming Power in Doctor-Patient Talk - Nancy Ainsworth Vaughn - Bog - Oxford University Press Inc - Plusbog.dk

Although there is rising interest in medical discourse, there has not until now been a detailed analysis of doctor-patient interaction in a private practice setting. Nancy Ainsworth-Vaughn has been able to tape both male and female doctors in such a setting. On the basis of these interviews, she demonstrates that not just the doctor (as suggested in the previous literature) but patients as well wield considerable influence by actively employing verbal strategies to construct different types of power in medical discourse.

DKK 443.00
1

Growth Monitoring and Promotion in Young Children - D. B. And E. F. P. Jelliffe - Bog - Oxford University Press Inc - Plusbog.dk

Growth Monitoring and Promotion in Young Children - D. B. And E. F. P. Jelliffe - Bog - Oxford University Press Inc - Plusbog.dk

This new volume outlines methods of monitoring growth and weight gain, and essential clinical service. The alternative methods described here will be of particular use to workers in Third World countries where the cost of scales as well as illiteracy and cultural differences make weight-plotting especially difficult. Readers will find outlines of such innovative methods as the use of arm growth tape, simplified techniques of weight plotting, and helpful algorithms for decision-making. Among the book''s appendices is a point system for comparative evaluation of weighing scales. Many illustrations help clarify the material presented in the text, making this book valuable in the classroom as well as in the field.

DKK 304.00
1

Electronic Inspirations - Jennifer Iverson - Bog - Oxford University Press Inc - Plusbog.dk

Electronic Inspirations - Jennifer Iverson - Bog - Oxford University Press Inc - Plusbog.dk

For a decimated post-war West Germany, the electronic music studio at the WDR radio in Cologne was a beacon of hope. Jennifer Iverson''s Electronic Inspirations: Technologies of the Cold War Musical Avant-Garde traces the reclamation and repurposing of wartime machines, spaces, and discourses into the new sounds of the mid-century studio. In the 1950s, when technologies were plentiful and the need for reconstruction was great, West Germany began to rebuild its cultural prestige via aesthetic and technical advances. The studio''s composers, collaborating with scientists and technicians, coaxed music from sine-tone oscillators, noise generators, band-pass filters, and magnetic tape. Together, they applied core tenets from information theory and phonetics, reclaiming military communication technologies as well as fascist propaganda broadcasting spaces. The electronic studio nurtured a revolutionary synthesis of science, technology, politics, and aesthetics. Its esoteric sounds transformed mid-century music and continue to reverberate today. Electronic music-echoing both cultural anxiety and promise-is a quintessential Cold War innovation.

DKK 1020.00
1

Everyday Stalinism - Sheila (bernadotte E Schmidt Professor Of Modern Russian History At The University Of Chicago. Past President Of The American

Everyday Stalinism - Sheila (bernadotte E Schmidt Professor Of Modern Russian History At The University Of Chicago. Past President Of The American

In the 1930s many Western intellectuals looked with hope and admiration at the great `Soviet experiment'', the planned transformation of the economy that was supposed to lay the foundation for the world''s first socialist society. Later, with the onset of the Cold War, the image of the `Evil Empire'' predominated in the mind of Westerners. Yet what was it really like to be a citizen of Soviet Russia during this period? Everyday Stalinism is a pioneering history of everyday life in Soviet Russia. Rather than consider the history of the period from the perspective of the Soviet Party and its leaders, Sheila Fitzpatrick considers what life was like for ordinary people. A highly accessible study, Everyday Stalinism shows the ways of life, behaviours, and skills developed by citizens in order to cope with the extraordinary social and political change that Stalinism brought, ranging from scarcity of consumer goods, to the condemnation of religion, to bureaucratic red tape and state regulation of education, jobs, and career advancement.

DKK 182.00
1

The Implicit Genome - - Bog - Oxford University Press Inc - Plusbog.dk

The Implicit Genome - - Bog - Oxford University Press Inc - Plusbog.dk

For over half a century, we have been in the thrall of the double-helicaln structure of DNA, which, in an instant, revealed that information can be transferred between generations by a simple rule, A pairs with T, G pairs with C. In its beautiful simplicity, this structure, along with the table of codons worked out in the following decade, had entranced us into believing that we can fully understand the information content of a DNA sequence, simply by treating it as text that is read in a linear fashion. While we have learned much based on this assumption, there is much we have missed. Far from a passive tape running through a reader, genomes contain information that appears in new forms which create regions with distinct behavior. Some are "gene rich", some mobile, some full of repeats and duplications, some sticking together across long evolutionary distances, some readily breaking apart in tumor cells. Even protein-coding regions can carry additional information, taking advantage of the flexible coding options provided by the degeneracy of the genetic code. The chapters in this volume touch on one or more of three interconnected themes: information can be implied, rather than explicit, in a genome; information can lead to focused and/or regulated changes in nucleotide sequences; information that affects the probability of distinct classes of mutation has implications for evolutionary theory.

DKK 546.00
1

The Preacher King - Richard Lischer - Bog - Oxford University Press Inc - Plusbog.dk

The Preacher King - Richard Lischer - Bog - Oxford University Press Inc - Plusbog.dk

The Preacher King investigates Martin Luther King Jr.''s religious development from a precocious "preacher''s kid" in segregated Atlanta to the most influential America preacher and orator of the twentieth century. To give the most accurate and intimate portrait possible, Richard Lischer draws almost exclusively on King''s unpublished sermons and speeches, as well as tape recordings, personal interviews, and even police surveillance reports. By returning to the raw sources, Lischer recaptures King''s truest preaching voice and, consequently, something of the real King himself. He shows how as the son, grandson, and great-grandson of preachers, King early on absorbed the poetic cadences, traditions, and power of the pulpit, more profoundly influenced by his fellow African-American preachers than by Gandhi and the classical philosophers.Lischer also reveals a later phase of King''s development that few of his biographers or critics have addressed: the prophetic rage with which he condemned American religious and political hypocrisy. During the last three years of his life, Lischer shows, King accused his country of genocide, warned of long hot summers in the ghettos, and called for a radical redistribution of wealth.25 years after its initial publication, The Preacher King remains a critical study that captures the crucial aspect of Martin Luther King Jr.''s identity. Human, complex, and passionate, King was the consummate American preacher who never quit trying to reshape the moral and political character of the nation.

DKK 969.00
1

The Preacher King - Richard Lischer - Bog - Oxford University Press Inc - Plusbog.dk

The Preacher King - Richard Lischer - Bog - Oxford University Press Inc - Plusbog.dk

The Preacher King investigates Martin Luther King Jr.''s religious development from a precocious "preacher''s kid" in segregated Atlanta to the most influential America preacher and orator of the twentieth century. To give the most accurate and intimate portrait possible, Richard Lischer draws almost exclusively on King''s unpublished sermons and speeches, as well as tape recordings, personal interviews, and even police surveillance reports. By returning to the raw sources, Lischer recaptures King''s truest preaching voice and, consequently, something of the real King himself. He shows how as the son, grandson, and great-grandson of preachers, King early on absorbed the poetic cadences, traditions, and power of the pulpit, more profoundly influenced by his fellow African-American preachers than by Gandhi and the classical philosophers.Lischer also reveals a later phase of King''s development that few of his biographers or critics have addressed: the prophetic rage with which he condemned American religious and political hypocrisy. During the last three years of his life, Lischer shows, King accused his country of genocide, warned of long hot summers in the ghettos, and called for a radical redistribution of wealth.25 years after its initial publication, The Preacher King remains a critical study that captures the crucial aspect of Martin Luther King Jr.''s identity. Human, complex, and passionate, King was the consummate American preacher who never quit trying to reshape the moral and political character of the nation.

DKK 320.00
1

Sound Commitments - - Bog - Oxford University Press Inc - Plusbog.dk

Sound Commitments - - Bog - Oxford University Press Inc - Plusbog.dk

The role of popular music is widely recognized in giving voice to radical political views, the plight of the oppressed, and the desire for social change. Avant-garde music, by contrast, is often thought to prioritize the pursuit of new technical or conceptual territory over issues of human and social concern. Yet throughout the activist 1960s, many avant-garde musicians were convinced that aesthetic experiment and social progressiveness made natural bedfellows. Intensely involved in the era''s social and political upheavals, they often sought to reflect this engagement in their music. Yet how could avant-garde musicians make a meaningful contribution to social change if their music remained the preserve of a tiny, initiated clique? In answer, Sound Commitments, examines the encounter of avant-garde music and "the Sixties" across a range of genres, aesthetic positions and geographical locations. Through music for the concert hall, tape and electronic music, jazz and improvisation, participatory "events," performance art, and experimental popular music, the essays in this volume explore developments in the United States, France, West Germany, Italy, the Netherlands, the Soviet Union, Japan and parts of the "Third World," delving into the deep richness of avant-garde musicians'' response to the decade''s defining cultural shifts. Featuring new archival research and/or interviews with significant figures of the period in each chapter, Sound Commitments will appeal to researchers and advanced students in the fields of post-war music, cultures of the 1960s, and the avant-garde, as well as to an informed general readership.

DKK 388.00
1

The Music Room - Jake Johnson - Bog - Oxford University Press Inc - Plusbog.dk

The Music Room - Jake Johnson - Bog - Oxford University Press Inc - Plusbog.dk

From 1981 to 1994, music patron and art collector Betty Freeman (1921--2009) hosted a series of monthly musicales, or salons, in Los Angeles. Most of these salons were held in a room off the den of Freeman''s Beverly Hills home--a space she dubbed "the music room." Freeman saw these salons as an important space to foster the development of contemporary composition among leading and upcoming composers in both America and Europe. Over the span of thirteen seasons, 144 composers, performers, and dignitaries in the contemporary music world spoke, performed, and shared their music before a gathering of elite arts administrators, scholars, critics, patrons, and composers from the greater Los Angeles area. Freeman and her co-organizer, music critic Alan Rich (1924--2010), ensured that young, local composers were frequently featured alongside established ones with international reputations, constructing a network of mentors and mentees within contemporary music. The Music Room is a collection of transcriptions of tape recordings made at the salons and photographs Freeman took of these events that gives an unprecedented look inside one of the most significant musical gatherings of the last century. Among those famous today who appeared in the salons were John Cage, Libby Larsen, Pierre Boulez, Steve Reich, John Adams, György Ligeti, and Philip Glass. Featuring sixteen composers whose work and relationship with Freeman showcase the wide influence of her salon series, The Music Room is at once a record of these specific composers as well as a documented history of salon culture in America.

DKK 305.00
1

The Music Room - Jake Johnson - Bog - Oxford University Press Inc - Plusbog.dk

The Music Room - Jake Johnson - Bog - Oxford University Press Inc - Plusbog.dk

From 1981 to 1994, music patron and art collector Betty Freeman (1921--2009) hosted a series of monthly musicales, or salons, in Los Angeles. Most of these salons were held in a room off the den of Freeman''s Beverly Hills home--a space she dubbed "the music room." Freeman saw these salons as an important space to foster the development of contemporary composition among leading and upcoming composers in both America and Europe. Over the span of thirteen seasons, 144 composers, performers, and dignitaries in the contemporary music world spoke, performed, and shared their music before a gathering of elite arts administrators, scholars, critics, patrons, and composers from the greater Los Angeles area. Freeman and her co-organizer, music critic Alan Rich (1924--2010), ensured that young, local composers were frequently featured alongside established ones with international reputations, constructing a network of mentors and mentees within contemporary music. The Music Room is a collection of transcriptions of tape recordings made at the salons and photographs Freeman took of these events that gives an unprecedented look inside one of the most significant musical gatherings of the last century. Among those famous today who appeared in the salons were John Cage, Libby Larsen, Pierre Boulez, Steve Reich, John Adams, György Ligeti, and Philip Glass. Featuring sixteen composers whose work and relationship with Freeman showcase the wide influence of her salon series, The Music Room is at once a record of these specific composers as well as a documented history of salon culture in America.

DKK 776.00
1

Democracy of Sound - Alex Sayf Cummings - Bog - Oxford University Press Inc - Plusbog.dk

Democracy of Sound - Alex Sayf Cummings - Bog - Oxford University Press Inc - Plusbog.dk

Democracy of Sound is the first book to examine music piracy in the United States from the dawn of sound recording to the rise of Napster and online file-sharing. It asks why Americans stopped thinking of copyright as a monopoly-a kind of necessary evil-and came to see intellectual property as sacrosanct and necessary for the prosperity of an "information economy." Recordings only became eligible for federal copyright in 1972, following years of struggle between pirates, musicians, songwriters, broadcasters, and record companies over the right to own sound. Beginning in the 1890s, the book follows the competing visions of Americans who proposed ways to keep obscure and noncommercial music in circulation, preserve out-of-print recordings from extinction, or simply make records more freely and cheaply available. Genteel jazz collectors swapped and copied rare records in the 1930s; radicals pitched piracy as a mortal threat to capitalism in the 1960s, while hip-hop DJs from the 1970s onwards reused and transformed sounds to create a freer and less regulated market for mixtapes. Each challenged the idea that sound could be owned by anyone. The conflict led to the contemporary stalemate between those who believe that "information wants to be free" and those who insist that economic prosperity depends on protecting intellectual property. The saga of piracy also shows how the dubbers, bootleggers, and tape traders forged new social networks that ultimately gave rise to the social media of the twenty first century. Democracy of Sound is a colorful story of people making law, resisting law, and imagining how law might shape the future of music, from the Victrola and pianola to iTunes and BitTorrent.

DKK 435.00
1

The Language of Law School - Elizabeth Mertz - Bog - Oxford University Press Inc - Plusbog.dk

The Language of Law School - Elizabeth Mertz - Bog - Oxford University Press Inc - Plusbog.dk

Anyone who has attended law school knows that it invokes an important intellectual transformation, frequently referred to as "learning to think like a lawyer". This process, which forces students to think and talk in radically new and toward different ways about conflicts, is directed by professors in the course of their lectures and examinations, and conducted via spoken and written language. Beth Mertz''s book is the first study to truly delve into that language to reveal the complexities of how this process takes place.Mertz bases her linguistic study on tape recordings from her first year Contracts courses in eight different law schools. She knows how all these schools employ the Socratic method between teacher and student, forcing the student to shift away from moral and emotional terms in thinking about conflict, toward frameworks of legal authority instead. This move away from moral frameworks is key, she says, arguing that it represents an underlying world view at the core not just of law education, but for better or worse, of the entire US legal system - which, while providing a useful source of legitimacy and a means to process conflict, fails to deal systematically with aspects of fairness and social justice. The latter part of her study shows how differences in race and gender makeup among law students and professors can subtly alter this process.Written within the tradition of anthropological lingustics, Mertz''s work - the first to study law school in this sort of detail - will appeal to a wide spectrum of readers interested in the intersection of law, language, and society: sociolinguists; anthropologists; feminist, race, and social theorists, and law professors.

DKK 676.00
1

Be Very Afraid - Robert Wuthnow - Bog - Oxford University Press Inc - Plusbog.dk

Be Very Afraid - Robert Wuthnow - Bog - Oxford University Press Inc - Plusbog.dk

Robert Wuthnow has been praised as one of ¨the country''s best social scientists¨ by columnist David Brooks, who hails his writing as ¨tremendously valuable.¨ The New York Times calls him ¨temperate, balanced, compassionate,¨ adding, öne can''t but admire Mr. Wuthnow''s views.¨ A leading authority on religion, he now addresses one of the most profound subjects: the end of the world.In Be Very Afraid, Wuthnow examines the human response to existential threats--once a matter for theology, but now looming before us in multiple forms. Nuclear weapons, pandemics, global warming: each threatens to destroy the planet, or at least to annihilate our species. Freud, he notes, famously taught that the standard psychological response to an overwhelming danger is denial. In fact, Wuthnow writes, the opposite is true: we seek ways of positively meeting the threat, of doing something--anything--even if it''s wasteful and time-consuming. The atomic era that began with the bombing of Hiroshima sparked a flurry of activity, ranging from duck-and-cover drills, basement bomb shelters, and marches for a nuclear freeze. All were arguably ineffectual, yet each sprang from an innate desire to take action. It would be one thing if our responses were merely pointless, Wuthnow observes, but they can actually be harmful. Both the public and policymakers tend to model reactions to grave threats on how we met previous ones. The response to the terrorist attacks of 9/11, for example, echoed the Cold War--citizens went out to buy duct tape, mimicking 1950s-era civil defense measures, and the administration launched two costly conflicts overseas. Offering insight into our responses to everything from An Inconvenient Truth to the bird and swine flu epidemics, Robert Wuthnow provides a profound new understanding of the human reaction to existential vulnerability.

DKK 425.00
1

Be Very Afraid - Robert Wuthnow - Bog - Oxford University Press Inc - Plusbog.dk

Be Very Afraid - Robert Wuthnow - Bog - Oxford University Press Inc - Plusbog.dk

Robert Wuthnow has been praised as one of "the country''s best social scientists" by columnist David Brooks, who hails his writing as "tremendously valuable." The New York Times calls him "temperate, balanced, compassionate," adding, "one can''t but admire Mr. Wuthnow''s views." A leading authority on religion, he now addresses one of the most profound subjects: the end of the world.In Be Very Afraid, Wuthnow examines the human response to existential threats--once a matter for theology, but now looming before us in multiple forms. Nuclear weapons, pandemics, global warming: each threatens to destroy the planet, or at least to annihilate our species. Freud, he notes, famously taught that the standard psychological response to an overwhelming danger is denial. In fact, Wuthnow writes, the opposite is true: we seek ways of positively meeting the threat, of doing something--anything--even if it''s wasteful and time-consuming. The atomic era that began with the bombing of Hiroshima sparked a flurry of activity, ranging from duck-and-cover drills, basement bomb shelters, and marches for a nuclear freeze. All were arguably ineffectual, yet each sprang from an innate desire to take action. It would be one thing if our responses were merely pointless, Wuthnow observes, but they can actually be harmful. Both the public and policymakers tend to model reactions to grave threats on how we met previous ones. The response to the terrorist attacks of 9/11, for example, echoed the Cold War--citizens went out to buy duct tape, mimicking 1950s-era civil defense measures, and the administration launched two costly conflicts overseas.Offering insight into our responses to everything from An Inconvenient Truth to the bird and swine flu epidemics, Robert Wuthnow provides a profound new understanding of the human reaction to existential vulnerability.

DKK 298.00
1

Creating Language Crimes - Roger W. ) Shuy - Bog - Oxford University Press Inc - Plusbog.dk

Creating Language Crimes - Roger W. ) Shuy - Bog - Oxford University Press Inc - Plusbog.dk

This book by Roger W. Shuy, the senior figure in forensic linguistics, is the first to explain in an accessible way the vital role that linguistic evidence and its proper analysis play in criminal investigations. Shuy provides compelling case studies of how language functions in investigations involving, among others, wired undercover operatives, and the interrogation of suspects. He makes the point that language evidence can be as important as physical evidence, but yet does not enjoy the same degree of scrutiny by investigators, attorneys, and the courts. Beyond this, however, his more controversial thesis is that police frequently misuse or manipulate language, using various powerful controversial strategies, in order to intentionally create an impression of the targets'' guilt or even to get them to confess. attorneys, law enforcement officers, judges, and juries This book makes its case by analyzing a dozen criminal cases involving a variety of crimes, such as fraud, bribery, stolen property, murder, and others. About half involve co-operating witnesses who do the tape recording, and the other half undercover police officers. These cases demonstrate how undercover operatives use different conversational strategies, such as overlapping conversation, ambiguity, interruption, refusing to take "no" for an answer, and others to create a negative impression of the targets on later listeners. Creating Language Crimes provides a fascinating window into a little-known and discussed facet of law enforcement. It will appeal to anyone concerned with language (particularly sociolinguists and discourse analysts), as well as to those involved in law enforcement and criminal cases. the appearance of such crime is created, law enforcement has not reached its evidentiary goal. Eleven conversational strategies were used in the twelve actual criminal cases described in this book.

DKK 417.00
1

The Preacher King - Richard Lischer - Bog - Oxford University Press Inc - Plusbog.dk

The Preacher King - Richard Lischer - Bog - Oxford University Press Inc - Plusbog.dk

It is a commonplace that Dr. Martin Luther King, Jr. was a spellbinding orator, and it is evident that he honed these skills in the pulpit, in his capacity as a Baptist minister. Until now, however, there has been no full-scale study of King as a preacher. This long-awaited study, drawing on tape-recordings and transcriptions of unpublished sermons, and interviews with King''s parishioners and colleagues, promises to remedy that lack. Preaching to congregations was never something King had "on the side," or dabbled in when he wasn''t busy being a "civil rights activist," Lischer shows. Not only was preaching integral to King''s identity, but the material of his Sunday morning sermons found its way into his mass-meeting speeches and civil addresses. When King spoke in civil settings, he transposed the Judeo-Christian themes of love, suffering, deliverance, and reconciliation from the shelter of the pulpit into the arena of public policy and behaviour. King''s religiously informed rhetoric, argues Lischer, helped create a fragile and temporary consensus among white and black Americans and contributed to legislation that has changed the fabric of daily life in this country. King''s Sunday morning sermons were far from identical with his civil addresses, however, and, in Lischer''s view, the more intimate, unpublished "private" sermons necessarily tell us far more about what King "really" believed about his God and the ills of the nation - from issues of personal morality to the massive problems of racism and war. The Preacher King thus opens a new window on the heart and mind of one of the great figures of 20th-century American history, and on the well-spring of his greatness.

DKK 270.00
1

Writings on Music, - Steve Reich - Bog - Oxford University Press Inc - Plusbog.dk

Writings on Music, - Steve Reich - Bog - Oxford University Press Inc - Plusbog.dk

In the mid-1960s, Steve Reich radically renewed the musical landscape with a back-to-basics sound that came to be called Minimalism. These early works, characterized by a relentless pulse and static harmony, focused single-mindedly on the process of gradual rhythmic change. Throughout his career, Reich has continued to reinvigorate the music world, drawing from a wide array of classical, popular, sacred, and non-western idioms. His works reflect the steady evolution of an original musical mind. Writings on Music documents the creative journey of this thoughtful, groundbreaking composer. These 64 short pieces include Reich''s 1968 essay "Music as a Gradual Process," widely considered one of the most influential pieces of music theory in the second half of the 20th century. Subsequent essays, articles, and interviews treat Reich''s early work with tape and phase shifting, showing its development into more recent work with speech melody and instrumental music. Other essays recount his exposure to non-western music -- African drumming, Balinese gamelan, Hebrew cantillation -- and the influence of these musics as structures and not as sounds. The writings include Reich''s reactions to and appreciations of the works of his contemporaries (John Cage, Luciano Berio, Morton Feldman, Gyorgy Ligeti) and older influences (Kurt Weill, Schoenberg). Each major work of the composer''s career is also explored through notes written for performances and recordings. Paul Hillier, himself a respected figure in the early music and new music worlds, has revisited these texts, working with the author to clarify their central narrative: the aesthetic and intellectual development of an influential composer. For long-time listeners and young musicians recently introduced to his work, this book provides an opportunity to get to know Reich''s music in greater depth and perspective.

DKK 385.00
1

The Studio Recordings of the Miles Davis Quintet, 1965–68 - Keith Waters - Bog - Oxford University Press Inc - Plusbog.dk

The Studio Recordings of the Miles Davis Quintet, 1965–68 - Keith Waters - Bog - Oxford University Press Inc - Plusbog.dk

The influence of Miles Davis''s "second great quintet," consisting of Davis (trumpet), Wayne Shorter (tenor saxophone), Herbie Hancock (piano), Ron Carter (bass), and Tony Williams (drums) continues to resonate. Jazz musicians, historians, and critics have celebrated the group for its improvisational communication, openness, and its transitional status between hard bop and the emerging free jazz of the 1960s, creating a synthesis described by one quintet member as "controlled freedom." The book provides a critical analytical study of the Davis quintet studio recordings released between 1965-68, including E.S.P., Miles Smiles, Sorcerer, Nefertiti, Miles in the Sky, and Filles de Kilimanjaro. In contrast to the quintet''s live recordings, which included performances of older jazz standards, the studio recordings offered an astonishing breadth of original compositions. Many of these compositions have since become jazz standards, and all of them played a central role in the development of contemporary jazz composition. Using transcription and analysis, author Keith Waters illuminates the compositional, improvisational, and collective achievements of the group. With additional sources, such as rehearsal takes, alternate takes, session reels, and copyright deposits of lead sheets, he shows how the group in the studio shaped and altered features of the compositions. Despite the earlier hard bop orientation of the players, the Davis quintet compositions offered different responses to questions of form, melody, and harmonic structure, and they often invited other improvisational paths, ones that relied on an uncanny degree of collective rapport. And given the spontaneity of the recorded performances-often undertaken with a minimum of rehearsal-the players responded with any number of techniques to address formal, harmonic, or metrical discrepancies that arose while the tape was rolling. The book provides an invaluable resource for those interested in Davis and his sidemen, as well as in jazz of the 1960s. It serves as a reference for jazz musicians and educators, with detailed transcriptions and commentary on compositions and improvisations heard on the studio recordings.

DKK 1196.00
1

The Studio Recordings of the Miles Davis Quintet, 1965-68 - Keith (associate Professor Waters - Bog - Oxford University Press Inc - Plusbog.dk

The Studio Recordings of the Miles Davis Quintet, 1965-68 - Keith (associate Professor Waters - Bog - Oxford University Press Inc - Plusbog.dk

The influence of Miles Davis''s "second great quintet," consisting of Davis (trumpet), Wayne Shorter (tenor saxophone), Herbie Hancock (piano), Ron Carter (bass), and Tony Williams (drums) continues to resonate. Jazz musicians, historians, and critics have celebrated the group for its improvisational communication, openness, and its transitional status between hard bop and the emerging free jazz of the 1960s, creating a synthesis described by one quintet member as "controlled freedom." The book provides a critical analytical study of the Davis quintet studio recordings released between 1965-68, including E.S.P., Miles Smiles, Sorcerer, Nefertiti, Miles in the Sky, and Filles de Kilimanjaro. In contrast to the quintet''s live recordings, which included performances of older jazz standards, the studio recordings offered an astonishing breadth of original compositions. Many of these compositions have since become jazz standards, and all of them played a central role in the development of contemporary jazz composition. Using transcription and analysis, author Keith Waters illuminates the compositional, improvisational, and collective achievements of the group. With additional sources, such as rehearsal takes, alternate takes, session reels, and copyright deposits of lead sheets, he shows how the group in the studio shaped and altered features of the compositions. Despite the earlier hard bop orientation of the players, the Davis quintet compositions offered different responses to questions of form, melody, and harmonic structure, and they often invited other improvisational paths, ones that relied on an uncanny degree of collective rapport. And given the spontaneity of the recorded performances-often undertaken with a minimum of rehearsal-the players responded with any number of techniques to address formal, harmonic, or metrical discrepancies that arose while the tape was rolling. The book provides an invaluable resource for those interested in Davis and his sidemen, as well as in jazz of the 1960s. It serves as a reference for jazz musicians and educators, with detailed transcriptions and commentary on compositions and improvisations heard on the studio recordings.

DKK 292.00
1

Serving Herself - Ashley (assistant Professor And Allan H. Selig Chair In The History Of Sport And Society Brown - Bog - Oxford University Press Inc -

Serving Herself - Ashley (assistant Professor And Allan H. Selig Chair In The History Of Sport And Society Brown - Bog - Oxford University Press Inc -

A compelling narrative of the trials and triumphs of tennis champion Althea Gibson, a key figure in the integration of American sports and, for a time, one of the most famous women in the world.From her start playing paddle tennis on the streets of Harlem as a young teenager to her eleven Grand Slam tennis wins to her professional golf career, Althea Gibson became the most famous black sportswoman of the mid-twentieth century. In her unprecedented athletic career, she was the first African American to win titles at the French Open, Wimbledon, and the US Open.In this comprehensive biography, Ashley Brown narrates the public career and private struggles of Althea Gibson (1927-2003). Based on extensive archival work and oral histories, Serving Herself sets Gibson''s life and choices against the backdrop of the Great Migration, Jim Crow racism, the integration of American sports, the civil rights movement, the Cold War, and second wave feminism. Throughout her life Gibson continuously negotiated the expectations of her supporters and adversaries, including her patrons in the black-led American Tennis Association, the white-led United States Lawn Tennis Association, and the media, particularly the Black press and community''s expectations that she selflessly serve as a representative of her race. An incredibly talented, ultra-competitive, and not always likeable athlete, Gibson wanted to be treated as an individual first and foremost, not as a member of a specific race or gender. She was reluctant to speak openly about the indignities and prejudices she navigated as an African American woman, though she faced numerous institutional and societal barriers in achieving her goals. She frequently bucked conventional norms of femininity and put her career ahead of romantic relationships, making her personal life the subject of constant scrutiny and rumors. Despite her major wins and international recognition, including a ticker tape parade in New York City and the covers of Sports Illustrated and Time, Gibson endeavored to find commercial sponsorship and permanent economic stability. Committed to self-sufficiency, she pivoted from the elite amateur tennis circuit to State Department-sponsored goodwill tours, attempts to find success as a singer and Hollywood actress, the professional golf circuit, a tour with the Harlem Globetrotters and her own professional tennis tour, coaching, teaching children at tennis clinics, and a stint as New Jersey Athletics Commissioner. As she struggled to support herself in old age, she was left with disappointment, recounting her past achievements decades before female tennis players were able to garner substantial earnings.A compelling life and times portrait, Serving Herself offers a revealing look at the rise and fall of a fiercely independent trailblazer who satisfied her own needs and simultaneously set a pathbreaking course for Black athletes.

DKK 250.00
1