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Son of Classics and Comics - - Bog - Oxford University Press Inc - Plusbog.dk

Classics and Comics - - Bog - Oxford University Press Inc - Plusbog.dk

Classics and Comics - - Bog - Oxford University Press Inc - Plusbog.dk

Since at least 1939, when daily-strip caveman Alley Oop time-traveled to the Trojan War, comics have been drawing (on) material from Greek and Roman myth, literature and history. At times the connection is cosmetic-as perhaps with Wonder Woman''s Amazonian heritage-and at times it is almost irrelevant-as with Hercules'' starfaring adventures in the 1982 Marvel miniseries. But all of these make implicit or explicit claims about the place of classics in modern literary culture. Classics and Comics is the first book to explore the engagement of classics with the epitome of modern popular literature, the comic book. The volume collects sixteen articles, all specially commissioned for this volume, that look at how classical content is deployed in comics and reconfigured for a modern audience. It opens with a detailed historical introduction surveying the role of classical material in comics since the 1930s. Subsequent chapters cover a broad range of topics, including the incorporation of modern theories of myth into the creation and interpretation of comic books, the appropriation of characters from classical literature and myth, and the reconfiguration of motif into a modern literary medium. Among the well-known comics considered in the collection are Frank Miller''s 300 and Sin City, DC Comics'' Wonder Woman, Jack Kirby''s The Eternals, Neil Gaiman''s Sandman, and examples of Japanese manga. The volume also includes an original 12-page "comics-essay," drawn and written by Eisner Award-winning Eric Shanower, creator of the graphic novel series Age of Bronze.

DKK 697.00
1

Classics and Comics - - Bog - Oxford University Press Inc - Plusbog.dk

Classics and Comics - - Bog - Oxford University Press Inc - Plusbog.dk

Since at least 1939, when daily-strip caveman Alley Oop time-traveled to the Trojan War, comics have been drawing (on) material from Greek and Roman myth, literature and history. At times the connection is cosmetic-as perhaps with Wonder Woman''s Amazonian heritage-and at times it is almost irrelevant-as with Hercules'' starfaring adventures in the 1982 Marvel miniseries. But all of these make implicit or explicit claims about the place of classics in modern literary culture. Classics and Comics is the first book to explore the engagement of classics with the epitome of modern popular literature, the comic book. The volume collects sixteen articles, all specially commissioned for this volume, that look at how classical content is deployed in comics and reconfigured for a modern audience. It opens with a detailed historical introduction surveying the role of classical material in comics since the 1930s. Subsequent chapters cover a broad range of topics, including the incorporation of modern theories of myth into the creation and interpretation of comic books, the appropriation of characters from classical literature and myth, and the reconfiguration of motif into a modern literary medium. Among the well-known comics considered in the collection are Frank Miller''s 300 and Sin City, DC Comics'' Wonder Woman, Jack Kirby''s The Eternals, Neil Gaiman''s Sandman, and examples of Japanese manga. The volume also includes an original 12-page "comics-essay," drawn and written by Eisner Award-winning Eric Shanower, creator of the graphic novel series Age of Bronze.

DKK 410.00
1

The Battle of the Classics - Eric Adler - Bog - Oxford University Press Inc - Plusbog.dk

The Battle of the Classics - Eric Adler - Bog - Oxford University Press Inc - Plusbog.dk

These are troubling days for the humanities. In response, a recent proliferation of works defending the humanities has emerged. But, taken together, what are these works really saying, and how persuasive do they prove? The Battle of the Classics demonstrates the crucial downsides of contemporary apologetics for the humanities and presents in its place a historically informed case for a different approach to rescuing the humanistic disciplines in higher education. It reopens the passionate debates about the classics that took place in late nineteenth- and early twentieth-century America as a springboard for crafting a novel foundation for the humanistic tradition. Eric Adler demonstrates that current defenses of the humanities rely on the humanistic disciplines as inculcators of certain poorly defined skills such as "critical thinking." It criticizes this conventional approach, contending that humanists cannot hope to save their disciplines without arguing in favor of particular humanities content. As the uninspired defenses of the classical humanities in the late nineteenth century prove, instrumental apologetics are bound to fail. All the same, the book shows that proponents of the Great Books favor a curriculum that is too intellectually narrow for the twenty-first century. The Battle of the Classics thus lays out a substance-based approach to undergraduate education that will revive the humanities, even as it steers clear of overreliance on the Western canon. The book envisions a global humanities based on the examination of masterworks from manifold cultures as the heart of an intellectually and morally sound education.

DKK 316.00
1

Zen Classics - - Bog - Oxford University Press Inc - Plusbog.dk

Rocking the Classics - Edward Macan - Bog - Oxford University Press Inc - Plusbog.dk

Rocking the Classics - Edward Macan - Bog - Oxford University Press Inc - Plusbog.dk

Few styles of popular music have generated as much controversy as progressive rock, a musical genre best remembered today for its gargantuan stage shows, its fascination with epic subject matter drawn from science fiction, mythology, and fantasy literature, and above all for its attempts to combine classical music''s sense of space and momumental scope with rock''s raw power and energy. Its dazzling virtuosity and spectacular live concerts made it hugely popular with fans during the 1970s, who saw bands such as King Crimson, Emerson, Lake and Palmer, Yes, Genesis, Pink Floyd, and Jethro Tull bring a new level of depth and sophistication to rock. On the other hand, critics branded the elaborate concerts of these bands as self- indulgent and materialistic. They viewed progressive rock''s classical/rock fusion attempts as elitist, a betrayal of rock''s populist origins.In Rocking the Classics, the first comprehensive study of progressive rock history, Edward Macan draws together cultural theory, musicology, and music criticism, illuminating how progressive rock served as a vital expression of the counterculture of the late 1960s and 1970s. Beginning with a description of the cultural conditions which gave birth to the progressive rock style, he examines how the hippies'' fondness for hallucinogens, their contempt for Establishment-approved pop music, and their fascination with the music, art, and literature of high culture contributed to this exciting new genre. Covering a decade of music, Macan traces progessive rock''s development from the mid- to late-sixties, when psychedelic bands such as the Moody Blues, Procol Harum, the Nice, and Pink Floyd laid the foundation of the progressive rock style, and proceeds to the emergence of the mature progressive rock style marked by the 1969 release of King Crimson''s album In the Court of the Crimson King. This `golden age'' reached its artistic and commerical zenith between 1970 and 1975 in the music of bands such as Jethro Tull, Yes, Genesis, ELP, Gentle Giant, Van der Graaf Generator, and Curved Air.In turn, Macan explores the conventions that govern progressive rock, including the visual dimensions of album cover art and concerts, lyrics and conceptual themes, and the importance of combining music, visual motif, and verbal expression to convey a coherent artistic vision. He examines the cultural history of progressive rock, considering its roots in a bohemian English subculture and its meteoric rise in popularity among a legion of fans in North America and continental Europe. Finally, he addresses issues of critical reception, arguing that the critics'' largely negative reaction to progressive rock says far more about their own ambivalence to the legacy of the counterculture than it does about the music itself.An exciting tour through an era of extravagant, mind-bending, and culturally explosive music, Rocking the Classics sheds new light on the largely misunderstood genre of progressive rock.

DKK 374.00
1

Classics of Political and Moral Philosophy - Steven M. Cahn - Bog - Oxford University Press Inc - Plusbog.dk

Classics of Political and Moral Philosophy - Steven M. Cahn - Bog - Oxford University Press Inc - Plusbog.dk

Classics of Political and Moral Philosophy provides in one volume the major writings from nearly 2,500 years of political and moral philosophy, from Plato through the twentieth century. The most comprehensive collection of its kind, it moves from classical thought (Plato, Aristotle, Epicurus, Cicero) through medieval views (Augustine, Aquinas) to modern perspectives (Machiavelli, Hobbes, Spinoza, Locke, Rousseau, Hume, Adam Smith, Kant). It includes major nineteenth-century thinkers (Bentham, Hegel, Mill) and considerably more twentieth-century theorists than are found in competing volumes (Rawls, Nozick, Taylor, Foucault, Habermas, Held, Nussbaum). Also included are numerous essays from The Federalist Papers and a variety of notable documents and addresses, among them Pericles'' Funeral Oration, The Declaration of Independence, The Constitution of the United States, The Declaration of the Rights of Man and of the Citizen, and speeches by Edmund Burke, Abraham Lincoln, Elizabeth Cady Stanton, John Dewey, and Martin Luther King, Jr. The readings are substantial or complete texts, not fragments. The second edition contains two new readings--by Charles Taylor and Virginia Held--and adds The Universal Declaration of Human Rights. It also presents two works by John Locke in their entirety and includes a new translation of Kant''s Groundwork for the Metaphysics of Morals.An especially valuable feature of this volume is that the writings of each author are introduced with a substantive and engaging essay by a leading contemporary authority. These introductions include Richard Kraut on Plato, Aristotle, Epicurus, and Cicero; Paul J. Weithman on Augustine and Aquinas; Roger D. Masters on Machiavelli; Jean Hampton on Hobbes; Steven B. Smith on Spinoza and Hegel; A. John Simmons on Locke; Joshua Cohen on Rousseau and Rawls; Donald W. Livingston on Hume; Charles L. Griswold, Jr., on Smith; Bernard E. Brown on Hamilton and Madison; Jeremy Waldron on Bentham and Mill; Paul Guyer on Kant; Richard Miller on Marx and Engels; Thomas Christiano on Nozick; Robert B. Talisse on Charles Taylor; Thomas A. McCarthy on Foucault and Habermas; Cheshire Calhoun on Held; and Eva Feder Kittay on Nussbaum.Offering unprecedented breadth of coverage, Classics of Political and Moral Philosophy, Second Edition, is an ideal text for courses in political philosophy, social and political philosophy, moral philosophy, or surveys in Western civilization.

DKK 948.00
1

Occasional Pieces - Christian (professor Of Music & Classics Wolff - Bog - Oxford University Press Inc - Plusbog.dk

Beauty - David (professor Of Classics At New York University And Emeritus Professor Of Classics At Brown University) Konstan - Bog - Oxford University

Beauty - David (professor Of Classics At New York University And Emeritus Professor Of Classics At Brown University) Konstan - Bog - Oxford University

Those who study the nature of beauty are at once plagued by a singular issue: what does it mean to say something is beautiful? On the one hand, beauty is associated with erotic attraction; on the other, it is the primary category in aesthetics, and it is widely supposed that the proper response to a work of art is one of disinterested contemplation. At its core, then, beauty is a contested concept, and both sides feel comfortable appealing to the authority of Plato, and via him, to the ancient Greeks generally. So, who is right--if either? Beauty offers an elegant investigation of ancient Greek notions of beauty and, in the process, sheds light on modern aesthetics and how we ought to appreciate the artistic achievements of the classical world itself. The book begins by reexamining the commonly held notion that the ancient Greeks possessed no term that can be unambiguously defined as "beauty" or "beautiful." Author David Konstan discusses a number of Greek approximations before positioning the heretofore unexamined term kállos as the key to bridging the gap between beauty and desire, and tracing its evolution as applied to physical beauty, art, literature, and more. Throughout, the discussion is enlivened with thought-provoking stories taken from Homer, Plato, Xenophon, Plutarch, and others. The book then examines corresponding terms in ancient Latin literature to highlight the survival of Greek ideas in the Latin West. The final chapter will compare the ancient Greek conception of beauty with modern notions of beauty and aesthetics. In particular, the book will focus on the reception of classical Greek art in the Renaissance and how Vasari and his contemporaries borrowed from Plato the sense that the beauty in art was transcendental, but left out the erotic dimension of viewing. A study of the ancient Greek idea of beauty shows that, even if Greece was the inspiration for modern aesthetic ideals, the Greek view of the relationship between beauty and desire was surprisingly consistent--and different from our own. Through this magisterial narrative, it is possible to identify how the Greeks thought of beauty, and what it was that attracted them. Their perceptions still have something important to tell us about art, love, desire--and beauty.

DKK 217.00
1

Ten Neglected Classics of Philosophy - - Bog - Oxford University Press Inc - Plusbog.dk

Rocking the Classics - Edward Macan - Bog - Oxford University Press Inc - Plusbog.dk

Neglected Classics of Philosophy, Volume 2 - - Bog - Oxford University Press Inc - Plusbog.dk

Euripides: Bakkhai - Euripides - Bog - Oxford University Press Inc - Plusbog.dk

Perpetua - Barbara K. (professor Of Classics Gold - Bog - Oxford University Press Inc - Plusbog.dk

Perpetua - Barbara K. (professor Of Classics Gold - Bog - Oxford University Press Inc - Plusbog.dk

Perpetua was an early Christian martyr who died in Roman Carthage in 203 CE, along with several fellow martyrs, including one other woman, Felicitas. She has attracted great interest for two main reasons: she was one of the earliest martyrs, especially female martyrs, about whom we have any knowledge, and she left a narrative written in prison just before she went to her death in the amphitheater. Her narrative is embedded in a tripartite telling of the arrest and deaths of these martyrs, the Passio Sanctarum Perpetuae et Felicitatis. The other two parts of her tale were written by Saturus, a fellow martyr and probably her teacher, and a nameless editor or confessor, who introduces her circumstances and group and then tells of her death after she stops writing. Her story is steeped in mystery, and every aspect of her life and death has generated much controversy. Some do not believe that she herself could have written the narrative: the circumstances of her imprisonment and the limitations of her ability to write such a rhetorically complex tale are inconceivable. Some believe that her editor was none other then Tertullian, the famous 2nd-3rd century church father and Perpetua''s fellow north African. Some, including Augustine, wonder why the feast day was named only for Perpetua and Felicitas and not for her fellow male martyrs. Some believe that these martyr tales were largely fabricated or constructed in order to generate publicity for the early Christians. This book will investigate and try to make sense of all aspects of Perpetua''s life, death, and circumstances: her family and life in Carthage, Christians and Romans in Carthage and in the Roman empire in this period, the comparisons of martyrs to athletes, the influence of these martyr tales upon the Acts of the Apostles and the Greek novel, the reactions of later church fathers like Augustine to her story and her popularity, and the gendering of this text.

DKK 759.00
1

Domestic Allegories of Political Desire - Claudia Tate - Bog - Oxford University Press Inc - Plusbog.dk

Cicero's Catilinarians - D. H. (senior Lecturer In Classics Berry - Bog - Oxford University Press Inc - Plusbog.dk

Spartan Women - Sarah B. (distinguished Professor Of Classics Pomeroy - Bog - Oxford University Press Inc - Plusbog.dk

Roman Homosexuality - Craig A. (associate Professor Of Classics Williams - Bog - Oxford University Press Inc - Plusbog.dk

The Analects of Dasan, Volume I - - Bog - Oxford University Press Inc - Plusbog.dk

The Analects of Dasan, Volume II - Hongkyung Kim - Bog - Oxford University Press Inc - Plusbog.dk

The Analects of Dasan, Volume III - Hongkyung Kim - Bog - Oxford University Press Inc - Plusbog.dk

The Analects of Dasan, Volume V - - Bog - Oxford University Press Inc - Plusbog.dk

Classical Traditions in Science Fiction - - Bog - Oxford University Press Inc - Plusbog.dk

Celtic Mythology - Philip (orlando W. Qualley Chair In Classics Freeman - Bog - Oxford University Press Inc - Plusbog.dk

Celtic Mythology - Philip (orlando W. Qualley Chair In Classics Freeman - Bog - Oxford University Press Inc - Plusbog.dk

Most people have heard of the Celts-the elusive, ancient tribal people who resided in present-day England, Ireland, Scotland and France. Paradoxically characterized as both barbaric and innocent, the Celts appeal to the modern world as a symbol of a bygone era, a world destroyed by the ambition of empire and the spread of Christianity throughout Western Europe. Despite the pervasive cultural and literary influence of the Celts, shockingly little is known of their way of life and beliefs, because very few records of their stories exist. In this book, for the first time, Philip Freeman brings together the best stories of Celtic mythology.Everyone today knows about the gods and heroes of the ancient Greeks, such as Zeus, Hera, and Hercules, but how many people have heard of the Gaulish god Lugus or the magical Welsh queen Rhiannon or the great Irish warrior Cú Chulainn? We still thrill to the story of the Trojan War, but the epic battles of the Irish Táin Bó Cuailgne are known only to a few. And yet those who have read the stories of Celtic myth and legend-among them writers like J. R. R. Tolkien and C. S. Lewis-have been deeply moved and influenced by these amazing tales, for there is nothing in the world quite like them. In these stories a mysterious and invisible realm of gods and spirits exists alongside and sometimes crosses over into our own human world; fierce women warriors battle with kings and heroes, and even the rules of time and space can be suspended. Captured in vivid prose these shadowy figures--gods, goddesses, and heroes--come to life for the modern reader.

DKK 213.00
1