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Eileen Cooper: Body and Soul - Eileen Cooper - Bog - Royal Academy of Arts - Plusbog.dk

A Little History of the Royal Academy - Peter Sawbridge - Bog - Royal Academy of Arts - Plusbog.dk

Rose Wylie - Tim Marlow - Bog - Royal Academy of Arts - Plusbog.dk

Late Constable - Matthew Hargraves - Bog - Royal Academy of Arts - Plusbog.dk

Lucian Freud - David Dawson - Bog - Royal Academy of Arts - Plusbog.dk

Michelangelo Buonarroti - Alison Cole - Bog - Royal Academy of Arts - Plusbog.dk

Humphrey Ocean - Ben Thomas - Bog - Royal Academy of Arts - Plusbog.dk

Tacita Dean - - Bog - Royal Academy of Arts - Plusbog.dk

Angelica Kauffman - Bettina Baumgartel - Bog - Royal Academy of Arts - Plusbog.dk

David Hockney - William Boyd - Bog - Royal Academy of Arts - Plusbog.dk

Astonishing Things - Sarah Lea - Bog - Royal Academy of Arts - Plusbog.dk

Marina Abramovic - Svetlana Racanovic - Bog - Royal Academy of Arts - Plusbog.dk

Frank Bowling - Mel Gooding - Bog - Royal Academy of Arts - Plusbog.dk

Impressionists on Paper - Harriet Stratis - Bog - Royal Academy of Arts - Plusbog.dk

Bill Jacklin - Nancy Campbell - Bog - Royal Academy of Arts - Plusbog.dk

Nigel Hall - Andrew Lambirth - Bog - Royal Academy of Arts - Plusbog.dk

Bill Viola / Michelangelo - Kira Perov - Bog - Royal Academy of Arts - Plusbog.dk

Laura Knight - Helen Valentine - Bog - Royal Academy of Arts - Plusbog.dk

Chris Orr: The Making of Things - Robert Hewison - Bog - Royal Academy of Arts - Plusbog.dk

Francis Bacon - Stephen F. Eisenman - Bog - Royal Academy of Arts - Plusbog.dk

Francis Bacon - Stephen F. Eisenman - Bog - Royal Academy of Arts - Plusbog.dk

Francis Bacon is considered one of the most important painters of the twentieth century. A major exhibition of his paintings at the Royal Academy of Arts, planned for 2020 but postponed because of the pandemic, explores the role of animals in his work – not least the human animal. Having often painted dogs and horses, in 1969 Bacon first depicted bullfights. In this powerful series of works, the interaction between man and beast is dangerous and cruel, but also disturbingly intimate. Both are contorted in their anguished struggle, and the erotic lurks not far away: ‘Bullfighting is like boxing,’ Bacon once said. ‘A marvellous aperitif to sex.’ Twenty-two years later, a lone bull was to be the subject of his final painting. In this fascinating publication – a significant addition to the literature on Bacon – expert authors discuss Bacon’s approach to animals and identify his varied sources of inspiration, which included wildlife photography and the motion studies of Eadweard Muybridge. They contend that, by considering animals in states of vulnerability, anger and unease, Bacon was able to lay bare the role of instinctual behaviour in the human condition. Images below, left to right: Francis Bacon (1909-1992), Fragment of a Crucifixion , 1950. Oil and cotton wool on canvas, 140 x 108.5 cm. Stedelijk van Abbemuseum, Eindhoven. Photo Hugo Maertens Francis Bacon (1909-1992), Study for Portrait (with Two Owls) , 1963. Oil on canvas, 198.1 x 144.8 cm. Private collection. Photo Prudence Cuming Associates Ltd Francis Bacon (1909-1992), Man with Dog , 1953. Oil on canvas, 152 x 117 cm. Albright-Knox Art Gallery, Buffalo, New York. Gift of Seymour H. Knox Jr, 1955, inv. K1955:3. Photo Prudence Cuming Associates Ltd All images © The Estate of Francis Bacon. All rights reserved, DACS/Artimage 2020.

DKK 340.00
1

David Remfry - - Bog - Royal Academy of Arts - Plusbog.dk

Barbara Rae - - Bog - Royal Academy of Arts - Plusbog.dk

John Carter - Stephen Bann - Bog - Royal Academy of Arts - Plusbog.dk

Milton Avery - Marla Price - Bog - Royal Academy of Arts - Plusbog.dk