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Sydney Lee Prints: A Catalogue Raisonne - Robert Meyrick - Bog - Royal Academy of Arts - Plusbog.dk

Sydney Lee Prints: A Catalogue Raisonne - Robert Meyrick - Bog - Royal Academy of Arts - Plusbog.dk

The first publication devoted to the work of Sydney Lee RA (1866-1949), this fully illustrated and annotated catalogue raisonné of his prints offers a long overdue appraisal of his contribution to British art. Primarily a painter, Lee was widely acclaimed during his lifetime for his virtuosic prints of landscapes, town scenes and historic buildings, executed in a remarkable variety of sizes and mediums. From the Colosseum in Rome to the summit of Snowdon and the windmills of Kent, he travelled throughout Britain and Europe in search of subjects both epic and picturesque. A leading authority on printmaking and a committed collector of Lee''s prints, Robert Meyrick here identifies the precise locations of these subjects, and for the first time establishes an accurate chronology of Lee''s printed oeuvre. In an accompanying essay Meyrick examines the artists reputation, while placing his work in the context of artistic practice in Britain and beyond.

DKK 338.00
1

Chris Orr: The Making of Things - Robert Hewison - Bog - Royal Academy of Arts - Plusbog.dk

Chris Orr: The Making of Things - Robert Hewison - Bog - Royal Academy of Arts - Plusbog.dk

Chris Orr MBE RA is one of Britain''s foremost printmakers. In this definitive book he and Robert Hewison explore his remarkable printmaking career, from his early experiments as a student in the 1960s, when he first discovered how etching could enhance his drawing, to his later innovations in lithography, silkscreen and digital printing, and his ingenious use of long-forgotten processes. Hewison also considers the significant contribution that Orr has made to printmaking as a teacher, first at Cardiff College of Art and then in London at Central St Martins and the Royal College of Art, where he was Professor of Printmaking from 1998 to 2008. Illustrated with over 150 of Orr''s theatrical, witty and wilfully allusive prints, this book looks for the first time in depth at the gloriously original output of a ceaseless inventor.

DKK 415.00
1

Spain and the Hispanic World - Patrick Lenaghan - Bog - Royal Academy of Arts - Plusbog.dk

Spain and the Hispanic World - Patrick Lenaghan - Bog - Royal Academy of Arts - Plusbog.dk

The Hispanic Society of America in New York is the vision of Archer M. Huntington (1870–1955). From an early age, Huntington developed an abiding love both of Hispanic culture and of museums and libraries. He resolved to devote his considerable fortune to combining these two passions, and carried out his project so resourcefully that the collections he assembled remain exceptional for their depth and richness, displaying the culture of Spain and Latin America in the broadest sense.Their scope ranges from the prehistoric era to the early 20th century, including antiquities, decorative arts, Islamic works, manuscripts and rare books as well as superb canvases by Old Masters such as El Greco, Velázquez and Goya. This handsome new publication features an introduction to Archer M. Huntington and the Hispanic Society by Patrick Lenaghan, the Society’s Head Curator of Prints, Photographs and Sculpture, and plates and catalogue entries on some of its greatest treasures by the Society’s curators.

DKK 202.00
1

Picasso and Paper - Emilia Philippot - Bog - Royal Academy of Arts - Plusbog.dk

Picasso and Paper - Emilia Philippot - Bog - Royal Academy of Arts - Plusbog.dk

Pablo Picasso''s artistic output is astonishing in its ambition and variety. This handsome publication examines a particular aspect of his legendary capacity for invention: his imaginative and original use of paper. He used it as a support for autonomous works, including etchings, prints and drawings, as well as for his papier-collé experiments of the 1910s and his revolutionary three-dimensional ''constructions'', made of cardboard, paper and string. Sometimes, his use of paper was simply determined by circumstance: in occupied Paris, where art supplies were hard to come by, he ripped up paper tablecloths to make works of art. And, of course, his works on paper comprise the preparatory stages of some of his very greatest paintings, among them Les Demoiselles d''Avignon (1907) and Guernica (1937). With reproductions of more than 300 works of art and additional texts by Violette Andres, Stephen Coppel, Emmanuelle Hincelin, Christopher Lloyd, Johan Popelard and Claustre Rafart Planas, this sumptuous study reveals the myriad ways in which Picasso''s genius seized the potential of paper at different stages throughout his career.

DKK 202.00
1

Picasso and Paper - Ann Dumas - Bog - Royal Academy of Arts - Plusbog.dk

Picasso and Paper - Ann Dumas - Bog - Royal Academy of Arts - Plusbog.dk

Pablo Picasso''s artistic output is astonishing in its ambition and variety. This handsome new publication examines a particular aspect of his legendary capacity for invention: his imaginative and original use of paper. He used it as a support for autonomous works, including etchings, prints and drawings, as well as for his papier-collé experiments of the 1910s and his revolutionary three-dimensional ''constructions'', made of cardboard, paper and string. Sometimes, his use of paper was simply determined by circumstance: in occupied Paris, where art supplies were hard to come by, he ripped up paper tablecloths to make works of art. And, of course, his works on paper comprise the preparatory stages of some of his very greatest paintings, among them Les Demoiselles d''Avignon (1907) and Guernica (1937). With reproductions of more than 300 works of art and additional texts by Violette Andres, Stephen Coppel, Emmanuelle Hincelin, Christopher Lloyd, Johan Popelard and Claustre Rafart Planas, this sumptuous study reveals the myriad ways in which Picasso''s genius seized the potential of paper at different stages throughout his career.

DKK 390.00
1