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Nicolai Abildgaard - Thomas Lederballe - Bog - SMK Forlag - Plusbog.dk

Nicolai Abildgaard - Thomas Lederballe - Bog - SMK Forlag - Plusbog.dk

Nicolai Abildgaard can be said to be the overlooked grandfather of Danish painting. Abildgaard was active as an artist at a time of turmoil where religion, absolute monarchy, and class society was engaged in a struggle with modern views on society and humanity, and he himself sided with the new notions about human rights, criticizing absolute monarchy and the practice of religion. The introductory article in this book, Body and Tradition, which describes the long lines in Abildgaard’s development as an artist, is divided up into five main sections which more or less follow the chronology of the artist’s work: Between Copenhagen and Rome (1767-1778), The Body of Power (1778-1794), The Ghost of Tradition (c. 1778-1809), The political artist (1785- c. 1800) and The turn towards the private (c. 1790-1809). In the articles that follow, five writers deal with parts or aspects of Abildgaard’s oeuvre; the British art historian Martin Myrone describes the international milieu in Rome in which Abildgaard found himself in the 1770s; the art historian Charlotte Christensen investigates Abildgaard’s use of references to art history and sheds new light on the presence of the tradition in Abildgaard’s works; Kasper Monrad interprets Abildgaard’s Nightmare against the background of the biographical context in which it arose; Henrik Ole Holm makes a topicalizing interpretation of The Wounded Philoctetes, and finally Louise Fussing analyses a selection of Abildgaard’s furniture designs and puts them into perspective.

DKK 262.00
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Matisse. The Red Studio - Ann Temkin - Bog - SMK Forlag - Plusbog.dk

Matisse. The Red Studio - Ann Temkin - Bog - SMK Forlag - Plusbog.dk

Edited by Ann Temkin and Dorthe Aagesen Created in 1911, Henri Matisse’s The Red Studio would go on to become one of the most influential works in the history of modern art. The painting, which has hung in MoMA’s galleries since 1949, depicts the artist’s studio in the Parisian suburb of Issy-les-Moulineaux, filled with his artworks, furniture, and decorative objects. Matisse’s radical decision to blanket most of the work’s surface in red has fascinated generations of scholars and artists, yet much remained to be discovered about the painting’s genesis and history. Published in conjunction with an exhibition that reunites the artworks shown in The Red Studio for the first time since they left Matisse’s workspace, this copiously illustrated volume examines the paintings and sculptures depicted in it, from familiar works such as Le Luxe (II) (1907–08)—one of the three works seen in The Red Studio now in the collection of SMK – National Gallery of Denmark—to lesser-known pieces whose locations have only recently been discovered. A narrative essay by Ann Temkin, The Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture at The Museum of Modern Art, New York, and Dorthe Aagesen, Chief Curator and Senior Researcher at SMK in Copenhagen, traces the life of The Red Studio, from the initial commissioning of the work through its early history of exhibition and ownership to its arrival at MoMA. With its groundbreaking research and close reading of the work, Matisse: The Red Studio transforms our understanding of this landmark of twentieth-century art.

DKK 314.00
1

Danish Golden Age - Peter Nørgaard Larsen - Bog - SMK Forlag - Plusbog.dk

Danish Golden Age - Peter Nørgaard Larsen - Bog - SMK Forlag - Plusbog.dk

The catalogue was published in connection with the exhibition The Danish Golden Age World-Class Art Between Disasters at The National at National Museum Stockholm (28th February - 21st July 2019) and the National Gallery of Denmark (24th August - 8th December 2019). The catalogue includes 20 articles by prominent Swedish and Danish art historians, who present the most recent academic research on one of the most popular eras in Danish art history. The research is supplemented with knowledge and insight gained in the editorial and curatorial process of both the book and the exhibition in Stockholm and Copenhagen. Thus, the book is introduced by a comprehensive overview article about the period by Karina Lykke Grand (University of Aarhus), which elaborates on the traditional, more idealised, narrative and the thematics that are typically presented in connection to the Danish Golden Age. Family life, citizenship, the Danish Art Academy, etc. are elaborated and challenged by various new readings and perspectives. How far the Danish Golden Age stretches is discussed, as well as, more undiscussed topics in art history, such as the female artists of the Danish Golden Age, colonialism the results of the new technical art history, the democratic revolution, nationalism versus internationalism, technology, Scandinavianism and Danish artists in Sweden. In addition, the catalogue focuses on the many artists who have been written out of the approved canon, not for lack of quality, but for reasons of realpolitik or identity politics. The catalogue, as well as the exhibition, has a chronological-spacial set up so that we follow the technical development and geographic movement between 1800 and 1860. This development can of course not be considered isolated, like art history has been inclined to do, but must be understood as closely interwoven with a wide range of societal conditions and changes. The catalogue is richly illustrated with approximately 350 paintings and photographies

DKK 314.00
1