12 resultater (0,23434 sekunder)

Mærke

Butik

Pris (EUR)

Nulstil filter

Produkter
Fra
Butikker

The Margins of Empire - Janet Klein - Bog - Stanford University Press - Plusbog.dk

Experiments, Models, Paper Tools - Ursula Klein - Bog - Stanford University Press - Plusbog.dk

An Economic and Demographic History of Sao Paulo, 1850-1950 - Francisco Vidal Luna - Bog - Stanford University Press - Plusbog.dk

Social Change, Industrialization, and the Service Economy in Sao Paulo, 1950-2020 - Herbert S. Klein - Bog - Stanford University Press - Plusbog.dk

The New Russia - - Bog - Stanford University Press - Plusbog.dk

The Artificiality of Christianity - M. B. Pranger - Bog - Stanford University Press - Plusbog.dk

The Aesthetic Contract - Henry Sussman - Bog - Stanford University Press - Plusbog.dk

The Aesthetic Contract - Henry Sussman - Bog - Stanford University Press - Plusbog.dk

Ambitious in scope and innovative in concept, this book offers an overview and critique of the conventions surrounding artistic creativity and intellectual endeavor since the outset of "the broader modernity", which the author sees as beginning with the decline of feudalism and the Church. As a work of intellectual history, it suggests that art and the conventions associated with the artistic constitute a secular institution that has supplanted pre-Reformation theology. From the perspective of the "subject," modernity has entailed a heightened sense of individuation, moral conflict, and pervasive loss and disaster. Yet the pitfalls that have earmarked personal experience have taken on positive value in an artistic enterprise that aspires to be a salutary replacement for externally imposed theological dogmas. Beginning with Luther, Calvin, and Shakespeare and culminating with the Kantian notion of the artist as an "original genius," the author reconstructs the steps by which art and creative activity were installed as the redemptive values of a modernity in which human beings were forced to define knowledge and establish authority according to their own devices. In the process, the author reads passages from Plato, Proust, Donne, Locke, Berkeley, Hume, Kleist, Rousseau, Melville, Wittgenstein, as well as Benjamin, as well as the graphic works of Holbein, Dürer, Mondrian, and Rothko. As a work of critical theory, The Aesthetic Contract posits an alternative model to Kant''s "original genius." The author explores an understanding of art powered by the notion of the aesthetic contract, in which artists and intellectuals choose to operate within the parameters of certain explicit experiments until the contractual clauses that delimit these endeavors lose their currency or validity. As an intellectual analog to Rousseau''s social contract, the aesthetic contract has allowed the modern artist to address issues of knowledge, authority, and experience once thought to fall within the domain of arbitrary, remote, and inaccessible agencies.

DKK 232.00
1

Lacan and the Matter of Origins - Shuli Barzilai - Bog - Stanford University Press - Plusbog.dk

Lacan and the Matter of Origins - Shuli Barzilai - Bog - Stanford University Press - Plusbog.dk

Lacan and the Matter of Origins traces the development of Lacan''s thinking about the role of the mother in psychical formation. It examines the conceptual struggle throughout his work over issues of maternal agency in relation to the constitution of human subjectivity, and the theoretical, historical, and autobiographical reasons for this struggle. Lacan is widely held to emphasize the paternal dimension of human subjectivity and the phallic signifier. This book demonstrates that the mother occupies a crucial position in the Lacanian project, even if the maternal relation is not systematically theorized. The maternal figure appears as a Cheshire Cat who fades away and reappears at different times. The book traces the major shifts in Lacan''s understanding of the maternal within an intertextual framework that includes Augustine, Klein, Kojève, and Rank. Pursuing in Lacan''s writings the sometimes contradictory or unassimilable functions of the mother, the book closely tracks his variations on and departures from the Freudian definition of such concepts as primary identification, narcissism, castration, deferred action, and the death drive. Lacan''s major contribution to twentieth-century thought emerges here in the context of his ostensibly loyal yet revisionist stance toward Freud as his major precursor in the psychoanalytic field. For those reading Lacan''s often recondite work for the first time, Lacan and the Matter of Origins provides an accessible point of entry, with its clear explication of key terms together with their historical and conceptual background. For readers familiar with Lacanian theory, the book offers a reconceptualization of the evolution of his teachings from literary-critical, cultural, and biographical perspectives; it also presents a new approach to Lacan through the interplay of influences integral to the formation of his revisionary thought.

DKK 287.00
1

Civil Society and Fanaticism - Dominique Colas - Bog - Stanford University Press - Plusbog.dk

Civil Society and Fanaticism - Dominique Colas - Bog - Stanford University Press - Plusbog.dk

Luther and Calvin applied the term fanatic to those who sought to destroy civil society in order to establish the Kingdom of God, the "false prophets" and their followers who, early on in the Reformation, began smashing images in churches and rebelling against princes. Civil Society and Fanaticism is organized around this seminal moment of religious and political iconoclasm, an outburst of hatred against mediations and representation. The author shows that civil society and fanaticism have been consistently present as conjoined notions in Western political thought since the sixteenth century, underlining the link between two principles that are constitutive of that thought: dualism—between the City of God and the earthly city, between civil society and the state—and the validity of representation. In what is both a study of the evolution of the two interrelated concepts and a critique of critiques of representation, the author draws upon an impressive range of works, including texts by Aristotle and Baudelaire, the medieval theology of Giles of Rome and the humanist thought of the Reformer Philipp Melanchthon, the political philosophies of Spinoza, Leibniz, and Rousseau, Kant''s reflections on the sublime, and Marx''s critique of Hegel. At the same time, he discusses a varied group of fanatics or people stigmatized as such: the first Anabaptists, the Shiite sect of the Assassins, the French Protestant Camisards, the Bolsheviks. An original analysis of Lenin''s political theory and practice sheds new light on the antagonism between totalitarianism and the law-governed state identified with civil society. The author''s approach is multidisciplinary, proceeding at different moments from lexicographical, sociological, psychoanalytic, and philosophical methods and analysis. The book also makes vivid use of iconology by reproducing and interpreting a series of works by Albrecht Dürer, whose art and theory of representation, it is argued, were opposed to the destruction not only of images but of civil society.

DKK 303.00
1

Civil Society and Fanaticism - Dominique Colas - Bog - Stanford University Press - Plusbog.dk

Civil Society and Fanaticism - Dominique Colas - Bog - Stanford University Press - Plusbog.dk

Luther and Calvin applied the term fanatic to those who sought to destroy civil society in order to establish the Kingdom of God, the "false prophets" and their followers who, early on in the Reformation, began smashing images in churches and rebelling against princes. Civil Society and Fanaticism is organized around this seminal moment of religious and political iconoclasm, an outburst of hatred against mediations and representation. The author shows that civil society and fanaticism have been consistently present as conjoined notions in Western political thought since the sixteenth century, underlining the link between two principles that are constitutive of that thought: dualism—between the City of God and the earthly city, between civil society and the state—and the validity of representation. In what is both a study of the evolution of the two interrelated concepts and a critique of critiques of representation, the author draws upon an impressive range of works, including texts by Aristotle and Baudelaire, the medieval theology of Giles of Rome and the humanist thought of the Reformer Philipp Melanchthon, the political philosophies of Spinoza, Leibniz, and Rousseau, Kant''s reflections on the sublime, and Marx''s critique of Hegel. At the same time, he discusses a varied group of fanatics or people stigmatized as such: the first Anabaptists, the Shiite sect of the Assassins, the French Protestant Camisards, the Bolsheviks. An original analysis of Lenin''s political theory and practice sheds new light on the antagonism between totalitarianism and the law-governed state identified with civil society. The author''s approach is multidisciplinary, proceeding at different moments from lexicographical, sociological, psychoanalytic, and philosophical methods and analysis. The book also makes vivid use of iconology by reproducing and interpreting a series of works by Albrecht Dürer, whose art and theory of representation, it is argued, were opposed to the destruction not only of images but of civil society.

DKK 632.00
1