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Saarinen - Pierluigi Serraino - Bog - Taschen GmbH - Plusbog.dk

Kirchner - Norbert Wolf - Bog - Taschen GmbH - Plusbog.dk

Miro - Janis Mink - Bog - Taschen GmbH - Plusbog.dk

Schindler - James Steele - Bog - Taschen GmbH - Plusbog.dk

Mackintosh - Charlotte & Peter Fiell - Bog - Taschen GmbH - Plusbog.dk

Mackintosh - Charlotte & Peter Fiell - Bog - Taschen GmbH - Plusbog.dk

Scottish architect, designer, and painter Charles Rennie Mackintosh (1868–1928) was one of the earliest pioneers of modern architecture and design . While he did not receive much recognition in his hometown of Glasgow during his lifetime, his bold new blend of simplicity and poetic detail inspired modernists across Europe. Mackintosh’s avant-garde approach embraced a variety of media as well as fresh stylistic devices. His multi-faceted oeuvre incorporated architecture, furniture, graphic design , landscapes, and flower studies. He embraced strong lines, elegant proportions, and natural motifs, combining an adventurous dose of japonisme with a modernist sensibility for function. He preferred bold black typography, restrained shapes, and tall, generous windows suffusing rooms with light. Much of his work was collaborative practice with his wife, fellow artist Margaret Macdonald . The couple made up half of the loose Glasgow collective known as “The Four ”; the other two were Margaret’s sister, Frances, and her husband, Herbert MacNair. On the continent, the “ Glasgow Style ” was met with delight. In Italy, Germany, and, in particular, Austria, artists of the Viennese Secession and Art Nouveau drew much from its rectilinear yet lyrical forms. In this introductory book, we take in Mackintosh’s practice across art, architecture, and design to explore his particular combination of the statuesque and sensual and its vital influence on modernist expression across Europe. Featured projects include his complete scheme for the Willow Tea Rooms and the Mackintosh Building at the Glasgow School of Art, widely considered Mackintosh’s masterwork.

DKK 149.00
1

Ando. Complete Works 1975–Today. 45th Ed. - Philip Jodidio - Bog - Taschen GmbH - Plusbog.dk

Logo Modernism - Jens Muller - Bog - Taschen GmbH - Plusbog.dk

Logo Modernism - Jens Muller - Bog - Taschen GmbH - Plusbog.dk

Modernist aesthetics in architecture, art, and product design are familiar to many. In soaring glass structures or minimalist canvases, we recognize a time of vast technological advance which affirmed the power of human beings to reshape their environment and to break, radically, from the conventions or constraints of the past. Less well-known, but no less fascinating, is the distillation of modernism in graphic design . This unprecedented TASCHEN publication, authored by Jens Müller , brings together approximately 6,000 trademarks, focused on the period 1940–1980, to examine how modernist attitudes and imperatives gave birth to corporate identity . Ranging from media outfits to retail giants, airlines to art galleries, the sweeping survey is organized into three design-orientated chapters: Geometric, Effect, and Typographic . Each chapter is then sub-divided into form and style led sections such as alphabet, overlay, dots and squares. Alongside the comprehensive catalog, the book features an introduction from Jens Müller on the history of logos, and an essay by R. Roger Remington on modernism and graphic design. Eight designer profiles and eight instructive case studies are also included, with a detailed look at the life and work of such luminaries as Paul Rand, Yusaku Kamekura, and Anton Stankowski , and at such significant projects as Fiat, The Daiei Inc., and the Mexico Olympic Games of 1968 . An unrivaled resource for graphic designers, advertisers, and branding specialists, Logo Modernism is equally fascinating to anyone interested in social, cultural, and corporate history, and in the sheer persuasive power of image and form.

DKK 579.00
1

Modigliani - Doris Krystof - Bog - Taschen GmbH - Plusbog.dk

Neutra. Complete Works - Barbara Lamprecht - Bog - Taschen GmbH - Plusbog.dk

Breuer - Arnt Cobbers - Bog - Taschen GmbH - Plusbog.dk

Andy Warhol. Polaroids 1958–1987 - Richard B. Woodward - Bog - Taschen GmbH - Plusbog.dk

Modern Art. A History from Impressionism to Today - - Bog - Taschen GmbH - Plusbog.dk

Pop Art - Klaus Honnef - Bog - Taschen GmbH - Plusbog.dk

Andy Warhol. Polaroids 1958-1987 - Richard B Woodard - Bog - Taschen GmbH - Plusbog.dk

Modern Art. A History from Impressionism to Today - - Bog - Taschen GmbH - Plusbog.dk

Aalto - Louna Lahti - Bog - Taschen GmbH - Plusbog.dk

Ando - Masao Furuyama - Bog - Taschen GmbH - Plusbog.dk

Neutra - Barbara Lamprecht - Bog - Taschen GmbH - Plusbog.dk

Beatriz Milhazes - - Bog - Taschen GmbH - Plusbog.dk

Beatriz Milhazes - - Bog - Taschen GmbH - Plusbog.dk

In her vibrant works, the Brazilian painter Beatriz Milhazes fuses two very different worldviews. Her abstract compositions, which can be seen in a line with modernist masters from Henri Matisse to Bridget Riley, are saturated with the colors and light of her native country . Her paintings are strewn with symbols of everyday life in Brazil, invoking carnival, traditional craftsmanship, and motifs from baroque to pop, all choreographed in an exuberant visual rhythm. The colorful atmosphere has an irresistible exotic allure , but as in the works of Paul Gauguin, we find a broken paradise in which darker, more melancholic tones resonate, both in the promises of tropical life and those of modernist abstraction. In seeking this balance, Milhazes developed a special transfer technique in the late eighties, painting her motifs onto plastic sheets, gluing these to the canvas and letting them dry, and then peeling away the plastic once dry so that the paint remains on the canvas. This method allows the artist to layer surface upon surface and to achieve an iridescence somewhere between radiant aura and shimmering melancholy . Since her breakthrough in the early 1990s, Milhazes has extended the scope of her work to other media, producing screen prints, collages made of chocolate and candy wrappers, sculptures such as giant mobiles made of carnival decorations , site-specific projects that transform building façades into stained glass windows, and experiments with body and rhythm in collaboration with her sister Marcia’s ballet ensemble. This updated edition, which has been expanded to include works made as recently as 2020 , explores all of the artist’s creative phases, from her beginnings to the present , with over 300 of her works . The book was created in close collaboration with the artist , in both the selection of images and specially designed pages between chapters. It includes a conversation with editor Hans Werner Holzwarth in which the artist unravels her working methods and talks about the ideas and cultural background behind her work. An art historical essay by David Ebony , a poetic dictionary of Milhazes’s key motifs by Adriano Pedrosa , and a detailed, updated artist biography by Luiza Interlenghi round off this comprehensive work. Also available in an Art Edition with a silkscreen print signed by Beatriz Milhazes

DKK 735.00
1

Man Ray - Katherine Ware - Bog - Taschen GmbH - Plusbog.dk

Albert Frey - Gloria Koenig - Bog - Taschen GmbH - Plusbog.dk

Ando. Complete Works 1975–Today - Philip Jodidio - Bog - Taschen GmbH - Plusbog.dk

Gio Ponti - Graziella Roccella - Bog - Taschen GmbH - Plusbog.dk

Hundertwasser - Pierre Restany - Bog - Taschen GmbH - Plusbog.dk

domus 1928–1939 - - Bog - Taschen GmbH - Plusbog.dk

domus 1928–1939 - - Bog - Taschen GmbH - Plusbog.dk

Offering an unrivaled record of architecture and design , the “living diary” of domus was founded by Gio Ponti in 1928. Through the years and decades that followed, the journal charted the major themes and movements of industrial, interior, product, and structural design with an eye for creative excellence as much as editorial rigor . This fresh reprint features domus ’ coverage from the transformative years between 1928 and 1939 . It is an era famed for the emergence of the International Style when the likes of Le Corbusier, Mies van der Rohe, Marcel Breuer, Alvar Aalto, and Richard Neutra channeled modernist ideals into rectilinear forms , restrained surfaces , and open, luminous interiors . The domus coverage of this decisive decade spanned the details and the grand designs. From soaring steel skyscrapers to tubular furniture, its coverage is a definitive record of how light, form, and pared-down aesthetics combined in the pursuit of an honest and utilitarian form for the modern and rapidly industrializing age. domus distilled Seven volumes spanning 1928 to 1999 Over 4,000 pages featuring influential projects by the most important designers and architects Original layouts and all covers, with captions providing navigation and context Introductory essays by renowned architects and designers Each edition comes with an appendix featuring texts translated into English, many of which were previously only available in Italian A comprehensive index in each volume listing both designers’ and manufacturers’ names

DKK 291.00
1