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Ut Pictura Poesis Tradition & English Neo-Classical Landscape Poetry - Flemming Olsen - Bog - University Press of Southern Denmark - Plusbog.dk

Ut Pictura Poesis Tradition & English Neo-Classical Landscape Poetry - Flemming Olsen - Bog - University Press of Southern Denmark - Plusbog.dk

The parallel between poetry and painting harks back to Antiquity. It seemed obvious because both arts appeal to the intellect as well as the eye. In his Ars poetica (approx. 20 b.C.), Horace gave a terse formulation to the parallel: ut pictura poesis. Later critics dislodged what was in Horace just an obiter dictum, from its context, which in Horace referred to the appropriate distance of a beholder/reader from a picture/text. In English literature, the Neo-Classical cult of the Ancients straddling the year 1700 produced a spate of translations of Horace''s Ars poetica, and the translators'' accompanying comments suggest a wide range of idiosyncratic applications of the Latin poet''s maxim. One form of poetical expression of the parallel particularly favoured by English Neo-Classical poets was landscape description. However, landscapes'' had to fight opposition on two fronts, viz. the rigid Neo-Classical canon, and the prevalent mould of the description of outdoor scenery as seen in eg pastorals. This book traces the development of the maxim ut pictura poesis from a topos to a genre, viz. the Neo-Classical landscape poem. The typical poem belonging to that genre, which is given a detailed analysis in the pages of this book, contains a number of stock ingredients that meet the eyes of a beholder, who is also the narrator. Underneath the scene is a low-key social analogy, an intimation of a virtually unspoilt utopian society. At the same time, an undertone of anxiety for the preservation of this summum bonum is perceptible, and in James Thomson''s landscapes, dating from the 1720s, the reader feels the approach of the attitude to the items of natura naturata that we find in Wordsworth and Keats.

DKK 258.00
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Population Data at a Glance - James W. Vaupel - Bog - University Press of Southern Denmark - Plusbog.dk

Population Data at a Glance - James W. Vaupel - Bog - University Press of Southern Denmark - Plusbog.dk

Book & Disk. This volume is an array of demographic data which can often be pictured in an intelligible and graphically striking way by a shaded contour map. The data might pertain to population levels or to rates of fertility, marriage, divorce, migration, morbidity, or mortality. Most often the data are structured by age and time (eg: age-specific death rates over time). Shaded contour maps permit visualisation of such demographic surfaces and offer a panoramic view impossible to obtain from the usual graphs of levels or rates at selected ages over time or a selected times over age. Contour maps are particularly effective in highlighting patterns in the interaction of age, period, and cohort effects. This monograph presents a bouquet of shaded contour maps to suggest the broad potential of their use in population studies. The value of such maps lies in their substantive import. Graphic designs, E R Tufte concluded, should give "visual access to the subtle and difficult, that is, the revelation of the complex". Demographic surfaces can be particularly complex. A mortality surface, for example, might be defined over a century of age and a century of time, comprising 10,000 date points that may vary over four orders of magnitude. Shaded contour maps are an arresting, efficient, and clear means of giving demographers visual access to such data. William Playfair, the pioneer of graphic methods for presenting statistical data, argued that with a good visual display "as much information may be obtained in five minutes as would require whole days to imprint on the memory, in a lasting manner, by a table of figures". The 100 shaded contour maps in this monograph summarise more than a half million data points in a memorable, revealing manner.

DKK 290.00
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