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The Robotic Imaginary - Jennifer Rhee - Bog - University of Minnesota Press - Plusbog.dk

The Robotic Imaginary - Jennifer Rhee - Bog - University of Minnesota Press - Plusbog.dk

Tracing the connections between human-like robots and AI at the site of dehumanization and exploited labor The word robot—introduced in Karel Čapek’s 1920 play R.U.R. —derives from rabota, the Czech word for servitude or forced labor. A century later, the play’s dystopian themes of dehumanization and exploited labor are being played out in factories, workplaces, and battlefields. In The Robotic Imaginary , Jennifer Rhee traces the provocative and productive connections of contemporary robots in technology, film, art, and literature. Centered around the twinned processes of anthropomorphization and dehumanization, she analyzes the coevolution of cultural and technological robots and artificial intelligence, arguing that it is through the conceptualization of the human and, more important, the dehumanized that these multiple spheres affect and transform each other. Drawing on the writings of Alan Turing, Sara Ahmed, and Arlie Russell Hochschild; such films and novels as Her and The Stepford Wives ; technologies like Kismet (the pioneering “emotional robot”); and contemporary drone art, this book explores anthropomorphic paradigms in robot design and imagery in ways that often challenge the very grounds on which those paradigms operate in robotics labs and industry. From disembodied, conversational AI and its entanglement with care labor; embodied mobile robots as they intersect with domestic labor; emotional robots impacting affective labor; and armed military drones and artistic responses to drone warfare, The Robotic Imaginary ultimately reveals how the human is made knowable through the design of and discourse on humanoid robots that are, paradoxically, dehumanized.

DKK 234.00
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Distant Wars Visible - Wendy Kozol - Bog - University of Minnesota Press - Plusbog.dk

Distant Wars Visible - Wendy Kozol - Bog - University of Minnesota Press - Plusbog.dk

In our wired world, visual images of military conflict and political strife are ubiquitous. Far less obvious, far more elusive, is how we see such images, how witnessing military violence and suffering affects us. Distant Wars Visible brings a new perspective to such enduring questions about conflict photography and other forms of visual advocacy, whether in support of U.S. military objectives or in critique of the nation at war. At the book’s center is what author Wendy Kozol calls an analytic of ambivalence—a critical approach to the tensions between spectacle and empathy provoked by gazing at military atrocities and trauma. Through this approach, Distant Wars Visible uses key concepts such as the politics of recoil, the notion of looking elsewhere, skeptical documents, and ethical spectatorship to examine multiple visual cultural practices depicting war, on and off the battlefield, from the 1999 NATO bombings in Kosovo to the present. Kozol’s analysis draws from collections of family photographs, human rights photography, independent film production, photojournalism, and other examples of war’s visual culture, as well as extensive visual evidence of the ways in which U.S. militarism operates to maintain geopolitical dominance—from Fallujah and Abu Ghraib to the most recent drone strikes in Pakistan. Throughout, Kozol reveals how factors such as gender, race, and sexuality construct competing visualizations of identity in a range of media from graphic narrative and film to conflict photography and battlefield souvenirs—and how contingencies and contradictions in visual culture shape the politics and ethics of witnessing.

DKK 522.00
1

Distant Wars Visible - Wendy Kozol - Bog - University of Minnesota Press - Plusbog.dk

Distant Wars Visible - Wendy Kozol - Bog - University of Minnesota Press - Plusbog.dk

In our wired world, visual images of military conflict and political strife are ubiquitous. Far less obvious, far more elusive, is how we see such images, how witnessing military violence and suffering affects us. Distant Wars Visible brings a new perspective to such enduring questions about conflict photography and other forms of visual advocacy, whether in support of U.S. military objectives or in critique of the nation at war. At the book’s center is what author Wendy Kozol calls an analytic of ambivalence—a critical approach to the tensions between spectacle and empathy provoked by gazing at military atrocities and trauma. Through this approach, Distant Wars Visible uses key concepts such as the politics of recoil, the notion of looking elsewhere, skeptical documents, and ethical spectatorship to examine multiple visual cultural practices depicting war, on and off the battlefield, from the 1999 NATO bombings in Kosovo to the present. Kozol’s analysis draws from collections of family photographs, human rights photography, independent film production, photojournalism, and other examples of war’s visual culture, as well as extensive visual evidence of the ways in which U.S. militarism operates to maintain geopolitical dominance—from Fallujah and Abu Ghraib to the most recent drone strikes in Pakistan. Throughout, Kozol reveals how factors such as gender, race, and sexuality construct competing visualizations of identity in a range of media from graphic narrative and film to conflict photography and battlefield souvenirs—and how contingencies and contradictions in visual culture shape the politics and ethics of witnessing.

DKK 220.00
1

Remote Warfare - - Bog - University of Minnesota Press - Plusbog.dk

Remote Warfare - - Bog - University of Minnesota Press - Plusbog.dk

Considers how people have confronted, challenged, and resisted remote warfare Drone warfare is now a routine, if not predominant, aspect of military engagement. Although this method of delivering violence at a distance has been a part of military arsenals for two decades, scholarly debate on remote warfare writ large has remained stuck in tired debates about practicality, efficacy, and ethics. Remote Warfare broadens the conversation, interrogating the cultural and political dimensions of distant warfare and examining how various stakeholders have responded to the reality of state-sponsored remote violence. The essays here represent a panoply of viewpoints, revealing overlooked histories of remoteness, novel methodologies, and new intellectual challenges. From the story arc of Homeland to redefining the idea of a “warrior,” these thirteen pieces consider the new nature of surveillance, similarities between killing with drones and gaming, literature written by veterans, and much more. Timely and provocative, Remote Warfare makes significant and lasting contributions to our understanding of drones and the cultural forces that shape and sustain them. Contributors: Syed Irfan Ashraf, U of Peshawar, Pakistan; Jens Borrebye Bjering, U of Southern Denmark; Annika Brunck, U of Tübingen; David A. Buchanan, U.S. Air Force Academy; Owen Coggins, Open U; Andreas Immanuel Graae, U of Southern Denmark; Brittany Hirth, Dickinson State U; Tim Jelfs, U of Groningen; Ann-Katrine S. Nielsen, Aarhus U; Nike Nivar Ortiz, U of Southern California; Michael Richardson, U of New South Wales; Kristin Shamas, U of Oklahoma; Sajdeep Soomal; Michael Zeitlin, U of British Columbia.

DKK 884.00
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The Eye of War - Antoine Bousquet - Bog - University of Minnesota Press - Plusbog.dk

The Eye of War - Antoine Bousquet - Bog - University of Minnesota Press - Plusbog.dk

How perceptual technologies have shaped the history of war from the Renaissance to the present From ubiquitous surveillance to drone strikes that put “warheads onto foreheads,” we live in a world of globalized, individualized targeting. The perils are great. In The Eye of War , Antoine Bousquet provides both a sweeping historical overview of military perception technologies and a disquieting lens on a world that is, increasingly, one in which anything or anyone that can be perceived can be destroyed—in which to see is to destroy. Arguing that modern-day global targeting is dissolving the conventionally bounded spaces of armed conflict, Bousquet shows that over several centuries, a logistical order of militarized perception has come into ascendancy, bringing perception and annihilation into ever-closer alignment. The efforts deployed to evade this deadly visibility have correspondingly intensified, yielding practices of radical concealment that presage a wholesale disappearance of the customary space of the battlefield. Beginning with the Renaissance’s fateful discovery of linear perspective, The Eye of War discloses the entanglement of the sciences and techniques of perception, representation, and localization in the modern era amid the perpetual quest for military superiority. In a survey that ranges from the telescope, aerial photograph, and gridded map to radar, digital imaging, and the geographic information system, Bousquet shows how successive technological systems have profoundly shaped the history of warfare and the experience of soldiering. A work of grand historical sweep and remarkable analytical power, The Eye of War explores the implications of militarized perception for the character of war in the twenty-first century and the place of human subjects within its increasingly technical armature.

DKK 294.00
1