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Architecture and Objects - Graham Harman - Bog - University of Minnesota Press - Plusbog.dk

Architecture and Objects - Graham Harman - Bog - University of Minnesota Press - Plusbog.dk

Thinking through object-oriented ontology—and the work of architects such as Rem Koolhaas and Zaha Hadid—to explore new concepts of the relationship between form and function Object-oriented ontology has become increasingly popular among architectural theorists and practitioners in recent years. Architecture and Objects , the first book on architecture by the founder of object-oriented ontology (OOO), deepens the exchange between architecture and philosophy, providing a new roadmap to OOO’s influence on the language and practice of contemporary architecture and offering new conceptions of the relationship between form and function. Graham Harman opens with a critique of Heidegger, Derrida, and Deleuze, the three philosophers whose ideas have left the deepest imprint on the field, highlighting the limits of their thinking for architecture. Instead, Harman contends, architecture can employ OOO to reconsider traditional notions of form and function that emphasize their relational characteristics—form with a building’s visual style, function with its stated purpose—and constrain architecture’s possibilities through literalism. Harman challenges these understandings by proposing de-relationalized versions of both ( zero-form and zero-function ) that together provide a convincing rejoinder to Immanuel Kant’s dismissal of architecture as “impure.” Through critical engagement with the writings of Peter Eisenman and fresh assessments of buildings by Rem Koolhaas, Frank Gehry, and Zaha Hadid, Architecture and Objects forwards a bold vision of architecture. Overcoming the difficult task of “zeroing” function, Harman concludes, would place architecture at the forefront of a necessary revitalization of exhausted aesthetic paradigms.

DKK 229.00
1

Architecture and Objects - Graham Harman - Bog - University of Minnesota Press - Plusbog.dk

Architecture and Objects - Graham Harman - Bog - University of Minnesota Press - Plusbog.dk

Thinking through object-oriented ontology—and the work of architects such as Rem Koolhaas and Zaha Hadid—to explore new concepts of the relationship between form and function Object-oriented ontology has become increasingly popular among architectural theorists and practitioners in recent years. Architecture and Objects , the first book on architecture by the founder of object-oriented ontology (OOO), deepens the exchange between architecture and philosophy, providing a new roadmap to OOO’s influence on the language and practice of contemporary architecture and offering new conceptions of the relationship between form and function. Graham Harman opens with a critique of Heidegger, Derrida, and Deleuze, the three philosophers whose ideas have left the deepest imprint on the field, highlighting the limits of their thinking for architecture. Instead, Harman contends, architecture can employ OOO to reconsider traditional notions of form and function that emphasize their relational characteristics—form with a building’s visual style, function with its stated purpose—and constrain architecture’s possibilities through literalism. Harman challenges these understandings by proposing de-relationalized versions of both ( zero-form and zero-function ) that together provide a convincing rejoinder to Immanuel Kant’s dismissal of architecture as “impure.” Through critical engagement with the writings of Peter Eisenman and fresh assessments of buildings by Rem Koolhaas, Frank Gehry, and Zaha Hadid, Architecture and Objects forwards a bold vision of architecture. Overcoming the difficult task of “zeroing” function, Harman concludes, would place architecture at the forefront of a necessary revitalization of exhausted aesthetic paradigms.

DKK 876.00
1

The Architecture of Disability - David Gissen - Bog - University of Minnesota Press - Plusbog.dk

The Architecture of Disability - David Gissen - Bog - University of Minnesota Press - Plusbog.dk

A radical critique of architecture that places disability at the heart of the built environment Disability critiques of architecture usually emphasize the need for modification and increased access, but The Architecture of Disability calls for a radical reorientation of this perspective by situating experiences of impairment as a new foundation for the built environment. With its provocative proposal for “the construction of disability,” this book fundamentally reconsiders how we conceive of and experience disability in our world. Stressing the connection between architectural form and the capacities of the human body, David Gissen demonstrates how disability haunts the history and practice of architecture. Examining various historic sites, landscape designs, and urban spaces, he deconstructs the prevailing functionalist approach to accommodating disabled people in architecture and instead asserts that physical capacity is essential to the conception of all designed space. By recontextualizing the history of architecture through the discourse of disability, The Architecture of Disability presents a unique challenge to current modes of architectural practice, theory, and education. Envisioning an architectural design that fully integrates disabled persons into its production, it advocates for looking beyond traditional notions of accessibility and shows how certain incapacities can offer us the means to positively reimagine the roots of architecture.

DKK 749.00
1

The Architecture of Disability - David Gissen - Bog - University of Minnesota Press - Plusbog.dk

The Architecture of Disability - David Gissen - Bog - University of Minnesota Press - Plusbog.dk

A radical critique of architecture that places disability at the heart of the built environment Disability critiques of architecture usually emphasize the need for modification and increased access, but The Architecture of Disability calls for a radical reorientation of this perspective by situating experiences of impairment as a new foundation for the built environment. With its provocative proposal for “the construction of disability,” this book fundamentally reconsiders how we conceive of and experience disability in our world. Stressing the connection between architectural form and the capacities of the human body, David Gissen demonstrates how disability haunts the history and practice of architecture. Examining various historic sites, landscape designs, and urban spaces, he deconstructs the prevailing functionalist approach to accommodating disabled people in architecture and instead asserts that physical capacity is essential to the conception of all designed space. By recontextualizing the history of architecture through the discourse of disability, The Architecture of Disability presents a unique challenge to current modes of architectural practice, theory, and education. Envisioning an architectural design that fully integrates disabled persons into its production, it advocates for looking beyond traditional notions of accessibility and shows how certain incapacities can offer us the means to positively reimagine the roots of architecture.

DKK 225.00
1

Toward an Architecture of Enjoyment - Henri Lefebvre - Bog - University of Minnesota Press - Plusbog.dk

Toward an Architecture of Enjoyment - Henri Lefebvre - Bog - University of Minnesota Press - Plusbog.dk

Toward an Architecture of Enjoyment is the first publication in any language of the only book devoted to architecture by Henri Lefebvre. Written in 1973 but only recently discovered in a private archive, this work extends Lefebvre’s influential theory of urban space to the question of architecture. Taking the practices and perspective of habitation as his starting place, Lefebvre redefines architecture as a mode of imagination rather than a specialized process or a collection of monuments. He calls for an architecture of jouissance—of pleasure or enjoyment—centered on the body and its rhythms and based on the possibilities of the senses. Examining architectural examples from the Renaissance to the postwar period, Lefebvre investigates the bodily pleasures of moving in and around buildings and monuments, urban spaces, and gardens and landscapes. He argues that areas dedicated to enjoyment, sensuality, and desire are important sites for a society passing beyond industrial modernization. Lefebvre’s theories on space and urbanization fundamentally reshaped the way we understand cities. Toward an Architecture of Enjoyment promises a similar impact on how we think about, and live within, architecture.

DKK 254.00
1

Mechanics and Meaning in Architecture - Lance Lavine - Bog - University of Minnesota Press - Plusbog.dk

Mechanics and Meaning in Architecture - Lance Lavine - Bog - University of Minnesota Press - Plusbog.dk

An exploration of technology’s role in architecture and humanity’s understanding of nature. In Mechanics and Meaning in Architecture, Lance LaVine shows that in architecture, as practiced and taught today, the technological aspect of the profession—how weight is distributed, how heat flow is regulated, and how light is permitted to enter—has been ceded to engineers and other technical specialists. And in doing so, he argues, architects have lost sight of one of architecture’s most important purposes, that of providing a literal and figurative window onto the world. As a technology of habitation, architecture should give people both a practical and a metaphorical understanding of their relationship with nature. For LaVine, this knowledge emanates from a sensual understanding of the natural world as a “felt force.” At its most basic level, architecture demands an understanding of and response to the natural forces of gravity, climate, and sunlight. At the center of Mechanics and Meaning in Architecture are case studies of four very different houses: a Finnish log farmhouse from the nineteenth century; Charles Moore’s house in Orinda, California; Tadao Ando’s Wall House in Japan; and Le Corbusier’s Villa Savoye near Paris. Through his imaginative readings of structures, LaVine highlights how the architects involved have used the oldest and most fundamental architectural technologies-walls, floors, ceilings, columns, beams, and windows-in ways that offer creative responses to the natural world and humanity’s place in it. Clearly, architects are comfortable with the practical and aesthetic components of their profession. With this book, Lance LaVine encourages them also to understand what makes their use of technology unique and essential, and to reclaim the natural world for meaningful interpretation in their design of buildings.

DKK 254.00
1

New Architecture on Indigenous Lands - Frank Vodvarka - Bog - University of Minnesota Press - Plusbog.dk

New Architecture on Indigenous Lands - Frank Vodvarka - Bog - University of Minnesota Press - Plusbog.dk

New Architecture on Indigenous Lands takes readers on a virtual tour of recent Native building projects in Canada and the western and midwestern United States. With close attention to details of design, questions of tradition, and cultural issues, and through interviews with designers and their Native clients, it provides an in-depth introduction to the new Native architecture in its many guises.

DKK 884.00
1

Architecture Since 1400 - Kathleen James Chakraborty - Bog - University of Minnesota Press - Plusbog.dk

Architecture Since 1400 - Kathleen James Chakraborty - Bog - University of Minnesota Press - Plusbog.dk

The first global history of architecture to give equal attention to Western and non-Western structures and built landscapes, Architecture since 1400 is unprecedented in its range, approach, and insight. From Tenochtitlan’s Great Pyramid in Mexico City and the Duomo in Florence to Levittown’s suburban tract housing and the Bird’s Nest Stadium in Beijing, its coverage includes the world’s most celebrated structures and spaces along with many examples of more humble vernacular buildings. Lavishly illustrated with more than 300 photographs, plans, and interiors, this book presents key moments and innovations in architectural modernity around the globe. Deftly integrating architectural and social history, Kathleen James-Chakraborty pays particular attention to the motivations of client and architect in the design and construction of environments both sacred and secular: palaces and places of worship as well as such characteristically modern structures as the skyscraper, the department store, and the cinema. She also focuses on the role of patrons and addresses to an unparalleled degree the impact of women in commissioning, creating, and inhabiting the built environment, with Gertrude Jekyll, Lina Bo Bardi, and Zaha Hadid taking their place beside Brunelleschi, Sinan, and Le Corbusier. Making clear that visionary architecture has never been the exclusive domain of the West and recognizing the diversity of those responsible for commissioning, designing, and constructing buildings, Architecture since 1400 provides a sweeping, cross-cultural history of the built environment over six centuries.

DKK 390.00
1

Writing and Seeing Architecture - Christian De Portzamparc - Bog - University of Minnesota Press - Plusbog.dk

Writing and Seeing Architecture - Christian De Portzamparc - Bog - University of Minnesota Press - Plusbog.dk

The creative forms of literature and architecture appear to be distinct, one constructing a world on the page, the other producing the world in which we live. It is a conscious act to read literature, but the effects of architecture can pass by unnoticed. Yet, despite such obvious differences, writers and architects share a dynamic with their readers and visitors that is unpredictably similar. Writing and Seeing Architecture unveils a candid conversation between Christian de Portzamparc, celebrated French architect, and influential theorist Philippe Sollers that challenges us to see the analogous nature of writing and architecture. Their fascinating discussion offers a renewal of visionary architectural thinking by invoking past literary ideals that sought to liberate society through the reinvention of writing itself. Urging that new rules be set for each creation rather than resorting to limitations of the capitalist society, the authors’ daring confrontation of the interactions between writing and designing a space forcefully demonstrates the importance of intellectuals and practitioners intervening in the public sphere. Christian de Portzamparc is an architect whose designs include the French Embassy in Germany, the Cité de la Musique in Paris, and the LVMH Tower in New York City. He was winner of the Pritzker Architecture Prize in 1994. Philippe Sollers is a novelist and critic whose journal Tel Quel (1960–1982) published Jacques Derrida, Michel Foucault, and Bernard-Henri Lévy. He is the author of many books, including The Park and Une Vie Divine. Catherine Tihanyi’s translations include One Must Also Be Hungarian by Adam Biro and The Story of Lynx by Claude Lévi-Strauss. Deborah Hauptmann is associate professor of architecture theory at Delft University of Technology, The Netherlands.

DKK 447.00
1

Writing and Seeing Architecture - Christian De Portzamparc - Bog - University of Minnesota Press - Plusbog.dk

Writing and Seeing Architecture - Christian De Portzamparc - Bog - University of Minnesota Press - Plusbog.dk

The creative forms of literature and architecture appear to be distinct, one constructing a world on the page, the other producing the world in which we live. It is a conscious act to read literature, but the effects of architecture can pass by unnoticed. Yet, despite such obvious differences, writers and architects share a dynamic with their readers and visitors that is unpredictably similar. Writing and Seeing Architecture unveils a candid conversation between Christian de Portzamparc, celebrated French architect, and influential theorist Philippe Sollers that challenges us to see the analogous nature of writing and architecture. Their fascinating discussion offers a renewal of visionary architectural thinking by invoking past literary ideals that sought to liberate society through the reinvention of writing itself. Urging that new rules be set for each creation rather than resorting to limitations of the capitalist society, the authors’ daring confrontation of the interactions between writing and designing a space forcefully demonstrates the importance of intellectuals and practitioners intervening in the public sphere. Christian de Portzamparc is an architect whose designs include the French Embassy in Germany, the Cité de la Musique in Paris, and the LVMH Tower in New York City. He was winner of the Pritzker Architecture Prize in 1994. Philippe Sollers is a novelist and critic whose journal Tel Quel (1960–1982) published Jacques Derrida, Michel Foucault, and Bernard-Henri Lévy. He is the author of many books, including The Park and Une Vie Divine. Catherine Tihanyi’s translations include One Must Also Be Hungarian by Adam Biro and The Story of Lynx by Claude Lévi-Strauss. Deborah Hauptmann is associate professor of architecture theory at Delft University of Technology, The Netherlands.

DKK 182.00
1

Horror in Architecture - Ong Ker Shing - Bog - University of Minnesota Press - Plusbog.dk

Horror in Architecture - Ong Ker Shing - Bog - University of Minnesota Press - Plusbog.dk

A new edition of this extensive visual analysis of horror tropes and their architectural analogues Horror in Architecture presents an unflinching look at how horror genre tropes manifest in the built environment. Spanning the realms of art, design, literature, and film, this newly revised and expanded edition compiles examples from all areas of popular culture to form a visual anthology of the architectural uncanny. Rooted in the Romantic and Gothic treatment of horror as a serious aesthetic category, Horror in Architecture establishes incisive links between contemporary horror media and its parallel traits found in various architectural designs. Through chapters dedicated to distorted and monstrous buildings, abandoned spaces, extremes of scale, and other structural peculiarities, and featuring new essays on insurgent natures, blobs, and architectural puppets, this volume brings together diverse architectural anomalies and shows how their unsettling effects deepen our fascination with the unreal. Intended for both horror fans and students of visual culture, Horror in Architecture turns a unique lens on the relationship between the human body and the artificial landscapes it inhabits. Extensively illustrated with photographs, film stills, and diagrams, this book retrieves horror from the cultural fringes and demonstrates how its attributes permeate the modern condition and the material world.

DKK 243.00
1

Photographic Architecture in the Twentieth Century - Claire Zimmerman - Bog - University of Minnesota Press - Plusbog.dk

Photographic Architecture in the Twentieth Century - Claire Zimmerman - Bog - University of Minnesota Press - Plusbog.dk

One hundred years ago, architects found in the medium of photography-so good at representing a building's lines and planes-a necessary way to promote their practices. It soon became apparent, however, that photography did more than reproduce what it depicted. It altered both subject and reception, as architecture in the twentieth century was enlisted as a form of mass communication. Claire Zimmerman reveals how photography profoundly influenced architectural design in the past century, playing an instrumental role in the evolution of modern architecture. Her "picture anthropology" demonstrates how buildings changed irrevocably and substantially through their interaction with photography, beginning with the emergence of mass-printed photographically illustrated texts in Germany before World War II and concluding with the postwar age of commercial advertising. In taking up "photographic architecture," Zimmerman considers two interconnected topics: first, architectural photography and its circulation; and second, the impact of photography on architectural design. She describes how architectural photographic protocols developed in Germany in the early twentieth century, expanded significantly in the wartime and postwar diaspora, and accelerated dramatically with the advent of postmodernism. In modern architecture, she argues, how buildings looked and how photographs made them look overlapped in consequential ways. In architecture and photography, the modernist concepts that were visible to the largest number over the widest terrain with the greatest clarity carried the day. This richly illustrated work shows, for the first time, how new ideas and new buildings arose from the interplay of photography and architecture-transforming how we see the world and how we act on it.

DKK 825.00
1

Photographic Architecture in the Twentieth Century - Claire Zimmerman - Bog - University of Minnesota Press - Plusbog.dk

Photographic Architecture in the Twentieth Century - Claire Zimmerman - Bog - University of Minnesota Press - Plusbog.dk

One hundred years ago, architects found in the medium of photography—so good at representing a building’s lines and planes—a necessary way to promote their practices. It soon became apparent, however, that photography did more than reproduce what it depicted. It altered both subject and reception, as architecture in the twentieth century was enlisted as a form of mass communication. Claire Zimmerman reveals how photography profoundly influenced architectural design in the past century, playing an instrumental role in the evolution of modern architecture. Her “picture anthropology” demonstrates how buildings changed irrevocably and substantially through their interaction with photography, beginning with the emergence of mass-printed photographically illustrated texts in Germany before World War II and concluding with the postwar age of commercial advertising. In taking up “photographic architecture,” Zimmerman considers two interconnected topics: first, architectural photography and its circulation; and second, the impact of photography on architectural design. She describes how architectural photographic protocols developed in Germany in the early twentieth century, expanded significantly in the wartime and postwar diaspora, and accelerated dramatically with the advent of postmodernism. In modern architecture, she argues, how buildings looked and how photographs made them look overlapped in consequential ways. In architecture and photography, the modernist concepts that were visible to the largest number over the widest terrain with the greatest clarity carried the day. This richly illustrated work shows, for the first time, how new ideas and new buildings arose from the interplay of photography and architecture—transforming how we see the world and how we act on it.

DKK 295.00
1

Guide to the Architecture of Minnesota - David Gebhard - Bog - University of Minnesota Press - Plusbog.dk

Guide to the Architecture of Minnesota - David Gebhard - Bog - University of Minnesota Press - Plusbog.dk

Much of the social and economic history of the state is revealed in this fascinating guide to the architecture of Minnesota. The authors trace the development of the environment and buildings in all parts of the state from territorial days to the present and give detailed information, with illustrations, about Minnesota’s architectural inheritance. Minnesotans and visitors may take architectural tours of the cities and towns, seeing the landmarks with an understanding of their significance in local and architectural history. In all, nearly 300 towns and cities are represented in the pictures and text. A photohistory showing 175 years of Minnesota architecture is included.

DKK 237.00
1

New Architecture on Indigenous Lands - Frank Vodvarka - Bog - University of Minnesota Press - Plusbog.dk

New Architecture on Indigenous Lands - Frank Vodvarka - Bog - University of Minnesota Press - Plusbog.dk

Black Elk speaks of the “square boxes” his people were forced into, and Winona LaDuke of the “boxes of mints” on Native lands. As long as the government was deciding what tribal buildings should look like, Native custom and culture were bound to be boxed in—or boxed out. But in the post-1996 era of more flexible housing policies, Native peoples have assumed a key role in the design of buildings on tribal lands. The result is an architecture that finally accords with the traditions and ideas of the people who inhabit it. A virtual tour of recent Native building projects in Canada and the western and midwestern United States, New Architecture on Indigenous Lands conducts readers through cultural centers and schools, clinics and housing, and even a sugar camp, all while showing how tribal identity is manifested in various distinctive ways. Focusing on such sites as the Tribal Council Chambers of the Pojoaque Pueblo; the Zuni Eagle Sanctuary in New Mexico; the Nk’Mip Desert Cultural Centre in Osoyoos, British Columbia; and the T’lisalagi’lakw Elementary School, Joy Monice Malnar and Frank Vodvarka offer wide-ranging insights into the sensory, symbolic, cultural, and environmental contexts of this new architecture. With close attention to details of design, questions of tradition, and cultural issues, and through interviews with designers and their Native clients, the authors provide an in-depth introduction to the new Native architecture in its many guises—and a rare chance to appreciate its aesthetic power.

DKK 312.00
1

Architecture of Thought - Andrzej Piotrowski - Bog - University of Minnesota Press - Plusbog.dk

Architecture of Thought - Andrzej Piotrowski - Bog - University of Minnesota Press - Plusbog.dk

In Architecture of Thought , Andrzej Piotrowski maps and conceptually explores material practices of the past, showing how physical artifacts and visual environments manifest culturally rooted modes of thought and participate in the most nuanced processes of negotiations and ideological exchanges. According to Piotrowski, material structures enable people to think in new ways—distill emerging or alter existing worldviews—before words can stabilize them as conventional narratives. Combining design thinking with academic methods of inquiry, Piotrowski traces ancient to modern architectural histories and—through critical readings of select buildings—examines the role of nonverbal exchanges in the development of an accumulated Western identity. Unlike studies that organize around the traditional scheme of periodization in history, Architecture of Thought uses an interdisciplinary approach to investigate a wide spectrum of cultural productions in different times and places. Operating from the assertion that buildings are the most permanent record of unself-conscious beliefs and attitudes, it discusses Byzantium and the West after iconoclasm, the conquest and colonization of Mesoamerica, the Reformation and Counter-Reformation in Eastern Europe, the rise of the culture of consumerism in Victorian England, and High Modernism as its consequence. By moving beyond the assumption that historical structures reflect transcendental values and deterministic laws of physics or economy or have been shaped by self-conscious individuals, Piotrowski challenges the traditional knowledge of what architecture is and can be.

DKK 287.00
1

Architecture of Life - Alla Vronskaya - Bog - University of Minnesota Press - Plusbog.dk

Architecture of Life - Alla Vronskaya - Bog - University of Minnesota Press - Plusbog.dk

Explores how Soviet architects reimagined the built environment through the principles of the human sciences During the 1920s and 1930s, proponents of Soviet architecture looked to various principles within the human sciences in their efforts to formulate a methodological and theoretical basis for their modernist project. Architecture of Life delves into the foundations of this transdisciplinary and transnational endeavor, analyzing many facets of their radical approach and situating it within the context of other modernist movements that were developing concurrently across the globe. Examining the theories advanced by El Lissitzky, Moisei Ginzburg, and Nikolay Ladovsky, as well as those of their lesser-known colleagues, this illuminating study demonstrates how Soviet architects of the interwar period sought to mitigate Fordist production methods with other, ostensibly more human-oriented approaches that drew on the biological and psychological sciences. Envisioning the built environment as innately connected to social evolution, their methods incorporated aspects of psychoanalysis, personality theory, and studies in spatial perception, all of which were integrated into an ideology that grounded functional design firmly within the attributes of the individual. A comprehensive overview of the ideals that permeated its expanded project, Architecture of Life explicates the underlying impulses that motivated Soviet modernism, highlighting the deep interconnections among the ways in which it viewed all aspects of life, both natural and manufactured. .

DKK 317.00
1

The Materiality of Architecture - Antoine Picon - Bog - University of Minnesota Press - Plusbog.dk

The Materiality of Architecture - Antoine Picon - Bog - University of Minnesota Press - Plusbog.dk

A new paradigm combining architectural tradition with emerging technologies Digital tools have launched architecture into a dizzying new era, one in which wood, stone, metal, glass, and other traditional materials are augmented by pixels and code. In this ambitious exploration, an eminent thinker examines what, exactly, the building blocks of architecture have meant over the centuries and how technology may—or may not—be changing how we think about them. Antoine Picon argues that materiality is not only about matter and that the silence and inscrutability—the otherness—of raw materials work against humanity’s need to live in a meaningful world. He describes how people define who they are, in part, through their specific physical experience of architectural materials and spaces. Indeed, Picon asserts, the entire paradox of the architectural discipline consists in its desire to render matter expressive to human beings. Through a retrospective review of canonical moments in Western European architecture, Picon offers an original perspective on the ways materiality has varied throughout centuries, demonstrating how experiences of the physical world have changed in relation to the evolution of human subjectivity. Ultimately, Picon concludes that computer-based design methods are not an abrupt departure from previous architectural traditions but rather a new way for architects to control material resources. The result reinforces the fundamentally humanistic nature of architectural endeavor with an increasing sense of design freedom and a release from material constraint in the digital era.

DKK 800.00
1

The Materiality of Architecture - Antoine Picon - Bog - University of Minnesota Press - Plusbog.dk

The Materiality of Architecture - Antoine Picon - Bog - University of Minnesota Press - Plusbog.dk

A new paradigm combining architectural tradition with emerging technologies Digital tools have launched architecture into a dizzying new era, one in which wood, stone, metal, glass, and other traditional materials are augmented by pixels and code. In this ambitious exploration, an eminent thinker examines what, exactly, the building blocks of architecture have meant over the centuries and how technology may—or may not—be changing how we think about them. Antoine Picon argues that materiality is not only about matter and that the silence and inscrutability—the otherness—of raw materials work against humanity’s need to live in a meaningful world. He describes how people define who they are, in part, through their specific physical experience of architectural materials and spaces. Indeed, Picon asserts, the entire paradox of the architectural discipline consists in its desire to render matter expressive to human beings. Through a retrospective review of canonical moments in Western European architecture, Picon offers an original perspective on the ways materiality has varied throughout centuries, demonstrating how experiences of the physical world have changed in relation to the evolution of human subjectivity. Ultimately, Picon concludes that computer-based design methods are not an abrupt departure from previous architectural traditions but rather a new way for architects to control material resources. The result reinforces the fundamentally humanistic nature of architectural endeavor with an increasing sense of design freedom and a release from material constraint in the digital era.

DKK 255.00
1

Relearning from Las Vegas - - Bog - University of Minnesota Press - Plusbog.dk

Relearning from Las Vegas - - Bog - University of Minnesota Press - Plusbog.dk

Evaluates for the first time one of the foundational works in architecture criticism. Immediately on its publication in 1972, Learning from Las Vegas, by Robert Venturi, Denise Scott Brown, and Steven Izenour, was hailed as a transformative work in the history and theory of architecture, liberating those in architecture who were trying to find a way out of the straitjacket of architectural orthodoxies. Resonating far beyond the professional and institutional boundaries of the field, the book contributed to a thorough rethinking of modernism and was subsequently taken up as an early manifestation and progenitor of postmodernism.

DKK 573.00
1

Discipline Of Architecture - Andrzej Piotrowski - Bog - University of Minnesota Press - Plusbog.dk

Discipline Of Architecture - Andrzej Piotrowski - Bog - University of Minnesota Press - Plusbog.dk

In the vast literature on architectural theory and practice, the ways in which architectural knowledge is actually taught, debated, and understood are too often ignored. The essays collected in this groundbreaking volume address the current state of architecture as an academic and professional discipline. The issues considered range from the form and content of architectural education to the architect’s social and environmental obligations and the emergence of a new generation of architects. Often critical of the current paradigm, these essays offer a provocative challenge to accepted assumptions about the production, dissemination, and reception of architectural knowledge. Contributors: Sherry Ahrentzen, U of Wisconsin-Milwaukee; Stanford Anderson, MIT; Carol Burns, Harvard U; Russell Ellis, UC Berkeley; Thomas Fisher, U of Minnesota; Linda Groat, U of Michigan; Kay Bea Jones, Ohio State U; David Leatherbarrow, U of Pennsylvania; A. G. Krishna Menon, TVB School of Habitat Studies, India; Garth Rockcastle, U of Minnesota; Michael Stanton, American U, Beirut; Sharon E. Sutton, U of Washington; David J. T. Vanderburgh, Université Catholique de Louvain, Belgium; and Donald Watson, Rensselaer Polytechnic Institute.

DKK 237.00
1