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Nothing Has to Make Sense - Sherene H. Razack - Bog - University of Minnesota Press - Plusbog.dk

Nothing Has to Make Sense - Sherene H. Razack - Bog - University of Minnesota Press - Plusbog.dk

How Western nations have consolidated their whiteness through the figure of the Muslim in the post-9/11 world While much has been written about post-9/11 anti-Muslim racism (often termed Islamophobia), insufficient attention has been given to how anti-Muslim racism operates through law and is a vital part of law’s protection of whiteness. This book fills this gap while also providing a unique new global perspective on white supremacy. Sherene H. Razack, a leading critical race and feminist scholar, takes an innovative approach by situating law within media discourses and historical and contemporary realities. We may think of law as logical, but, argues Razack, its logic breaks down when the subject is Muslim. Tracing how white subjects and majority-white nations in the post-9/11 era have consolidated their whiteness through the figure of the Muslim, Razack examines four sites of anti-Muslim racism: efforts by American evangelical Christians to ban Islam in the school curriculum; Canadian and European bans on Muslim women’s clothing; racial science and the sentencing of Muslims as terrorists; and American national memory of the torture of Muslims during wars and occupations. Arguing that nothing has to make sense when the subject is Muslim, she maintains that these legal and cultural sites reveal the dread, phobia, hysteria, and desire that mark the encounter between Muslims and the West. Through the prism of racism, Nothing Has to Make Sense argues that the figure of the Muslim reveals a world divided between the deserving and the disposable, where people of European origin are the former and all others are confined in various ways to regimes of disposability. Emerging from critical race theory, and bridging with Islamophobia/critical religious studies, it demonstrates that anti-Muslim racism is a revelatory window into the operation of white supremacy as a global force.

DKK 984.00
1

The Measurement of Urban Home Environment - Alice Leahy - Bog - University of Minnesota Press - Plusbog.dk

The Measurement of Urban Home Environment - Alice Leahy - Bog - University of Minnesota Press - Plusbog.dk

The Measurement of Urban Home Environment was first published in 1936. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.No. 11. Institute of Child Welfare Monograph SeriesThis volume contributes a validation and standardization of The Minnesota Home Status Index; a scale constructed by Professor Alice Leahy that gives numerical expression to the nature and extent of variation existing in living conditions of urban homes.Leahy describes the methods used in constructing the index and discusses the significance of her findings. Also included are accounts of previous studies in this field, bibliography, and appendix of schedules used in Leahy’s investigation.

DKK 220.00
1

The New American War Film - Robert Burgoyne - Bog - University of Minnesota Press - Plusbog.dk

The New American War Film - Robert Burgoyne - Bog - University of Minnesota Press - Plusbog.dk

A look at how post-9/11 cinema captures the new face of war in the twenty-first century While the war film has carved out a prominent space within the history of cinema, the twenty-first century has seen a significant shift in the characteristics that define it. Serving as a roadmap to the genre’s contemporary modes of expression, The New American War Film explores how, in the wake of 9/11, both the nature of military conflict and the symbolic frameworks that surround it have been dramatically reshaped. Featuring in-depth analyses of contemporary films like The Hurt Locker, Zero Dark Thirty, Eye in the Sky, American Sniper, and others, The New American War Film details the genre’s turn away from previously foundational themes of heroic sacrifice and national glory, instead emphasizing the procedural violence of advanced military technologies and the haptic damage inflicted on individual bodies. Unfolding amid an atmosphere of profound anxiety and disillusionment, the new American war film demonstrates a breakdown of the prevailing cultural narratives that had come to characterize conflict in the previous century. With each chapter highlighting a different facet of war’s cinematic representation, The New American War Film charts society’s shifting attitudes toward violent conflict and what is broadly considered to be its acceptable repercussions. Drawing attention to changes in gender dynamics and the focus on war’s lasting psychological effects within these recent films, Robert Burgoyne analyzes how cinema both reflects and reveals the makeup of the national imaginary.

DKK 246.00
1

The New American War Film - Robert Burgoyne - Bog - University of Minnesota Press - Plusbog.dk

The New American War Film - Robert Burgoyne - Bog - University of Minnesota Press - Plusbog.dk

A look at how post-9/11 cinema captures the new face of war in the twenty-first century While the war film has carved out a prominent space within the history of cinema, the twenty-first century has seen a significant shift in the characteristics that define it. Serving as a roadmap to the genre’s contemporary modes of expression, The New American War Film explores how, in the wake of 9/11, both the nature of military conflict and the symbolic frameworks that surround it have been dramatically reshaped. Featuring in-depth analyses of contemporary films like The Hurt Locker , Zero Dark Thirty , Eye in the Sky , American Sniper , and others, The New American War Film details the genre’s turn away from previously foundational themes of heroic sacrifice and national glory, instead emphasizing the procedural violence of advanced military technologies and the haptic damage inflicted on individual bodies. Unfolding amid an atmosphere of profound anxiety and disillusionment, the new American war film demonstrates a breakdown of the prevailing cultural narratives that had come to characterize conflict in the previous century. With each chapter highlighting a different facet of war’s cinematic representation, The New American War Film charts society’s shifting attitudes toward violent conflict and what is broadly considered to be its acceptable repercussions. Drawing attention to changes in gender dynamics and the focus on war’s lasting psychological effects within these recent films, Robert Burgoyne analyzes how cinema both reflects and reveals the makeup of the national imaginary.

DKK 749.00
1

Brown Threat - Kumarini Silva - Bog - University of Minnesota Press - Plusbog.dk

Brown Threat - Kumarini Silva - Bog - University of Minnesota Press - Plusbog.dk

What is “brown” in—and beyond—the context of American identity politics? How has the concept changed since 9/11? In the most sustained examination of these questions to date, Kumarini Silva argues that “brown” is no longer conceived of solely as a cultural, ethnic, or political identity. Instead, after 9/11, the Patriot Act, and the wars in Iran, Iraq, and Afghanistan, it has also become a concept and, indeed, a strategy of identification—one rooted in xenophobic, imperialistic, and racist ideologies to target those who do not neatly fit or subscribe to ideas of nationhood. Interweaving personal narratives, ethnographic research, analyses of popular events like the Miss America pageant, and films and TV shows such as the Harold and Kumar franchise and Black-ish, Silva maps junctures where the ideological, political, and mediated terrain intersect, resulting in an appetite for all things “brown” (especially South Asian brown) by U.S. consumers, while political and nationalist discourses and legal structures (immigration, emigration, migration, outsourcing, incarceration) conspire to control brown bodies both within and outside the United States. Silva explores this contradictory relationship between representation and reality, arguing that the representation mediates and manages the anxieties that come from contemporary global realities, in which brown spaces, like India, Pakistan, and the Middle East pose key economic, security, and political challenges to the United States. While racism is hardly new, what makes this iteration of brown new is that anyone or any group, at any time, can be branded as deviant, as a threat.

DKK 228.00
1

A Bibliography on South American Economic Affairs - Anne Kingsley - Bog - University of Minnesota Press - Plusbog.dk

A Bibliography on South American Economic Affairs - Anne Kingsley - Bog - University of Minnesota Press - Plusbog.dk

A Bibliography on South American Economic Affairs was first published in 1955. This bibliography covers articles in 229 nineteenth-century periodicals in Spanish, Portuguese, English, French, German, Italian, Swedish, Danish, and Dutch. The bibliographical entries total 9,939, of which more than 6,200 are original entries and the remainder, cross references. The entries are grouped under 11 major geographic headings, with nine subheadings on such subjects as agriculture, commerce, and communications under each. The bibliography provides a reference key to a large and important class of source materials for the economic history of South America. Since the period covered precedes the first publication of the Poole Index and the Readers’ Guide to Periodical Literature, the material is not to be found in these standard indexes.

DKK 321.00
1

Primitive America - Paul Smith - Bog - University of Minnesota Press - Plusbog.dk

Primitive America - Paul Smith - Bog - University of Minnesota Press - Plusbog.dk

One of the most confounding aspects of American society—the one that perhaps most frequently perplexes observers both domestic and foreign—is the vast contradiction between what anthropologists might term the “hot” and “cold” elements in the culture. The hot encompasses the dynamic and progressive aspects of a society dedicated to growth and productivity, marked by mobility, innovation, and optimism. In contrast, the cold embodies rigid social forms and archaic beliefs, fundamentalisms of all kinds, racism and xenophobia, anti-intellectualism, cultural atavism, and ignorance—in short, the primitive. For cultural critic Paul Smith, the tension between progressive and primitive is a constitutive condition of American history and culture. In Primitive America, Smith contemplates this primary contradiction as it has played out in the years since 9/11. Indeed, he writes, much of what has happened since—events that have seemed to many to be novel and egregious—can be explained by this foundational dialectic. More radically still, Primitive America attests that this underlying stress is driven by America’s unquestioned devotion to the elemental propositions and processes of capitalism. This devotion, Smith argues, has become America’s quintessential characteristic, and he begins this book by elaborating on the idea of the primitive in America—its specific history of capital accumulation, commodity fetishism, and cultural narcissism. Smith goes on to track the symptoms of the primitive that have arisen in the aftermath of 9/11 and the commencement of the “Long War” against “violent extremists”: the nature of American imperialism, the status of the U.S. Constitution, the militarization of America’s economy and culture, and the Bush administration’s disregard for human rights. An urgent and important engagement with current American policies and practices, Primitive America is, at the same time, an incisive critique of the ideology that fuels the ethos of America’s capitalist culture. Paul Smith is professor of cultural studies at George Mason University and the author of numerous books, including Clint Eastwood: A Cultural Production (Minnesota, 1993).

DKK 430.00
1

The Geek's Chihuahua - Prof. Ian Bogost - Bog - University of Minnesota Press - Plusbog.dk

The Geek's Chihuahua - Prof. Ian Bogost - Bog - University of Minnesota Press - Plusbog.dk

At dinnertime: check. At a traffic light: check. In bed at the end of the day: check. In line at the coffee shop: check. In The Geek’s Chihuahua, Ian Bogost addresses the modern love affair of “living with Apple” during the height of the company’s market influence and technology dominance. The ubiquitous iPhone and its kin saturate our lives, changing everything from our communication to our posture. Bogost contrasts the values of Apple’s massive success in the twenty-first century with those of its rise in the twentieth. And he connects living with Apple with the phenomenon of “hyperemployment”—the constant overwork of today’s technological life that all of us now experience. Bogost also reflects on the new potential function—as well as anxiety and anguish—of devices like the Apple Watch. We are tethered to our devices, and, as Bogost says: that’s just life—anxious, overworked, and utterly networked life. Forerunners: Ideas First is a thought-in-process series of breakthrough digital publications. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.

DKK 132.00
1

Electronic Monuments - Gregory Ulmer - Bog - University of Minnesota Press - Plusbog.dk

Electronic Monuments - Gregory Ulmer - Bog - University of Minnesota Press - Plusbog.dk

While corporations, governmental groups, and public relations firms debated the best way to memorialize the event of 9/11, sites of commemoration could be seen across the country and especially on the Internet. Greg Ulmer suggests that this reality points us to a new sense of monumentality, one that is collaborative in nature rather than iconic. From a do-it-yourself Mount Rushmore to an automated tribute to the devastating annual toll of traffic deaths in the United States, Electronic Monuments describes commemoration as a fundamental experience, joining individual and collective identity, and adapting both to the emerging apparatus of “electracy,” or digital literacy. Concerns about the destruction of civic life caused by the society of the spectacle are refocused on the question of how a collectivity remembers who or what it is. Ulmer proposes that the Internet makes it possible for monumentality to become a primary site of self-knowledge, one that supports a new politics, ethics, and dimension of education. The Internet thus holds the promise of bringing citizens back into the political equation as witnesses and monitors. Gregory L. Ulmer is professor of English and media studies at the University of Florida, Gainesville.

DKK 238.00
1

Capturing the Criminal Image - Jonathan Finn - Bog - University of Minnesota Press - Plusbog.dk

Capturing the Criminal Image - Jonathan Finn - Bog - University of Minnesota Press - Plusbog.dk

At the beginning of the twentieth century, criminals, both alleged and convicted, were routinely photographed and fingerprinted-and these visual representations of their criminal nature were archived for possible future use. At the beginning of the twenty-first century, a plethora of new tools-biometrics, DNA analysis, digital imagery, and computer databases-similarly provide new ways for representing the criminal. Capturing the Criminal Image traces how the act of representing-and watching-is central to modern law enforcement. Jonathan Finn analyzes the development of police photography in the nineteenth century to foreground a critique of three identification practices that are fundamental to current police work: fingerprinting, DNA analysis, and surveillance programs and databases. He shows these practices at work by examining specific police and border-security programs, including several that were established by the U.S. government after the terrorist attacks of September 11, 2001. Contemporary law enforcement practices, he argues, position the body as something that is potentially criminal. As Finn reveals, the collection and archiving of identification data-which consist today of much more than photographs or fingerprints-reflect a reconceptualization of the body itself. And once archived, identification data can be interpreted and reinterpreted according to highly mutable and sometimes dubious conceptions of crime and criminality.

DKK 220.00
1

Capturing the Criminal Image - Jonathan Finn - Bog - University of Minnesota Press - Plusbog.dk

Capturing the Criminal Image - Jonathan Finn - Bog - University of Minnesota Press - Plusbog.dk

At the beginning of the twentieth century, criminals, both alleged and convicted, were routinely photographed and fingerprinted-and these visual representations of their criminal nature were archived for possible future use. At the beginning of the twenty-first century, a plethora of new tools-biometrics, DNA analysis, digital imagery, and computer databases-similarly provide new ways for representing the criminal. Capturing the Criminal Image traces how the act of representing-and watching-is central to modern law enforcement. Jonathan Finn analyzes the development of police photography in the nineteenth century to foreground a critique of three identification practices that are fundamental to current police work: fingerprinting, DNA analysis, and surveillance programs and databases. He shows these practices at work by examining specific police and border-security programs, including several that were established by the U.S. government after the terrorist attacks of September 11, 2001. Contemporary law enforcement practices, he argues, position the body as something that is potentially criminal. As Finn reveals, the collection and archiving of identification data-which consist today of much more than photographs or fingerprints-reflect a reconceptualization of the body itself. And once archived, identification data can be interpreted and reinterpreted according to highly mutable and sometimes dubious conceptions of crime and criminality.

DKK 522.00
1

Foucault in Iran - Behrooz Ghamari Tabrizi - Bog - University of Minnesota Press - Plusbog.dk

Foucault in Iran - Behrooz Ghamari Tabrizi - Bog - University of Minnesota Press - Plusbog.dk

Were the thirteen essays Michel Foucault wrote in 1978–1979 endorsing the Iranian Revolution an aberration of his earlier work or an inevitable pitfall of his stance on Enlightenment rationality, as critics have long alleged? Behrooz Ghamari-Tabrizi argues that the critics are wrong. He declares that Foucault recognized that Iranians were at a threshold and were considering if it were possible to think of dignity, justice, and liberty outside the cognitive maps and principles of the European Enlightenment. Foucault in Iran centers not only on the significance of the great thinker’s writings on the revolution but also on the profound mark the event left on his later lectures on ethics, spirituality, and fearless speech. Contemporary events since 9/11, the War on Terror, and the Arab Uprisings have made Foucault’s essays on the Iranian Revolution more relevant than ever. Ghamari-Tabrizi illustrates how Foucault saw in the revolution an instance of his antiteleological philosophy: here was an event that did not fit into the normative progressive discourses of history. What attracted him to the Iranian Revolution was precisely its ambiguity. Theoretically sophisticated and empirically rich, this interdisciplinary work will spark a lively debate in its insistence that what informed Foucault’s writing was not an effort to understand Islamism but, rather, his conviction that Enlightenment rationality has not closed the gate of unknown possibilities for human societies.

DKK 806.00
1

Political Spaces and Global War - Carlo Galli - Bog - University of Minnesota Press - Plusbog.dk

Political Spaces and Global War - Carlo Galli - Bog - University of Minnesota Press - Plusbog.dk

Political theorists have long debated whether globalization marks a novel form of political and economic order or is simply a reconfiguration of older capitalist and imperialist imperatives. Carlo Galli contends that it is neither; rather, globalization is the development, in a new and destructive direction, of the unstable and precarious equilibrium that constituted modern political space from its very inception. The first book by Galli, the influential Italian historian of political thought, to be translated into English, Political Spaces and Global War offers a provocative genealogy of the global age. By connecting the foundations of classical and modern political thought to the concrete arrangements of geographical space that inform those concepts, Galli reveals globalization to be, qualitatively and quantitatively, an extreme torsion of modern political space. Central to Galli''s understanding of the fundamental instability of modern political space is that warfare, usually seen as a breakdown in the prevailing order, can no longer be distinguished from politics-globalization is, in effect, a world of war. Tracing the concept of political space from Greek and Roman philosophy to the post-9/11 period, Galli shows that the modern nation-state, in theory and practice, contains within it the conditions for both its own implosion (into totalitarianism) and explosion (as globalization). To move beyond this crisis, he argues, the logic of modern political space and the national boundaries that define it must be boldly reimagined.

DKK 237.00
1

The Quiet Violence of Empire - Wesley Attewell - Bog - University of Minnesota Press - Plusbog.dk

The Quiet Violence of Empire - Wesley Attewell - Bog - University of Minnesota Press - Plusbog.dk

How the U.S. empire-state transformed post-1945 Afghanistan into a key site for reimagining development Established in 1961 by President Kennedy, the United States Agency for International Development (USAID) is often viewed as an extension of the security state, playing a constant role on the ground in Afghanistan since the early sixties. The Quiet Violence of Empire traces USAID’s long and bloody history of development work in the region, revealing an empirically rich account of the transnational entanglements of imperialism and racial capitalism. Wesley Attewell carefully analyzes three chronological moments of development as counterinsurgency in action: the Helmand Valley Project, the Soviet–Afghan conflict, and the post-9/11 occupation in Afghanistan. These case studies expose how USAID’s very public commitment to bringing seemingly inclusionary forms of self-help, technical assistance, and market development to Afghanistan has been undergirded by longer-standing infrastructures of race war and racial management. Attewell exposes how one of the net effects of USAID’s development mission to Afghanistan has been to constrain the life chances of Afghan beneficiaries while simultaneously diverting development capital back to U.S. contractors, deftly underscoring the notion of development as a form of slow violence. The Quiet Violence of Empire asks the critical question: how might we refuse the ruse of USAID and its endlessly deferred promise of development? Thinking relationally across the fields of human geography, global studies, and critical ethnic studies, it uncovers the explicitly racial underpinnings of international development theory and praxis.

DKK 234.00
1

The Quiet Violence of Empire - Wesley Attewell - Bog - University of Minnesota Press - Plusbog.dk

The Quiet Violence of Empire - Wesley Attewell - Bog - University of Minnesota Press - Plusbog.dk

How the U.S. empire-state transformed post-1945 Afghanistan into a key site for reimagining development Established in 1961 by President Kennedy, the United States Agency for International Development (USAID) is often viewed as an extension of the security state, playing a constant role on the ground in Afghanistan since the early sixties. The Quiet Violence of Empire traces USAID’s long and bloody history of development work in the region, revealing an empirically rich account of the transnational entanglements of imperialism and racial capitalism. Wesley Attewell carefully analyzes three chronological moments of development as counterinsurgency in action: the Helmand Valley Project, the Soviet–Afghan conflict, and the post-9/11 occupation in Afghanistan. These case studies expose how USAID’s very public commitment to bringing seemingly inclusionary forms of self-help, technical assistance, and market development to Afghanistan has been undergirded by longer-standing infrastructures of race war and racial management. Attewell exposes how one of the net effects of USAID’s development mission to Afghanistan has been to constrain the life chances of Afghan beneficiaries while simultaneously diverting development capital back to U.S. contractors, deftly underscoring the notion of development as a form of slow violence. The Quiet Violence of Empire asks the critical question: how might we refuse the ruse of USAID and its endlessly deferred promise of development? Thinking relationally across the fields of human geography, global studies, and critical ethnic studies, it uncovers the explicitly racial underpinnings of international development theory and praxis.

DKK 800.00
1

On Posthuman War - Mike Hill - Bog - University of Minnesota Press - Plusbog.dk

On Posthuman War - Mike Hill - Bog - University of Minnesota Press - Plusbog.dk

Tracing war’s expansion beyond the battlefield to the concept of the human being itself As military and other forms of political violence become the planetary norm, On Posthuman War traces the expansion of war beyond traditional theaters of battle. Drawing on counterinsurgency field manuals, tactical manifestos, data-driven military theory, and asymmetrical-war archives, Mike Hill delineates new “Areas of Operation” within a concept of the human being as not only a social and biological entity but also a technical one. Delving into three human-focused disciplines newly turned against humanity, OnPosthuman War reveals how demography, anthropology, and neuroscience have intertwined since 9/11 amid the “Revolution in Military Affairs.” Beginning with the author’s personal experience training with U.S. Marine recruits at Parris Island, Hill gleans insights from realist philosophy, the new materialism, and computational theory to show how the human being, per se, has been reconstituted from neutral citizen to unwitting combatant. As evident in the call for “bullets, beans, and data,” whatever can be parted out, counted, and reassembled can become war materiel. Hill shows how visible and invisible wars within identity, community, and cognition shift public-sphere activities, like racial identification, group organization, and even thought itself, in the direction of war. This shift has weaponized social activities against the very notion of society. On Posthuman War delivers insights on the latest war technologies, strategies, and tactics while engaging in questions poised to overturn the foundations of modern political thought.

DKK 965.00
1

Tolerance and Risk - Mitra Rastegar - Bog - University of Minnesota Press - Plusbog.dk

Tolerance and Risk - Mitra Rastegar - Bog - University of Minnesota Press - Plusbog.dk

How apparently positive representations of Muslims in U.S. media cast Muslims as a racial population Portrayals of Muslims as the beneficiaries of liberal values have contributed to the racialization of Muslims as a risky population since the September 11 attacks. These discourses, which hold up some Muslims as worthy of tolerance or sympathy, reinforce an unstable good Muslim/bad Muslim binary where any Muslim might be moved from one side to the other. In Tolerance and Risk, Mitra Rastegar explores these discourses as a component of the racialization of Muslims-where Muslims are portrayed as a highly diverse population that nevertheless is seen to contain within it a threat that requires constant vigilance. Tolerance and Risk brings together several case studies to examine the interrelation of representations of Muslims abroad and in the United States. These include human-interest stories and opinion polls of Muslim Americans, media representations of education activist Malala Yousafzai, LGBTQ activist discourses, local New York controversies surrounding Muslim-led public projects, and social media discourses of the Syrian refugee crisis. Tolerance and Risk demonstrates how representations of tolerable or sympathetic Muslims produce them as a population with distinct characteristics, capacities, and risks, and circulate standards by which the trustworthiness or threat of individual Muslims must be assessed. Tolerance and Risk examines the ways that discourses of liberal rights, including feminist and LGBTQ rights discourses, are mobilized to racialize Muslims as uncivilized, even as they garner sympathy and identification with some Muslims.

DKK 234.00
1

Tolerance and Risk - Mitra Rastegar - Bog - University of Minnesota Press - Plusbog.dk

Tolerance and Risk - Mitra Rastegar - Bog - University of Minnesota Press - Plusbog.dk

How apparently positive representations of Muslims in U.S. media cast Muslims as a racial population Portrayals of Muslims as the beneficiaries of liberal values have contributed to the racialization of Muslims as a risky population since the September 11 attacks. These discourses, which hold up some Muslims as worthy of tolerance or sympathy, reinforce an unstable good Muslim/bad Muslim binary where any Muslim might be moved from one side to the other. In Tolerance and Risk, Mitra Rastegar explores these discourses as a component of the racialization of Muslims-where Muslims are portrayed as a highly diverse population that nevertheless is seen to contain within it a threat that requires constant vigilance. Tolerance and Risk brings together several case studies to examine the interrelation of representations of Muslims abroad and in the United States. These include human-interest stories and opinion polls of Muslim Americans, media representations of education activist Malala Yousafzai, LGBTQ activist discourses, local New York controversies surrounding Muslim-led public projects, and social media discourses of the Syrian refugee crisis. Tolerance and Risk demonstrates how representations of tolerable or sympathetic Muslims produce them as a population with distinct characteristics, capacities, and risks, and circulate standards by which the trustworthiness or threat of individual Muslims must be assessed. Tolerance and Risk examines the ways that discourses of liberal rights, including feminist and LGBTQ rights discourses, are mobilized to racialize Muslims as uncivilized, even as they garner sympathy and identification with some Muslims.

DKK 950.00
1

Tactical Media - Rita Raley - Bog - University of Minnesota Press - Plusbog.dk

Tactical Media - Rita Raley - Bog - University of Minnesota Press - Plusbog.dk

The first book to focus exclusively on the tactics and goals of new media art activists Tactical media describes interventionist media art practices that engage and critique the dominant political and economic order. Rather than taking to the streets and staging spectacular protests, the practitioners of tactical media engage in an aesthetic politics of disruption, intervention, and education. From They Rule , an interactive map of the myriad connections between the world’s corporate and political elite created by Josh On and Futurefarmers, to Black Shoals , a financial market visualization that is intended to be both aesthetically and politically disruptive, they embrace a broad range of oppositional practices. In Tactical Media , Rita Raley provides a critical exploration of the new media art activism that has emerged out of, and in direct response to, postindustrialism and neoliberal globalization. Through close readings of projects by the DoEAT group, the Critical Art Ensemble, Electronic Civil Disobedience, and other tactical media groups, she articulates their divergent methods and goals and locates a virtuosity that is also boldly political. Contemporary models of resistance and dissent, she finds, mimic the decentralized and virtual operations of global capital and the post-9/11 security state to exploit and undermine the system from within. Emphasizing the profound shift from strategy to tactics that informs new media art-activism, Raley assesses the efficacy of its symbolic performances, gamings, visualizations, and hacks. With its cogent analyses of new media art and its social impact, Tactical Media makes a timely and much needed contribution to wider debates about political activism, contemporary art, and digital technology.

DKK 494.00
1

Tactical Media - Rita Raley - Bog - University of Minnesota Press - Plusbog.dk

Tactical Media - Rita Raley - Bog - University of Minnesota Press - Plusbog.dk

The first book to focus exclusively on the tactics and goals of new media art activists Tactical media describes interventionist media art practices that engage and critique the dominant political and economic order. Rather than taking to the streets and staging spectacular protests, the practitioners of tactical media engage in an aesthetic politics of disruption, intervention, and education. From They Rule , an interactive map of the myriad connections between the world’s corporate and political elite created by Josh On and Futurefarmers, to Black Shoals , a financial market visualization that is intended to be both aesthetically and politically disruptive, they embrace a broad range of oppositional practices. In Tactical Media , Rita Raley provides a critical exploration of the new media art activism that has emerged out of, and in direct response to, postindustrialism and neoliberal globalization. Through close readings of projects by the DoEAT group, the Critical Art Ensemble, Electronic Civil Disobedience, and other tactical media groups, she articulates their divergent methods and goals and locates a virtuosity that is also boldly political. Contemporary models of resistance and dissent, she finds, mimic the decentralized and virtual operations of global capital and the post-9/11 security state to exploit and undermine the system from within. Emphasizing the profound shift from strategy to tactics that informs new media art-activism, Raley assesses the efficacy of its symbolic performances, gamings, visualizations, and hacks. With its cogent analyses of new media art and its social impact, Tactical Media makes a timely and much needed contribution to wider debates about political activism, contemporary art, and digital technology.

DKK 208.00
1

Beaches, Ruins, Resorts - Waleed Hazbun - Bog - University of Minnesota Press - Plusbog.dk

Beaches, Ruins, Resorts - Waleed Hazbun - Bog - University of Minnesota Press - Plusbog.dk

How Arab states use tourism for their own endsDespite being viewed as a dangerous region to visit, leisure travel across the Middle East has thrived even in the post–9/11 era. In Beaches, Ruins, Resorts, Waleed Hazbun investigates this overlooked industry to show how tourism is shaping the economic development and international relations of the region in dramatic ways. Following Europeans seeking Mediterranean beaches, Israelis crossing into Jordan as leisure tourists, and visitors discovering Dubai, Hazbun offers an original perspective on the Middle East and North Africa and challenges common portrayals of Arab nations as disconnected from the rest of the world. Rather, Hazbun reveals how government elites are using tourism to take part in globalization while, at the same time, crafting it to serve state interests. Paradoxically, the expansion of travel in the region has allowed states to encourage integration into the global economy while simultaneously expanding control over their society. Beaches, Ruins, Resorts also explores tourism’s broader beneficial effects on the region, such as aiding the peace process between Israel and Jordan, fostering Tunisia’s economic connection with Europe, and transforming Arab cities into hubs of international travel. Hazbun tells the new and surprising story of how the draw of glittering beaches, luxury hotels and resorts, and sightseeing at ancient ruins impacts the Arab world—promoting both economic globalization and political authoritarianism. In doing so, Beaches, Ruins, Resorts provides a much-needed guide for those interested in the changing nature of this fraught region and its place in the world.

DKK 237.00
1

Training for Catastrophe - Lindsay Thomas - Bog - University of Minnesota Press - Plusbog.dk

Training for Catastrophe - Lindsay Thomas - Bog - University of Minnesota Press - Plusbog.dk

A timely, politically savvy examination of how impossible disasters shape the very real possibilities of our worldWhy would the normally buttoned-down national security state imagine lurid future scenarios like a zombie apocalypse? In Training for Catastrophe, author Lindsay Thomas shows how our security regime reimagines plausibility to focus on unlikely and even unreal events rather than probable ones. With an in-depth focus on preparedness (a pivotal, emergent national security paradigm since 9/11) she explores how fiction shapes national security. Thomas finds fiction at work in unexpected settings, from policy documents and workplace training manuals to comics and video games. Through these texts—as well as plenty of science fiction—she examines the philosophy of preparedness, interrogating the roots of why it asks us to treat explicitly fictional events as real. Thomas connects this philosophical underpinning to how preparedness plays out in contemporary politics, emphasizing how it uses aesthetic elements like realism, genre, character, and plot to train people both to regard some disasters as normal and to ignore others. Training for Catastrophe makes an important case for how these documents elicit consent and compliance. Thomas draws from a huge archive of texts—including a Centers for Disease Control comic about a zombie apocalypse, the work of Audre Lorde, and the political thrillers of former national security advisor Richard Clarke—to ask difficult questions about the uses and values of fiction. A major statement on how national security intrudes into questions of art and life, Training for Catastrophe is a timely intervention into how we confront disasters.

DKK 833.00
1

Torture in the National Security Imagination - Stephanie Athey - Bog - University of Minnesota Press - Plusbog.dk

Torture in the National Security Imagination - Stephanie Athey - Bog - University of Minnesota Press - Plusbog.dk

Reassessing the role of torture in the context of police violence, mass incarceration, and racial capitalism At the midpoint of a century of imperial expansion, marked on one end by the Philippine–American War of 1899–1902 and on the other by post–9/11 debates over waterboarding, the United States embraced a vision of “national security torture,” one contrived to cut ties with domestic torture and mass racial terror and to promote torture instead as a minimalist interrogation tool. Torture in the National Security Imagination argues that dispelling this vision requires a new set of questions about the everyday work that torture does for U.S. society. Stephanie Athey describes the role of torture in the proliferation of a U.S. national security stance and imagination: as U.S. domestic tortures were refined in the Philippines at the turn of the twentieth century, then in mid-century counterinsurgency theory and the networks that brought it home in the form of law-and-order policing and mass incarceration. Drawing on examples from news to military reports, legal writing, and activist media, Athey shows that torture must be seen as a colonial legacy with a corporate future, highlighting the centrality of torture to the American empire—including its role in colonial settlement, American Indian boarding schools, and police violence. She brings to the fore the spectators and commentators, the communal energy of violence, and the teams and target groups necessary to a mass undertaking (equipment suppliers, contractors, bureaucrats, university researchers, and profiteers) to demonstrate that, at base, torture is propelled by local social functions, conducted by networked professional collaborations, and publicly supported by a durable social imaginary.

DKK 884.00
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