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The Words and Music of Frank Zappa - Kelly Fisher Lowe - Bog - University of Nebraska Press - Plusbog.dk

The Words and Music of Frank Zappa - Kelly Fisher Lowe - Bog - University of Nebraska Press - Plusbog.dk

The Words and Music of Frank Zappa moves beyond the details of Frank Zappa’s life (1940–93) toward a focused treatment of the rock and pop songs of this great American composer. Today Zappa’s music can be appreciated as a whole, emerging as a coherent, thoughtful, and innovative—if somewhat daunting—body of work. Author Kelly Fisher Lowe has left no aspect of that work unexamined, from Zappa’s role as a satirist of the highest order to his place in the genre of “progressive rock” and his importance as an influential critic of American culture and society. The volume begins with discussions of Zappa''s role as a satirist and his musical style, then proceeds to an in-depth examination of his albums. Through this extended engagement with Zappa’s music, a surprisingly clear perspective on his personal views emerges, shedding light on his treatment of such topics as the falsified notion of love in popular culture, the compromising influence of money on popular music, and the concept of freedom in a systematized society. The book includes an official discography and an up-to-date bibliographic essay.

DKK 170.00
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Musica Poetica - Dietrich Bartel - Bog - University of Nebraska Press - Plusbog.dk

Musica Poetica - Dietrich Bartel - Bog - University of Nebraska Press - Plusbog.dk

Musica Poetica provides an unprecedented examination of the development of Baroque musical thought. The initial chapters, which serve as an introduction to the concept and teachings of musical-rhetorical figures, explore Martin Luther’s theology of music, the development of the Baroque concept of musica poetica , the idea of the affections in German Baroque music, and that music’s use of the principles and devices of rhetoric. Dietrich Bartel then turns to more detailed considerations of the musical-rhetorical figures that were developed in Baroque treatises and publications. After brief biographical sketches of the major theorists, Bartel examines those theorists’ interpretation and classification of the figures. The book concludes with a detailed presentation of the musical-rhetorical figures, in which each theorist’s definitions are presented in the original language and in parallel English translations. Bartel’s clear, detailed analysis of German Baroque musical-rhetorical figures, combined with his careful translations of interpretations of those figures from a wide range of sources, make this book an indispensable introduction and resource for all students of Baroque music.

DKK 668.00
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