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Prisoner of the Vampires of Mars - Gustave Le Rouge - Bog - University of Nebraska Press - Plusbog.dk

Prisoner of the Vampires of Mars - Gustave Le Rouge - Bog - University of Nebraska Press - Plusbog.dk

Robert Darvel, a young and penniless French engineer at the turn of the twentieth century, is an amateur astronomer obsessed with the planet Mars. Transported by a combination of science and psychic powers to Mars, Robert must navigate the dangers of the Red Planet while trying to return to his fiancée on Earth. Through his travels, we discover that Mars can not only support life but is also home to three different types of vampires. This riveting combination of science fiction and the adventure story provides a vivid depiction of an imagined Mars and its strange, unearthly creatures who might be closer to earthly humans than we would care to believe. Originally published in French as two separate volumes, translated as The Prisoner of the Planet Mars (1908) and The War of the Vampires (1909), this vintage work is available to English-language audiences unabridged for the first time and masterfully translated by David Beus and Brian Evenson.

DKK 217.00
1

A Chef's Tale - Bryan Miller - Bog - University of Nebraska Press - Plusbog.dk

A Chef's Tale - Bryan Miller - Bog - University of Nebraska Press - Plusbog.dk

The embodiment of the art and pleasure of French cookery, Pierre Franey (1921–96) was one of the most influential and beloved of America’s culinary figures. Before creating his “60-Minute Gourmet” column in the New York Times , writing his celebrated cookbooks, and entering our homes via television, Franey presided over the cuisine at two of the greatest French restaurants in America: the legendary Le Pavillon, then La Côte Basque. With style, charm, and affection for his native France and adopted America, Franey takes us into his life in the world of food, interweaving his story with irresistible recipes and, here and there, impulsively giving away a chef’s secrets. He takes us into his childhood in Burgundy, where the bountiful produce and the high respect accorded to the preparation of food grounded Franey in a tradition that would serve him well when he began his apprenticeship at age fourteen in Paris restaurants. In A Chef’s Tale , Franey relives the days of America’s French food revolution and adds immeasurably to our sophistication about the great world of French cooking—and about cooking itself.

DKK 177.00
1

Remembering French Algeria - Amy L. Hubbell - Bog - University of Nebraska Press - Plusbog.dk

Remembering French Algeria - Amy L. Hubbell - Bog - University of Nebraska Press - Plusbog.dk

Colonized by the French in 1830, Algeria was an important French settler colony that, unlike its neighbors, endured a lengthy and brutal war for independence from 1954 to 1962. The nearly one million Pieds-Noirs (literally “black-feet”) were former French citizens of Algeria who suffered a traumatic departure from their homes and discrimination upon arrival in France. In response, the once heterogeneous group unified as a community as it struggled to maintain an identity and keep the memory of colonial Algeria alive. Remembering French Algeria examines the written and visual re-creation of Algeria by the former French citizens of Algeria from 1962 to the present. By detailing the preservation and transmission of memory prompted by this traumatic experience, Amy L. Hubbell demonstrates how colonial identity is encountered, reworked, and sustained in Pied-Noir literature and film, with the device of repetition functioning in these literary and visual texts to create a unified and nostalgic version of the past. At the same time, however, the Pieds-Noirs’ compulsion to return compromises these efforts. Taking Albert Camus’s Le Mythe de Sisyphe and his subsequent essays on ruins as a metaphor for Pied-Noir identity, this book studies autobiographical accounts by Marie Cardinal, Jacques Derrida, Hélène Cixous, and Leïla Sebbar, as well as lesser-known Algerian-born French citizens, to analyze movement as a destabilizing and productive approach to the past.

DKK 430.00
1

Four Years in Europe with Buffalo Bill - Charles Eldridge Griffin - Bog - University of Nebraska Press - Plusbog.dk

Four Years in Europe with Buffalo Bill - Charles Eldridge Griffin - Bog - University of Nebraska Press - Plusbog.dk

William F. “Buffalo Bill” Cody was the entertainment industry’s first international celebrity, achieving worldwide stardom with his traveling Wild West show. For three decades he operated and appeared in various incarnations of “the western world’s greatest traveling attraction,” enthralling audiences around the globe. When the show reached Europe it was a sensation, igniting “Wild West fever” by offering what purported to be a genuine experience of the American frontier. By any standard Charles Eldridge Griffin (1859–1914), manager of the Wild West’s European tour, was a remarkable man. Known by the stage names of Monsieur F. Le Costro, Professor Griffin, and the Yankee Yogi, he was an author, comedian, conjurer, contortionist, dancer, fire-eater, hypnotist, illusionist, lecturer, magician, newspaper owner, publisher, sword swallower, and yogi. His account of life on the road with the Wild West show, published here for the first time since its release in 1908, opens a window on a vanished world. In addition to line drawings and photographs from the original book, Chris Dixon provides an introduction and annotations for historical context. Griffin’s story of traveling with Buffalo Bill in Europe from 1903 to 1906 presents a fascinating picture of a quintessentially American character. At the same time it offers a vision of the nation on the verge of nationalism, imperialism, and an emerging global mass culture.

DKK 321.00
1

Manifest and Other Destinies - Stephanie Lemenager - Bog - University of Nebraska Press - Plusbog.dk

Manifest and Other Destinies - Stephanie Lemenager - Bog - University of Nebraska Press - Plusbog.dk

Manifest and Other Destinies critiques Manifest Destiny’s exclusive claim as an explanatory national story in order to rethink the meaning and boundaries of the West and of the United States’ national identity. Stephanie LeMenager considers the American West before it became a trusted symbol of U.S. national character or a distinct literary region in the later nineteenth century, back when the West was undeniably many wests , defined by international economic networks linking diverse territories and peoples from the Caribbean to the Pacific coast. Many nineteenth-century novelists, explorers, ideologues, and humorists imagined the United States’ destiny in what now seem unfamiliar terms, conceiving of geopolitical configurations or possible worlds at odds with the land hunger and “providential” mission most clearly associated with Manifest Destiny. Manifest and Other Destinies draws from an archive of this literature and rhetoric to offer a creative rereading of national and regional borders. LeMenager addresses both canonical and lesser-known U.S. writers who shared an interest in western environments that resisted settlement, including deserts, rivers, and oceans, and who used these challenging places to invent a postwestern cultural criticism in the nineteenth century. Le Menager highlights the doubts and self-reckonings that developed alongside expansionist fervor and predicted contemporary concerns about the loss of cultural and human values to an emerging global order. In Manifest and Other Destinies , the American West offers the United States its first encounter with worlds at once local and international, worlds that, as time has proven, could never be entirely subordinated to the nation’s imperial desire.

DKK 209.00
1

The Soul of Wit - Carl Hill - Bog - University of Nebraska Press - Plusbog.dk

The Soul of Wit - Carl Hill - Bog - University of Nebraska Press - Plusbog.dk

Witz first became a burning issue for German intellectuals after 1671 when le Père Dominique Bonhours in his Entretiens d''Artiste et d''Eugène informed them that they didn''t have any. According to Bonhours, it wasn''t really the Germans'' fault that they were a little dim, it is just that they live in a cold climate and tend to be fat. A feud between French bel esprit and German Intellekt erupted that has persisted ever since. Scholarly investigations into the nature of the joke have traditionally been plagued by a bad conscience and invariably begin with an apology to the reader for taking time for such a frivolous subject. In breaking with this tradition, Hill places wit almost at the heart of the universe, tracing it from Genesis to the dawn of themodern age. Even if the reader is reluctant to grant Witz this metaphysical and world-historical status, it must at least be admitted that Witz cannot be dismissed as a just a joke. Witz can serve either builders or destroyers, defenders of the faith or heretics, diplomats or oafs, male chauvinists or radical feminists. Witz shows its volatility in setting up cultural, class, and gender boundaries just to smash them. Hill argues that there is something about Witz that makes it quintessential to the plight of modern culture. He views Witz as an ahistorical subject developing over time and transcending the lifespans and intentions of the authors who have wirtten with or about it. In Der Witz , for instance, Freud thougth he was describing the workings of a historical psychological process, but the material he works with betrays him. His examples twist, mock, and undermine the theories he makes about them. And though Fred wrote dismissively of it, there is a long history of Witztheorie from which his own sprang. It has a long history through which its meaning shifts many times. The very word Witz was fought over, sometimes sluggishly and between buffoons but often with a brilliance that gave it lustre.

DKK 430.00
1