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Unorthodox - - Bog - Yale University Press - Plusbog.dk

Unorthodox - - Bog - Yale University Press - Plusbog.dk

This wide-ranging and thought-provoking compilation explores the idea of nonconformity in art, religion, and philosophy. The book features 55 contemporary artists who work outside the norms of current practice, alongside both newly commissioned and previously published texts which, taken together, provide an astute sampling of recent perspectives on art and ideas. Among the artists whose work is featured are Margit Anna, Clayton Bailey, Tony Cox, Abu Bakarr Mansaray, Birgit Megerle, Philip Smith, and Keiichi Tanaami. The accompanying texts include classic works by Sigmund Freud and Leo Steinberg, reprinted with new commentary by Mark Edmundson and Joshua Decter, respectively; a recent essay on unorthodoxy in Judaism by Alan T. Levenson with a response by Jack Wertheimer; and a previously unpublished meditation on Aby Warburg’s art history by Georges Didi-Huberman. Distributed for the Jewish Museum, New YorkExhibition Schedule:Jewish Museum, New York 11/06/15-03/27/16

DKK 193.00
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Awaken - Jeffrey Durham - Bog - Yale University Press - Plusbog.dk

Awaken - Jeffrey Durham - Bog - Yale University Press - Plusbog.dk

An innovative and compelling presentation of world-class Tibetan Buddhist art, elucidating its esoteric themes through visual storytelling Encouraging personal engagement with Tibetan Buddhism, this dynamic book presents spectacular Himalayan art and explores the philosophical tenets encoded in its imagery. Taking as its theme the universally accessible experience of Awakening, the book’s main text leads readers along an immersive journey of self-discovery, aided by a virtual guide, or lama, and traditional art meant to support meditative practice. Complementary essays examine Tibetan Buddhism’s ritual tools, paintings, symbolic imagery, and artistic traditions. Beautiful color images of all artworks, including three by contemporary Nepalese-American artist Tsherin Sherpa, and selected important details enhance our understanding of their complex iconography. Distributed for the Virginia Museum of Fine ArtsExhibition Schedule:Virginia Museum of Fine Arts, Richmond (04/27/19–08/18/19)Asian Art Museum of San Francisco (01/17/20–04/19/20)

DKK 382.00
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Hawaiian Modern - Karla Britton - Bog - Yale University Press - Plusbog.dk

Hawaiian Modern - Karla Britton - Bog - Yale University Press - Plusbog.dk

An illuminating study of the architecture of one of the 20th century’s most important tropical modernistsVladimir Ossipoff (1907–1998), known as the “master of Hawaiian architecture,” was at the forefront of the postwar phenomenon known as tropical modernism. Although he practiced at a time of rapid growth and social change in Hawai`i, Ossipoff criticized large-scale development and advocated environmentally sensitive designs, developing a distinctive form of architecture appropriate to the lush topography, microclimates, and vernacular traditions of the Hawaiian islands. This stunning book, now available for the first time in paperback, surveys Ossipoff’s buildings, which demonstrate a striking interplay of indoor and outdoor space, as well as a vibrant and glamorous architectural style that has proven delightfully particular to its place and durable over time. Published in association with the Honolulu Museum of ArtExhibition Schedule:Honolulu Academy of Arts, Hawaii (November 29, 2007 – January 27, 2008)Yale School of Architecture, New Haven (Fall 2008)Deutsches Architekturmuseum, Frankfurt (Spring 2009)

DKK 410.00
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The Condition of Being Here - David Breslin - Bog - Yale University Press - Plusbog.dk

The Condition of Being Here - David Breslin - Bog - Yale University Press - Plusbog.dk

Arguably the most important living artist in America, Jasper Johns (b. 1930) has been a leading advocate of drawing as an artistic genre in its own right, not just a preparatory medium for other works. This catalogue brings together 41 of Johns’s drawings, spanning more than 60 years of his illustrious career and, beginning in 1954, the origin of his mature practice. It encompasses his most famous recurring motifs, including flags, targets, and numbers, and an essay by David Breslin contextualizes this reiterative aspect of Johns’s career. Exquisite reproductions and large-scale details reveal the touch and process of this master draftsman, imparting to the reader a feeling of being in close contact with the artist himself. As this intimate book shows, Johns’s art, at once simple and enigmatic, is above all a meditation on the world around him, a constant investigation of what he calls “the condition of being here.”Distributed for The Menil CollectionExhibition Schedule:The Menil Collection, Houston (11/03/18–01/27/19)

DKK 237.00
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The Paston Treasure - Nathan Flis - Bog - Yale University Press - Plusbog.dk

The Paston Treasure - Nathan Flis - Bog - Yale University Press - Plusbog.dk

The Paston Treasure, a spectacular painting from the 1660s now held at Norwich Castle Museum, depicts a wealth of objects from the collection of a local landed family. This deeply researched volume uses the painting as a portal to the history of the collection, exploring the objects, their context, and the wider world they occupied. Drawing on an impressive range of fields, including history of art and collections, technical art history, musicology, history of science, and the social and cultural history of the 17th century, the book weaves together narratives of the family and their possessions, as well as the institutions that eventually acquired them. Essays, vignettes, and catalogue entries comprise this multidisciplinary exposition, uniting objects depicted in the painting for the first time in nearly 300 years. Published in association with the Yale Center for British ArtExhibition Schedule:Yale Center for British Art (02/15/18–05/27/18)Norwich Castle Museum & Art Gallery (06/23/18–09/23/18)

DKK 618.00
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Praetorian - Guy De La Bedoyere - Bog - Yale University Press - Plusbog.dk

Praetorian - Guy De La Bedoyere - Bog - Yale University Press - Plusbog.dk

A riveting account of ancient Rome’s imperial bodyguard, the select band of soldiers who wielded the power to make—or destroy—the emperors they served Founded by Augustus around 27 B.C., the elite Praetorian Guard was tasked with the protection of the emperor and his family. As the centuries unfolded, however, Praetorian soldiers served not only as protectors and enforcers but also as powerful political players. Fiercely loyal to some emperors, they vied with others and ruthlessly toppled those who displeased them, including Caligula, Nero, Pertinax, and many more. Guy de la Bédoyère provides a compelling first full narrative history of the Praetorians, whose dangerous ambitions ceased only when Constantine permanently disbanded them. de la Bédoyère introduces Praetorians of all echelons, from prefects and messengers to artillery experts and executioners. He explores the delicate position of emperors for whom prestige and guile were the only defenses against bodyguards hungry for power. Folding fascinating details into a broad assessment of the Praetorian era, the author sheds new light on the wielding of power in the greatest of the ancient world’s empires.

DKK 175.00
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Bentu - - Bog - Yale University Press - Plusbog.dk

Bentu - - Bog - Yale University Press - Plusbog.dk

Through a detailed look at twelve contemporary Chinese artists, this fascinating book offers a fresh assessment of the creative forces at work in a country whose economic, political, and cultural climates are of widespread and enduring interest. Viewed together, the featured artists, Cao Fei, Hao Liang, Hu Xiangqian, Liu Chang, Liu Shiyuan, Liu Wei, Liu Xiaodong, Qiu Zhijie, Tao Hui, Xu Qu, Xu Zhen, and Yang Fudong, reveal the complexities of their society. Their works, using a wide variety of techniques and media and drawn from local tradition and culture, highlight the current state of economy and ecology in China, as well as the transformation of the relationship between the city and the countryside. The word bentu means “the native soil,” but in reference to contemporary Chinese art, the term has come to signify the concept of a reconciliation between the “local” and the “global,” yielding a rediscovery of identity; this notion has become a central preoccupation among artists, curators, and academics in China today. Distributed for Editions Hazan, ParisExhibition Schedule:Fondation Louis Vuitton, Paris (01/22/16–05/27/16)

DKK 329.00
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Cezanne - - Bog - Yale University Press - Plusbog.dk

Cezanne - - Bog - Yale University Press - Plusbog.dk

A rich vein of the artist’s mature work, depicting the foundations of landscape and place From the mid-1860s until shortly before his death, Paul Cézanne (1839–1906) created 27 canvases that take rock formations as their principal subjects. This is the first publication to focus exclusively on these extraordinary works. It illustrates all of Cézanne’s mature paintings of rock formations, including scenes of the terrain of the forest of Fontainebleau, the Mediterranean coastal village of L’Estaque, and the area around Aix-en-Provence, alongside examples of his watercolors of these subjects. An introductory essay by John Elderfield assesses these paintings in terms of their character, development, and relationship to Cézanne’s other works; their critical interpretations; and their geological and corporeal associations. Faya Causey’s essay examines the Provençal context of Cézanne’s rock and quarry paintings, as well as the status of geology in France during the second half of the 19th century. The catalogue section, introduced by Anna Swinbourne, chronicles the sites, presenting details of where specifically the paintings were made and of the features that they represent, together with technical aspects of particular works. Distributed for the Princeton University Art MuseumExhibition Schedule:Princeton University Art Museum

DKK 403.00
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Huma Bhabha - - Bog - Yale University Press - Plusbog.dk

Huma Bhabha - - Bog - Yale University Press - Plusbog.dk

A comprehensive overview of more than two decades of Huma Bhabha’s prolific and multidisciplinary output in sculpture, drawing, and photography Huma Bhabha (b. 1962 in Karachi) is known for sculptures depicting the human figure fashioned from materials ranging from clay, brick, and wood to Styrofoam, bronze, found objects, and construction materials. Such works reveal her myriad influences, including horror films, science fiction, ancient artifacts, religious reliquaries, and Neo-Expressionism. This handsome volume surveys over two decades of Bhabha’s innovative sculptures, as well as her lesser-known but essential work in drawing, photography, and printmaking, all while considering her singular engagement with the human figure. Illustrated essays investigate the artist’s prolific and multidisciplinary output, her historical and cultural reference points, and her frequent themes, such as war, colonialism, displacement, and the memory of home—in the artist’s words, these are “eternal concerns” found across all cultures. A conversation between Bhabha and American artist Sterling Ruby offers an intimate point of entry into Bhabha’s perspectives and artistic practice. Published in association with the Institute of Contemporary Art/BostonExhibition Schedule:Institute of Contemporary Art/Boston (03/23/19–05/27/19)

DKK 422.00
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Philip Aguirre y Otegui: L’invitation au voyage - Simon Njami - Bog - Yale University Press - Plusbog.dk

Philip Aguirre y Otegui: L’invitation au voyage - Simon Njami - Bog - Yale University Press - Plusbog.dk

Multitalented artist Philip Aguirre sees his prints as completed products. His drawings, however, serve a very different purpose within his work. He views these drawings as the start of a thought process, forming a consistent thread throughout what is, for him, a vitally important method of creation. In that process, it is not unusual to see historic heritage as a source of his inspiration. Thus, his work engages with reoccurring themes such as the spring and water in the world, immigration and refugees, and the story of Africa threading throughout his oeuvre. This book focuses on the broad palette of disciplines that Aguirre practices, reflecting on these important reoccurring themes that have been present throughout his career, as well as the role played by printmaking in his work. It also highlights the selection of prints and drawings from the rich oeuvre that he has built up over the last 40 years, which he recently donated to the collection of modern prints and drawings for the Plantin Moretus Museum print cabinet. Distributed for MercatorfondsExhibition Schedule:Plantin Moretus Museum, Antwerp, Belgium. The Print Cabinet. 27 0ctober 2022 – February 2023.

DKK 422.00
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Hung Liu - Dorothy Moss - Bog - Yale University Press - Plusbog.dk

Hung Liu - Dorothy Moss - Bog - Yale University Press - Plusbog.dk

A major survey of contemporary artist Hung Liu, whose layered portraits explore history and memory through the stories of marginalized figuresHung Liu: Portraits of Promised Lands presents the stunning work of this contemporary Chinese American artist. Liu (1948–2021) blends painting and photography to offer new frameworks for understanding portraiture in relation to time, memory, and history. Often working from photographs, she uses portraiture to elevate overlooked subjects, amplifying the stories of those who have historically been invisible or unheard. This richly illustrated book examines six decades of Liu’s painting, photography, and drawing. Author Dorothy Moss illuminates the importance of family photographs in Liu’s work; Nancy Lim examines the origins of Liu’s artistic practice; Lucy R. Lippard explores issues of identity and multiculturalism; and Elizabeth Partridge focuses on Liu’s recent series based on Dorothea Lange’s Depression-era photographs. Philip Tinari, along with artists Amy Sherald and Carrie Mae Weems, among others, conveys Liu’s impact on contemporary art. Having lived through war, political revolution, exile, and displacement, Liu paints a complex picture of an Asian Pacific American experience. Her portraits speak powerfully to those seeking a better life, in the United States and elsewhere. Published in association with the National Portrait Gallery, Smithsonian Institution, Washington, DCExhibition Schedule:National Portrait Gallery, Smithsonian Institution, Washington, DC (August 27, 2021–May 29, 2022)

DKK 433.00
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New African Masquerades - - Bog - Yale University Press - Plusbog.dk

New African Masquerades - - Bog - Yale University Press - Plusbog.dk

An exploration of contemporary African masquerade that reveals its cultural contexts, artistic innovations, and intersection with museum collection practices By placing masquerade at the forefront of contemporary African art, this volume shows how masquerade is a dynamic and urban phenomenon shaped by shifting global concerns. Essays examine the lack of institutional recognition offered to present-day masquerade artists and the methods used to curate masquerade art at the museum level. An international group of scholars and artists explore the motivations and creative decisions of masquerade artists, highlighting their stories and providing a nuanced understanding of masquerade as a contemporary expression of human experience. This lavishly illustrated study includes more than 150 images, artist’s biographies, in-depth analyses of masquerade ensembles in relation to themes of collaboration, economics, and meaning, and a discussion of the methodologies for ethically commissioning and acquiring masquerade art. Distributed for the New Orleans Museum of Art Exhibition Schedule: New Orleans Museum of Art (April 4–August 10, 2025) Frist Museum, Nashville, TN (October 10, 2025–January 4, 2026)San Antonio Museum of Art (February 27–July 5, 2026 Museum of Fine Arts, St. Petersburg, FL (September 2026–January 2027)National Museum of African Art, Smithsonian, Washington, DC (February 19–September 26, 2027) Concurrently with: Museum of Black Civilization, Dakar, Senegal (TBD) Sierra Leone National Museum, Freetown (TBD) National Museum of Calabar, Nigeria (TBD)

DKK 524.00
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Cloth that Changed the World - - Bog - Yale University Press - Plusbog.dk

Cloth that Changed the World - - Bog - Yale University Press - Plusbog.dk

The story of India’s exuberantly colored textiles that made their mark on design, technology, and trade around the world Chintz, a type of multicolored printed or painted cotton cloth, originated in India yet exerted influence far beyond its home shores: it became a driving force of the spice trade in the East Indies, and it attracted European merchants, who by the 17th century were importing millions of pieces. In the 18th century, Indian chintz became so coveted globally that Europeans attempted to imitate its uniquely vibrant dyes and design—a quest that eventually sparked the mechanical and business innovations that ushered in the Industrial Revolution, with its far-reaching societal impacts. This beautifully illustrated book tells the fascinating and multidisciplinary stories of the widespread desire for Indian chintz over 1,000 years to its latest resurgence in modern fashion and home design. Based on the renowned Indian chintz collections held at the Royal Ontario Museum, the book showcases the genius of Indian chintz makers and the dazzling variety of works they have created for specialized markets: religious and court banners for India, monumental gilded wall hangings for elite homes in Europe and Thailand, luxury women’s dress for England, sacred hangings for ancestral ceremonies in Indonesia, and today’s runways of Lakme Fashion Week in Mumbai. Distributed for the Royal Ontario MuseumExhibition Schedule:Royal Ontario Museum (April 4–September 27, 2020)

DKK 375.00
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The Impressionist Revolution - Nicole R Myers - Bog - Yale University Press - Plusbog.dk

The Impressionist Revolution - Nicole R Myers - Bog - Yale University Press - Plusbog.dk

The revolutionary roots of the artists collective known as the Impressionists—and the course they charted for modern art The Impressionist Revolution: Monet to Matisse from the Dallas Museum of Art chronicles the evolution of a movement, from its inception in 1874 to its early twentieth-century legacy. The Impressionists—whose pioneering members included Claude Monet, Edgar Degas, and Berthe Morisot—deviated from artistic norms in subject matter, style, and exhibition practices, reshaping the definition of artistic innovation at the time and beyond. Drawing exclusively from the Dallas Museum of Art’s collection, this book illuminates the genesis of the Impressionist collective, its key figures, and what made their work so revolutionary. The narrative extends beyond the group’s final exhibition in 1886, exploring how Post-Impressionists both embraced and challenged Impressionist aesthetics, influencing a fresh wave of artists—including Henri Matisse, Piet Mondrian, and Alexei Jawlensky—who ushered in a new avant-garde for the early twentieth century. Distributed for the Dallas Museum of Art Exhibition Schedule:Dallas Museum of Art (February 11–November 3, 2024)Santa Barbara Museum of Art (October 5, 2025–January 25, 2026)Frist Art Museum, Nashville, TN (February 27–May 31, 2026)Musée National des Beaux-Arts Quebec (June 18–October 12, 2026)Virginia Museum of Fine Arts, Richmond (November 14, 2026–March 14, 2027) Musée national des beaux-arts du Quebec (June 18–October 12, 2026)

DKK 296.00
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Renoir - - Bog - Yale University Press - Plusbog.dk

Renoir - - Bog - Yale University Press - Plusbog.dk

A revelatory and wide-ranging exploration of Renoir’s extraordinary depictions of the nude and their important artistic legacy Best known as part of the influential vanguard of Impressionist artists that experimented with new painting techniques in the late 19th century, Pierre-Auguste Renoir (1841–1919) was deeply inspired by classical traditions and returned again and again to the canonical subject of the nude. Tracing the entire arc of Renoir’s career, this volume examines the different approaches the artist employed in his various depictions of the subject—from his works that respond to Gustave Courbet, Édouard Manet, Edgar Degas, and Paul Cézanne, to his late, and still controversial, depictions of bathers that inspired the next generation of artists. Eminent scholars not only look at the different ways that Renoir used the nude as a means of personal expression but also analyze Renoir’s art in terms of a modern feminist critique of the male gaze. Offering the first-ever comprehensive investigation of Renoir’s nudes, this beautifully illustrated study includes approximately 50 works, including paintings, pastels, drawings, and sculptures. The book also features an interview with the contemporary figurative painter Lisa Yuskavage that considers Renoir’s continuing influence and the historical significance of the female nude in art. Distributed for the Clark Art InstituteExhibition Schedule:Clark Art Institute, Williamstown, MA (06/08/19–09/22/19)Kimbell Art Museum, Fort Worth, TX (10/27/19–01/26/20)

DKK 422.00
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Martin Puryear - Emily Liebert - Bog - Yale University Press - Plusbog.dk

Martin Puryear - Emily Liebert - Bog - Yale University Press - Plusbog.dk

A comprehensive look at the career of an important American artist, highlighting the global histories, traditions and techniques of production that shaped his work Over the last five decades, Martin Puryear (b. 1941) has pioneered an influential sculptural language that integrates wide-ranging aesthetic traditions and techniques of production with roots around the world. Through his innovative use of form, materials, and process, Puryear’s work exemplifies the expressive potential for abstraction in our time. This book highlights the global histories that have shaped Puryear’s practice, offering a fresh and timely perspective on his art. It emphasizes the unique ways that the artist combines the diverse histories of making that he has encountered throughout his travels, observations, research, and study. A range of eminent thinkers and makers, including Thelma Golden (b. 1965), Maya Lin (b. 1959), Billie Tsien (b. 1949), and Kerry James Marshall (b. 1955)—some of whom are longtime interlocutors of Puryear—provide a nuanced and multifaceted look at the significance and context of Puryear’s work. These perspectives complement in-depth essays by a new generation of scholars and responses to Puryear’s work by artists at earlier stages in their careers. The book’s dramatic, oversize design and plentiful images allow the reader to clearly see the intricacies of the artist’s celebrated work. Distributed for the Cleveland Museum of Art Exhibition Schedule: Museum of Fine Arts, Boston (September 27, 2025–February 1, 2026) Cleveland Museum of Art (April 5–July 26, 2026)

DKK 594.00
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Joan Mitchell - Katy Siegel - Bog - Yale University Press - Plusbog.dk

Joan Mitchell - Katy Siegel - Bog - Yale University Press - Plusbog.dk

A sweeping retrospective exploring the oeuvre of an incandescent artist, revealing the ways that Mitchell expanded painting beyond Abstract Expressionism as well as the transatlantic contexts that shaped her Joan Mitchell (1925–1992) was fearless in her experimentation, creating works of unparalleled beauty, strength, and emotional intensity. This gorgeous book unfolds the story of an artistic master of the highest order, revealing the ways she expanded abstract painting and illuminating the transatlantic contexts that shaped her. Lavish illustrations cover the full arc of her artistic practice, from her exceptional New York paintings of the early 1950s to the majestic multipanel compositions she made in France later in her career. Signature works are represented here along with rarely seen paintings, works on paper, artist’s sketchbooks, and photographs of Mitchell’s life, social circle, and surroundings. Featuring scholarly texts, in-depth essays, and artistic and literary responses, this book is organized in ten chronological chapters. Each chapter centers on a closely related suite of paintings, illuminating a shifting inner landscape colored by experience, sensation, memory, and a deep sense of place. Presenting groundbreaking research and a variety of perspectives on her art, life, and connections to poetry and music, this unprecedented volume is an essential reference for Mitchell’s admirers and those just discovering her work. Published in association with the San Francisco Museum of Modern ArtExhibition Schedule:San Francisco Museum of Modern Art (September 4, 2021–January 17, 2022) Baltimore Museum of Art (March 6–August 14, 2022) Fondation Louis Vuitton (October 5, 2022–February 27, 2023)

DKK 514.00
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With Pleasure - - Bog - Yale University Press - Plusbog.dk

With Pleasure - - Bog - Yale University Press - Plusbog.dk

A timely and expansive survey of a groundbreaking American art movement that overturned aesthetic hierarchies in a riot of color and ornamentation The Pattern and Decoration movement emerged in the 1970s as an embrace of long-dismissed art forms associated with the decorative. Pioneering artists such as Miriam Schapiro (1923–2015), Joyce Kozloff (b. 1942), Robert Kushner (b. 1949), and others appropriated patterns, frequently from non-Western decorative arts, to produce intricate, often dizzying or gaudy designs in media ranging from painting, sculpture, and collage to ceramics, installation art, and performance. This dazzling book showcases an astonishing array of works by more than 40 artists from across the United States, examining the movement’s defiant adoption of art forms traditionally viewed as feminine, craft-based, or otherwise inferior to fine art. In addition to offering an overview of the Pattern and Decoration movement as it is commonly recognized, this volume considers artists of the period who are not typically associated with the movement. Rethinking the significance of patterns and the decorative in postwar American art, this panoramic view provides new insights into abstraction, feminism, and installation art. Essays explore the movement’s feminist methods and values, including Miriam Schapiro’s “femmage” practice; its impact on contemporary abstract painting; and its relationship to postmodern architecture and design. Artist biographies, an exhibition history, and reprints of historically significant writings further establish With Pleasure as the most expansive publication on the subject. Published in association with The Museum of Contemporary Art, Los AngelesExhibition Schedule:Museum of Contemporary Art, Los Angeles (October 27, 2019–May 11, 2020)Hessel Museum of Art, Bard College (June 26–November 28, 2021)

DKK 571.00
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For America - - Bog - Yale University Press - Plusbog.dk

For America - - Bog - Yale University Press - Plusbog.dk

A sweeping look at the ways American artists have viewed themselves, their peers, and their painted worlds over two centuries This stunning book provides an unprecedented glimpse into the past two centuries of American art, tracing artistic tradition and innovation at the National Academy of Design from its 19th-century founding to the present. The nation’s oldest artist honorary society has maintained a unique collecting principle: each member gives a self-portrait (or, until 1994, a portrait by a contemporary Academician) as well as an example of their work. By presenting artists’ portraits in tandem with their self-selected representative works, this book offers a unique opportunity to explore how American artists have viewed both themselves and the worlds they depicted. The diverse selection of artists whose work is showcased here includes Frederic Edwin Church, Eastman Johnson, Winslow Homer, John Singer Sargent, Thomas Eakins, Cecilia Beaux, Isabel Bishop, Andrew Wyeth, Charles White, Wayne Thiebaud, Louisa Matthíasdóttir, David Diao, Jaune Quick-to-See Smith, and Peter Saul. Essays by a stellar roster of distinguished historians and art historians, curators, artists, and architects delve into single artworks or pairs of paintings, while others explore themes such the representation of landscapes and the figurative tradition in American art. Additionally, 17 current Academicians—visual artists and architects including Walter Chatham, Catherine Opie and Fred Wilson—contribute personal responses to individual artworks. Distributed for the American Federation of ArtsExhibition Schedule:Dayton Art Institute, Dayton, OH (02/20/19–06/02/19)New Britain Museum of American Art, CT (11/07/19–02/02/20)Society of the Four Arts, Palm Beach, FL (02/22/20–04/26/20) The Dixon Gallery and Gardens, Memphis, TN (07/02/20–09/27/20)New Mexico Museum of Art, Santa Fe (10/22/20–01/17/21)Figge Art Museum, Davenport, IA (02/20/21–05/09/21)Crocker Art Museum, Sacramento, CA (06/06/21–09/12/21)

DKK 468.00
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