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Le Corbusier - Daniele Pauly - Bog - Yale University Press - Plusbog.dk

Le Corbusier - Daniele Pauly - Bog - Yale University Press - Plusbog.dk

“Each day of my life has been dedicated in part to drawing. I have never stopped drawing and painting, seeking, where I could find them, the secrets of form.”—Le Corbusier Charles-Édouard Jeanneret, known as Le Corbusier (1887–1965), is famous for transforming 20th-century architecture and urbanism. Less attention has been paid to his artistic production, although he began his career as a painter. Le Corbusier indeed studied under Charles L’Éplattenier and, together with the artist Amédée Ozenfant, founded the Purist movement in the manifesto After Cubism. Even after Le Corbusier turned to architecture, he continued to paint and draw. His thousands of drawings, rarely exhibited but meticulously stored in two watch cabinets from his family home, were particularly significant; he considered his work as a draftsman to be fundamental to his creative process. Beautifully illustrated with more than 300 drawings that have never before been published for an English readership, this revealing book charts the evolution of Le Corbusier’s process from his youthful travels abroad to his arrival and maturation in Paris. Danièle Pauly shows how his drawings functioned within an intimate zone of private reflection and situates his work within the broader artistic and intellectual currents of Cubism, Purism, Primitivism, and Surrealism. In addition to providing a crucial new background against which to comprehend Le Corbusier’s architecture and urbanism, this important volume advocates for understanding him alongside leading modern artists including Pablo Picasso and Fernand Léger.

DKK 429.00
1

Viollet-le-Duc - - Bog - Yale University Press - Plusbog.dk

Viollet-le-Duc - - Bog - Yale University Press - Plusbog.dk

An exploration of the role of graphic work in the career of one of the nineteenth century’s most influential architects Viollet-le-Duc (1814–1879) was nineteenth-century France’s most prominent architect and restorer. This groundbreaking study examines how he used drawing and printmaking as a mode of seeing and thinking and as a means to intensify relationships by capturing the vitality of historical worlds and hidden analogies between human culture and the natural realm. Making sense of Viollet-le-Duc’s vast graphic production, scholars consider his imaginative recreations of the most minute aspects of medieval warfare; his approach to the practical tasks of restoring very complex medieval monuments; his experiments in new means of publicly diffusing architectural ideas in the yearly Parisian salons, in didactic manuals, and in children’s books; and even a fantastic project to restitute the original structure of the formidable massif of Mont Blanc. The gamut of techniques employed by Viollet-le-Duc stretches from large painted tableaux to lithographs, steel engravings, woodcuts, gouaches, tracings, and full-scale details. This generously illustrated volume offers an unparalleled window into the architect’s working process and explores how his mastery of the graphic arts helped him harness the power of the press to disseminate architectural knowledge and spread ideologies based on antagonism, most notably nationalism and racism. Distributed for Bard Graduate Center Exhibition Schedule: Bard Graduate Center, New York (January 28–May 24, 2026)

DKK 713.00
1

Swedish Ecstasy - Christine Odlund - Bog - Yale University Press - Plusbog.dk

Lao-Tzu's Treatise on the Response of the Tao - Li Ying Chang - Bog - Yale University Press - Plusbog.dk

Equality Is a Struggle - Thomas Piketty - Bog - Yale University Press - Plusbog.dk

Wall Power! - Kathleen M. Morris - Bog - Yale University Press - Plusbog.dk

Pastels in the Musee du Louvre - Xavier Salmon - Bog - Yale University Press - Plusbog.dk

Impressionism and Post-Impressionism - Joseph J. Rishel - Bog - Yale University Press - Plusbog.dk

The Allure of the Archives - Arlette Farge - Bog - Yale University Press - Plusbog.dk

Out on Stage - Alan Sinfield - Bog - Yale University Press - Plusbog.dk

Out on Stage - Alan Sinfield - Bog - Yale University Press - Plusbog.dk

This intriguing and authoritative book tracks stage representations of lesbians and gay men from Oscar Wilde to the present day. Alan Sinfield argues that, despite and because of censorship and discretion, twentieth-century theater has been viewed as a gay space. When we attune ourselves to the idioms of the different decades, theater emerges as an important place for the circulation of images of homosexuality and for the exploration of concepts of gender and sexuality. Sinfield examines scores of British and American plays and playwrights, including works by Wilde, Maugham, Coward, Hellman, O'Neill, Rattigan, Williams, Le Roi Jones, and Orton. He locates plays in the contexts in which they were produced and viewed, whether it be West End and Broadway or more bohemian little club theaters, Off-Broadway, and fringe. He discusses many women writers—from Djuna Barnes and Agatha Christie to Lorraine Hansberry and Caryl Churchill—and analyzes the implications of homosexuality in their work. He explains why in the 1950s British and American plays began to differ in their representations of gays, how the 1960s produced an exuberant cultivation of "kinky" humor and gay political activism in theaters, and what impact AIDS has had on theatrical productions. Sinfield concludes with provocative questions about the direction of new theater writing, asserting that representations in theater continue to challenge notions of our sexual potential.

DKK 330.00
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Radiant Truths - - Bog - Yale University Press - Plusbog.dk

Radiant Truths - - Bog - Yale University Press - Plusbog.dk

A startling and immensely pleasurable collection of American writings on belief, from the Civil War to Occupy Wall Street Beginning with Walt Whitman singing hymns at a wounded soldier’s bedside during the Civil War, this surprising and vivid anthology ranges straight through to the twenty-first century to end with Francine Prose crying tears of complicated joy at the sight of Whitman’s words in Zuccotti Park during the brief days of the Occupy movement. The first anthology of its kind, Radiant Truths gathers an exquisite selection of writings by both well-known and forgotten American authors and thinkers, each engaged in the challenges of writing about religion, of documenting “things unseen.” Their contributions to the genre of literary journalism—the telling of factual stories using the techniques of fiction and poetry—make this volume one of the most exciting anthologies of creative nonfiction to have emerged in years. Jeff Sharlet presents an evocative selection of writings that illuminate the evolution of the American genre of documentary prose. Each entry may be savored separately, but together the works enrich one another, engaging in an implicit and continuing conversation that reaches across time and generations. Including works by: Walt Whitman • Henry David Thoreau • Mark Twain • Meridel Le Sueur • Zora Neale Hurston • Mary McCarthy • James Baldwin • Norman Mailer • Ellen Willis • Anne Fadiman • John Jeremiah Sullivan • Francine Prose • Garry Wills • and many others

DKK 375.00
1

Non-Aligned - Atreyee Gupta - Bog - Yale University Press - Plusbog.dk

Non-Aligned - Atreyee Gupta - Bog - Yale University Press - Plusbog.dk

A revelatory look at modernism in India, exploring art’s role in decolonization and aesthetic discourse across the Global South Modernism’s peak in the interwar and postwar decades coincided with the eruption of antifascist and decolonization movements globally, including the League against Imperialism, the Bandung Asian-African Conference, and the Non-Aligned Movement. Viewing artistic practices through the lens of the radical intellectual possibilities that these epoch-making events prompted, Atreyee Gupta uncovers a modernist internationalism incongruous with Westernist cultural hegemonies. Modernism, she shows, cannot be separated from concepts of freedom and autonomy generated by Third World political struggles. Gupta mobilizes concepts including liberation, anti-imperialism, development, and modernization as essential analytic categories for art history, reorienting our understanding of both global modernism and Indian art. Intertwining stories of art and liberation, aesthetics and decolonization, and intellectual practices and political revolution in the Third World, or what is now known as the Global South, Non-Aligned follows the far-flung interwar and postwar networks in which Indian artists and intellectuals such as Mulk Raj Anand, Dhanraj Bhagat, Francis N. Souza, Jagdish Swaminathan, and Abanindranath and Gaganendranath Tagore participated alongside interlocutors like W. E. B. Du Bois, Richard Wright, Octavio Paz, André Malraux, and Le Corbusier in Asia, Africa, Europe, and the Americas. This riveting account is beautifully illustrated with rarely published artworks.

DKK 713.00
1