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Nerds, Goths, Geeks, and Freaks - - Bog - University Press of Mississippi - Plusbog.dk

Nerds, Goths, Geeks, and Freaks - - Bog - University Press of Mississippi - Plusbog.dk

Contributions by Carolina Alonso, Elena Avilés, Trevor Boffone, Christi Cook, Ella Diaz, Amanda Ellis, Cristina Herrera, Guadalupe García McCall, Domino Renee Pérez, Adrianna M. Santos, Roxanne Schroeder-Arce, Lettycia Terrones, and Tim Wadham In Nerds, Goths, Geeks, and Freaks: Outsiders in Chicanx and Latinx Young Adult Literature, the outsider intersects with discussions of race, ethnicity, gender, and sexuality. The essays in this volume address questions of outsider identities and how these identities are shaped by mainstream myths around Chicanx and Latinx young people, particularly with the common stereotype of the struggling, underachieving inner-city teens. Contributors also grapple with how young adults reclaim what it means to be an outsider, weirdo, nerd, or goth, and how the reclamation of these marginalized identities expand conversations around authenticity and narrow understandings of what constitutes cultural identity. Included are analysis of such texts as I Am Not Your Perfect Mexican Daughter, Shadowshaper, Swimming While Drowning, and others. Addressed in the essays are themes of outsiders in Chicanx/Latinx children's and young adult literature, and the contributors insist that to understand Latinx youth identities it is necessary to shed light on outsiders within an already marginalized ethnic group: nerds, goths, geeks, freaks, and others who might not fit within such Latinx popular cultural paradigms as the chola and cholo, identities that are ever-present in films, television, and the internet.

DKK 858.00
1

Freak to Chic - Dominic (professor Of Modern History At Keele University Janes - Bog - Bloomsbury Publishing PLC - Plusbog.dk

Grotesque - Rune Graulund - Bog - Taylor & Francis Ltd - Plusbog.dk

Hideous Progeny - Angela M. Smith - Bog - Columbia University Press - Plusbog.dk

Hideous Progeny - Angela M. Smith - Bog - Columbia University Press - Plusbog.dk

Twisted bodies, deformed faces, aberrant behavior, and abnormal desires characterized the hideous creatures of classic Hollywood horror, which thrilled audiences with their sheer grotesqueness. Most critics have interpreted these traits as symptoms of sexual repression or as metaphors for other kinds of marginalized identities, yet Angela M. Smith conducts a richer investigation into the period's social and cultural preoccupations. She finds instead a fascination with eugenics and physical and cognitive debility in the narrative and spectacle of classic 1930s horror, heightened by the viewer's desire for visions of vulnerability and transformation. Reading such films as Dracula (1931), Frankenstein (1931), Dr. Jekyll and Mr. Hyde (1931), Freaks (1932), and Mad Love (1935) against early-twentieth-century disability discourse and propaganda on racial and biological purity, Smith showcases classic horror's dependence on the narratives of eugenics and physiognomics. She also notes the genre's conflicted and often contradictory visualizations. Smith ultimately locates an indictment of biological determinism in filmmakers' visceral treatments, which take the impossibility of racial improvement and bodily perfection to sensationalistic heights. Playing up the artifice and conventions of disabled monsters, filmmakers exploited the fears and yearnings of their audience, accentuating both the perversity of the medical and scientific gaze and the debilitating experience of watching horror. Classic horror films therefore encourage empathy with the disabled monster, offering captive viewers an unsettling encounter with their own impairment. Smith's work profoundly advances cinema and disability studies, in addition to general histories concerning the construction of social and political attitudes toward the Other.

DKK 895.00
1

A Foul and Pestilent Congregation - Barry Wind - Bog - Taylor & Francis Ltd - Plusbog.dk

A Foul and Pestilent Congregation - Barry Wind - Bog - Taylor & Francis Ltd - Plusbog.dk

First published in 1998, this volume explores how in the seventeenth century depictions of human oddity, hunchbacks, cripples, dwarfs, appeared regularly in the work of both minor and major artists including Veláquez, Rubens, Van Dyck and Rivera. In this, the first comprehensive study of these images, Barry Wind starts with the topoi for the mentally and physically infirm established in antiquity and traces their development into the Baroque period. A delight in the unusual was consonant with the contemporary collection of other exotica, convoluted shells and strange animals, but human ‘freaks’ provoked more than curiosity. Their representation ranged from taxonomic fascination to derisive mockery. They were frequently cast as imperfect foils to the fashionable courtiers who sought aggrandizement through juxtaposition. The images were also exploited as metaphors for a favourite theme of the period ‘the world turned upside down’. In this synthesis of repulsion and fascination, mockery and dread, the portrayal of these ‘others’ reveals a dark underside of Baroque culture that has never been thoroughly investigated or understood. With the support of 75 reproductions of works from Italy, Spain and Northern Europe, Barry Wind examines representations of human deformity throughout the baroque period. He pursues his account into the eighteenth century and the expression of a new sympathetic understanding and compassion. His study, written with great clarity, makes available hitherto obscure and inaccessible material gathered from diverse sources such as medical treatises, literary texts, popular ballads and court documents to set these images in their context and explain this obsession with difference.

DKK 995.00
1

The New Mutants - Ramzi Fawaz - Bog - New York University Press - Plusbog.dk

The New Mutants - Ramzi Fawaz - Bog - New York University Press - Plusbog.dk

2017 The Association for the Studies of the Present Book Prize Finalist Mention, 2017 Lora Romero First Book Award Presented by the American Studies Association Winner of the 2012 CLAGS Fellowship Award for Best First Book Project in LGBT Studies How fantasy meets reality as popular culture evolves and ignites postwar gender, sexual, and race revolutions. In 1964, noted literary critic Leslie Fiedler described American youth as "new mutants," social rebels severing their attachments to American culture to remake themselves in their own image. 1960s comic book creators, anticipating Fiedler, began to morph American superheroes from icons of nationalism and white masculinity into actual mutant outcasts, defined by their genetic difference from ordinary humanity. These powerful misfits and "freaks" soon came to embody the social and political aspirations of America's most marginalized groups, including women, racial and sexual minorities, and the working classes. In The New Mutants, Ramzi Fawaz draws upon queer theory to tell the story of these monstrous fantasy figures and how they grapple with radical politics from Civil Rights and The New Left to Women's and Gay Liberation Movements. Through a series of comic book case studies—including The Justice League of America, The Fantastic Four, The X-Men, and The New Mutants—alongside late 20th century fan writing, cultural criticism, and political documents, Fawaz reveals how the American superhero modeled new forms of social belonging that counterculture youth would embrace in the 1960s and after. The New Mutants provides the first full-length study to consider the relationship between comic book fantasy and radical politics in the modern United States.

DKK 777.00
1

Handbook of Psychobiography - - Bog - Oxford University Press Inc - Plusbog.dk

Handbook of Psychobiography - - Bog - Oxford University Press Inc - Plusbog.dk

This exceptionally readable and down-to-earth handbook is destined to become the definitive guide to psychobiological research, the application of psychological theory and research to individual lives of historical importance. It brings together for the first time the world''s leading psychobiographers, writing lucidly on many of the major figures of our age - from Osama Bin Laden to Elvis Presley.The first section of the book addresses the subject of how to construct an effective psychobiography. Editor William Todd Schultz introduces the field, provides valuable definitions of good and bad psychobiography, discusses an optimal structure for psychobiographical essays, and offers a blueprint for striking psychological paydirt in biographical data. Dan McAdams explores the question of what psychobiographers might learn from current research in personality psychology. Alan Elms delivers wise advice on the tricky subject of theory choice in psychobiography. William Runyan asks why Van Gogh cut off his ear, and in the process explains how one evaluates competing interpretations of the same event in a subject''s life. And Kate Isaacson describes a template for use in multiple-case psychobiography. Never before has method in psychobiography been so clearly and explicitly addressed. Those just getting started in the field will find in Section One a detailed roadmap for success.The remaining sections of the book are composed of richly engaging case studies of famous artists, psychologists and politicians. They address compelling questions such as: What are the subjective origins of photographer Diane Arbus''s obsession with freaks? In what ways did the early loss of Sylvia Plath''s father affect her poetry and presage her suicide? Why did Elvis experience such difficulty singing the song "Are You Lonesome Tonight"? What accounts for Bin Laden'' radicalism, Kim Jong II''s paranoia, George W Bush''s conflict with identity? Why did Freud go disasterously astray in his analysis of Leonardo? What made psychologist Gordon Allport''s meeting with Freud so pungently significant? How did the loss of his father determine major elements of Nietzsche''s philosophy? These questions and many more get answered, often in surprising and incisive fashion. Additional chapters take up the lives of Harvard operationist S.S. Stevens, Erik Erikson, Edith Wharton, Saddam Hussein, Truman Capote, Kathryn Harrison, Jack Kerouac, and others. Within each case study, tips are proffered along the way as to how psychobiography can be done more cogently, more intelligently, and more valuably.With its combination of telling about and showing how to practice psychobiography wisely, its inclusion of most of the field''s leading practitioners, and its diversity of subjects, the Handbook of Psychobiography represents the best the field has to offer. It will define the discipline, set a course for effective future developments, and quickly emerge as a must-read for any beginning or serious psychobiographer, narrative psychologist, personologist or personality researcher.

DKK 1071.00
1