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Mesmerism, Medusa, and the Muse - Anne Delong - Bog - Lexington Books - Plusbog.dk

Mesmerism, Medusa, and the Muse - Anne Delong - Bog - Lexington Books - Plusbog.dk

Mesmerism, Medusa, and the Muse: The Romantic Discourse of Spontaneous Creativity explores the connections among the Romantic discourse of spontaneous literary creativity, the nineteenth-century cultural practice of mesmerism, and the mythical Medusa as an icon of the gendered gaze. An analysis of Medusan mesmerism in the poetry of Mary Robinson, Samuel Taylor Coleridge, Percy Bysshe Shelley and Letitia Elizabeth Landon (L.E.L.) and the prose of Mary Shelley reveals that these Romantic-era writers equate the enraptured state that produces spontaneous literary creation with the mesmeric trance. These writers employ Medusan imagery to portray both the mesmerist and the mesmerized subject, a conflation of subject/object positions that complicates issues of agency, subjectivity, and gender. Images of Medusan mesmerism ultimately work to deconstruct Romantic ideological dichotomies of self/other, female/male, muse/artist, and sublime/beautiful. In contrast to a traditional, masculinized Romantic discourse that emphasizes self-possession, this study uncovers a feminized, improvisational, Romantic discourse, characterized “Other-possession,” an assumption of the mesmerized subject position that enhances subjective fluidity. This study interrogates the Romantic discourse of spontaneous literary creativity through an examination of Romantic poetry, prose, and theory that utilizes mesmeric and Medusan metaphors to suggest creative inspiration. Building on recent scholarship about improvisational poetics, the subversive potential of mesmerism, and Medusa as a feminist icon, this work suggests that the mesmeric Medusan muse not only enables creativity for women writers but also provides a mirror in which they view (and through which they give voice to) their own societal oppression. The mesmeric Medusan muse in Romantic-era literature—from the Ancient Mariner and the Frankenstein monster to the tragic, abandoned Sapphic poetess—often represents the face of oppression, an unwelcome and monstrous truth in nineteenth-century British society. For women writers in particular, braving the stare of the Medusan muse enhances empathy, and therefore inspiration and literary productivity.

DKK 866.00
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Socialism's Muse - Naomi J. Andrews - Bog - Lexington Books - Plusbog.dk

Socialism's Muse - Naomi J. Andrews - Bog - Lexington Books - Plusbog.dk

Socialism''s Muse addresses the problematic and longstanding relationship between socialism and feminism from the perspective of the origins of both movements in early nineteenth century France. Focusing on the works of a number of socialist writers of the 1830s and 1840s, the book explores the role of gendered imagery in the articulation of the ideal social community, the nature of the individual, and the ties that bind the two together. Naomi J. Andrews argues that the way romantic socialists conceptualized the human community - in gendered terms, specifically - determined both the emergence and limitation of what is retrospectively termed "feminism." Providing an illuminating analysis of the intellectual underpinnings of women''s exclusion from socialism in its earliest organized manifestation, Socialism''s Muse is valuable reading for scholars of women''s studies, French history, and intellectual history alike.

DKK 830.00
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The Pacific Muse - Patricia O'brien - Bog - University of Washington Press - Plusbog.dk

The Pacific Muse - Patricia O'brien - Bog - University of Washington Press - Plusbog.dk

The Pacific Muse offers a fresh perspective on a seductively familiar topic: the colonial stereotype of the exotic Pacific island woman. By tracing the evolution of female primitivism from Western antiquity to twentieth-century Hollywood images, the book sheds new light on our understanding of how and why this ideal has persisted and the major role it has played in the colonization of Pacific peoples. While examining colonial culture in its many manifestations, from art, literature, and film to the journals of explorers and missionaries, O'Brien rereads not only the canonical texts of Pacific imperialism, but also lesser-known remnants of this cultural heritage with an eye to what they reveal about gender, sexuality, race, and femininity. Over its long history – from the famous (and much romanticized) settlement of Tahitian women and mutineers from the Bounty on Pitcairn Island in 1789 to the South Seas romantic tradition, Gauguin, and beach culture – notions of female primitivism changed in response to the ideological watersheds of Christianity, Enlightenment science, and race theories, as well as the development of democratic nation-states, modernity, and colonialism. The Pacific Muse shows the continuities and differences in representing colonized women across geographical regions and historical epochs and highlights the importance of sexualization and feminization in imperial enterprises. Including 37 illustrations of Pacific women from early etchings by shipboard artists to recent photographs, this panoramic view of gendered Pacific history is enlightening reading for cultural anthropologists, women's and gender studies scholars, and historians of colonialism and the Pacific.

DKK 970.00
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The Drama and Theatre of Annie Baker - Amy Muse - Bog - Bloomsbury Publishing PLC - Plusbog.dk

The Drama and Theatre of Annie Baker - Amy Muse - Bog - Bloomsbury Publishing PLC - Plusbog.dk

In the first book-length study of Annie Baker, one of the most critically acclaimed playwrights in the United States today and winner of the 2014 Pulitzer Prize, a Guggenheim Fellowship, and a MacArthur “genius” grant, Amy Muse analyzes Baker’s plays and other work. These include The Flick, John, The Antipodes, the Shirley Vermont plays, and her adaptation of Uncle Vanya. Muse illuminates their intellectual and ethical themes and issues by contextualizing them with the other works of theatre, art, theology, and psychology that Baker read while writing them. Through close discussions of Baker’s work, this book immerses readers in her use of everyday language, her themes of loneliness, desire, empathy, and storytelling, and her innovations with stage time. Enriched by a foreword from Baker’s former professor, playwright Mac Wellman, as well as essays by four scholars, Thomas Butler, Jeanmarie Higgins, Katherine Weiss, and Harrison Schmidt, this is a companionable guide for students of American literature and theatre studies, which deepens their knowledge and appreciation of Baker’s dramatic invention.Muse argues that Baker is finely attuned to the language of the everyday: imperfect, halting, marked with unexpressed desires, banalities, and silence. Called “antitheatrical,” these plays draw us back to the essence of theatre: space, time, and story, sitting with others in real time, witnessing the dramatic in the ordinary lives of ordinary people. Baker’s revolution for the stage has been to slow it down and bring us all into the mystery and pleasure of attention.

DKK 909.00
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Muse of Fire - Terrence Mcnally - Bog - Fairleigh Dickinson University Press - Plusbog.dk

Muse of Fire - Terrence Mcnally - Bog - Fairleigh Dickinson University Press - Plusbog.dk

Acclaimed playwright Terrence McNally’s works are characterized by such diversity that critics have sometimes had difficulty identifying the pattern in his carpet. To redress this problem, In Muse of Fire, Raymond-Jean Frontain has collected McNally’s most illuminating meditations on the need of the playwright to first change hearts in order to change minds and thereby foster a more compassionate community. When read together, these various meditations demonstrate the profound ways in which McNally himself functioned as a member of the theater community—as strikingly original dramatic voice, as generous collaborator, and even as the author of eloquent memorials. These pieces were originally written to be delivered on both highly formal occasions (academic commencement exercises, award ceremonies, memorial services) and as off-the-cuff comments at highly informal gatherings, like a playwriting workshop at the New School. They reveal a man who saw theater not as the vehicle for abstract ideas or the platform for political statements, but as the exercise of our shared humanity. “Theatre is collaborative, but life is collaborative,” McNally says. “Art is important to remind us that we’re not alone, and this is a wonderful world and we can make it more wonderful by fully embracing each other. [. . .] I don’t know why it’s so hard to remind ourselves sometimes, but thank God we’ve had great artists who don’t let us forget. And thank the audiences who support them because I think that those artists’ true mission has been to bring the barriers down, break them down; not build walls, but tear them down.”

DKK 804.00
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The Baptized Muse - Karla (professor Of Classics And Head Of The School Of Humanities Pollmann - Bog - Oxford University Press - Plusbog.dk

The Baptized Muse - Karla (professor Of Classics And Head Of The School Of Humanities Pollmann - Bog - Oxford University Press - Plusbog.dk

This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations.With the rise of Christianity in the Roman Empire increasing numbers of educated people converted to this new belief. As Christianity did not have its own educational institutions the issue of how to harmonize pagan education and Christian convictions became increasingly pressing. Especially classical poetry, the staple diet of pagan education, was considered to be morally corrupting (due to its deceitful mythological content) and damaging for the salvation of the soul (because of the false gods it advocated). But Christianity recoiled from an unqualified anti-intellectual attitude, while at the same time the experiment of creating an idiosyncratic form of genuinely Christian poetry failed (the sole exception being the poet Commodianus). In The Baptized Muse: Early Christian Poetry as Cultural Authority, Karla Pollmann argues that, instead, Christian poets made creative use of the classical literary tradition, and--in addition to blending it with Judaeo-Christian biblical exegesis--exploited poetry''s special ability of enhancing communicative effectiveness and impact through aesthetic means. Pollman explores these strategies through a close analysis of a wide range of Christian, and for comparison partly also pagan, writers mainly from the fourth to sixth centuries. She reveals that early Christianity was not a hermetically sealed uniform body, but displays a rich spectrum of possibilities in dealing with the past and a willingness to engage with and adapt the surrounding culture(s), thereby developing diverse and changing responses to historical challenges. By demonstrating throughout that authority is a key in understanding the long denigrated and misunderstood early Christian poets, this book reaches the ground-breaking conclusion that early Christian poetry is an art form that gains its justification by adding cultural authority to Christianity. Thus, in a wider sense it engages with the recently developed interdisciplinary scholarly interest in aspects of religion as cultural phenomena.

DKK 929.00
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Observational Imprints of Binary Evolution on B- and Be-star Populations - Julia Bodensteiner - Bog - Springer International Publishing AG -

Observational Imprints of Binary Evolution on B- and Be-star Populations - Julia Bodensteiner - Bog - Springer International Publishing AG -

This book presents novel observational evidence toward detecting and characterizing the products of massive, interacting binary stars. As a majority of massive stars are born in close binary systems, a large number of so-called massive binary interaction products are predicted to exist; however, few have been identified so far. Based on observations with the largest telescopes around the world, equipped with state-of-the-art instrumentation, this book helps to remedy this situation. In her outstanding PhD-thesis Julia Bodensteiner identifies a new class of post-interaction binaries in a short-lived phase just briefly after the initially more massive star has been stripped of part of its envelope. She further provides new evidence for the Be phenomenon to largely result from binary interactions. These results represented a new and testable prediction for the evolution of these stars and opened up a new way forward for identifying hundreds of post-interaction products. Finally, using the MUSE integral field spectrograph at the Very Large Telescope in Chile, the author presents a novel spectroscopic campaign focusing on the 40 Myr-old star cluster NGC 330 in the Small Magellanic Clouds. Combined with photometric observations from the Hubble Space Telescope, the MUSE data allow to characterize the entire massive star population of NGC 330, revealing their multiplicity properties and rotational velocities and providing unique observational constraints on their (binary) evolution history. This is made possible by the developments of novel numerical methods allowing to extract star spectra from the MUSE integral field spectroscopic data and to characterize their properties by the simultaneous comparison of MUSE spectroscopy and Hubble photometry with atmospheric models. This book is a partly re-written version of the author''s thesis offering a highly readable coherent text presenting not only new insights into the properties of binary interaction products but also giving students an excellent introduction into the field.

DKK 986.00
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The Superstitious Muse - David Bethea - Bog - Academic Studies Press - Plusbog.dk

The Superstitious Muse - David Bethea - Bog - Academic Studies Press - Plusbog.dk

For several decades David Bethea has written authoritatively on the “mythopoetic thinking” that lies at the heart of classical Russian literature, especially Russian poetry. His theoretically informed essays and books have made a point of turning back to issues of intentionality and biography at a time when authorial agency seems under threat of “erasure” and the question of how writers, and poets in particular, live their lives through their art is increasingly moot. The lichnost’ (personhood, psychic totality) of the given writer is all-important, argues Bethea, as it is that which combines the specifically biographical and the capaciously mythical in verbal units that speak simultaneously to different planes of being. Pushkin’s Evgeny can be one incarnation of the poet himself and an Everyman rising up to challenge Peter’s new world order; Brodsky can be, all at once, Dante and Mandelstam and himself, the exile paying an Orphic visit to Florence (and, by ghostly association, Leningrad).This sort of metempsychosis, where the stories that constitute the Ur-texts of Russian literature are constantly reworked in the biographical myths shaping individual writers’ lives, is Bethea’s primary focus. This collection contains a liberal sampling of Bethea’s most memorable previously published essays along with new studies prepared for this occasion.

DKK 1191.00
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The Politicized Muse - Anthony M. Cummings - Bog - Princeton University Press - Plusbog.dk

The Politicized Muse - Anthony M. Cummings - Bog - Princeton University Press - Plusbog.dk

During the years between the restoration of the Medici to Florence and the election of Cosimo I, the Medici family sponsored a series of splendid public festivals, reconstructed here by Anthony M. Cummings. Cummings has utilized unexpectedly rich sources of information about the musical life of the time in contemporary narrative accounts of these occasions—histories, diaries, and family memoirs. In this interdisciplinary work, he explains how the festivals combined music with art and literature to convey political meanings to Florentine observers. As analyzed by Cummings, the festivals document the political transformation of the city in the crucial era that witnessed the end of the Florentine republic and the beginnings of the Medici principate. This book will interest all students of the life and institutions of sixteenth-century Florence and of the Medici family. In addition, the author furnishes new evidence about the contexts for musical performances in early modern Europe. By describing such contexts, he ascertains much about how music was performed and how it sounded in this period of music history and shows that the modes of musical expression were more varied than is suggested by the relatively few surviving examples of actual pieces of music.Originally published in 1992.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

DKK 999.00
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