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Representing 9/11 - - Bog - Rowman & Littlefield - Plusbog.dk

Representing 9/11 - - Bog - Rowman & Littlefield - Plusbog.dk

As the horrific events of September 11, 2001, slip deeper into the past, the significance of 9/11 remains a global cultural touchstone. Initially, filmmakers, writers, and other artists wrangled with its meaning, often relying on fantastical, ethnic, or exceptionalist themes to address the psychic dread of the terrorist attacks. Over time, however, more nuanced and socio-historical perspectives about 9/11 and its impact on America and the world have emerged. In Representing 9/11: Trauma, Ideology, and Nationalism in Literature, Film, and Television, prominent authors from a variety of disciplines demonstrate how emergent American and international texts expand upon and complicate the initial post-9/11 canon. Editor Paul Petrovic has assembled a collection of essays that broadens our understanding of how popular culture has addressed 9/11, particularly as it has evolved over time. Contributors bring fresh readings to popular novels, such as Jonathan Lethem’s Chronic City and Jonathan Franzen’s Freedom; films like Zero Dark Thirty and This Is the End; and television shows such as 24 and Homeland. Showcasing a diverse range of viewpoints, essays in this collection assess, among other topics, how African American identity is challenged by post-9/11 allegories; how superhero films foretell the inevitability of city-wide destruction by terrorists; and how shows like Breaking Bad problematize ideas of liberalism and masculinity. Though primarily aimed at scholars, Representing 9/11 seeks to engage readers interested in how various forms of media have interpreted the events and aftermath of the terrorist attacks in 2001.

DKK 856.00
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9/11 - - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Global Pro Bono - - Bog - Cambridge University Press - Plusbog.dk

Pro Mundo - Pro Domo - - Bog - Oxford University Press Inc - Plusbog.dk

9/11 and the Academy - - Bog - Springer Nature Switzerland AG - Plusbog.dk

Getting to Know ArcGIS Pro 3.2 - Amy Collins - Bog - ESRI Press - Plusbog.dk

Getting to Know ArcGIS Pro 3.2 - Amy Collins - Bog - ESRI Press - Plusbog.dk

Learn to use ArcGIS Pro confidently, quickly, and effectively with the newest edition in this best-selling series. Getting to Know ArcGIS Pro 3.2 introduces readers to ArcGIS Pro, the world’s most powerful desktop GIS. Geographic information system (GIS) software provides mapping and analytic capabilities that give people and organizations powerful location intelligence. Getting to Know ArcGIS Pro 3.2 walks readers through exploring ArcGIS Online, using 3D GIS, building a geodatabase, creating maps for web and physical presentations, and more. With more than 300 full-color images, Getting to Know ArcGIS Pro 3.2 clarifies complicated processes, such as developing a geoprocessing model, using Python to write a script tool, and creating space-time cubes for analysis in easy-to-follow workflows. Throughout the book, short sidebars about real-world GIS scenarios in specific industries help readers understand how ArcGIS Pro can be used widely to solve problems. At the end of each chapter, a summary and glossary help reinforce the skills learned. This edition has been completely updated for use with ArcGIS Pro 3.2. The Getting to Know series has been teaching readers about GIS for more than 20 years. Ideal for students, self-learners, and professionals who want to learn the premier GIS desktop application, Getting to Know ArcGIS Pro 3.2 is a textbook and desk reference designed to show users how to use ArcGIS Pro successfully.

DKK 1009.00
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American Television’s Live Coverage of the 9/11 Attacks - Paul Arras - Bog - Lexington Books - Plusbog.dk

Getting to Know ArcGIS Pro 2.8 - Michael Law - Bog - ESRI Press - Plusbog.dk

Getting to Know ArcGIS Pro 2.8 - Michael Law - Bog - ESRI Press - Plusbog.dk

Learn the latest version of ArcGIS Pro with the newest edition of this bestselling series. Getting to Know ArcGIS Pro 2.8 introduces the tools and functions of ArcGIS Pro, the powerful desktop GIS application. Geographic information system (GIS) software is making a huge impact in businesses and organizations with mapping and analytic capabilities. Getting to Know ArcGIS Pro 2.8 uses practical project workflows to teach best practices to readers of all skill levels. Readers will explore data visualizations, build a geodatabase, discover 3D GIS, create maps for web and physical presentations, and more. With more than 300 full-color images, Getting to Know ArcGIS Pro 2.8 clarifies complicated processes such as developing a geoprocessing model, using Python to write a script tool, and creating space-time cubes for analysis. Throughout the book, short sidebars about real-world GIS scenarios in specific industries help readers understand how ArcGIS Pro can be applied widely to solve problems. At the end of each chapter, a summary and glossary help reinforce the skills learned. This edition has been completely updated for use with ArcGIS Pro 2.8. Other updates include new chapters on ArcGIS Online and geocoding. The Getting to Know series has been teaching readers about GIS for more than twenty years. Ideal for students, self-learners, and professionals who want to learn the premier GIS desktop application, Getting to Know ArcGIS Pro 2.8 is a textbook and desk reference designed to show users how they can use ArcGIS Pro successfully on their own.

DKK 920.00
1

Pro-Life, Pro-Choice - Bertha Alvarez Manninen - Bog - Vanderbilt University Press - Plusbog.dk

The Hidden History of 9-11-2001 - - Bog - Emerald Publishing Limited - Plusbog.dk

The Hidden History of 9-11-2001 - - Bog - Emerald Publishing Limited - Plusbog.dk

This important volume brings together rigorous scholarship on the events of 9-11-2001, and assesses whether the truth has been told by the U.S. government. The lead chapter shows that eleven of FBI-named Arabic hijackers could not have been on the planes, while the Dulles airport videotape - essentially being the case that hijackers boarded flights - has very serious authentication problems. The next three chapters examine insider trading beforehand and the 9-11 flights themselves, then the evidence - based partly upon newly-released reports of more than 500 firefighters - permitting a conclusion that three buildings in the WTC complex were brought down by demolition, followed by discussion of scheduled military drills which confused standard operating procedures, and concluding with a surprising connection to the death of Senator Wellstone, leading critique of the Bush administration. The third part opens with a chapter examining the connection between Al-Qaeda and Western covert operations, showing how Al-Qaeda is inseparably connected to the latter. The following chapter shows that Machiavellian state terrorism is rather common and not at all unlikely for 9-11, while the following examines how the 9-11 Commission wrote its own history, rather than reporting and analyzing true history. The rise of Islamophobia as an ideological force to sustain U.S. imperialism is then introduced. The final chapter, while not explicit, offers a possible connection to the process of undermining pensions in the U.K. The volume can be seen as a definitive, scholarly explanation of 9-11 as a world-changing event.

DKK 912.00
1

The City Since 9/11 - - Bog - Fairleigh Dickinson University Press - Plusbog.dk

The City Since 9/11 - - Bog - Fairleigh Dickinson University Press - Plusbog.dk

Charting the intersection of aesthetic representation and the material conditions of urban space, The City Since 9/11 posits that the contemporary metropolis provides a significant context for reassessing theoretical concerns related to narrative, identity, home, and personal precarity. In the years since the September 11 attacks, writers and filmmakers have explored urban spaces as contested sites—shaped by the prevailing discourses of neoliberalism, homeland security, and the war on terror, but also haunted by an absence in the landscape that registers loss and prefigures future menace. In works of literature, film, and television, the city emerges as a paradoxical space of permanence and vulnerability and a convergence point for anxieties about globalization, structural inequality, and apocalyptic violence. Building on previous scholarship addressing trauma and the spectacle of terror, the contributors also draw upon works of philosophy, urban studies, and postmodern geography to theorize how literary and visual representations expose the persistent conflicts that arise as cities rebuild in the shadow of past ruins. Their essays advance new lines of argument that clarify art’s role in contemporary debates about spatial practices, gentrification, cosmopolitanism, memory and history, nostalgia, the uncanny and the abject, postmodern virtuality, the politics of realism, and the economic and social life of cities. The book offers fresh readings of familiar post-9/11 novels, such as Jonathan Safran Foer’s Extremely Loud & Incredibly Close, but it also considers works by Teju Cole, Joseph O’Neill, Silver Krieger, Colum McCann, Ronald Sukenick, Jonathan Lethem, Thomas Pynchon, Colson Whitehead, Paul Auster, William Gibson, Amitav Ghosh, and Katherine Boo. In addition, The City Since 9/11 includes essays on the films Children of Men, Hugo, and the adaptation of Extremely Loud & Incredibly Close, chapters on the television series The Bridge, The Killing, and The Wire, and an analysis of Michael Arad’s Reflecting Absence and the 9/11 Memorial.

DKK 830.00
1

War after September 11 - - Bog - Rowman & Littlefield - Plusbog.dk