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Inventing Stanley Park - Sean Kheraj - Bog - University of British Columbia Press - Plusbog.dk

A Critical Companion to Stanley Kubrick - - Bog - Lexington Books - Plusbog.dk

Values-Based Leadership in Healthcare - David Stanley - Bog - Sage Publications Ltd - Plusbog.dk

The French Enlightenment and the Emergence of Modern Cynicism - Sharon A. Stanley - Bog - Cambridge University Press - Plusbog.dk

Stanley Kubrick's The Shining - J. W. Rinzler - Bog - Taschen GmbH - Plusbog.dk

Stanley Kubrick's The Shining - J. W. Rinzler - Bog - Taschen GmbH - Plusbog.dk

“ The Shining may be the first movie that ever made its audience jump with a title that simply says, ‘Tuesday,’” proclaimed The New York Times . Never has a film evoked so much dread in its audience with so little gore than Stanley Kubrick’s adaptation of the 1977 novel by the master of terror himself, Stephen King, where true horror lies in the darkest corners of domesticity and isolation. Equally a study of the intricate mechanics of Kubrick’s genius as an in-depth look at the making of a visual masterpiece , Stanley Kubrick’s The Shining gathers hundreds of hours of exclusive new interviews with the cast and crew in an unprecedented look at the 1980 cult classic. Slip in through the back door of The Overlook Hotel to witness Kubrick’s endless rounds of script rewrites, his revolutionary use of the Steadicam, the mechanics behind the infamous blood elevator, the mysterious mid-filming fire at Elstree Studios, and the countless takes needed to satisfy the meticulous force that was Kubrick. Conceived and edited by Academy Award-winning director Lee Unkrich , dubbed by The Hollywood Reporter as “the world''s foremost Shining aficionado,” with text by best-selling author J.W. Rinzler and a foreword by Steven Spielberg , this is the definitive compendium of the film that transformed the horror genre. The two-volume collection designed by M/M Paris includes hundreds of never-before-seen production photographs from the Stanley Kubrick Archive and the personal collections of cast and crew, rare documents and correspondence, conceptual art, an exclusive look at deleted scenes, and more. THE SHINING and all related characters and elements © & ™ Warner Bros. Entertainment Inc. (s22)

DKK 846.00
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Stanley Kubrick - Elisa Pezzotta - Bog - University Press of Mississippi - Plusbog.dk

Stanley Kubrick - Elisa Pezzotta - Bog - University Press of Mississippi - Plusbog.dk

"Elisa Pezzotta''s excellent Stanley Kubrick: Adapting the Sublime is by far the most sophisticated, innovative, and-crucially-cine-literate book I have read on the greatest auteur of adaptation."-Ian Hunter, Reader in Film Studies, De Montfort University, Leicester, United KingdomAlthough Stanley Kubrick adapted novels and short stories, his films deviate in notable ways from the source material. In particular, since 2001: A Space Odyssey (1968), his films seem to definitively exploit all cinematic techniques, embodying a compelling visual and aural experience. But, as author Elisa Pezzotta contends, it is for these reasons that his cinema becomes the supreme embodiment of the sublime, fruitful encounter between the two arts and, simultaneously, of their independence.Stanley Kubrick''s last six adaptations-2001: A Space Odyssey, A Clockwork Orange (1971), Barry Lyndon (1975), The Shining (1980), Full Metal Jacket (1987), and Eyes Wide Shut (1999)-are characterized by certain structural and stylistic patterns. These features help to draw conclusions about the role of Kubrick in the history of cinema, about his role as an adapter, and, more generally, about the art of cinematic adaptations. The structural and stylistic patterns that characterize Kubrick adaptations seem to criticize scientific reasoning, causality, and traditional semantics. In the history of cinema, Kubrick can be considered a modernist auteur. In particular, he can be regarded as an heir of the modernist avant-garde of the 1920s. However, author Elise Pezzotta concludes that, unlike his predecessors, Kubrick creates a cinema not only centered on the ontology of the medium, but on the staging of sublime, new experiences.Elisa Pezzotta is cultore della materia of history and critique of cinema at the University of Bergamo (Italy). Her work has been published in Wide Screen, Alphaville Journal of Film and Screen Media, and Journal of Adaptation in Film and Performance, and she is the author of "La narrazione complessa nel cinema di Stanley Kubrick: 2001: Odissea nello spazio e Eyes Wide Shut" in Ai confini della comprensione.

DKK 858.00
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Contending with Stanley Cavell - - Bog - Oxford University Press Inc - Plusbog.dk