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Sebastiao Salgado. Gold - Sebastiao Salgado - Bog - Taschen GmbH - Plusbog.dk

Sebastiao Salgado. Gold - Sebastiao Salgado - Bog - Taschen GmbH - Plusbog.dk

“What is it about a dull yellow metal that drives men to abandon their homes, sell their belongings and cross a continent in order to risk life, limbs and sanity for a dream?” – Sebastião Salgado When Sebastião Salgado was finally authorized to visit Serra Pelada in September 1986, having been blocked for six years by Brazil’s military authorities, he was ill-prepared to take in the extraordinary spectacle that awaited him on this remote hilltop on the edge of the Amazon rainforest. Before him opened a vast hole, some 200 meters wide and deep, teeming with tens of thousands of barely-clothed men . Half of them carried sacks weighing up to 40 kilograms up wooden ladders, the others leaping down muddy slopes back into the cavernous maw. Their bodies and faces were the color of ochre, stained by the iron ore in the earth they had excavated. After gold was discovered in one of its streams in 1979, Serra Pelada evoked the long-promised El Dorado as the world’s largest open-air gold mine , employing some 50,000 diggers in appalling conditions. Today, Brazil’s wildest gold rush is merely the stuff of legend , kept alive by a few happy memories, many pained regrets—and Sebastião Salgado’s photographs. Color dominated the glossy pages of magazines when Salgado shot these images. Black and white was a risky path, but the Serra Pelada portfolio would mark a return to the grace of monochrome photography , following a tradition whose masters, from Edward Weston and Brassaï to Robert Capa and Henri Cartier-Bresson, had defined the early and mid-20th century. When Salgado’s images reached The New York Times Magazine , something extraordinary happened: there was complete silence. “In my entire career at The New York Times ,” recalled photo editor Peter Howe, “ I never saw editors react to any set of pictures as they did to Serra Pelada .” Today, with photography absorbed by the art world and digital manipulation, Salgado’s portfolio holds a biblical quality and projects an immediacy that makes them vividly contemporary. The mine at Serra Pelada has been long closed, yet the intense drama of the gold rush leaps out of these images . This book gathers Salgado’s complete Serra Pelada portfolio in museum-quality reproductions , accompanied by a foreword by the photographer and an essay by Alan Riding.INSTITUTO TERRAFounded in 1998 at Aimorés in the state of Minas Gerais, Instituto Terra is the culmination of Lélia Wanick Salgado and Sebastião Salgado’s lifelong activism and work as cultural documentarians. Through a scientific program of planting and raising saplings, the organization has performed a miraculous reforestation of the once infertile region and furthered the Salgados’ mission of reversing the damage done to our planet. TASCHEN is proud to reach carbon zero status through our continued partnership. Also available in a signed and limited Collector’s Edition

DKK 440.00
1

Sebastiao Salgado. Kuwait. A Desert on Fire - Sebastiao Salgado - Bog - Taschen GmbH - Plusbog.dk

Sebastiao Salgado. Kuwait. A Desert on Fire - Sebastiao Salgado - Bog - Taschen GmbH - Plusbog.dk

“We must remember that in the brutality of battle another such apocalypse is always just around the corner.” —Sebastião Salgado In January and February 1991, as the United States-led coalition drove Iraqi forces out of Kuwait, Saddam Hussein’s troops retaliated with an inferno. At some 700 oil wells and an unspecified number of oil-filled low-lying areas they ignited vast, raging fires , creating one of the worst environmental disasters in living memory . As the desperate efforts to contain and extinguish the conflagration progressed, Sebastião Salgado traveled to Kuwait to witness the crisis firsthand. The conditions were excruciating. The heat was so vicious that Salgado’s smallest lens warped. A journalist and another photographer were killed when a slick ignited as they crossed it. Sticking close to the firefighters, and with characteristic sensitivity to both human and environmental impact, Salgado captured the terrifying scale of this “huge theater the size of the planet” : the ravaged landscape; the sweltering temperatures; the air choking on charred sand and soot; the blistered remains of camels; the sand still littered with cluster bombs; and the flames and smoke soaring to the skies, blocking out the sunlight, dwarfing the oil-coated firefighters. Salgado’s epic pictures first appeared in the New York Times Magazine in June 1991 and were subsequently awarded the Oskar Barnack Award , recognizing outstanding images on the relationship between man and the environment. Kuwait: A Desert on Fire is the first monograph of this astonishing series . Like Genesis , Exodus , and The Children , it is as much a major document of modern history as an extraordinary body of photographic work.

DKK 587.00
1

Sebastiao Salgado. Workers. An Archaeology of the Industrial Age - - Bog - Taschen GmbH - Plusbog.dk

Sebastiao Salgado. Workers. An Archaeology of the Industrial Age - - Bog - Taschen GmbH - Plusbog.dk

Sebastião Salgado’s photo book classic Workers. An Archaeology of the Industrial Age (first published in 1993) pays tribute to the time-honored tradition of manual labor in the new millennium when machines and computers replace human workers throughout the globe. With images of striking beauty and integrity, Salgado composes a visual elegy for the working men and women, whose indomitable spirit has prevailed over the harshest of conditions to achieve a singular grace.More than those of any other living photographer, Sebastião Salgado’s images of the world’s poor stand in tribute to the human condition. Salgado defines his work as “militant photography”, dedicated to “the best comprehension of human being”; over the decades he has bestowed great dignity on the most isolated and neglected among us — from famine-stricken refugees in the Sahel to the indigenous peoples of South America. With Workers, Salgado brings us a global epic that transcends mere image making to become an affirmation of the enduring spirit of working men and women. In this volume, three hundred fifty duotone photographs form an archaeological perspective of the activities that have defined hard work from the Stone Age through the Industrial Revolution to the present. With images of the infernal landscape of an Indonesian sulfur mine, the drama of traditional Sicilian tuna fishing, and the staggering endurance of Brazilian gold miners, Salgado unearths layers of visual information to reveal the ceaseless human activity at the core of modern civilization.Workers presents its subject on several interactive levels: Salgado’s introductory text, written in collaboration with Brazilian author Eric Nepomuceno, expands his passionate photographic iconography; extended captions, also written by Salgado, provide a historical and factual framework. Honoring the timeless and indomitable spirit of the manual laborer, Workers renders the human condition with honesty and respect.

DKK 697.00
1

Sebastiao Salgado. Genesis - Lella Salgado - Bog - Taschen GmbH - Plusbog.dk

Sebastiao Salgado. Genesis - Lella Salgado - Bog - Taschen GmbH - Plusbog.dk

Sebastião Salgado’s masterpiece Genesis is the result of an epic eight-year expedition to rediscover the mountains, deserts, and oceans, the animals and peoples that have so far escaped the imprint of modern society— the land and life of a still pristine planet . The Genesis project, along with the Salgados’ Instituto Terra, is dedicated to showing the beauty of our planet, reversing the damage done to it, and preserving it for the future. On over 30 trips—by foot, light aircraft, boats, canoes, and even balloons, through extreme temperatures and in sometimes dangerous conditions—Salgado has created a collection of images showing us nature, animals, and indigenous peoples in such intense beauty it takes our breath away . The reach is truly global. Through Salgado’s lens, one discovers the animal species and volcanoes of the Galápagos; the penguins, sea lions, cormorants, and whales of the South Atlantic; Brazilian alligators and jaguars; and African lions, leopards, and elephants. We travel over icebergs in the Antarctic, the volcanoes of Central Africa, the ravines of the Grand Canyon, and the glaciers of Alaska. We encounter the Stone Age Korowai people of West Papua, nomadic Dinka cattle farmers in Sudan, Nenets and their reindeer herds in the Arctic Circle, as well as the Mentawai jungle communities on islands west of Sumatra. In characteristic monochrome, Salgado’s painterly notes are perfectly tuned to these sublime scenes , capturing sweeping aerial panoramas as much as the most intricate details and textures, from a reptilian skin to the fur coat of the Nenet people of northern Siberia. The exquisitely reproduced images are arranged not by theme but rather conceived as a journey around the globe, immersing them in Salgado’s vision of the Earth’s mesmerizing scale, order, and beauty .INSTITUTO TERRAFounded in 1998 at Aimorés in the state of Minas Gerais, Instituto Terra is the culmination of Lélia Wanick Salgado and Sebastião Salgado’s lifelong activism and work as cultural documentarians. Through a scientific program of planting and raising saplings, the organization has performed a miraculous reforestation of the once infertile region and furthered the Salgados’ mission of reversing the damage done to our planet. TASCHEN is proud to reach carbon zero status through our continued partnership.

DKK 722.00
1

Sebastiao Salgado: Other Americas - Sebastiao Salgado - Bog - Aperture - Plusbog.dk

Sebastiao Salgado: Other Americas - Sebastiao Salgado - Bog - Aperture - Plusbog.dk

The first edition of Sebastião Salgado: Other Americas was published in 1985 by the French publisher Contrejour, and included photographs from Salgado''s numerous trips through Brazil, Ecuador, Bolivia, Peru, Guatemala and Mexico. The Brazil-born, Paris-based photographer traveled extensively in Latin America between 1977 and 1984 to document the shifting religious and political climate in the region, especially as reflected in Latin America''s rural cultures and traditional lifestyles. Other Americas, Salgado''s first photobook, included portraits of farmers and indigenous people, landscapes and pictures of the region''s spiritual traditions. An instant classic, the book received countless awards and prizes and has been called the visual equivalent to the magic of a Gabriel García Márquez tale. This new edition of Other Americas, an English-language reissue of the 1985 Contrejour edition, brings back into print one of the most powerful visions of life in Central and South America ever recorded.

DKK 390.00
1

Sebastiao Salgado. Exodus - Unknown - Bog - Taschen GmbH - Plusbog.dk

Sebastiao Salgado. Exodus - Unknown - Bog - Taschen GmbH - Plusbog.dk

It has been almost a generation since Sebastião Salgado first published Exodus but the story it tells, of fraught human movement around the globe, has changed little in 16 years. The push and pull factors may shift, the nexus of conflict relocates from Rwanda to Syria, but the people who leave their homes tell the same tale: deprivation, hardship, and glimmers of hope, plotted along a journey of great psychological, as well as physical, toil. Salgado spent six years with migrant peoples, visiting more than 35 countries to document displacement on the road, in camps, and in overcrowded city slums where new arrivals often end up. His project includes Latin Americans entering the United States, Jews leaving the former Soviet Union, Kosovars fleeing into Albania, the Hutu refugees of Rwanda, as well as the first “boat people” of Arabs and sub-Saharan Africans trying to reach Europe across the Mediterranean ea . His images feature those who know where they are going and those who are simply in flight, relieved to be alive and uninjured enough to run. The faces he meets present dignity and compassion in the most bitter of circumstances, but also the many ravaged marks of violence, hatred, and greed. With his particular eye for detail and motion, Salgado captures the heart-stopping moments of migratory movement, as much as the mass flux . There are laden trucks, crowded boats, and camps stretched out to a clouded horizon, and then there is the small, bandaged leg; the fingerprint on a page; the interview with a border guard; the bundle and baby clutched to a mother’s breast. Insisting on the scale of the migrant phenomenon, Salgado also asserts, with characteristic humanism, the personal story within the overwhelming numbers. Against the indistinct faces of televised footage or the crowds caught beneath a newspaper headline, what we find here are portraits of individual identities, even in the abyss of a lost land, home, and, often, loved ones . At the same time, Salgado also declares the commonality of the migrant situation as a shared, global experience . He summons his viewers not simply as spectators of the refugee and exile suffering, but as actors in the social, political, economic, and environmental shifts which contribute to the migratory phenomenon. As the boats bobbing up on the Greek and Italian coastline bring migration home to Europe like no mass movement since the Second World War, Exodus cries out not only for our heightened awareness but also for responsibility and engagement . In face of the scarred bodies, the hundreds of bare feet on hot tarmac, our imperative is not to look on in compassion, but, in Salgado’s own words, to temper our behaviors in a “new regimen of coexistence.”

DKK 727.00
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Sebastiao Salgado. Children - Unknown - Bog - Taschen GmbH - Plusbog.dk

Sebastiao Salgado. Children - Unknown - Bog - Taschen GmbH - Plusbog.dk

In every crisis situation, children are the greatest victims. Physically weak, they are often the first to succumb to hunger, disease, and dehydration. Innocent to the workings and failings of the world, they are unable to understand why there is danger, why there are people who want to hurt them, or why they must leave, perhaps quite suddenly, and abandon their schools, their friends, and their home. In this companion series to Exodus , Sebastião Salgado presents 90 portraits of the youngest exiles, migrants, and refugees . His subjects are from different countries, victims to different crises, but they are all on the move, and all under the age of 15 . Through his extensive refugee project, what struck Salgado about these boys and girls was not only the implicit innocence in their suffering but also their radiant reserves of energy and enthusiasm, even in the most miserable of circumstances . From roadside refuges in Angola and Burundi to city slums in Brazil and sprawling camps in Lebanon and Iraq, the children remained children: they were quick to laugh as much as to cry, they played soccer, splashed in dirty water, got up to mischief with friends, and were typically ecstatic at the prospect of being photographed. For Salgado, the exuberance presented a curious paradox. How can a smiling child represent circumstances of deprivation and despair? What he noticed, though, was that when he asked the children to line up, and took their portraits one by one, the group giddiness would fade. Face to face with his camera, each child would become much more serious. They would look at him not as part of a noisy crowd, but as an individual. Their poses would become earnest. They looked into the lens with a sudden intensity , as if abruptly taking stock of themselves and their situation. And in the expression of their eyes, or the nervous fidget of small hands, or the way frayed clothes hung off painfully thin frames, Salgado found he had a refugee portfolio that deserved a forum of its own. The photographs do not try to make a statement about their subjects’ feelings, or to spell out the particulars of their health, educational, and housing deficits. Rather, the collection allows 90 children to look out at the viewer with all the candor of youth and all the uncertainty of their future . Beautiful, proud, pensive, and sad, they stand before the camera for a moment in their lives, but ask questions that haunt for years to come. Will they remain in exile? Will they always know an enemy? Will they grow up to forgive or seek revenge? Will they grow up at all?

DKK 390.00
1

A Preface to Lawrence - Gamini Salgado - Bog - Taylor & Francis Ltd - Plusbog.dk

A Preface to Lawrence - Gamini Salgado - Bog - Taylor & Francis Ltd - Plusbog.dk

''Longman Preface books are intended to give "modern and authoritative guidance" on the lives and works of the major writers ... Gamini Salgado''s A Preface to Lawrence does just that.'' Times Educational Supplement D. H. Lawrence, criticised, censored and dismissed in his lifetime, now stands as one of the major imaginative novelists of the early twentieth-century. Clear, vivid and convincing, Gamini Salgado''s introduction to the life and works of D H Lawrence, sets the writer firmly in the context of his times and: * outlines his life and intellectual background, and their effect on his writing * looks in detail at many of Lawrence''s works, including Sons and Lovers, The Rainbow, his shorter fiction, poetry and plays * examines Lawrence as a literary critic * covers important people and places in Lawrence''s life and their effect on him Gamini Salgado was formerly Professor of English at Exeter University. His works include a book on Sons and Lovers (Arnold), an anthology of critisism of it (Macmillan) and a number of studies of drama and prose literature.

DKK 495.00
1

Buddhist Nuns and Gendered Practice - Nirmala S. Salgado - Bog - Oxford University Press Inc - Plusbog.dk

Buddhist Nuns and Gendered Practice - Nirmala S. Salgado - Bog - Oxford University Press Inc - Plusbog.dk

Nirmala S. Salgado offers a groundbreaking study of the politics of representation of Buddhist nuns. Challenging assumptions about writing on gender and Buddhism, Salgado raises important theoretical questions about the applicability of liberal feminist concepts and language to the practices of Buddhist nuns. Based on extensive research in Sri Lanka as well as on interviews with Theravada and Tibetan nuns from around the world, Salgado''s study invites a reconsideration of female renunciation. How do scholarly narratives continue to be complicit in reinscribing colonialist and patriarchal stories about Buddhist women? In what ways have recent debates contributed to the construction of the subject of the Theravada bhikkhuni? How do key Buddhist concepts such as dukkha, samsara, and sila ground female renunciant practices? Salgado''s provocative analysis of modern discourses about the supposed empowerment of nuns challenges interpretations of female renunciation articulated in terms of secular notions such as ''''freedom'''' in renunciation, and questions the idea that the higher ordination of nuns constitutes a movement in which female renunciants act as agents seeking to assert their autonomy in a struggle against patriarchal norms. Salgado argues that the concept of a global sisterhood of nuns-an idea grounded in a notion of equality as a universal ideal-promotes a discourse of dominance about the lives of non-Western women and calls for more nuanced readings of the everyday renunciant practices and lives of Buddhist nuns. Buddhist Nuns and Gendered Practice is essential reading for anyone interested in the connections between religion and power, subjectivity and gender, and feminism and postcolonialism.

DKK 476.00
1

Undoing Empire - Jose F. Buscaglia Salgado - Bog - University of Minnesota Press - Plusbog.dk

Undoing Empire - Jose F. Buscaglia Salgado - Bog - University of Minnesota Press - Plusbog.dk

A revelatory account that places mulatto experience at the center of Caribbean historyThis ambitious book brings to light the story of what José F. Buscaglia-Salgado terms mulataje—the ways Caribbean aesthetics offer the possibility of the ultimate erasure of racial difference. Undoing Empire gives a broad panorama stretching from the complex politics of medieval Iberian societies to the beginning of direct U.S. hegemony in the Caribbean at the end of the nineteenth century. Buscaglia-Salgado begins with an examination of Washington Irving’s “American Columbiad” as an act of historical and territorial plundering. He then traces the roots of mulatto society to the pre-1492 Iberian world, not only finding a connection between the Moors of “Old Spain” and the morenos—the blacks and mulattoes of the New World—but also offering a profound critique of creole and imperial discourses. Buscaglia-Salgado reads the pursuit and contestation of what he terms the European Ideal in colonial texts, architecture, and paintings, then identifies the mulatto movement of “undoing” the Ideal in the wars that shook the nineteenth-century Caribbean from Haiti to Cuba, arguing that certain projects of national liberation have moved contrary to the historical claims to freedom in the mulatto world.

DKK 539.00
1

Plinio Salgado - Joao Fabio Bertonha - Bog - Taylor & Francis Ltd - Plusbog.dk

Plinio Salgado - Joao Fabio Bertonha - Bog - Taylor & Francis Ltd - Plusbog.dk

Plínio Salgado covers the life trajectory of the far-right Brazilian political leader between 1895 and 1975. The book initially follows his life from his birth, including political and cultural training and political activities between 1895 and 1930. The focus then shifts to his period as leader of the Brazilian fascist movement between 1932 and 1938, with attention to his performance as a leader, his role within the movement, and in the rise and fall of the Integralist Action. His period of exile in Portugal between 1939 and 1947 is also emphasized, with a special focus on his contacts with the Portuguese radical right and German and Italian agents. The final part addresses his return to Brazil, his efforts to reposition himself politically and his performance as a parliamentarian and supporter of the military coup of 1964. This book will be of interest to researchers of Latin American history, Brazilian history and politics, the transnational far right, and comparative fascism studies.

DKK 429.00
1

Andy Warhol: Prints - Carolyn Vaughn - Bog - Standards Manual - Plusbog.dk

Andy Warhol: Prints - Carolyn Vaughn - Bog - Standards Manual - Plusbog.dk

"I’m for mechanical art,” said Andy Warhol (1928–87). “When I took up silkscreening, it was to more fully exploit the preconceived image through commercial techniques of multiple reproduction.”Printmaking was a vital artistic practice for Warhol. Prints figure prominently throughout his career from his earliest work as a commercial illustrator in the 1950s to the collaborative silkscreens made in the Factory during the 1960s and the commissioned portfolios of his final years. In their fascination with popular culture and provocative subverting of the difference between original and copy, Warhol’s prints are recognized now as a prescient forerunner of today’s hyper-sophisticated, hyper-saturated and hyper-accelerated visual culture. Andy Warhol: Prints , published to accompany a major exhibition at the Portland Art Museum—the largest of its kind ever to be presented—includes approximately 250 of Warhol’s prints and ephemera from the collection of Jordan D. Schnitzer, including iconic silkscreen prints of Campbell’s soup cans and Marilyn Monroe. Organized chronologically and by series, Andy Warhol: Prints establishes the range of Warhol’s innovative graphic production as it evolved over the course of four decades, with a particular focus on Warhol’s use of different printmaking techniques, beginning with illustrated books and ending with screen printing.

DKK 435.00
1

Frank Stella: Prints - Frank Stella - Bog - Jordan Schnitzer Family Foundation - Plusbog.dk

Frank Stella: Prints - Frank Stella - Bog - Jordan Schnitzer Family Foundation - Plusbog.dk

In addition to his achievements in abstract painting and sculpture, Frank Stella has also made major contributions to the history of the modern print. An exploration of the artist’s innovative use of the medium, Frank Stella: Prints reveals the intimate relationships between Stella’s prints and his works in other mediums, demonstrating how Stella blasted a hole in the traditional tools and aesthetics of printmaking with works of compelling complexity and beauty. Frank Stella: Prints registers in chronological sequence more than 300 editioned prints, reproduced in full color, including works in series and portfolios. Related works in other mediums--paintings, metal reliefs, maquettes and sculpture--are also illustrated for comparison. Complete documentation of each print offers a privileged insight into the creative process behind these works of art. An introductory essay, prefaces to each series and comments on individual prints provide background information, analysis and interpretation. Frank Stella: Prints also features an illustrated chronology, a glossary tailored to Stella’s practice, a bibliography and an index.Soon after arriving in New York in the late 1950s, Frank Stella (born 1936) came to prominence with his striped Black Paintings and shaped canvases. His early painting project reduced the medium to its most fundamental elements and introduced a key concept of Minimalism at an early date: “What you see is what you see.” But it was not long before Stella, a restlessly experimental worker, abandoned austerity for brighter colors, irregular shapes, rougher textures and gestural brushstrokes.

DKK 634.00
1

Jonas Wood Prints 2 - Ed Hamilton - Bog - Rizzoli International Publications - Plusbog.dk

Jonas Wood Prints 2 - Ed Hamilton - Bog - Rizzoli International Publications - Plusbog.dk

Featuring studio shots and a new interview between Jonas Wood and Tamarind master printer Ed Hamilton, Jonas Wood: Prints 2 provides an insightful view of the acclaimed artist’s collaborative printmaking process. Following the 2018 release of Jonas Wood: Prints , Jonas Wood: Prints 2 documents Jonas Wood’s dynamic printmaking output from 2018 to 2022 and reproduces more than thirty limited-edition prints created during this period.The selection of prints showcases some of Wood’s most familiar subjects: domestic interiors, sports imagery, botany, and still lifes inspired by his wife Shio Kusaka’s ceramic pieces. From verdant moonlit gardens to peaceful living spaces, Wood depicts everyday scenes and objects with a striking vibrancy born out of collaboration with expert printmakers.In accordance with Wood’s personal emphasis on artistic collaboration, the catalog is organized into sections representing various printshops he has worked with—including Cirrus Gallery and Cirrus Editions Ltd., Counter Editions, Hamilton Press, Mixografia, Pace Editions Inc., and WKS Editions. The catalog also includes photography of Wood’s prints in progress and a conversation between Wood and master printer Ed Hamilton in which they discuss the evolution of printing practices and Wood’s creative influences.Jonas Wood (b. 1977, Boston) lives and works in Los Angeles. He is known for his boldly colored paintings, drawings, and prints that combine art historical references with images of the objects, people, and spaces that comprise the fabric of his life. In 2016, he was commissioned to create an expansive mural, Still Life with Two Owls , for the Museum of Contemporary Art in Los Angeles. His work is held in the collections of the Solomon R. Guggenheim Museum, New York; the Museum of Modern Art, New York; and the San Francisco Museum of Modern Art, among others.

DKK 663.00
1

Banksy: The Prints - Roberto Campolucci Bordi - Bog - Thames & Hudson Ltd - Plusbog.dk

Banksy: The Prints - Roberto Campolucci Bordi - Bog - Thames & Hudson Ltd - Plusbog.dk

The first ever comprehensive catalogue of Banksy’s print editions from 2002 to 2022. Banksy has been creating work for over three decades and is one of the best-known artists of our age. While Banksy has always believed the best place for his work is on the street, where it is free and accessible to everyone, since 2002 he has also created and sold approximately fifty-one print editions, equating to an estimated 30,000 artworks.This unauthorized guide to Banksy’s print editions meticulously documents and reproduces over 170 unique prints, offering an unparalleled visual catalogue of these hugely collectable works. Banksy initially offered his prints – both signed and unsigned – for modest prices, democratizing fine art and making it widely available. Crucially, his prints often expand on themes seen in his wider oeuvre, making them essential in understanding his artistic trajectory. Organized by release year, with perceptive commentary, essential details about each edition, and faithful and high-quality reproductions, Banksy: The Prints is the ultimate resource for collectors, fans of Banksy and street art enthusiasts.

DKK 388.00
1

Presence: The Photography Collection of Judy Glickman Lauder - - Bog - Aperture - Plusbog.dk

Presence: The Photography Collection of Judy Glickman Lauder - - Bog - Aperture - Plusbog.dk

Presence is a thrilling immersion into the personal collection of photographer and humanitarian Judy Glickman Lauder. Nearly 160 images by some eighty photographers, selected from Judy Glickman Lauder’s collection of over 650 prints, explore the idea of “presence” of the human spirit. This stunningly designed album showcases the imagery of beloved and influential photographers of the twentieth century, such as Berenice Abbott, Richard Avedon, Henri Cartier-Bresson, Imogen Cunningham, Nan Goldin, Susan Meiselas, Gordon Parks, Sebastião Salgado, Weegee, and James Van Der Zee. Spanning Pictorialism, portraiture, and fashion, to documentary and photojournalism, and featuring iconic figures from the fields of art, politics, entertainment, and social justice, Presence: The Photography Collection of Judy Glickman Lauder celebrates photography’s ability to capture the human experience. Essays by Anjuli Lebowitz and Adam D. Weinberg provide historical and artistic context, while an autobiographical essay by Glickman Lauder tells the story of her collection. This book accompanies an exhibition drawn from the Judy Glickman Lauder Collection at the Portland Museum of Art, to which the Collection has been gifted. Published by Aperture in partnership with the Portland Museum of Art, Maine

DKK 390.00
1

Marylene Madou: Prints & Patterns - Marylene Madou - Bog - Stockmans NV - Plusbog.dk

Marylene Madou: Prints & Patterns - Marylene Madou - Bog - Stockmans NV - Plusbog.dk

Marylène Madou was established in Belgium early 2017, launching the brand with a successful collection of printed scarves and today print still is the ultimate starting point in each collection. Every textile print is created in-house by the designer herself, exclusively using her own original paintings and digital illustrations. Marylène Madou: Prints & Patterns provides an overview of Marylène’s most distinguishing print designs and patterns, a treat for print admirers and textile enthusiasts worldwide with Italy, the UK, and the Benelux being the largest sourcing countries for the materials. For the manufacturing of her ready-to-wear, she is in a unique position, working with a local atelier in Belgium. A collection of both highly detailed and more stylized prints, highlighting Marylène’s multidisciplinary design process, covering more than 190 pages, divided into 5 chapters. Marylène Madou: Prints & Patterns is printed on high-end paper, with a recognizable print all over the cover. The holographic pink foil makes the title stand out among the crowd. Text in English and French.

DKK 439.00
1

Prints in Translation, 1450-1750 - - Bog - Taylor & Francis Ltd - Plusbog.dk

Prints in Translation, 1450-1750 - - Bog - Taylor & Francis Ltd - Plusbog.dk

Printed artworks were often ephemeral, but in the early modern period, exchanges between print and other media were common, setting off chain reactions of images and objects that endured. Paintings, sculpture, decorative arts, musical or scientific instruments, and armor exerted their own influence on prints, while prints provided artists with paper veneers, templates, and sources of adaptable images. This interdisciplinary collection unites scholars from different fields of art history who elucidate the agency of prints on more traditionally valued media, and vice-versa. Contributors explore how, after translations across traditional geographic, temporal, and material boundaries, original ''meanings'' may be lost, reconfigured, or subverted in surprising ways, whether a Netherlandish motif graces a cabinet in Italy or the print itself, colored or copied, is integrated into the calligraphic scheme of a Persian royal album. These intertwined relationships yield unexpected yet surprisingly prevalent modes of perception. Andrea Mantegna''s 1470/1500 Battle of the Sea Gods, an engraving that emulates the properties of sculpted relief, was in fact reborn as relief sculpture, and fabrics based on print designs were reapplied to prints, returning color and tactility to the very objects from which the derived. Together, the essays in this volume witness a methodological shift in the study of print, from examining the printed image as an index of an absent invention in another medium - a painting, sculpture, or drawing - to considering its role as a generative, active agent driving modes of invention and perception far beyond the locus of its production.

DKK 486.00
1

Richard Tuttle: Prints - Deacon Chris - Bog - JRP Ringier - Plusbog.dk

Richard Tuttle: Prints - Deacon Chris - Bog - JRP Ringier - Plusbog.dk

Since the 1970s, in collaboration with renowned printers and publishers, Richard Tuttle (born 1941) has produced almost 300 prints. Exploiting the unique possibilities of printmaking to make process, materials and actions visible, Tuttle celebrates the complexity of printmaking. Accompanying an exhibition at the Bowdoin College Museum of Art, Brunswick, and published as Tuttle creates a major installation at the Tate Modern''s Turbine Hall (Fall 2014), this volume is the first monograph on Tuttle''s printmaking. These works, which he began producing in the early 1970s, span woodcut, lithography, aquatint and etching, and often incorporate printer''s errors. Edited by Christina von Rotenhan, it explores not only the artist''s unique approach to printmaking with scholarly essays, artist statements and catalogue entries for selected prints between 1973 and 2013, but also Tuttle''s deep interest in the collaborative dimension of printmaking.

DKK 465.00
1