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How Music Works - David Byrne - Bog - Canongate Books - Plusbog.dk

Arboretum - David Byrne - Bog - Canongate Books - Plusbog.dk

Bicycle Diaries - David Byrne - Bog - Faber & Faber - Plusbog.dk

Eye: How It Works - David Macaulay - Bog - Square Fish - Plusbog.dk

Music and How it Works - Dk - Bog - Dorling Kindersley Ltd - Plusbog.dk

How to teach Secondary Music - David Guinane - Bog - HarperCollins Publishers - Plusbog.dk

A History of the World (in Dingbats) - David Byrne - Bog - Phaidon Press Ltd - Plusbog.dk

How Music Works - John Powell - Bog - Penguin Books Ltd - Plusbog.dk

Works of Music - Julian Dodd - Bog - Oxford University Press - Plusbog.dk

Works of Music - Julian Dodd - Bog - Oxford University Press - Plusbog.dk

In this original and iconoclastic book, Julian Dodd argues for what he terms the simple view of the ontological nature of works of pure, instrumental music. This account is the conjunction of two theses: the type/token theory and sonicism. The type/token theory addresses the question of which ontological category musical works fall under, and its answer is that such works are types whose tokens are sound-sequence-events. Sonicism, meanwhile, addresses the question of how works of music are individuated, and it tells us that works of music are identical just in case they sound exactly alike.Both conjuncts of the simple view are highly controversial, and Dodd defends them vigorously and with ingenuity. Even though the simple view is favoured by very few writers in the philosophy of music, Dodd maintains that it is the default position given our ordinary intuitions about musical works, that it can answer the sorts of objections that have led other philosophers to dismiss it, and that it is, on reflection, the most promising ontology of music on offer.Specifically, Dodd argues that the type/token theory offers the best explanation of the repeatability of works of music: the fact that such works admit of multiple occurrence. Furthermore, he goes on to claim that the theory''s most striking consequence - namely, that musical works are eternal existents and, hence, that composers discover rather than create their works - is minimally disruptive of our intuitions concerning the nature of composition and our appreciation of works of music. When it comes to sonicism, Dodd argues both that this way of individuating works of music is prima facie correct, and that the putative counter-examples it faces - most notably, those propounded by Jerrold Levinson - can be harmlessly explained away. In the ontology of music, simplicity rules.

DKK 1143.00
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How Language Works - David Crystal - Bog - Penguin Books Ltd - Plusbog.dk

How Music Works - Rolf Bader - Bog - Springer Nature Switzerland AG - Plusbog.dk

Sing Romantic Music Romantically - David Friddle - Bog - Lexington Books - Plusbog.dk