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French Ultramarine Akvarelmaling 15ml

French Ultramarine Akvarelmaling 15ml

This medium-to-dark warm, reddish-blue is highly lightfast and medium tinting strength. It’s sedimentary quality increases its versatility. Mixed with various portions of other blues, French Ultramarine is a wonderful sky pigment. Modify it with Quinacridone Gold for delightful greens that remain color-coordinated. Mix French Ultramarine with Quinacridone Burnt Orange and be rewarded with an amazing range of blue to brown grays. Mixed with either Quinacridone Rose or Pink, a range of purples result. For another important mix, see Hooker’s and Sap Green. Ultramarine Blue and French Ultramarine both contain pigment PB29, but Ultramarine has a smaller pigment particle size and is slightly greener and cooler than French Ultramarine, which has a larger pigment particle size and is slightly redder and warmer.

DKK 148.00
1

Indanthrone Blue Akvarelmaling 15ml

Indanthrone Blue Akvarelmaling 15ml

This organic Vat pigment is a medium staining primary blue. Warmer than most blues, Indanthrone is clear with a delightful range from blue-black to stonewashed denim. Indanthrone Blue offers exciting new possibilities for Indigo skies, water and interesting shadows, as it can be successfully graded to achieve atmospheric and color perspective. DANIEL SMITH originals Anthraquinoid Red, Indian Yellow and Indanthrone Blue complete a transparent staining trio.

DKK 148.00
2

Vallejo Cobalt Yellow Akrylmaling 200ml

Vallejo Cobalt Yellow Akrylmaling 200ml

Color: Cobalt YellowPermanence: AOpacity: Semi-transparentPigment: PY40Pigment description: Potassium Cobalt NitriteASTM Rating Ligthfastness: IPigment classification: Synthetic inorganicColor Index Number: 77357Viscosity range (mPa.s): 20.000 – 25.000 Color IndexThe pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

DKK 375.00
1

Vallejo Cobalt Yellow Akrylmaling 60ml

Vallejo Cobalt Yellow Akrylmaling 60ml

Color: Cobalt YellowPermanence: AOpacity: Semi-transparentPigment: PY40Pigment description: Potassium Cobalt NitriteASTM Rating Ligthfastness: IPigment classification: Synthetic inorganicColor Index Number: 77357Viscosity range (mPa.s): 20.000 – 25.000 Color IndexThe pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

DKK 172.00
1

Vallejo Cobalt Yellow Akrylmaling 500ml

Vallejo Cobalt Yellow Akrylmaling 500ml

Color: Cobalt YellowPermanence: AOpacity: Semi-transparentPigment: PY40Pigment description: Potassium Cobalt NitriteASTM Rating Ligthfastness: IPigment classification: Synthetic inorganicColor Index Number: 77357Viscosity range (mPa.s): 20.000 – 25.000 Color IndexThe pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

DKK 542.00
1

Naphthol Red Light Fluid

Naphthol Red Light Fluid

Color: Naphthol Red LightPermanence: AOpacity: OpaquePigment: PR112Pigment description: Naphthol ASASTM Rating Ligthfastness: IIPigment classification: Synthetic organicColor Index Number: 12370Viscosity range (mPa.s): 800 – 1.500 Color IndexThe pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

DKK 83.00
1

Permanent Green Fluid

Permanent Green Fluid

Color: Permanent GreenPermanence: AAOpacity: OpaquePigment: PY3, PG7Pigment description: Arylide, Chlorinated Copper PhthalocyanineASTM Rating Ligthfastness: IPigment classification: MixtureColor Index Number: –Viscosity range (mPa.s): 800 – 1.500 Color IndexThe pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

DKK 83.00
1

Transparent Orange Fluid

Transparent Orange Fluid

Color: Transparent OrangePermanence: AOpacity: TransparentPigment: PY83Pigment description: Diarylide YellowASTM Rating Ligthfastness: IPigment classification: Synthetic organicColor Index Number: 21108Viscosity range (mPa.s): 800 – 1.500 Color IndexThe pigments used for artists’ colors are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colors, siennas and ocres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists’ colors, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phtalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

DKK 83.00
1