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Le Klint - Stativ 405 E14 : Erling Christensen Møbler

Le Klint - Stativ 403 pendel : Erling Christensen Møbler

Le Klint - Stativ 404A : Erling Christensen Møbler

Le Klint - Stativ 406A : Erling Christensen Møbler

Le Klint - Stativ 406B : Erling Christensen Møbler

Le Klint - Stativ 406C : Erling Christensen Møbler

Le Klint - Stativ 401A : Erling Christensen Møbler

Hilma af Klint: Tree of Knowledge - Hilma Af Klint - Bog - David Zwirner - Plusbog.dk

Hilma af Klint: Tree of Knowledge - Hilma Af Klint - Bog - David Zwirner - Plusbog.dk

The first detailed survey of Swedish artist Hilma af Klint’s groundbreaking Tree of Knowledge series “Revelatory and sublime. . . . Her work remains conceptually open enough for viewers to draw their own conclusions, insert their own meaning and feel transported to other glorious worlds.” — The New York Times One of the most inventive artists of the twentieth century, af Klint was a pioneer of abstraction. Her first forays into nonobjective painting preceded the work of Kandinsky and Mondrian and radically mined the fields of science and religion. Deeply interested in spiritualism and philosophy, af Klint developed an iconography that explores esoteric concepts in metaphysics, as demonstrated in Tree of Knowledge . This rarely seen series of works on paper renders orbital, enigmatic forms, visual allegories of unification and separateness, darkness and light, beginning and end, life and death, and spirit and matter. Published on the occasion of the exhibition Hilma af Klint: Tree of Knowledge at David Zwirner, New York, in 2021 and David Zwirner, London, in 2022, this book features a text by the art historian Susan Aberth examining af Klint’s spiritual and theosophical influences. With a conversation between curator Helen Molesworth and the US Poet Laureate Joy Harjo discussing connections between Tree of Knowledge and Native theories, the publication broadens the scope of philosophical interpretations of af Klint''s timeless work. Also included is a newly commissioned essay by the celebrated af Klint scholar Julia Voss, a contribution by the artist Suzan Frecon, and a text by art historian Max Rosenberg that further develops the conversation around why af Klint’s work was not recognized in its time.

DKK 439.00
4

Hilma af Klint - Ukendt Forfatter - Bog - Guggenheim Museum Publications,U.S. - Plusbog.dk

Hilma af Klint - Ukendt Forfatter - Bog - Guggenheim Museum Publications,U.S. - Plusbog.dk

Hilma af Klint''s daring abstractions exert a mystical magnetism When Swedish artist Hilma af Klint died in 1944 at the age of 81, she left behind more than 1,000 paintings and works on paper that she had kept largely private during her lifetime. Believing the world was not yet ready for her art, she stipulated that it should remain unseen for another 20 years. But only in recent decades has the public had a chance to reckon with af Klint''s radically abstract painting practice—one which predates the work of Vasily Kandinsky and other artists widely considered trailblazers of modernist abstraction. Her boldly colorful works, many of them large-scale, reflect an ambitious, spiritually informed attempt to chart an invisible, totalizing world order through a synthesis of natural and geometric forms, textual elements and esoteric symbolism. Accompanying the first major survey exhibition of the artist''s work in the United States, Hilma af Klint: Paintings for the Future represents her groundbreaking painting series while expanding recent scholarship to present the fullest picture yet of her life and art. Essays explore the social, intellectual and artistic context of af Klint''s 1906 break with figuration and her subsequent development, placing her in the context of Swedish modernism and folk art traditions, contemporary scientific discoveries, and spiritualist and occult movements. A roundtable discussion among contemporary artists, scholars and curators considers af Klint''s sources and relevance to art in the 21st century. The volume also delves into her unrealized plans for a spiral-shaped temple in which to display her art—a wish that finds a fortuitous answer in the Guggenheim Museum''s rotunda, the site of the exhibition. Hilma af Klint (1862–1944) is now regarded as a pioneer of abstract art. Though her paintings were not seen publicly until 1987, her work from the early 20th century predates the first purely abstract paintings by Kandinsky, Mondrian and Malevich.

DKK 485.00
3

Hilma af Klint and Wassily Kandinsky: Dreams of the Future - Daniel Birnbaum - Bog - David Zwirner - Plusbog.dk