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Sebastiao Salgado - Pascal Hoel - Bog - Silvana - Plusbog.dk

Sebastiao Salgado - Pascal Hoel - Bog - Silvana - Plusbog.dk

The exhibition, from which this catalogue has been produced, has been specially conceived with the MEP (Maison Européenne de la Photographie) and will give the public an insight into the richness and diversity of Sebastião Salgado’s images. Since the 1970s, his black and white images have won him an international following. The MEP has the largest collection in Europe devoted to Sebastião Salgado, with no fewer than 350 prints to date. The exhibition, which brings together around 150 photographs, will focus on three major series that have marked his work over the last 30 years. Salgado’s photographs bear powerful witness to the tragedies of humanity: wars, famines, migrations, refugee camps and the economic transformations that are shaking up our times. This exhibition and its catalogue also provide an opportunity to present almost 75 previously unpublished prints, which will enable the public to learn more about the photographer’s work. These photographs come from an exceptional donation made by Lélia and Sebastião Salgado to the MEP in 2018.

DKK 251.00
1

Sebastiao Salgado. Amazonia - Sebastiao Salgado - Bog - Taschen GmbH - Plusbog.dk

Sebastiao Salgado. Amazonia - Sebastiao Salgado - Bog - Taschen GmbH - Plusbog.dk

Sebastião Salgado traveled the Brazilian Amazon and photographed the unparalleled beauty of this extraordinary region for six years: the forest, the rivers, the mountains, the people who live there—an irreplaceable treasure of humanity . In the book’s foreword Salgado writes: “For me, it is the last frontier, a mysterious universe of its own, where the immense power of nature can be felt as nowhere else on earth. Here is a forest stretching to infinity that contains one-tenth of all living plant and animal species, the world’s largest single natural laboratory.” Salgado visited a dozen indigenous tribes that exist in small communities scattered across the largest tropical rainforest in the world. He documented the daily life of the Yanomami, the Asháninka, the Yawanawá, the Suruwahá, the Zo’é, the Kuikuro, the Waurá, the Kamayurá, the Korubo, the Marubo, the Awá, and the Macuxi—their warm family bonds , their hunting and fishing, the manner in which they prepare and share meals, their marvelous talent for painting their faces and bodies, the significance of their shamans, and their dances and rituals. Sebastião Salgado has dedicated this book to the indigenous peoples of Brazil’s Amazon region: “My wish, with all my heart, with all my energy, with all the passion I possess, is that in 50 years’ time this book will not resemble a record of a lost world. Amazônia must live on.” INSTITUTO TERRA Founded in 1998 at Aimorés in the state of Minas Gerais, Instituto Terra is the culmination of Lélia Wanick Salgado and Sebastião Salgado’s lifelong activism and work as cultural documentarians. Through a scientific program of planting and raising saplings, the organization has performed a miraculous reforestation of the once infertile region and furthered the Salgados’ mission of reversing the damage done to our planet. TASCHEN is proud to reach carbon zero status through our continued partnership. Also available in a Collector''s Edition and four Art Editions, each with a signed silver gelatin print, all with a book stand designed by Renzo Piano.

DKK 1024.00
3

Sebastiao Salgado. Gold - Sebastiao Salgado - Bog - Taschen GmbH - Plusbog.dk

Sebastiao Salgado. Gold - Sebastiao Salgado - Bog - Taschen GmbH - Plusbog.dk

“What is it about a dull yellow metal that drives men to abandon their homes, sell their belongings and cross a continent in order to risk life, limbs and sanity for a dream?” – Sebastião Salgado When Sebastião Salgado was finally authorized to visit Serra Pelada in September 1986, having been blocked for six years by Brazil’s military authorities, he was ill-prepared to take in the extraordinary spectacle that awaited him on this remote hilltop on the edge of the Amazon rainforest. Before him opened a vast hole, some 200 meters wide and deep, teeming with tens of thousands of barely-clothed men . Half of them carried sacks weighing up to 40 kilograms up wooden ladders, the others leaping down muddy slopes back into the cavernous maw. Their bodies and faces were the color of ochre, stained by the iron ore in the earth they had excavated. After gold was discovered in one of its streams in 1979, Serra Pelada evoked the long-promised El Dorado as the world’s largest open-air gold mine , employing some 50,000 diggers in appalling conditions. Today, Brazil’s wildest gold rush is merely the stuff of legend , kept alive by a few happy memories, many pained regrets—and Sebastião Salgado’s photographs. Color dominated the glossy pages of magazines when Salgado shot these images. Black and white was a risky path, but the Serra Pelada portfolio would mark a return to the grace of monochrome photography , following a tradition whose masters, from Edward Weston and Brassaï to Robert Capa and Henri Cartier-Bresson, had defined the early and mid-20th century. When Salgado’s images reached The New York Times Magazine , something extraordinary happened: there was complete silence. “In my entire career at The New York Times ,” recalled photo editor Peter Howe, “ I never saw editors react to any set of pictures as they did to Serra Pelada .” Today, with photography absorbed by the art world and digital manipulation, Salgado’s portfolio holds a biblical quality and projects an immediacy that makes them vividly contemporary. The mine at Serra Pelada has been long closed, yet the intense drama of the gold rush leaps out of these images . This book gathers Salgado’s complete Serra Pelada portfolio in museum-quality reproductions , accompanied by a foreword by the photographer and an essay by Alan Riding.INSTITUTO TERRAFounded in 1998 at Aimorés in the state of Minas Gerais, Instituto Terra is the culmination of Lélia Wanick Salgado and Sebastião Salgado’s lifelong activism and work as cultural documentarians. Through a scientific program of planting and raising saplings, the organization has performed a miraculous reforestation of the once infertile region and furthered the Salgados’ mission of reversing the damage done to our planet. TASCHEN is proud to reach carbon zero status through our continued partnership. Also available in a signed and limited Collector’s Edition

DKK 440.00
3

Sebastião Salgado: - Bog af Vivian Maria - Paperback

Sebastião Salgado: - Bog af Vivian Maria - Paperback

This study deals with the use of photography as a research tool in the Social Sciences and especially in Anthropology, which emerges in the late nineteenth century early twentieth century, addressing macrosocial issues of social reality. Also highlighting the importance of the Mundiologist Sebastião Salgado, to understand the importance of the use of photography in the Social Sciences worldwide, as the use and repercussions of photodocumentary of social denouncement. The text is organized in three..

DKK 422.95
2

Sebastiao Salgado. Kuwait. A Desert on Fire - Sebastiao Salgado - Bog - Taschen GmbH - Plusbog.dk

Sebastiao Salgado. Kuwait. A Desert on Fire - Sebastiao Salgado - Bog - Taschen GmbH - Plusbog.dk

“We must remember that in the brutality of battle another such apocalypse is always just around the corner.” —Sebastião Salgado In January and February 1991, as the United States-led coalition drove Iraqi forces out of Kuwait, Saddam Hussein’s troops retaliated with an inferno. At some 700 oil wells and an unspecified number of oil-filled low-lying areas they ignited vast, raging fires , creating one of the worst environmental disasters in living memory . As the desperate efforts to contain and extinguish the conflagration progressed, Sebastião Salgado traveled to Kuwait to witness the crisis firsthand. The conditions were excruciating. The heat was so vicious that Salgado’s smallest lens warped. A journalist and another photographer were killed when a slick ignited as they crossed it. Sticking close to the firefighters, and with characteristic sensitivity to both human and environmental impact, Salgado captured the terrifying scale of this “huge theater the size of the planet” : the ravaged landscape; the sweltering temperatures; the air choking on charred sand and soot; the blistered remains of camels; the sand still littered with cluster bombs; and the flames and smoke soaring to the skies, blocking out the sunlight, dwarfing the oil-coated firefighters. Salgado’s epic pictures first appeared in the New York Times Magazine in June 1991 and were subsequently awarded the Oskar Barnack Award , recognizing outstanding images on the relationship between man and the environment. Kuwait: A Desert on Fire is the first monograph of this astonishing series . Like Genesis , Exodus , and The Children , it is as much a major document of modern history as an extraordinary body of photographic work.

DKK 587.00
3

Sebastiao Salgado. Workers. An Archaeology of the Industrial Age - - Bog - Taschen GmbH - Plusbog.dk

Sebastiao Salgado. Workers. An Archaeology of the Industrial Age - - Bog - Taschen GmbH - Plusbog.dk

Sebastião Salgado’s photo book classic Workers. An Archaeology of the Industrial Age (first published in 1993) pays tribute to the time-honored tradition of manual labor in the new millennium when machines and computers replace human workers throughout the globe. With images of striking beauty and integrity, Salgado composes a visual elegy for the working men and women, whose indomitable spirit has prevailed over the harshest of conditions to achieve a singular grace.More than those of any other living photographer, Sebastião Salgado’s images of the world’s poor stand in tribute to the human condition. Salgado defines his work as “militant photography”, dedicated to “the best comprehension of human being”; over the decades he has bestowed great dignity on the most isolated and neglected among us — from famine-stricken refugees in the Sahel to the indigenous peoples of South America. With Workers, Salgado brings us a global epic that transcends mere image making to become an affirmation of the enduring spirit of working men and women. In this volume, three hundred fifty duotone photographs form an archaeological perspective of the activities that have defined hard work from the Stone Age through the Industrial Revolution to the present. With images of the infernal landscape of an Indonesian sulfur mine, the drama of traditional Sicilian tuna fishing, and the staggering endurance of Brazilian gold miners, Salgado unearths layers of visual information to reveal the ceaseless human activity at the core of modern civilization.Workers presents its subject on several interactive levels: Salgado’s introductory text, written in collaboration with Brazilian author Eric Nepomuceno, expands his passionate photographic iconography; extended captions, also written by Salgado, provide a historical and factual framework. Honoring the timeless and indomitable spirit of the manual laborer, Workers renders the human condition with honesty and respect.

DKK 697.00
3

Sebastiao Salgado. Genesis. Postcard Set - - Bog - Taschen GmbH - Plusbog.dk

Sebastiao Salgado. Genesis. Postcard Set - - Bog - Taschen GmbH - Plusbog.dk

For Sebastião Salgado, Genesis is a “love letter to the planet.” TASCHEN’s postcard set allows you to send on that wonder with 25 individual images from the complete Genesis portfolio, now the world’s most-visited photography show of all time. The boxed set spans the breadth of Salgado’s project across five focal territories: Planet South, Sanctuaries, Africa, Northern Spaces, and Amazonia and Pantanal. In exquisite black and white textures, each image celebrates the pristine splendor of nature, animals, and indigenous peoples that have, so far, escaped the imprint of modern society, from a Nomadic Nenet girl in Siberia to sunlit Buffalo herds in Botswana’s Okavango Delta. “Genesis is a quest for the world as it was, as it was formed, as it evolved, as it existed for millennia before modern life accelerated and began distancing us from the very essence of our being” — Lélia Wanick Salgado

DKK 153.00
1

Sebastiao Salgado. Genesis - Lella Salgado - Bog - Taschen GmbH - Plusbog.dk

Sebastiao Salgado. Genesis - Lella Salgado - Bog - Taschen GmbH - Plusbog.dk

Sebastião Salgado’s masterpiece Genesis is the result of an epic eight-year expedition to rediscover the mountains, deserts, and oceans, the animals and peoples that have so far escaped the imprint of modern society— the land and life of a still pristine planet . The Genesis project, along with the Salgados’ Instituto Terra, is dedicated to showing the beauty of our planet, reversing the damage done to it, and preserving it for the future. On over 30 trips—by foot, light aircraft, boats, canoes, and even balloons, through extreme temperatures and in sometimes dangerous conditions—Salgado has created a collection of images showing us nature, animals, and indigenous peoples in such intense beauty it takes our breath away . The reach is truly global. Through Salgado’s lens, one discovers the animal species and volcanoes of the Galápagos; the penguins, sea lions, cormorants, and whales of the South Atlantic; Brazilian alligators and jaguars; and African lions, leopards, and elephants. We travel over icebergs in the Antarctic, the volcanoes of Central Africa, the ravines of the Grand Canyon, and the glaciers of Alaska. We encounter the Stone Age Korowai people of West Papua, nomadic Dinka cattle farmers in Sudan, Nenets and their reindeer herds in the Arctic Circle, as well as the Mentawai jungle communities on islands west of Sumatra. In characteristic monochrome, Salgado’s painterly notes are perfectly tuned to these sublime scenes , capturing sweeping aerial panoramas as much as the most intricate details and textures, from a reptilian skin to the fur coat of the Nenet people of northern Siberia. The exquisitely reproduced images are arranged not by theme but rather conceived as a journey around the globe, immersing them in Salgado’s vision of the Earth’s mesmerizing scale, order, and beauty .INSTITUTO TERRAFounded in 1998 at Aimorés in the state of Minas Gerais, Instituto Terra is the culmination of Lélia Wanick Salgado and Sebastião Salgado’s lifelong activism and work as cultural documentarians. Through a scientific program of planting and raising saplings, the organization has performed a miraculous reforestation of the once infertile region and furthered the Salgados’ mission of reversing the damage done to our planet. TASCHEN is proud to reach carbon zero status through our continued partnership.

DKK 722.00
3

Sebastiao Salgado: Other Americas - Sebastiao Salgado - Bog - Aperture - Plusbog.dk

Sebastiao Salgado: Other Americas - Sebastiao Salgado - Bog - Aperture - Plusbog.dk

The first edition of Sebastião Salgado: Other Americas was published in 1985 by the French publisher Contrejour, and included photographs from Salgado''s numerous trips through Brazil, Ecuador, Bolivia, Peru, Guatemala and Mexico. The Brazil-born, Paris-based photographer traveled extensively in Latin America between 1977 and 1984 to document the shifting religious and political climate in the region, especially as reflected in Latin America''s rural cultures and traditional lifestyles. Other Americas, Salgado''s first photobook, included portraits of farmers and indigenous people, landscapes and pictures of the region''s spiritual traditions. An instant classic, the book received countless awards and prizes and has been called the visual equivalent to the magic of a Gabriel García Márquez tale. This new edition of Other Americas, an English-language reissue of the 1985 Contrejour edition, brings back into print one of the most powerful visions of life in Central and South America ever recorded.

DKK 390.00
2

Sebastiao Salgado. Africa - Mia Couto - Bog - Taschen GmbH - Plusbog.dk

Sebastiao Salgado. Africa - Mia Couto - Bog - Taschen GmbH - Plusbog.dk

Sebastião Salgado is one the most respected photojournalists working today, his reputation forged by decades of dedication and powerful black-and-white images of dispossessed and distressed people, taken in places where most wouldn’t dare to go. Although he has photographed throughout South America and around the globe, his work most heavily concentrates on Africa, where he has shot more than 40 reportage works over a period of 30 years . From the Dinka tribes in Sudan and the Himba in Namibia to gorillas and volcanoes in the lakes region to displaced peoples throughout the continent, Salgado shows us all facets of African life today. Whether he’s documenting refugees or vast landscapes, Salgado knows exactly how to grab the essence of a moment so that when one sees his images one is involuntarily drawn into them. His images artfully teach us the disastrous effects of war, poverty, disease, and hostile climatic conditions. This book brings together Salgado’s photos of Africa in three parts. The first concentrates on the southern part of the continent (Mozambique, Malawi, Angola, Zimbabwe, South Africa, Namibia), the second on the Great Lakes region (Congo, Rwanda, Burundi, Uganda, Tanzania, Kenya), and the third on the Sub-Saharan region (Burkina Faso, Mali, Sudan, Somalia, Chad, Mauritania, Senegal, Ethiopia). Texts are provided by renowned Mozambique novelist Mia Couto, who describes how today’s Africa reflects the effects of colonization as well as the consequences of economic, social, and environmental crises. This stunning book is not only a sweeping document of Africa but an homage to the continent’s history, people, and natural phenomena.

DKK 785.00
3

Sebastiao Salgado. Exodus - Unknown - Bog - Taschen GmbH - Plusbog.dk

Sebastiao Salgado. Exodus - Unknown - Bog - Taschen GmbH - Plusbog.dk

It has been almost a generation since Sebastião Salgado first published Exodus but the story it tells, of fraught human movement around the globe, has changed little in 16 years. The push and pull factors may shift, the nexus of conflict relocates from Rwanda to Syria, but the people who leave their homes tell the same tale: deprivation, hardship, and glimmers of hope, plotted along a journey of great psychological, as well as physical, toil. Salgado spent six years with migrant peoples, visiting more than 35 countries to document displacement on the road, in camps, and in overcrowded city slums where new arrivals often end up. His project includes Latin Americans entering the United States, Jews leaving the former Soviet Union, Kosovars fleeing into Albania, the Hutu refugees of Rwanda, as well as the first “boat people” of Arabs and sub-Saharan Africans trying to reach Europe across the Mediterranean ea . His images feature those who know where they are going and those who are simply in flight, relieved to be alive and uninjured enough to run. The faces he meets present dignity and compassion in the most bitter of circumstances, but also the many ravaged marks of violence, hatred, and greed. With his particular eye for detail and motion, Salgado captures the heart-stopping moments of migratory movement, as much as the mass flux . There are laden trucks, crowded boats, and camps stretched out to a clouded horizon, and then there is the small, bandaged leg; the fingerprint on a page; the interview with a border guard; the bundle and baby clutched to a mother’s breast. Insisting on the scale of the migrant phenomenon, Salgado also asserts, with characteristic humanism, the personal story within the overwhelming numbers. Against the indistinct faces of televised footage or the crowds caught beneath a newspaper headline, what we find here are portraits of individual identities, even in the abyss of a lost land, home, and, often, loved ones . At the same time, Salgado also declares the commonality of the migrant situation as a shared, global experience . He summons his viewers not simply as spectators of the refugee and exile suffering, but as actors in the social, political, economic, and environmental shifts which contribute to the migratory phenomenon. As the boats bobbing up on the Greek and Italian coastline bring migration home to Europe like no mass movement since the Second World War, Exodus cries out not only for our heightened awareness but also for responsibility and engagement . In face of the scarred bodies, the hundreds of bare feet on hot tarmac, our imperative is not to look on in compassion, but, in Salgado’s own words, to temper our behaviors in a “new regimen of coexistence.”

DKK 727.00
3

Sebastiao Salgado. Children - Unknown - Bog - Taschen GmbH - Plusbog.dk

Sebastiao Salgado. Children - Unknown - Bog - Taschen GmbH - Plusbog.dk

In every crisis situation, children are the greatest victims. Physically weak, they are often the first to succumb to hunger, disease, and dehydration. Innocent to the workings and failings of the world, they are unable to understand why there is danger, why there are people who want to hurt them, or why they must leave, perhaps quite suddenly, and abandon their schools, their friends, and their home. In this companion series to Exodus , Sebastião Salgado presents 90 portraits of the youngest exiles, migrants, and refugees . His subjects are from different countries, victims to different crises, but they are all on the move, and all under the age of 15 . Through his extensive refugee project, what struck Salgado about these boys and girls was not only the implicit innocence in their suffering but also their radiant reserves of energy and enthusiasm, even in the most miserable of circumstances . From roadside refuges in Angola and Burundi to city slums in Brazil and sprawling camps in Lebanon and Iraq, the children remained children: they were quick to laugh as much as to cry, they played soccer, splashed in dirty water, got up to mischief with friends, and were typically ecstatic at the prospect of being photographed. For Salgado, the exuberance presented a curious paradox. How can a smiling child represent circumstances of deprivation and despair? What he noticed, though, was that when he asked the children to line up, and took their portraits one by one, the group giddiness would fade. Face to face with his camera, each child would become much more serious. They would look at him not as part of a noisy crowd, but as an individual. Their poses would become earnest. They looked into the lens with a sudden intensity , as if abruptly taking stock of themselves and their situation. And in the expression of their eyes, or the nervous fidget of small hands, or the way frayed clothes hung off painfully thin frames, Salgado found he had a refugee portfolio that deserved a forum of its own. The photographs do not try to make a statement about their subjects’ feelings, or to spell out the particulars of their health, educational, and housing deficits. Rather, the collection allows 90 children to look out at the viewer with all the candor of youth and all the uncertainty of their future . Beautiful, proud, pensive, and sad, they stand before the camera for a moment in their lives, but ask questions that haunt for years to come. Will they remain in exile? Will they always know an enemy? Will they grow up to forgive or seek revenge? Will they grow up at all?

DKK 390.00
3