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The Experimental Book Object Materiality Media Design

Curating the Contemporary in the Art Museum

Curating the Contemporary in the Art Museum

Curating the Contemporary in the Art Museum investigates the art museum as a space where the contemporary is staged – in exhibitions collecting practices communication and policies. Curating the Contemporary in the Art Museum traces the art museum back to the postwar era. Including contributions by established and emerging art historians academics and curators the book proposes that the art museum is engaged in the contemporary in a double sense: it (re)presents contemporary art while the contemporary condition itself also has a significant impact on art and the museum that houses it. Presenting a diverse range of international cases of exhibitions and curatorial practices which hail primarily from Europe and Scandinavia the essays examine the politics of staging “national” “international” and “global” framings of modernism as well as the new public spaces shaped in digital practices and changing political frameworks. The book investigates both the seminal and the unknown exhibitions and institutions that created contemporary art as we know it today. Curating the Contemporary in the Art Museum provides a historical perspective on the museum of contemporary art. It constitutes a step towards differencing the canon of modernist and contemporary art and a more complex understanding of the politics of curating the contemporary in the art museum why it will be of interest to academics and students engaged in the study of museums curating exhibitions and art history.

GBP 120.00
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Music in a New Found Land Themes and Developments in the History of American Music

Fairbairn and the Object Relations Tradition

Posthumous Art Law and the Art Market The Afterlife of Art

The Venice Biennale and the Asia-Pacific in the Global Art World

A History of Aboriginal Art in the Art Gallery of New South Wales

The Gothic Image Religious Art In France Of The Thirteenth Century

Art And Architecture In Medieval France Medieval Architecture Sculpture Stained Glass Manuscripts The Art Of The Church Treasuries

Object Detection with Deep Learning Models Principles and Applications

The Art of Dining in Medieval Byzantium

The International Handbook of Art Therapy in Palliative and Bereavement Care

Sexually Explicit Art Feminist Theory and Gender in the 1970s

Museums Art and Inclusion in a Climate Emergency

GBP 130.00
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Charting the Afrofuturist Imaginary in African American Art The Black Female Fantastic

The Art of Editing in the Age of Convergence

Chakshudana or Opening the Eyes Seeing South Asian Art Anew

Chakshudana or Opening the Eyes Seeing South Asian Art Anew

Chakshudana or rituals of opening the eyes are practiced across multiple South Asian communities by artists sculptors and priests. The ritual offers gods access to the mortal world. This practice applied to the study of material and visual culture offers a distinctive perspective to interrogate the complex engagements with paintings sculptures found objects fragments built environments and ecologies. This volume takes the process of seeing as its focus—to look closely remaining true to the object but also to see widely—from multiple subjective stances and diverse bodily engagements such as walking to dreaming glancing to looking askance hypnotic stares and to see beyond the visible. It examines art history through nuanced considerations of materiality aesthetics and regional specificities. The essays emerge from current research that builds on the contributions of Michael W. Meister W. Norman Brown Distinguished Professor of History of Art and South Asia Studies at the University of Pennsylvania whose works laid the foundations for the study of South Asian visual and material culture. The essays in this book underscore methodological resonances rather than privileging conventional categories of media or chronology exploring artistic media including temples and paintings as well as Bengali-quilted textiles manuscript ‘lozenges ’ and metal repousse. This volume part of the Visual Media and Histories Series will be of interest to students and researchers of history of art religious studies and history as well as the allied disciplines of anthropology and folklore studies. Chapter 2 of this book is freely available as a downloadable Open Access PDF at http://www. taylorfrancis. com under a Creative Commons (CC-BY-NC-ND) 4. 0 license. | Chakshudana or Opening the Eyes Seeing South Asian Art Anew

GBP 130.00
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Shaping Identities in a Holy Land Crusader Art in the Latin Kingdom of Jerusalem: Patrons and Viewers

Shaping Identities in a Holy Land Crusader Art in the Latin Kingdom of Jerusalem: Patrons and Viewers

In the 88 years between its establishment by the victorious armies of the First Crusade and its collapse following the disastrous defeat at Hattin the Latin Kingdom of Jerusalem was the site of vibrant artistic and architectural activity. As the crusaders rebuilt some of Christendom's most sacred churches or embellished others with murals and mosaics a unique and highly original art was created. Focusing on the sculptural mosaic and mural cycles adorning some of the most important shrines in the Kingdom (such as the Church of the Holy Sepulchre The Basilica of the Annunciation and the Church of the Nativity) this book offers a broad perspective of Crusader art and architecture. Among the many aspects discussed are competition among pilgrimage sites crusader manipulation of biblical models the image of the Muslim and others. Building on recent developments in the fields of patronage studies and reception theory the book offers a study of the complex ways in which Crusader art addressed its diverse audiences (Franks indigenous eastern Christians pilgrims) while serving the intentions of its patrons. Of particular interest to scholars and students of the Crusades and of Crusader art as well as scholars and students of medieval art in general this book will appeal to all those engaging with intercultural encounters acculturation Christian-Muslim relations pilgrimage the Holy Land medieval devotion and theology Byzantine art reception theory and medieval patronage. | Shaping Identities in a Holy Land Crusader Art in the Latin Kingdom of Jerusalem: Patrons and Viewers

GBP 150.00
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Performance Art in Portugal

An Object-Oriented Python Cookbook in Quantum Information Theory and Quantum Computing

Postmigration Transculturality and the Transversal Politics of Art

Postmigration Transculturality and the Transversal Politics of Art

This is the first book to develop a postmigrant analytical perspective for the study of art concentrating on how postmigration reopens the study of contemporary art and migration. The book introduces art historians and other scholars with a methodological interest in cultural analysis to the innovative concept of postmigration offering a comprehensive introduction to the various meanings and uses of the term as well as translating it methodologically to an art historical context. The book analyses art projects from Denmark Germany and Great Britain which address some of the current challenges to European societies of immigration and by drawing on theory from fields such as migration studies transcultural studies and feminist postcolonial and political theory as well as re-engaging established concepts such as imagination commemoration belonging identity racialization community public space and participation. The book will be of interest to scholars working in art history art and politics migration studies and transcultural studies. The Open Access version of this book available at www. taylorfrancis. com has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4. 0 license. Funded by The Novo Nordisk Foundation/The Novo Nordisk Foundation’s Committee on Research in Art and Art History Grant No. NNF19OC0053992. | Postmigration Transculturality and the Transversal Politics of Art

GBP 130.00
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