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Platos Ideenlehre - Eine einführung in den Idealismus | Paul Natorp usato Filosofia Classica

Die Thraker südlich vom Balkan in den Geographika Strabos - Quellenkritische Untersuchungen | Konstantin Boshnakov usato Storia Antica

Zurück zu Freuds Texten - Stumme Dokumente sprechen machen | Ilse Grubrich-Simitis usato Scienze umane Psicologia

München und der Nationalsozialismus - Katalog des NS-Dokumentationszentrums München | Winfried Nerdinger usato Storia Guerre mondiali

Das fünfte Buch: Neue Lebensläufe - 402 Geschichten | Alexander Kluge usato Arte Storia e critica d'arte

Spurensicherung - Die Wissenschaft auf der Suche nach sich selbst | Carlo Ginzburg usato Storia Storiografia Temi

Il bacio della bielorussa | Antonio Pagliaro usato Narrativa Italiana

San Nicola - Il grande taumaturgo | Michele Bacci usato Storia Biografie Diari e Memorie

Leggere il tedesco per gli studi umanistici - Progrediti | Peter Paschke usato Saggi di letteratura Linguistica

Delia's how to Cook - Book Two | Delia Smith usato Manualistica Varia

After the End of Art - Contemporary art and the pale of history | Arthur Coleman Danto usato Arte Storia e critica d'arte

After the End of Art - Contemporary art and the pale of history | Arthur Coleman Danto usato Arte Storia e critica d'arte

Over a decade ago, Arthur Danto announced that art ended in the sixties. Ever since this declaration, he has been at the forefront of a radical critique of the nature of art in our time. After the End of Art presents Danto's first full-scale reformulation of his original insight, showing how, with the eclipse of abstract expressionism, art has deviated irrevocably from the narrative course that Vasari helped define for it in the Renaissance. Moreover, he leads the way to a new type of criticism that can help us understand art in a posthistorical age where, for example, an artist can produce a work in the style of Rembrandt to create a visual pun, and where traditional theories cannot explain the difference between Andy Warhol's Brillo Box and the product found in the grocery store. Here we are engaged in a series of insightful and entertaining conversations on the most relevant aesthetic and philosophical issues of art, conducted by an especially acute observer of the art scene today. Originally delivered as the prestigious Mellon Lectures on the Fine Arts, these writings cover art history, pop art, "people's art," the future role of museums, and the critical contributions of Clement Greenberg--who helped make sense of modernism for viewers over two generations ago through an aesthetics-based criticism. Tracing art history from a mimetic tradition (the idea that art was a progressively more adequate representation of reality) through the modern era of manifestos (when art was defined by the artist's philosophy), Danto shows that it wasn't until the invention of Pop art that the historical understanding of the means and ends of art was nullified. Even modernist art, which tried to break with the past by questioning the ways of producing art, hinged on a narrative. Traditional notions of aesthetics can no longer apply to contemporary art, argues Danto. Instead he focuses on a philosophy of art criticism that can deal with perhaps the most perplexing feature of contemporary art: that everything is possible.

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