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X4: Timelines Steam Altergift

X4: Timelines Steam Altergift

SCENARI IMMERSIVI E SBLOCCHI UNICIIncorporati in una nuova trama di X4: Timelines, troverai una vasta gamma di scenari in cui esperimenterai i diversi aspetti del gameplay di X4. Giocando in questi scenari sbloccherai anche nuove missioni all'interno della trama di X4: Timelines e bonus per il tuo vasto universo sandbox di X4 - tra cui navi classiche reinventate dalla storia dell'universo X.NUOVA TRAMA MISTERIOSAAssumerai il ruolo di Harper Donel, un commerciante nei territori di confine, che non ha paura di affrontare affari rischiosi. Un incontro fatale non solo cambia i tuoi piani a breve termine, ma scuote le fondamenta della tua comprensione dell'universo e di tutti coloro che lo abitano. Preparati ad immergerti in un racconto di intrighi e rivelazioni.Imbarcati in un'odissea spaziale senza precedenti con X4: Timelines, l'ultima aggiunta all'universo di X4.Utilizzando nuovi metodi per introdurre nuovi giocatori ai meccanismi di gioco principali di X4, X4: Timelines delizierà anche gli avventurieri spaziali di lunga data. Con una nuova trama emozionante che si svolge al di fuori del sandbox di X4, preparati ad affrontare sfide colossali e escursioni inaspettate nei meandri della storia e del lore della serie X.X4: Timelines è il tuo passaggio verso territori inesplorati e storie inedite. Seleziona 'Timelines' dal menu principale di X4: Foundations e intraprendi un'avventura che va oltre il tempo e lo spazio. Lungo il cammino, potrai sbloccare vari bonus per il tuo universo sandbox di X4.X4: Timelines è più di una semplice espansione; è una rivoluzione nell'universo di X4. Che tu sia un esploratore spaziale esperto o un novizio nella galassia, questo nuovo emozionante capitolo promette di catturarti con il suo mix di mistero, avventura e gameplay strategico.

EUR 16.33
1

After the End of Art - Contemporary art and the pale of history | Arthur Coleman Danto usato Arte Storia e critica d'arte

After the End of Art - Contemporary art and the pale of history | Arthur Coleman Danto usato Arte Storia e critica d'arte

Over a decade ago, Arthur Danto announced that art ended in the sixties. Ever since this declaration, he has been at the forefront of a radical critique of the nature of art in our time. After the End of Art presents Danto's first full-scale reformulation of his original insight, showing how, with the eclipse of abstract expressionism, art has deviated irrevocably from the narrative course that Vasari helped define for it in the Renaissance. Moreover, he leads the way to a new type of criticism that can help us understand art in a posthistorical age where, for example, an artist can produce a work in the style of Rembrandt to create a visual pun, and where traditional theories cannot explain the difference between Andy Warhol's Brillo Box and the product found in the grocery store. Here we are engaged in a series of insightful and entertaining conversations on the most relevant aesthetic and philosophical issues of art, conducted by an especially acute observer of the art scene today. Originally delivered as the prestigious Mellon Lectures on the Fine Arts, these writings cover art history, pop art, "people's art," the future role of museums, and the critical contributions of Clement Greenberg--who helped make sense of modernism for viewers over two generations ago through an aesthetics-based criticism. Tracing art history from a mimetic tradition (the idea that art was a progressively more adequate representation of reality) through the modern era of manifestos (when art was defined by the artist's philosophy), Danto shows that it wasn't until the invention of Pop art that the historical understanding of the means and ends of art was nullified. Even modernist art, which tried to break with the past by questioning the ways of producing art, hinged on a narrative. Traditional notions of aesthetics can no longer apply to contemporary art, argues Danto. Instead he focuses on a philosophy of art criticism that can deal with perhaps the most perplexing feature of contemporary art: that everything is possible.

EUR 13.00
1

Chris Droney of Bell Harbour

The Oxford Dictionary of Opera | John Warrack, Ewan West usato Musica Musica

The Oxford Dictionary of Opera | John Warrack, Ewan West usato Musica Musica

La Scala, Luciano Pavarotti, Sweeney Todd, Maria Callas, Le Nozze di Figaro. These are just a few of the more than 1000 profiles on musical figures, 700 entries on famous works, and 200 important locales found in The Oxford Dictionary of Opera. Covering everything from composers, individual operas, well-known arias, and principle characters, to technical terms, librettists, and opera-houses, this is the most comprehensive one-volume reference work on all aspects of opera. Here opera buffs will have at their fingertips opera synopses and first performance details, bibliographies of works about opera, entries on singers (including their debuts and career highlights, with notes on voice type, style, and reputation), definitions and discussions of technical terms and operatic styles, and surveys of the history of opera worldwide. The editors include not only the basic information one would expect to find in an authoritative reference, but also many colorful asides that make browsing a pleasure. For example, we learn that Tristan und Isolde (Munich, 1865) was an outcome of Wagner's reading of Schopenhauer, how Verdi referred to the years between 1844 and 1859 (during which he was commissioned to write nineteen operas) as his "anni di galera" (his prison years), and how Toscanini resigned his directorship at La Scala over political tensions with the Fascists (he had previously refused to conduct the Fascist anthem at performances). In an entry on China, we learn that, unlike European opera, Chinese opera incorporates acrobatics (and often mime), and that before the Cultural Revolution (1966-76), there were over 300 regional styles of opera throughout the land. We even find an entry that lists the multitude of operas (over 300) that have been written based on Shakespeare's works. Other entries provide information on the different subdivisions of voice (from the soprano dramatique to the bariton-Martin), Russian Opera in Uzbekistan, and the definition of "Kravattentenor" (a tenor whose tone suggests he is being strangled by his neckwear). The Oxford Dictionary of Opera comes at a time when opera has reached unprecedented levels of popularity, enjoying well-filled opera houses, public television broadcasts, and huge record sales. Fully cross-referenced and packed with information, this tremendous reference is a must for all opera lovers.

EUR 11.00
1

Travels through the Canadas - containing a description of the picturesque scenery on some of the rivers and lakes; with an account of the productions,

More Musical Reflections Of Ireland