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An Analysis of Amartya Sen's Inequality Re-Examined

An Analysis of Oliver Sacks's The Man Who Mistook His Wife for a Hat and Other Clinical Tales

An Analysis of Oliver Sacks's The Man Who Mistook His Wife for a Hat and Other Clinical Tales

In The Man Who Mistook His Wife for a Hat neurologist Oliver Sacks looked at the cutting-edge work taking place in his field and decided that much of it was not fit for purpose. Sacks found it hard to understand why most doctors adopted a mechanical and impersonal approach to their patients and opened his mind to new ways to treat people with neurological disorders. He explored the question of deciding what such new ways might be by deploying his formidable creative thinking skills. Sacks felt the issues at the heart of patient care needed redefining because the way they were being dealt with hurt not only patients but practitioners too. They limited a physician’s capacity to understand and then treat a patient’s condition. To highlight the issue Sacks wrote the stories of 24 patients and their neurological clinical conditions. In the process he rebelled against traditional methodology by focusing on his patients’ subjective experiences. Sacks did not only write about his patients in original ways – he attempt to come up with creative ways of treating them as well. At root his method was to try to help each person individually with the core aim of finding meaning and a sense of identity despite or even thanks to the patients’ condition. Sacks thus redefined the issue of neurological work in a new way and his ideas were so influential that they heralded the arrival of a broader movement – narrative medicine – that placed stronger emphasis on listening to and incorporating patients’ experiences and insights into their care. | An Analysis of Oliver Sacks's The Man Who Mistook His Wife for a Hat and Other Clinical Tales

GBP 6.50
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An Analysis of Gayatri Chakravorty Spivak's Can the Subaltern Speak?

An Analysis of Gayatri Chakravorty Spivak's Can the Subaltern Speak?

A critical analysis of Spivak's classic 1988 postcolonial studies essay in which she argues that a core problem for the poorest and most marginalized in society (the subalterns) is that they have no platform to express their concerns and no voice to affect policy debates or demand a fairer share of society’s goods. A key theme of Gayatri Spivak's work is agency: the ability of the individual to make their own decisions. While Spivak's main aim is to consider ways in which subalterns – her term for the indigenous dispossessed in colonial societies – were able to achieve agency this paper concentrates specifically on describing the ways in which western scholars inadvertently reproduce hegemonic structures in their work. Spivak is herself a scholar and she remains acutely aware of the difficulty and dangers of presuming to speak for the subalterns she writes about. As such her work can be seen as predominantly a delicate exercise in the critical thinking skill of interpretation; she looks in detail at issues of meaning specifically at the real meaning of the available evidence and her paper is an attempt not only to highlight problems of definition but to clarify them. What makes this one of the key works of interpretation in the Macat library is of course the underlying significance of this work. Interpretation in this case is a matter of the difference between allowing subalterns to speak for themselves and of imposing a mode of speaking on them that – however well-intentioned – can be as damaging in the postcolonial world as the agency-stifling political structures of the colonial world itself. By clearing away the detritus of scholarly attempts at interpretation Spivak takes a stand against a specifically intellectual form of oppression and marginalization. | An Analysis of Gayatri Chakravorty Spivak's Can the Subaltern Speak?

GBP 6.50
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