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Shaping Identities in a Holy Land Crusader Art in the Latin Kingdom of Jerusalem: Patrons and Viewers

Shaping Identities in a Holy Land Crusader Art in the Latin Kingdom of Jerusalem: Patrons and Viewers

In the 88 years between its establishment by the victorious armies of the First Crusade and its collapse following the disastrous defeat at Hattin the Latin Kingdom of Jerusalem was the site of vibrant artistic and architectural activity. As the crusaders rebuilt some of Christendom's most sacred churches or embellished others with murals and mosaics a unique and highly original art was created. Focusing on the sculptural mosaic and mural cycles adorning some of the most important shrines in the Kingdom (such as the Church of the Holy Sepulchre The Basilica of the Annunciation and the Church of the Nativity) this book offers a broad perspective of Crusader art and architecture. Among the many aspects discussed are competition among pilgrimage sites crusader manipulation of biblical models the image of the Muslim and others. Building on recent developments in the fields of patronage studies and reception theory the book offers a study of the complex ways in which Crusader art addressed its diverse audiences (Franks indigenous eastern Christians pilgrims) while serving the intentions of its patrons. Of particular interest to scholars and students of the Crusades and of Crusader art as well as scholars and students of medieval art in general this book will appeal to all those engaging with intercultural encounters acculturation Christian-Muslim relations pilgrimage the Holy Land medieval devotion and theology Byzantine art reception theory and medieval patronage. | Shaping Identities in a Holy Land Crusader Art in the Latin Kingdom of Jerusalem: Patrons and Viewers

GBP 150.00
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Jerusalem

The Medieval Military Orders 1120-1314

Iranian Immigration to Israel History and Voices in the Shadow of Kings

Devas Demons and Buddhist Cosmology in Sri Lanka Apotheosis and the Spiritual Progression of Hūniyam

GBP 130.00
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Emotions and Architecture Forging Mediterranean Cities Between the Middle Ages and Early Modern Time

Emotions and Architecture Forging Mediterranean Cities Between the Middle Ages and Early Modern Time

Emotions and Architecture: Forging Mediterranean Cities Between the Middle Ages and Early Modern Time explores architecture as a medium to arouse or conceal emotions to build consensus through shared values or to reconnect the urban community to its alleged ancestry. The chapters in this edited collection outline how architectonic symbols images and structures were codified – and sometimes recast – to match or to arouse emotions awakened by wars political dominance pandemic challenges and religion. As signs of spiritual and political power these elements were embraced and modulated locally providing an endorsement to authorities and rituals for the community. This volume provides an overview of the phenomenon across the Italian region stressing the transnationality of selected symbols and their various declinations in local contexts. It deepens the issue of refitting symbols artworks and structures to arouse emotions by carefully analysing specific cases such as the Septizodium in Rome the Holy House of Loreto in Venice and the reconstruction of L'Aquila. The collection through its variegated contributions offers a comprehensive view of the phenomenon: exploring the issue from political social religious and public health perspectives and seeking to propose a new definition of architecture as a visual emotional language. Together the chapters show how the representation of virtues and emotions through architecture was part of a symbolic practice shared by many across the Italian context. This book will be of interest to researchers and students studying architectural history the history of emotions and the history of art. | Emotions and Architecture Forging Mediterranean Cities Between the Middle Ages and Early Modern Time

GBP 130.00
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Disarmed And Dangerous The Radical Life And Times Of Daniel And Philip Berrigan Brothers In Religious Faith And Civil Disobedience

Disarmed And Dangerous The Radical Life And Times Of Daniel And Philip Berrigan Brothers In Religious Faith And Civil Disobedience

What transformed Daniel and Philip Berrigan from conventional Roman Catholic priests into ?holy outlaws??for a time the two most wanted men of J. Edgar Hoover's FBI? And how did they evolve from their traditionally pious second-generation immigrant beginnings to become the most famous (some would say notorious) religious rebels of their day?Disarmed and Dangerous the first full-length unauthorized biography of the Berrigans answers these questions with an incisive and illuminating account of their rise to prominence as civil rights and antiwar activists. It also traces the brothers' careers as constant thorns in the side of church authority as well as their leadership of the ongoing Plowshares movement?a highly controversial campaign of civil disobedience against the contemporary arms trade and nuclear weapons. Murray Polner and Jim O'Grady plumb the Berrigans' contradictions: among them Philip's secret marriage while he was still a Josephite priest to Elizabeth McAlister then a Catholic nun which led to their dismissals by their respective religious orders and Philip's excommunication from the church; and Daniel's speech faulting Israel's treatment of Palestinians and the resulting criticism loosed upon him from pro-Israeli Americans and many of his allies on the left. Disarmed and Dangerous is a fascinating study of brothers linked by faith and the dreams of peace and social justice in a century bloodied by war mass murders and weapons of immense destructive power. It is above all an original contribution to modern American history that is sure to be widely read and discussed. | Disarmed And Dangerous The Radical Life And Times Of Daniel And Philip Berrigan Brothers In Religious Faith And Civil Disobedience

GBP 130.00
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The Dolmens and Passage Graves of Sweden An Introduction and Guide

The People of the Book Drama Fellowship and Religion

The People of the Book Drama Fellowship and Religion

Judaism has long derived its identity from its sacred books. The book or scroll - rather than the image or idol - has been emblematic of Jewish faith and tradition. The People of the Book presents a study of a group of Orthodox Jews all of whom live in the modern world engaged in the time-honored practice of lernen the repeated review and ritualized study of the sacred texts. In preserving one of the activities of Jewish life Samuel C. Heilman argues these are the genuine People of the Book. For two years Heilman participated in and observed five study circles in New York and Jerusalem engaged in the avocation of lernen the Talmud the great corpus of Jewish law lore and tradition. These groups made up of men who felt the ritualized study of sacred texts to be not only a religious obligation but also an appealing way to spend their evenings weekends and holidays assembled together under the guidance of a teacher to review the holy books of their people. Having become part of this world the author is able to provide first-hand observation of the workings of the study circle. Heilman's study moves beyond the merely descriptive into an analysis of the nature and meaning of activity he observed. To explain the character and appeal of the study groups he employs three concepts: drama fellowship and religion. Inherent to the life of the study circle are various sorts of drama: social dramas playing out social relationships cultural performances reenacting the Jewish world view and interactional dramas and word plays involving the intricacies of the recitation and translation process. This book will be of interest to anthropologists and those interested in the academic study of religion. | The People of the Book Drama Fellowship and Religion

GBP 130.00
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Wilderness Wanderings Probing Twentieth-century Theology And Philosophy

Wilderness Wanderings Probing Twentieth-century Theology And Philosophy

Wilderness Wanderings slashes through the tangled undergrowth that Christianity in America has become to clear a space for those for whom theology still matters. Writing to a generation of Christians that finds itself at once comfortably ?at home? yet oddly fettered and irrelevant in America Stanley Hauerwas challenges contemporary Christians to reimagine what it might mean to ?break back into Christianity? in a world that is at best semi-Christian. While the myth that America is a Christian nation has long been debunked a more urgent constructive task remains; namely discerning what it may mean for Christians approaching the threshold of the twenty-first century to be courageous in their convictions. Ironically reclaiming the church's identity and mission may require relinquishing its purported ?gains??which often amount to little more than a sense of comfort the seduction of feeling ?at ease in Zion?? to take up again the risk and adventure of life ?on the way. ? Accordingly this book gives no comfort to the religious right or left which continues to think Christianity can be made compatible with the sentimentalities of democratic liberalism. Such a re-visioned church will not establish itself through conquest or in a reconstituted Christendom but rather must develop within its own life the patient attentive skills of a wayfaring people. At least a church seasoned by a peripatetic life stands a better chance of noticing the changing directions of God's leading. The wilderness therefore ought not to appear to contemporary Christians in America as a foreboding and frightening possibility but as an opportunity to rediscover the excitement and spirit but also the rigorous discipline of faithful itinerancy. At such a crucial time as this Hauerwas challenges Christians to eschew the insidious dangers that attend too permanent a habitation in a place called America and to assume instead the holy risks and hazards characteristic of people called out set apart | Wilderness Wanderings Probing Twentieth-century Theology And Philosophy

GBP 130.00
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Mahasthan Record Revisited Querying the Empire from a Regional Perspective

A History of Islamic Spain

A History of Islamic Spain

The period of Muslim occupation in Spain represents the only significant contact Islam and Europe was ever to have on European soil. In this important as well as fascinating study Watt traces Islam's influence upon Spain and European civilization - from the collapse of the Visigoths in the eighth century to the fall of Granada in the fifteenth and considers Spain's importance as a part of the Islamic empire. Particular attention is given to the golden period of economic and political stability achieved under the Umayyads. Without losing themselves in detail and without sacrificing complexity the authors discuss the political social and economic continuity in Islamic Spain or al-Andalus in light of its cultural and intellectual effects upon the rest of Europe. Medieval Christianity Watt points out found models of scholarship in the Islamic philosophers and adapted the idea of holy war to its own purposes while the final reunification of Spain under the aegis of the Reconquista played a significant role in bringing Europe out of the Middle Ages. A survey essential to anyone seeking a more complete knowledge of European or Islamic history the volume also includes sections on literature and philology by Pierre Cachia. This series of Islamic surveys is designed to give the educated reader something more than can be found in the usual popular books. Each work undertakes to survey a special part of the field and to show the present stage of scholarship here. Where there is a clear picture this will be given; but where there are gaps obscurities and differences of opinion these will also be indicated. Full and annotated bibliographies will afford guidance to those who want to pursue their studies further. There will also be some account of the nature and extent of the source material. The series is addressed in the first place to the educated reader with little or no previous knowledge of the subject; its character is such that it should be of value also to university students and others whose interest is of a more professional kind. | A History of Islamic Spain

GBP 130.00
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Ancient Britain

Dream of the Red Chamber Literary and Translation Perspectives

The Eastern Land and the Western Heaven Qing Cosmopolitanism and its Translation in Tibet in the Eighteenth Century

The ADD Hyperactivity Handbook For Schools

The Dugum Dani A Papuan Culture in the Highlands of West New Guinea

The Dugum Dani A Papuan Culture in the Highlands of West New Guinea

For many years anthropologists have speculated about primitive warfare its place in a particular culture its form and its consequences on other tribes. This full-scale ethnography of the Dugum Dani centers on the issue of hostility between groups of human beings and the place and function of violence. Warfare like rituals and kinship alliances is part of a total culture and for this reason Professor Heider has approached the Dani from a holistic point of view. Other aspects of Dani life and organization are shown in interrelationship with the institution of warfare such as the social ecological and technological elements in the Dani way of life. Professor Heider examines particularly the role of warfare itself in terms of the particular needs and lack of them. The first section of this book documents the Dani and their warfare and provides one of the most detailed accounts of tribal life available. The second section focuses on the material aspects of Dani culture to explore the interrelationships of the material objects with the other aspects of Dani culture; this analysis is especially interesting since the Dani moved from a stone-age culture to steel tools during the period of study itself. Professor Heider also notes the distinctive aspects of Dani culture; the paucity of color number and other attribute terms the near absence of art; their five-year post-partum sexual abstinence and other traits that seem to suggest that the Dani have little interest in intellectual elaboration or sex and that despite their warfare they are not a particularly aggressive people. Including previously unpublished photographs and descriptions of tribal life and warfare this book provides anthropologists with a full and vivid account of Dani culture and with new insights into the general problems of human aggression. | The Dugum Dani A Papuan Culture in the Highlands of West New Guinea

GBP 145.00
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Early Celtic Art From Its Origins to Its Aftermath

Early Celtic Art From Its Origins to Its Aftermath

For many perhaps most the title Early Celtic Art summons up images of Early Christian stone crosses in Ireland Scotland Wales or Cornwall; of Glendalough lona or Tintagel; of the Ardagh Chalice or the Monymusk Reliquary; of the great illuminated gospels of Durrow or Lindisfame. But as Stuart Piggott notes the consummate works of art produced under the aegis of the early churches in Britain or Ireland in regions Celtic by tradition or language have an ancestry behind them only partly Celtic. One strain in an eclectic style was borrowed from the ornament of the northern Germanic world the classical Mediterranean and even the Eastern churches. Early Celtic art originating in the fifth century b. c. in Central Europe was already seven or eight centuries old when it was last traced in the pagan prehistoric world and the transmission of some of its modes and motifs over a further span of centuries into the Christian Middle Ages was an even later phenomenon. This volume presents the art of the prehistoric Celtic peoples the first great contribution of the barbarians to European arts. It is an art produced in circumstances that the classical world and contemporary societiesunhesitatingly recognize as uncivilized. Its appearance it has been said by N. K. Sandars in Prehistoric Art in Europe: is perhaps one of the oddest and most unlikely things to have come out of a barbarian continent. Its peculiar refinement delicacy and equilibrium are not altogether what one would expect of men who though courageous and not without honor even in the records of their enemies were also savage cruel and often disgusting; for the archaeological refuse as well as the reports of Classical antiquity agree in this verdict. This book comprises the first major exhibition of Early Celtic Art from its origins and beginnings to its aftermath and was assembled by Stuart Piggott who taught later European prehistory to Honors students in Archaeology at the University of Edinburgh where he held the Abercromy Chair. He retired from the Chair in 1977 and in 1983 he received the gold medal of the Society of Antiquaries of London as well as the Grahame Clark medal of the British Academy in 1992. Through his knowledge of the subject he has made accessible an obscure but fascinating period of European culture. | Early Celtic Art From Its Origins to Its Aftermath

GBP 130.00
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