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Liberalism and Naval Strategy Ideology Interest and Sea Power During the Pax Britannica

Iran under Ahmadinejad The Politics of Confrontation

China's Use of Armed Coercion To Win Without Fighting

China's Use of Armed Coercion To Win Without Fighting

This book analyzes when how why and to what effect China has used its armed forces in recent decades to coerce other actors in the international system. Over the past 20 years China’s international status as a “great power” has become undeniable. China’s “peaceful rise” has included substantial investments in military modernization and an increasingly assertive regional posture. While China has not waged war since 1979 it has frequently resorted to what the U. S. State Department has referred to as “gangster tactics” – threats intimidation and armed confrontation – to advance its strategic aims. This volume illuminates the ways in which China has employed its military and paramilitary tools to coerce other states and examines the motivations and specific foreign policy objectives that China has pursued using force short of war. The study presents new analysis of an original dataset on coercive actions undertaken by China’s armed forces taking into account the political objectives pursued and the environmental contexts in which these operations occurred. It also presents a series of expert case studies addressing the most consequential examples of China using force to coerce in recent decades. The volume contributes to a more historically informed empirically based understanding of great power competition. This book will be of much interest to students of Chinese security and foreign policy strategic studies Asian politics and International Relations. | China's Use of Armed Coercion To Win Without Fighting

GBP 130.00
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The Musician's Body A Maintenance Manual for Peak Performance

The Musician's Body A Maintenance Manual for Peak Performance

Musicians suffer greatly from industry-related injury and illness and many of these problems are established during student days or even before. This affects all forms of music-making from classical through jazz and rock to traditional folk. Hearing damage is of serious concern in most forms of music-making but the most stressful situations and the most physical damage is recorded in the practice of classical music. The long hours of practice at the beginning of a musician's career are the main source of problems that sometimes only reveal themselves in later life. This book is aimed equally at student musicians practising musicians and instrumental and vocal teachers and it aims to help them to begin to understand how and why their bodies function as they do when they perform and also how they may avoid professionally related illness or injury and achieve the highest standards of performance. The principal author Dr Jaume Rosset i Llobet is a medical expert and an internationally acclaimed researcher on the subject. He is the Director of a Centre for the Physiology of The Arts in Terrassa Catalonia one of the few clinics in the world to which musicians dancers and performing artists can go for assessment and treatment. The book provides examples and references to the health of musicians covering a wide range of musical genres based on current research practice and treatment. As well as physiological exposition copiously illustrated with medical and humorous diagrams the book covers ergonomics risk factors posture breathing matters of diet and accommodation of professional needs in daily life. | The Musician's Body A Maintenance Manual for Peak Performance

GBP 175.00
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