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Understanding and Teaching the Indirect Object in Spanish

Understanding and Teaching the Indirect Object in Spanish

Understanding and Teaching the Indirect Object in Spanish presents an easy-to-understand approach to all aspects of direct and indirect objects in Spanish. Distinguishing between direct and indirect objects can pose challenges for learners and is almost impossible to do using the tools that linguists have traditionally used. This book offers two simple all-encompassing inferences that allow learners to tackle this area of language by intuitively inferring the distinction as native speakers do between verber and verbed. This book will be of interest to teachers and learners of Spanish and other second languages as well as linguists interested in argument structure second language acquisition second language teaching or pedagogy and multilingualism.

GBP 48.99
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The Routledge Companion to Biology in Art and Architecture

The Routledge Companion to Biology in Art and Architecture

The Routledge Companion to Biology in Art and Architecture collects thirty essays from a transdisciplinary array of experts on biology in art and architecture. The book presents a diversity of hybrid art-and-science thinking revealing how science and culture are interwoven. The book situates bioart and bioarchitecture within an expanded field of biology in art architecture and design. It proposes an emergent field of biocreativity and outlines its historical and theoretical foundations from the perspective of artists architects designers scientists historians and theoreticians. Includes over 150 black and white images.

GBP 44.99
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Liliana Porter and the Art of Simulation

Liliana Porter and the Art of Simulation

Visually appealing conceptually startling and intellectually engaging-these phrases aptly describe the art of Liliana Porter. Florencia Bazzano-Nelson's study focuses on the principal theme in the Argentine-born artist's work since the 1970s: her playful but subversive dismantling of the limits that separate everyday reality from the world of illusion and simulacra. Over the years Porter's own evolving interest in perception lead the author to explore a series of interconnected and timely issues in her artistic production such as the representative function of art the structural links between art and language and the witty re-signification of the art-historical images and mass-produced kitsch figurines she has so often featured in her art. Strongly founded in critical theory Bazzano-Nelson's approach considers Porter's art as the site of conceptually exciting dialogues with Jorge Luis Borges René Magritte Michel Foucault and Jean Baudrillard. Her carefully crafted interdisciplinary analysis not only combines art-historical literary and theoretical perspectives but also addresses the artist's work in different media such as printmaking conceptual art photography and film. | Liliana Porter and the Art of Simulation

GBP 46.99
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Performance Art and Politics in the African Diaspora Necropolitics and the Black Body

Performance Art and Politics in the African Diaspora Necropolitics and the Black Body

This book examines necropolitics and performance art with a particular focus on the black body and the African diaspora. In this book Myron M. Beasley situates artists as cultural workers and theorists who illuminate the political linkages between their own and others’ specific locales. The focus is an interrogation of the political systems that dictate and determine the value of lives (and decide which lives matter) through a lens of performance and art. Beasley highlights how the performances of rupture which are of artistic and historical significance reveal both strategies of survival and promises of possibility. Artists and curators examined include Jelili Atiku Giscard Bouchotte Nona Faustine Vanessa German Simone Leigh Nathalie Anguezomo Mba Bikoro Ebony G. Patterson and Dianne Smith. The volume is an ideal research and reference book for students and scholars of Contemporary Art African Studies and Performance Theory. | Performance Art and Politics in the African Diaspora Necropolitics and the Black Body

GBP 48.99
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The Art of Study

The Art of Study

First published in 1930 The Art of Study is addressed to all who are old enough and young enough to regard the winning of knowledge as fine art. Like other arts it can be helped by science. The book discusses reasons for the success and failure of different individuals not omitting intelligence stupidity and laziness. It asks whether the memory can be trained. It contrasts the art forms of the lesson the lecture and the talk. It gives suggestions for increasing the student’s concentration upon work for taking notes and for using them afterwards. While urging the importance of hard work it helps the student to discover parts of his tasks in which such effort will be effective.

GBP 85.00
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Art Markets in Europe 1400–1800

Art Markets in Europe 1400–1800

The reinvention of art-history during the 1980s has provided a serious challenge to the earlier formalist and connoisseurial approaches to the discipline in ways which can only help economic and social historians in the current drive to study past societies in terms of what they consumed produced perceived and imagined. This group of essays focuses on three main issues: the demand for art including the range of art objects purchased by various social groups; the conditions of artistic creativity and communication between different production centres and artistic millieux; and the emergence of art markets which served to link the first two phenomena. The work draws on new research by art historians and economic and social historians from Europe and the United States and covers the period from the late Middle Ages to the early nineteenth century. | Art Markets in Europe 1400–1800

GBP 46.99
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The State of the Art in Small Business and Entrepreneurship

The State of the Art in Small Business and Entrepreneurship

Published in 1998. This text is designed as not only a summary of a number of years of reflections by many different researchers but also a guide for future research and for continuing development of a theory of small business and its environment; a theory that will apply to small businesses everywhere and that will help them become what they hope to be in the 21st century. | The State of the Art in Small Business and Entrepreneurship

GBP 48.99
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Contemporary Art Systems and the Aesthetics of Dispersion

Contemporary Art Systems and the Aesthetics of Dispersion

Using five case studies of contemporary art this book uses ideas of systems and dispersion to understand identity and experience in late capitalism. This book considers five artists who exemplify contemporary art practice: Seth Price; Liam Gillick; Martin Creed; Hito Steyerl; and Theaster Gates. Given the diversity of materials used in art today once-traditional artistic mediums and practices have become obsolete in describing what artists do today. Francis Halsall argues that in the face of this obsolescence the ideas of system and dispersion become very useful in understanding contemporary art. That is practitioners now can be seen to be using whatever systems of distribution and display are available to them as their creative mediums. The two central arguments are first that any understanding of what art is will always be underwritten by a related view of what a human being is; and second that these both have a particular character in late capitalism or as is named here the Age of Dispersion. The book will be of interest to scholars and students working in art history contemporary art studio art and theories of systems and networks. | Contemporary Art Systems and the Aesthetics of Dispersion

GBP 48.99
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Translation and Transgression in the Art of Shirin Neshat

Translation and Transgression in the Art of Shirin Neshat

Precisely 30 years after the debut of her provocative photo-portraits this book chronicles the early career of Iranian-American artist Shirin Neshat. In its first 20 years Neshat’s work weaved viewers into complex readings of women and power in Iran. Yet her images also drew criticisms of exoticizing Muslim women and later video installations were accused of lacking political assertion during stormy relations between the West and the Islamic world. Now broadly recognized as a social justice artist this volume chronicles Neshat’s evolution from photography to film from personal to political expression and expands existing scholarship to investigate underserved contexts for her work including the cinematic turn and emergent theories of globality in contemporary art. Neshat’s hyphenated identity was often attenuated by reductive and exoticizing discourses; therefore this volume draws attention to her transnational methodologies informed by strategies of appropriation performativity and embodiment while articulating Persian visual and literary traditions. Complicating simplistic ethnographies her disruption of neo-Orientalist paradigms and representations has led audiences to reconsider Islamophobic Islamism and gender repressions that are political psychological and above all cross-cultural. This book will be of interest to scholars working in art history photography cinema studies performance transnational and global studies women’s studies and Iranian studies. | Translation and Transgression in the Art of Shirin Neshat

GBP 48.99
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Representing Emotions New Connections in the Histories of Art Music and Medicine

Representing Emotions New Connections in the Histories of Art Music and Medicine

Juxtaposing artistic and musical representations of the emotions with medical philosophical and scientific texts in Western culture between the Renaissance and the twentieth century the essays collected in this volume explore the ways in which emotions have been variously conceived configured represented and harnessed in relation to broader discourses of control excess and refinement. Since the essays explore the interstices between disciplines (e. g. music and medicine history of art and philosophy) and thereby disrupt established frameworks within the histories of art music and medicine traditional narrative accounts are challenged. Here larger historical forces come into perspective as these papers suggest how both artistic and scientific representations of the emotions have been put to use in political social and religious struggles at a variety of different levels. | Representing Emotions New Connections in the Histories of Art Music and Medicine

GBP 44.99
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The Art of Type and Typography Explorations in Use and Practice

The Art of Type and Typography Explorations in Use and Practice

The Art of Type and Typography is an introduction to the art and rules of typography. Incorporating the industry standard—InDesign—for typesetting from the outset this book serves as a guide for beginning students to learn to set type properly through tutorials activities and examples of student work. Encompassing the history of typography from ancient times to widespread modern use The Art of Type and Typography provides context and fosters creativity while developing key concepts including: The history of type; Terminology; Classification; Measurement; Spacing; Alignment; Legibility; Hierarchy; Layout and Grids; Page Elements; InDesign tools and style sheets. Writing clearly and to the point Mary Jo Krysinski brings over 30 years of design experience to this essential guide. With a glossary sample class activities additional online resources and a beautiful clean design this book is the perfect introduction for a beginning typography student and a handy reference for those needing a refresher. | The Art of Type and Typography Explorations in Use and Practice

GBP 44.99
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Image and Imagination in Byzantine Art

Image and Imagination in Byzantine Art

The twelve studies contained in this second collection by Henry Maguire are linked together by a common theme namely the relationship of Byzantine art to the imaginary. They show how art enabled the Byzantines not only to imagine the sacred events of the past but also to visualize the invisible present by manifesting the spiritual world that they could not see. The articles are grouped around the following five topics: the depiction of nature by the Byzantines before and after iconoclasm especially in portrayals of the earthly and the spiritual Paradise; the social functions and theological significance of classical artistic forms in Byzantine art after iconoclasm; the association between rhetoric and the visual arts in Byzantium especially in contrast to the role played by liturgical drama in western medieval art; the relationship of the visual arts to Byzantine concepts of justice and the law both human and divine; and portrayals of the two Byzantine courts the imperial court on earth and the imagined court in heaven. The papers cover a wide range of media including floor and wall mosaics paintings in manuscripts and churches ivory carvings coins and enamel work. | Image and Imagination in Byzantine Art

GBP 48.99
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The Routledge Companion to Art and Politics

The Routledge Companion to Art and Politics

The Routledge Companion to Art and Politics offers a thorough examination of the complex relationship between art and politics and the many forms and approaches the engagement between them can take. The contributors - a diverse assembly of artists activists scholars from around the world – discuss and demonstrate ways of making art and politics legible and salient in the world. As such the 32 chapters in this volume reflect on performing and visual arts; music film and new media; as well as covering social practice community-based work conceptual interventionist and movement affiliated forms. The Companion is divided into four distinct parts: Conceptual Cartographies Institutional Materialities Modalities of Practice Making Publics Randy Martin has assembled a collection that ensures that readers will come away with a wider view of what can count as art and politics; where they might find it; and how it moves in the world. The diversity of perspectives is at once challenging and fortifying to those who might dismiss political art on the one hand as not making sufficient difference and on the other to those embracing it but seeking a means to elaborate the significance that it can make in the world. The Routledge Companion to Art and Politics brings together a range of issues and approaches and encourages critical and creative thinking about how art is produced perceived and received.

GBP 46.99
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Immersive Sound The Art and Science of Binaural and Multi-Channel Audio

Immersive Sound The Art and Science of Binaural and Multi-Channel Audio

Immersive Sound: The Art and Science of Binaural and Multi-Channel Audio provides a comprehensive guide to multi-channel sound. With contributions from leading recording engineers researchers and industry experts Immersive Sound includes an in-depth description of the physics and psychoacoustics of spatial audio as well as practical applications. Chapters include the history of 3D sound binaural reproduction over headphones and loudspeakers stereo surround sound height channels object-based audio soundfield (ambisonics) wavefield synthesis and multi-channel mixing techniques. Knowledge of the development theory and practice of spatial and multi-channel sound is essential to those advancing the research and applications in the rapidly evolving fields of 3D sound recording augmented and virtual reality gaming film sound music production and post-production. | Immersive Sound The Art and Science of Binaural and Multi-Channel Audio

GBP 82.99
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The Symbolist Roots of Modern Art

The Symbolist Roots of Modern Art

With the words ’A new manifestation of art was . expected necessary inevitable ’ Jean Moréas announced the advent of the Symbolist movement in 1886. When Symbolist artists began experimenting in order to invent new visual languages appropriate for representing modern life in all its complexity they set the stage for innovation in twentieth-century art. Rejecting what they perceived as the superficial descriptive quality of Impressionism Naturalism and Realism Symbolist artists delved beneath the surface to express feelings ideas scientific processes and universal truths. By privileging intangible concepts over perceived realities and by asserting their creative autonomy Symbolist artists broke with the past and paved the way for the heterogeneity and penchant for risk-taking that characterizes modern art. The essays collected here which consider artists from France to Russia and Finland to Greece argue persuasively that Symbolist approaches to content form and subject helped to shape twentieth-century Modernism. Well-known figures such as Kandinsky Khnopff Matisse and Munch are considered alongside lesser-known artists such as Fini Gyzis Koen and Vrubel in order to demonstrate that Symbolist art did not constitute an isolated moment of wild experimentation but rather an inspirational point of departure for twentieth-century developments. | The Symbolist Roots of Modern Art

GBP 44.99
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Death Torture and the Broken Body in European Art 1300–1650

Death Torture and the Broken Body in European Art 1300–1650

Bodies mangled limbs broken skin flayed blood spilled: from paintings to prints to small sculptures the art of the late Middle Ages and early modern period gave rise to disturbing scenes of violence. Many of these torture scenes recall Christ’s Passion and its aftermath but the martyrdoms of saints stories of justice visited on the wicked and broadsheet reports of the atrocities of war provided fertile ground for scenes of the body’s desecration. Contributors to this volume interpret pain suffering and the desecration of the human form not simply as the passing fancies of a cadre of proto-sadists but also as serving larger social functions within European society. Taking advantage of the frameworks established by scholars such as Samuel Edgerton Mitchell Merback and Elaine Scarry (to name but a few) Death Torture and the Broken Body in European Art 1300-1650 provides an intriguing set of lenses through which to view such imagery and locate it within its wider social political and devotional contexts. Though the art works discussed are centuries old the topics of the essays resonate today as twenty-first-century Western society is still absorbed in thorny debates about the ethics and consequences of the use of force coercion (including torture) and execution and about whether it is ever fully acceptable to write social norms on the bodies of those who will not conform. | Death Torture and the Broken Body in European Art 1300–1650

GBP 46.99
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The Social Cognition and Object Relations Scale-Global Rating Method (SCORS-G) A comprehensive guide for clinicians and researchers

The Social Cognition and Object Relations Scale-Global Rating Method (SCORS-G) A comprehensive guide for clinicians and researchers

The Social Cognition and Object Relations Scale-Global Rating Method (SCORS-G) is a clinician rated measure that can be used to code various forms of narrative material. It is comprised of eight dimensions which are scored using a seven-point Likert scale where lower scores are indicative of more pathological aspects of object representations and higher scores are suggestive of more mature and adaptive functioning. The volume is a comprehensive reference on the 1) validity and reliability of the SCORS-G rating system; 2) in depth review of the empirical literature; 3) administration and intricacies of scoring; and 4) the implications and clinical utility of the system across settings and disciplines for clinicians and researchers. | The Social Cognition and Object Relations Scale-Global Rating Method (SCORS-G) A comprehensive guide for clinicians and researchers

GBP 51.99
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The Art of Suffering and the Impact of Seventeenth-century Anti-Providential Thought

The Art of Suffering and the Impact of Seventeenth-century Anti-Providential Thought

This title was first published in 2003. 'The art of suffering' is one of many strands of literature on suffering published in the sixteenth and seventeenth centuries. This book explores through the art of suffering the way in which the meaning for suffering which the seventeenth century inherited from the Middle Ages and which centres on the role of suffering as a manifestation of the hand of God in the process of salvation is refined and enhanced by successive puritan writers only to crumble under the impact of emerging anti-providential thought. It goes on to explore the challenge which the absence of meaning for suffering presents to the Judaeo-Christian concept of an omnipotent and infinitely good God and the ways in which themes and doctrines already present in the literature on suffering are reshaped and recombined to defend the omnipotence and infinite goodness of God. | The Art of Suffering and the Impact of Seventeenth-century Anti-Providential Thought

GBP 74.99
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Shaping Entrepreneurship Research Made as Well as Found

Shaping Entrepreneurship Research Made as Well as Found

Shaping Entrepreneurship Research: Made as Well as Found is a collection of readings designed to support entrepreneurship research. Focused on a worldview in which the future is open-ended and shapeable through human action – i. e. “made” this collection reframes entrepreneurship as a science of the artificial rather than as a natural or social science. It posits an open-ended universe for the making of human artifacts even if large swathes of nature and society are not within the control of the people making them. The book explores the notion of “made” through 25 foundational readings – classics from the history of ideas. Organized into five sections each classic is individually introduced by the editors in one of five chapters written to explain its relevance and significance for a “made” view of entrepreneurship. Readers will benefit from exposure to these classic ideas and ongoing research in a variety of areas that fall somewhat outside the line-of-sight of traditional entrepreneurship research. Both individually and collectively the readings suggest opportunities to ask new questions and develop new ways of framing entrepreneurship research that carry the discussion beyond worlds found to worlds made as well as found. The book is crafted to be valuable to three groups of scholars: young scholars with limited or no access to research infrastructure but with a desire to participate in deep conversations; young scholars with access to research infrastructure who also desire to listen-in on a different kind of conversation; and established entrepreneurship scholars who are contemplating an alternative set of foundational ideas to support their conversations in the discipline. | Shaping Entrepreneurship Research Made as Well as Found

GBP 54.99
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Automated Lighting The Art and Science of Moving and Color-Changing Lights

Automated Lighting The Art and Science of Moving and Color-Changing Lights

Automated Lighting: The Art and Science of Moving and Color-Changing Lights Third Edition (formerly Automated Lighting: The Art and Science of Moving Light) continues to be the most trusted text for working and aspiring lighting professionals. Now in its third edition it has been fully updated to reflect the vast changes in stage and studio luminairies—including LEDs switch-mode power supplies optics networking Ethernet-based protocols like Art-Net and sACN wireless DMX and much more. Its written in clear easy-to-understand language and includes enough detailed information to benefit for the most experienced technicians programmers and designers. Additional content and resources are provided at the author's website www. automatedlighting. pro. | Automated Lighting The Art and Science of Moving and Color-Changing Lights

GBP 51.99
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Teaching and Learning in Art Education Cultivating Students’ Potential from Pre-K through High School

Teaching and Learning in Art Education Cultivating Students’ Potential from Pre-K through High School

In this student-centered book Debrah C. Sickler-Voigt provides proven tips and innovative methods for teaching managing and assessing all aspects of art instruction and student learning in today’s diversified educational settings from pre-K through high school. Up-to-date with the current National Visual Arts Standards this text offers best practices in art education and explains current theories and assessment models for art instruction. Using examples of students’ visually stunning artworks to illustrate what children can achieve through quality art instruction and practical lesson planning Teaching and Learning in Art Education explores essential and emerging topics such as: managing the classroom in art education; artistic development from early childhood through adolescence; catering towards learners with a diversity of abilities; integrating technology into the art field; and understanding drawing painting paper arts sculpture and textiles in context. Alongside a companion website offering Microsoft PowerPoint presentations assessments and tutorials to provide ready-to-use-resources for professors and students this engaging text will assist teachers in challenging and inspiring students to think creatively problem-solve and develop relevant skills as lifelong learners in the art education sector. | Teaching and Learning in Art Education Cultivating Students’ Potential from Pre-K through High School

GBP 66.99
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The Art of City Sketching A Field Manual

The Art of City Sketching A Field Manual

The Art of City Sketching: A Field Manual guides readers through the process of freehand architectural sketching and explains orthographic diagrammatic three-dimensional and perceptual-type drawings. The book presents hundreds of drawings of historic buildings and urban spaces examples and exercises which help readers develop their drawing skills and employ sketching as an analytical tool. The book is divided into three parts based on the reader’s skill level: beginner intermediate and advanced. As an architect and field sketching instructor the author shows that through drawing the reader can discover analyze and comprehend the built environment. The new edition of The Art of City Sketching expands on the drawing techniques of the previous version by adding new drawing examples exercises and two new chapters—Chiaroscuro and Storyboard. New drawing tips demonstrations and composition do’s and don’ts will support readers when they illustrate their viewpoint of the city by using simple drawing tools. The lessons in this book will allow readers to mix method with imagination and sensibility. | The Art of City Sketching A Field Manual

GBP 44.99
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A Philosophy of Cultural Scenes in Art and Popular Culture

A Philosophy of Cultural Scenes in Art and Popular Culture

This book seeks to understand culture through the lens of scenes analyzing them aesthetically and culturally as well as understanding them through the frameworks of gender social networks and artworlds. It is common to talk about the cultural and intellectual scenes of early twentieth-century Vienna the visual art scene of postwar New York and the music and fashion scene of the swinging London. We often think about artists and works of art as essentially belonging to a certain scene. Scenes might offer a new approach to study what is possible what is a tradition and/or to discuss what are the relevant units of contemporary culture for research. The book posits that scenes explain a lot about how the artworld and the cultural field function. Vivienne Westwood Rene Magritte Roman Jakobson Arthur C. Danto Susan Sontag James Baldwin and Didier Eribon are among the figures included in the book which examines scenes in cities such as Moscow Bombay New York London Paris Brussels Helsinki and Bratislava. The book will be of interest to scholars working in art history cultural studies philosophy film literature and urban studies. | A Philosophy of Cultural Scenes in Art and Popular Culture

GBP 48.99
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