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Bauhaus Effects in Art Architecture and Design

Restoration Stage Comedies and Hollywood Remarriage Films In conversation with Stanley Cavell

Stanley Cavell Literature and Film The Idea of America

Stanley Cavell Literature and Film The Idea of America

This is the first book to offer a thorough examination of the relationship that Stanley Cavell’s celebrated philosophical work has to the ways in which the United States has been imagined and articulated in its literature. Establishing the contours of Cavell’s most significant readings of American philosophical and cultural activity the volume explores how his philosophy and the kind of reading it demands have an important relation to broader considerations of the American national imaginary. Focused coherent and original essays from a wide range of philosophers and critics consider how his investigations of Henry David Thoreau and Ralph Waldo Emerson for example represent a sustained engagement with the ways in which philosophy might provide us with new ways of thinking and of living. This is the first detailed and comprehensive treatment of America as a category of enquiry in Cavell’s writing engaging with the terms of Cavell’s various configurations of the nation and offering readings of American texts that illustrate the possibilities that Cavell’s work has in turn for literary and film criticism. This study of the role played by philosophy in the articulation of the American self-imaginary highlights the ways in which the reading of literature and the practice of philosophy are conjoined in the ethical and political project of national self-definition. | Stanley Cavell Literature and Film The Idea of America

GBP 42.99
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The Social Psychology of Obedience Towards Authority An Empirical Tribute to Stanley Milgram

In the Image of God A Psychoanalyst's View

The Ideal of Total Environmental Control Knud Lönberg-Holm Buckminster Fuller and the SSA

Cubism and Abstract Art

The State in Relation to Labour

The State in Relation to Labour

W. Stanley Jevons was a central figure linking political economy with social policy and The State in Relation to Labour is the quintessential product of that fusion. Jevons reviews how legislation enacted for the protection of labor re-established the social contract on a new industrial footing. The concept of industrial partnership insured that the state continued to hold a monopoly of power while taking account of rising labor agitation. Jevons' scholarly brilliance is evident in this pathbreaking work on economics and policy construction. The State in Relation to Labour deals with the economic role of government in resolving conflicts between different groups of English citizens. The issue of class is central to the topic and two further points are implicit. The first is the market economy as a product of the institutions which form and operate through it. Jevons argues that markets can be and indeed have been formed to favor one class interest or another. Second he asserts that conventional arguments favor the class interests they serve whether or not they are recognized to doing so. Jevons neither shrinks from candid analysis of English social political and economic history and institutions nor espouses an openly pragmatic approach to the economic role of government. He eschews the erection of class or other ideological sentiment into principles of policy. Implicit in his analysis is an understanding that some law some set of legal rights and limitations is necessary. The issue is not whether government will establish relative rights and responsibilities but what they will be and further when they will be changed. Among the topics discussed are principles of industrial legislation direct interference of the state with labor the Factory Acts and similar legislation directly affecting laborers trade union legislation the law of industrial conspiracy cooperation and industrial partnership and arbitration and conciliation. In a new introduction Warren J. Samuels examines the life and works of William Stanley Jevons. He discusses the various arguments put forth in The State in Relation to Labour and the consequences of Jevons' approach.

GBP 130.00
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On Photography A Philosophical Inquiry

The Complexities of John Hejduk’s Work Exorcising Outlines Apparitions and Angels

An Evolutionary Leap Colin Wilson on Psychology

Managing Logistics and Transportation in the Public Sector

The Hobbled Giant Essays On The World Bank

Theatres of Architectural Imagination

Theatres of Architectural Imagination

This volume explores connections between architecture and theatre and encourages imagination in the design of buildings and social spaces. Imagination is arguably the architect’s most crucial capacity underpinning memory invention and compassion. No simple power of the mind architectural imagination is deeply embodied social and situational. Its performative potential and holistic scope may be best understood through the model of theatre. Theatres of Architectural Imagination examines the fertile relationship between theatre and architecture with essays interviews and entr’actes arranged in three sections: Bodies Settings and (Inter)Actions. Contributions explore a global spectrum of examples and contexts from ancient Rome and Renaissance Italy to modern Europe North America India Iran and Japan. Topics include the central role of the human body in design; the city as a place of political drama protest and phenomenal play; and world-making through language gesture and myth. Chapters also consider sacred and magical functions of theatre in Balinese and Persian settings; eccentric experiments at the Bauhaus and 1970 Osaka World Expo; and ecological action and collective healing amid contemporary climate chaos. Inspired by architect and educator Marco Frascari the book performs as a Janus-like memory theatre recalling and projecting the architect’s perennial task of reimagining a more meaningful world. This collection will delight and provoke thinkers and makers in theatrical arts and built environment disciplines especially architecture landscape and urban design.

GBP 34.99
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Beautiful Light An Insider’s Guide to LED Lighting in Homes and Gardens

Teaching Writing Rhetoric and Reason at the Globalizing University

The Archetypal Artist Reimagining Creativity and the Call to Create

Arieh Sharon and Modern Architecture in Israel Building Social Pragmatism

Arieh Sharon and Modern Architecture in Israel Building Social Pragmatism

Arieh Sharon and Modern Architecture in Israel: Building Social Pragmatism offers the first comprehensive survey of the work of Arieh Sharon and analyzes and discusses his designs and plans in relation to the emergence of the State of Israel. A graduate of the Bauhaus Sharon worked for a few years at the office of Hannes Mayer before returning to Mandatory Palestine. There he established his office which was occupied in its first years in planning kibbutzim and residential buildings in Tel Aviv. After the establishment of the State of Israel in 1948 Arieh Sharon became the director and chief architect of the National Planning Department where he was asked to devise the young country’s first national masterplan. Known as the Sharon Plan it was instrumental in shaping the development of the new nation. During the 1950s and 1960s Sharon designed many of Israel’s institutions including hospitals and buildings on university campuses. This book presents Sharon’s exceptionally wide range of work and examines his perception of architecture in both socialist and pragmatist terms. It also explores Sharon’s modernist approach to architecture and his subsequent shift to Brutalist architecture when he partnered with Benjamin Idelson in the 1950s and when his son Eldar Sharon joined the office in 1964. Thus the book contributes a missing chapter in the historiography of Israeli architecture in particular and of modern architecture overall. This book will be of interest to researchers in architecture modern architecture Israel studies Middle Eastern studies and migration of knowledge. | Arieh Sharon and Modern Architecture in Israel Building Social Pragmatism

GBP 130.00
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Weimar A Cultural History

Weimar A Cultural History

The term Weimar culture while generally accepted is in some respects unsatisfactory if only because political and cultural history seldom coincides in time. Expressionism was not born with the defeat of the Imperial German army nor is there any obvious connection between abstract painting and atonal music and the escape of the Kaiser nor were the great scientific discoveries triggered off by the proclamation of the Republic in 1919. As the eminent historian Walter Laqueur demonstrates the avant-gardism commonly associated with post-World War One precedes the Weimar Republic by a decade. It would no doubt be easier for the historian if the cultural history of Weimar were identical with the plays and theories of Bertolt Brecht; the creations of the Bauhaus and the articles published by the Weltbühne. But there were a great many other individuals and groups at work and Laqueur gives a full and vivid accounting of their ideas and activities. The realities of Weimar culture comprise the political right as well as the left the universities as well as the literary intelligentsia. It would not be complete without occasional glances beyond avant-garde thought and creation and their effects upon traditional German social and cultural attitudes and the often violent reactions against Weimar that would culminate with the rise of Hitler and the fall of the republic in 1933. This authoritative work is of immense importance to anyone interested in the history of Germany in this critical period of the country's life. | Weimar A Cultural History

GBP 130.00
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American Abolitionists

Towards a Philosophical Anthropology of Culture Naturalism Relativism and Skepticism

Towards a Philosophical Anthropology of Culture Naturalism Relativism and Skepticism

This book explores the question of what it means to be a human being through sustained and original analyses of three important philosophical topics: relativism skepticism and naturalism in the social sciences. Kevin M. Cahill’s approach involves an original employment of historical and ethnographic material that is both conceptual and empirical in order to address relevant philosophical issues. Specifically while Cahill avoids interpretative debates he develops an approach to philosophical critique based on Cora Diamond’s and James Conant’s work on the early Wittgenstein. This makes possible the use of a concept of culture that avoids the dogmatism that not only typifies traditional metaphysics but also frequently mars arguments from ordinary language or phenomenology. This is especially crucial for the third part of the book which involves a cultural-historical critique of the ontology of the self in Stanley Cavell’s work on skepticism. In pursuing this strategy the book also mounts a novel and timely defense of the interpretivist tradition in the philosophy of the social sciences. Towards a Philosophical Anthropology of Culture will be of interest to researchers working on the philosophy of the social sciences Wittgenstein and philosophical anthropology. The Open Access version of this book available at http://www. taylorfrancis. com/books/9780367638238 has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4. 0 license. | Towards a Philosophical Anthropology of Culture Naturalism Relativism and Skepticism

GBP 36.99
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Resilience

Resilience

Is resilience simply a fad or is it a new way of thinking about human–environment relations and the governance of these relations that has real staying power? Is resilience a dangerous depoliticizing concept that neuters incipient political activity or the key to more empowering emancipatory and participatory forms of environmental management? Resilience offers an advanced introduction to these debates. It provides students with a detailed review of how the concept emerged from a small corner of ecology to critically challenge conventional environmental management practices and radicalize how we can think about and manage social and ecological change. But Resilience also situates this new style of thought and management within a particular historical and geographical context. It traces the roots of resilience to the cybernetically-influenced behavioral science of Herbert Simon the neoliberal political economic theory of new institutional economics the pragmatist philosophy of John Dewey and the modernist design aesthetic of the Bauhaus school. These diverse roots are what distinguish resilience approaches from other ways of studying human-environment relations. Resilience thinking recalibrates the study of social and environmental change around a will to design a drive or desire to synthesize diverse forms of knowledge and develop collaborative cross-boundary solutions to complex problems. In contrast to the modes of analysis and critique found in geography and cognate disciplines resilience approaches strive to pragmatically transform human–environment relations in ways that will produce more sustainable futures for complex social and ecological systems. In providing a road map to debates over resilience that brings together research from geography anthropology sociology international relations and philosophy this book gives readers the conceptual and theoretical tools necessary to engage with political and ethical questions about how we can and should live together in an increasingly interconnected and unpredictable world.

GBP 35.99
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Documentary Storytelling Creative Nonfiction on Screen

Documentary Storytelling Creative Nonfiction on Screen

For nearly two decades Documentary Storytelling has reached filmmakers and filmgoers worldwide with its unique focus on the key ingredient for success in the global documentary marketplace: storytelling. As this revised updated fifth edition makes clear nonfiction storytelling is not limited to character-driven journeys but instead encompasses the diverse ways in which today’s top documentarians reach audiences with content that is creative original and often inspirational all without sacrificing the integrity that gives documentary its power. This book is filled with practical advice for writers producers directors editors cinematographers and others committed to reality-based filmmaking that seeks to reach audiences raise awareness address social issues illuminate the human condition and even entertain. In this new edition Emmy Award-winning filmmaker and author Sheila Curran Bernard offers: a closer look at the way ethical nonfiction filmmakers take creative authorial leaps while also remaining transparent with audiences; new tools for understanding how documentaries are structured how they may rearrange time for storytelling effect and how a simple narrative throughline can convey complexity without being a conventional hero’s journey; new conversations with filmmakers and educators including Dawn Porter Madison Hamburg Tracy Heather Strain June Cross Heidi Gronauer and Julie Casper Roth and another look at conversations with Stanley Nelson and Orlando von Einsiedel. Please visit the book’s website available at www. documentarystorytelling. com for further information related articles and more. | Documentary Storytelling Creative Nonfiction on Screen

GBP 36.99
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Political Reason in the Age of Ideology Essays in Honor of Raymond Aron

Political Reason in the Age of Ideology Essays in Honor of Raymond Aron

A little over one hundred years after his birth and not quite twenty-five years since his death interest in the French political philosopher and sociologist Raymond Aron (1905-1983) continues to grow. Aron is now widely recognized as one of the most significant intellectual figures of the postwar period whose wide-ranging reflections played a key part in preserving liberal democracy in Europe and abroad. His sober analyses of modern society his trenchant critique of ideological politics and every form of totalitarianism and his philosophical reflections on politics and history have given powerful support to democratic liberalism throughout the western world. Aron's work combines passion and observation disinterested reflection and love of liberty in a way that is an imitable model for humane and balanced political reflection. In this stimulating collection of essays inspired by the centennial of Aron's birth a distinguished group of North American and European scholars including Pierre Manent Stanley Hoffmann Irving Louis Horowitz Liah Greenfeld Claude Lefort and Aurelian Craiutu examine four key aspects of Aron's thought and work: his educative legacy; his reflections on other philosophers and intellectuals; his distinctive approach to international relations; and the unique character of his own political reflection. The result is a masterful engagement with Aron's intellectual legacy and a thoughtful coming to terms with the political and intellectual substance of the twentieth century. | Political Reason in the Age of Ideology Essays in Honor of Raymond Aron

GBP 42.99
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Shakespeare’s Politic Histories The Italian Connection

Shakespeare’s Politic Histories The Italian Connection

This book posits that Shakespeare’s First Tetralogy draws inspiration from the Italian “politic histories” of the early modern period. These works of history influenced by the Roman historian Tacitus delve into the exploration of the machinations of power politics in governance and the shaping of historical events. The argument is that closely analysing these Italian “politic histories” can significantly enhance our understanding of the “politic” aspects dramatized in Shakespeare’s early English History plays. Specifically the writings of Niccolo Machiavelli are highlighted as contributing to this understanding. These “politic histories” were accessible (in a variety of forms) to many English early modern writers including Shakespeare. Thus they serve as foundation for political and strategic analogies enriching our interpretation of Shakespeare’s politic histories. While delving into the Italian “politic” historians can illuminate Shakespeare’s achievement it is suggested that we should regard the English History plays as “politic histories” in their own right. In essence they are dramatized versions of precisely the same kinds of “politic” historical writing with its emphasis on ragion di Stato or raison d’état. This emphasis on what the Elizabethans called “stratagems” introduces new approaches to interpreting the plays. Considering the motivation and action of its characters entails novel approaches that challenge the established reading of the plays’ ‘Machiavellian’ characters (particularly Richard III) and shed light on previously overlooked characters (particularly Buckingham and Stanley) revealing their considerably greater strategic acumen. This exploration provides fresh avenues for reading the Shakespeare’s politic histories and better appreciate their Italian connection. | Shakespeare’s Politic Histories The Italian Connection

GBP 145.00
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