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Kinderculture The Corporate Construction of Childhood

Untaming Girlhoods Storytelling Female Adolescence

New Directions in Children's Gothic Debatable Lands

Desire A History of European Sexuality

Desire A History of European Sexuality

A sweeping survey of sexuality in Europe from the Greeks to the present Desire: A History of European Sexuality follows changing attitudes to two major concepts of sexual desire – desire as dangerous polluting and disorderly and desire as creative transcendent even revolutionary – through the major turning points of European history. Chronological in structure and wide ranging in scope Desire addresses such topics as sex in ancient Judaism Christianity and Islam sexual contact and culture clash in Spain and colonial Mesoamerica new attitudes toward sexuality in the seventeenth and eighteenth centuries and sex in Bolshevik Russia and Nazi Germany. The book introduces the concept of twilight moments to describe activities seen as shameful or dishonorable but which were tolerated when concealed by shadows and integrates the history of heterosexuality with same-sex desire as well as exploring the emotions of love and lust as well as the politics of sex and personal experiences. This new edition has been updated to include a new chapter on sex and imperialism and expanded discussions of Islam and trans issues. Drawing on a rich array of sources including poetry novels pornography and film as well as court records autobiographies and personal letters and written in a lively engaging style Desire remains an essential resource for scholars and students of the history of European sexuality as well as women’s and gender history social and cultural history and LGBTQ history. | Desire A History of European Sexuality

GBP 36.99
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Why It's OK to Love Bad Movies

Why It's OK to Love Bad Movies

Most people are too busy to keep up with all the good movies they’d like to see so why should anyone spend their precious time watching the bad ones? In Why It’s OK to Love Bad Movies philosopher and cinematic bottom feeder Matthew Strohl enthusiastically defends a fondness for disreputable films. Combining philosophy of art with film criticism Strohl flips conventional notions of good and bad on their heads and makes the case that the ultimate value of a work of art lies in what it can add to our lives. By this measure some of the worst movies ever made are also among the best. Through detailed discussions of films such as Troll 2 The Room Batman & Robin Twilight Ninja III: The Domination and a significant portion of Nicolas Cage’s filmography Strohl argues that so-called bad movies are the ones that break the rules of the art form without the aura of artistic seriousness that surrounds the avant-garde. These movies may not win any awards but they offer rich opportunities for creative engagement and enable the formation of lively fan communities and they can be a key ingredient in a fulfilling aesthetic life. Key Features: Written in a humorous approachable style appealing to readers with no background in philosophy. Elaborates the rewards of loving bad movies such as forming unlikely social bonds and developing refinement without narrowness. Discusses a wide range of beloved bad movies including Plan 9 from Outer Space The Core Battlefield Earth and Freddy Got Fingered. Contains the most extensive discussion of Nicolas Cage ever included in a philosophy book. | Why It's OK to Love Bad Movies

GBP 19.99
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The Future of the Nineteenth-Century Dream-Child Fantasy Dystopia Cyberculture

The Future of the Nineteenth-Century Dream-Child Fantasy Dystopia Cyberculture

This book investigates the reappearance of the 19th-century dream-child from the Golden Age of Children's Literature both in the Harry Potter series and in other works that have reached unprecedented levels of popular success today. Discussing Harry Potter as a reincarnation of Lewis Carroll's Alice and J. M. Barrie's Peter Pan Billone goes on to examine the recent resurrection of Alice in Tim Burton's Alice and of Peter Pan in Michael Jackson and in James Bond. Visiting trends that have emerged since the Harry Potter series ended the book studies revisions of the dream-child in texts and films that have inspired mass fandom in the twenty-first century: Stephenie Meyer's Twilight E. L. James's 50 Shades of Grey and Suzanne Collins's The Hunger Games. The volume argues that the 21st-century desire to achieve dream-states in relationship to eternal youth results from the way that dreams provide a means of realizing the fantastic yet alarming possibility of escaping from time. This current identification with the dream-child stems from the threat of political unrest and economic and environmental collapse as well as from the simultaneous technophilia and technophobia of a culture immersed in the breathless revolution of the digital age. This book not only explores how the dream-child from the past has returned to reflect misgivings about imagined dystopian futures but also reveals how the rebirth of the dream-child opens up possibilities for new narratives where happy endings remain viable against all odds. It will appeal to scholars in a wide variety of fields including Childhood Studies Children's/YA Literature Cinema Studies Cultural Studies Cyberculture Gender Studies Queer Studies Gothic Studies New Media and Popular Culture. | The Future of the Nineteenth-Century Dream-Child Fantasy Dystopia Cyberculture

GBP 39.99
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