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Isomars - Parallel Motion A3 Drawing Board

Gelli Arts - Gelli Printing Plates 3 x 5"

Gelli Arts - Gelli Printing Plates 5 x 7"

Gelli Arts - Gelli Printing Plates 10 x 8"

Winsor & Newton - Galeria Structure Gel (500ml)

Winsor & Newton - Galeria Structure Gel (500ml)

Designed for use with acrylic paints Adds texture & structure to your artwork Provides good peak retention Gloss finish 500ml pot Flip-top lid Video: Winsor & Newton Galeria Mediums Winsor & Newton Galeria is a collection of mediums designed to enhance the creations of artists working with acrylic paint, such as Winsor & Newton's Galeria Acrylic Colour range. Providing an excellent glossy clarity, Galeria Structure Gel has good peak retention, and is ideal for creating impasto surface texture.  What is a Medium? Any liquid which changes the consistency of the paint it is mixed with may be classed as a medium. Winsor & Newton Galeria Acrylic Mediums are designed specifically for use with acrylic paints, and range from thin glaze to thick impasto mediums, with a variety of choices in between. Why use a Medium? By changing the properties of paint, a medium extends the possibilities of how an artist works with the colour, and affords a plethora of exciting techniques and effects. Winsor & Newton Mediums Finder provides an easy, interactive method of choosing the correct medium, for the artist to achieve the desired effect. Why choose Winsor & Newton Galeria Structure Gel?  All Winsor & Newton Galeria Mediums are fully intermixable, and can be layered or mixed on the palette, allowing the artist to fully explore both the textural and visual properties of Acrylic Colour. Smooth and flexible, Galeria Structure Gel can be mixed with acrylic colour to increase gloss, transparency and structure, without the addition of texture particles. How do I use Winsor & Newton Galeria Structure Gel? Mixed with acrylic colour, Galeria Structure Gel can be applied with a brush or a knife. The following video show some techniques for working with Structure Gel, and the effects that can be created: Impasto Technique For Painting With Acrylic Colour Can you explain some of the terms used when painting with Acrylic Mediums? Click here for a glossary of Acrylic painting terms, including the different types of medium. Who are Winsor & Newton? In 1832, William Winsor and Henry Newton introduced the first moist water colours to the world. Today, Winsor and Newton remain the premier choice for artists, offering a wide variety of fine art supplies including: oil, water colour, acrylic and alkyd paints, pastels, artists' brushes, canvases, papers and portfolios.

GBP 20.75
1

Winsor & Newton - Galeria Heavy Structure Gel (500ml)

Winsor & Newton - Galeria Heavy Structure Gel (500ml)

Designed for use with acrylic paints Very high peak retention Designed for creating strong impasto effects Strong texture & structure Satin finish 500ml pot Flip-top lid Winsor & Newton Galeria is a collection of mediums designed to enhance the creations of artists working with acrylic paint, such as Winsor & Newton's Galeria Acrylic Colourrange. The heaviest gel available in the range, Galeria Heavy Structure Gel has very high peak retention, and is ideal for creating strong, impasto surface texture. Video: Winsor & Newton Masterclass - Heavy Structure Gel What is a Medium? Any liquid which changes the consistency of the paint it is mixed with may be classed as a medium. Winsor & Newton Galeria Acrylic Mediums are designed specifically for use with acrylic paints, and range from thin glaze to thick impasto mediums, with a variety of choices in between. Why use a Medium? By changing the properties of paint, a medium extends the possibilities of how an artist works with the colour, and affords a plethora of exciting techniques and effects. Winsor & Newton Mediums Finder provides an easy, interactive method of choosing the correct medium, for the artist to achieve the desired effect. Why choose Winsor & Newton Galeria Heavy Structure Gel?  All Winsor & Newton Galeria Mediums are fully intermixable, and can be layered or mixed on the palette, allowing the artist to fully explore both the textural and visual properties of Acrylic Colour. Smooth and flexible, Galeria Heavy Structure Gel can be mixed with acrylic colour to increase transparency and structure, without the addition of texture particles. Heavy layers are easily and quickly built, and are prevented from appearing artificially plastic by the satin finish of the medium. How do I use Winsor & Newton Galeria Heavy Structure Gel? Mixed with acrylic colour, Galeria Heavy Structure Gel can be applied with a brush or a knife. The following videos show some techniques for working with Heavy Structure Gel, and the effects that can be created: Beginner's Tutorial: Heavy Structure Gel Impasto Technique For Painting With Acrylic Colour Painting Textured Flowers Can you explain some of the terms used when painting with Acrylic Mediums? Click here for a glossary of Acrylic painting terms, including the different types of medium. Who are Winsor & Newton? In 1832, William Winsor and Henry Newton introduced the first moist water colours to the world. Today, Winsor and Newton remain the premier choice for artists, offering a wide variety of fine art supplies including: oil, water colour, acrylic and alkyd paints, pastels, artists' brushes, canvases, papers and portfolios. 

GBP 20.75
1

Daniel Smith - Extra-Fine Watercolour Essentials Set (6 x 5ml)

Daler-Rowney - Graduate Watercolour Half-Pan Tin (39pc)

Pro Arte - Polar Nylon 31 Round Brush Size 20

Daler-Rowney - Aquafine Watercolour Travel Tin (25pc)

Winsor & Newton - Cotman Watercolour Water Brush Pocket Set (13pc)

Da Vinci - Maestro 10 Kolinsky Sable Brush Size 6

Da Vinci - Maestro 10 Kolinsky Sable Brush Size 5

Stabilo - Pen 68 Fibre-Tip Pen Tin (20pc)

Liquitex - Professional Heavy Body Acrylic Iridescent Set (6 x 59ml)

Liquitex - Professional Heavy Body Acrylic Iridescent Set (6 x 59ml)

Size: 59ml Colours: 6 x Assorted* A set of iridescent acrylic colours Bright & bold, with a metallic sheen Professional-quality & heavy bodied Highly pigmented, lightfast & archival Retains brush strokes for easy textures & impasto techniques *please refer to Contents tab below Add professional-quality shimmers, glimmers & glam to any piece with this convenient set of iridescent colours from Liquitex! These professional-quality heavy body acrylic colours from Liquitex have been a staple in the acrylic painting community since they were first introduced back in 1963 thanks to their potent artist-quality pigments, high lightfastness & smooth, buttery consistency. This thicker viscosity provides several benefits including excellent handling, economic coverage of largescale areas, a broader variety of applications & extended working times. Another key attribute is that brush strokes, knife marks & other physical attributes can be easily retained, making them uniquely ideal for practicing, producing or experimenting with a myriad of applications, textures & impasto techniques. Drying to a satin finish, each rich & permanent colour has been made using highly concentrated artist-quality pigments & features a flexible film, preventing potential cracking during the drying process. Individually & extensively tested for lightfastness against ASTM standards in order to ensure the highest possible grade of archival performance, guaranteeing no colour shifting, fading or yellowing for at least 50+ years (in gallery conditions).

GBP 39.99
1

Liquitex - Professional Heavy Body Acrylic Fluorescent Set (6 x 59ml)

Liquitex - Professional Heavy Body Acrylic Fluorescent Set (6 x 59ml)

Size: 59ml Colours: 6 x Assorted* Set of 6 fluorescent acrylic colours Bright, bold, vibrant & intense Professional-quality & heavy bodied Highly pigmented, lightfast & archival Retains brush strokes for easy textures & impasto techniques *please refer to Contents tab below Add a pop of vibrant, colourful intensity to any piece with this set from Liquitex, collecting all 6 of their bright, bold, energetic fluorescent colours into one convenient box! These professional-quality heavy body acrylic colours from Liquitex have been a staple in the acrylic painting community since they were first introduced back in 1963 thanks to their potent artist-quality pigments, high lightfastness & smooth, buttery consistency. This thicker viscosity provides several benefits including excellent handling, economic coverage of largescale areas, a broader variety of applications & extended working times. Another key attribute is that brush strokes, knife marks & other physical attributes can be easily retained, making them uniquely ideal for practicing, producing or experimenting with a myriad of applications, textures & impasto techniques. Drying to a satin finish, each rich & permanent colour has been made using highly concentrated artist-quality pigments & features a flexible film, preventing potential cracking during the drying process. Individually & extensively tested for lightfastness against ASTM standards in order to ensure the highest possible grade of archival performance, guaranteeing no colour shifting, fading or yellowing for at least 50+ years (in gallery conditions).

GBP 39.99
1

Mapac - Quartz Portfolios A2

Mapac - Quartz Portfolios A4

Mapac - Quartz Portfolios A3

Liquitex - Professional Acrylic Gloss Super Heavy Gel 946ml

Liquitex - Professional Acrylic Gloss Super Heavy Gel 946ml

Designed for use with acrylic paints Extra heavy body gel High gloss finish Enhances blending, translucency, adhesion & flexibility Slows drying time Formulated to enhance the creations of artists working with Liquitex Acrylic Paint, but equally effective when mixed with any Acrylic Colour, Liquitex Professional Gloss Super Heavy Gel produces a brilliant gloss impasto, enhances blending, slows drying time and increases translucency, adhesion and flexibility. What is a Medium? Any liquid which changes the consistency of the paint it is mixed with may be classed as a medium. Liquitex mediums are designed specifically for use with acrylic paints, and produce effects ranging from thin glaze to thick impasto, with a variety of choices in between. Why use a Medium? By changing the properties of paint, a medium extends the possibilities of how an artist works with the colour, and affords a plethora of exciting techniques and effects. Acrylic Mediums: Exploring The Possibilities gives further information on the Liquitex range of acrylic mediums, and how they can be used. Why choose Liquitex Gloss Super Heavy Gel? The thickest gel within the range, Liquitex Gloss Super Heavy Gel has incredibly dense, extra-heavy body, providing high peak retention and crisp brush or knife strokes. Mix with Liquitex Heavy Body Artist Colour to create impasto effects and to obtain an elevated surface drag, similar to that of oil paint. Drying to a transparent or translucent finish, depending on the thickness of application, Liquitex Gloss Super Heavy Gel keeps paint working longer than other gel mediums, and gives very little shrinkage during drying time.     Fully intermixable, all Liquitex Mediums are water resistant and ph neutral when dry, non-yellowing and permanent. How do I use Liquitex Gloss Super Heavy Gel? An extremely versatile medium, Liquitex Gloss Super Heavy Gel can be used as: An Extender: Mix with Liquitex Soft Body or Heavy Body artist colours, to extend volume and increase transparency, viscosity, body and colour brilliance.  An Adhesive: Use to provide excellent adhesion for collage, decoupage and mixed media. A Ground: Use when creating a sculptural ground, ensuring adequate pressure is applied to force the gel into the raw canvas, to enable proper bonding. A Binder: Use as a binder for powdered pigments, to make an inexpensive extra-heavy body acrylic paint, and with additives such as sand, sawdust and stone. The following video shows how Liquitex Gloss Super Heavy Gel can be used: Insert a video here that specifically features Liquitex Gloss Super Heavy Gel Can you explain some of the terms used when painting with Acrylic Mediums? Click here for a glossary of Acrylic painting terms, including the different types of medium. Who are Liquitex? Founded in 1933 by Henry Levison, Permanent Pigments, an oil colour producing company from Cincinnati, Ohio developed the first water-based artist acrylic paints. Their new formulation was launched in 1955, under the new company name Liquitex, an abbreviation of "Liquid texture", which Levison believed better captured the product's essence. Today, Liquitex offers a vast array of intermixable vibrant acrylic paints and mediums, enabling artists to continually explore new and innovative ways of working with Acrylic Colour.

GBP 33.80
1

Daniel Smith - Extra-Fine Watercolour Primatek Set (6 x 5ml)

Daniel Smith - Extra-Fine Watercolour Primatek Set (6 x 5ml)

Size: 5ml Colours: 6* Set of artist-quality watercolour Features 6 colours from the PrimaTek range Formulated to meet & exceed industry standards Made using a variety of genuine ground minerals (some semi-precious) *please refer to Contents tab below Featuring 6 vibrant colours from across their PrimaTek range, this set from Daniel Smith is ideal for producing gorgeous, unique work. Beginning in 1998 with Lapus Lazuli, a mineralogist sources genuine minerals (some semi-precious), which are then processed into pigments before being milled into these artist-quality watercolours.  Occasionally described by artists as "magical", PrimaTeks aren't just attractive but also provide a sense of movement & depth through gorgeous granulation. Specially formulated to meet & exceed the highest industry standards, Daniel Smith artist-quality watercolours are available in several lines (Extra-Fine, PrimaTek & Luminescent).  Each & every batch is thoroughly analysed for its performance qualities including lightfastness, colour value, tinting strength, clarity, vibrancy, undertone, particle size, density & viscosity. Vibrant, consistently coloured & fully intermixable, they boast the widest range of highly-pigmented, unique colours in the world. Rhodonite Genuine 167 A versatile rose pink made using jewellery-quality stone, wonderful for portraits & landscapes. At full value, it is intense but still transparent, low-staining and non-granulating. Use wet on wet for a soft, transparent glow without granulation. Jadeite Genuine 195 An exceptionally beautiful colour made using the strong coloured minerals Jade & Nephrite. Incredibly versatile, produce all the shades we come to expect from Jade from deep, dark-green mass tones to the palest of washes. Amethyst Genuine 203 A rich, true purple that's almost black in mass tone & capable of infinite gradation. Thanks to the crushed gemstone, this granulating colour also produces attractive clear washes with just the barest hint of sparkle. Mayan Blue Genuine 211 A gorgeous green-tinged indigo, this was featured throughout Mayan culture (hence the name) & after 1000 years has hardly faded. Now, using ancient Mayan chemistry & eco-friendly processes, this unique, beautiful, metal-free pigment has been recreated. Piemontite Genuine 191 A rich, versatile colour ground from a scarlet-streaked mineral from the hills of Italy. At it's darkest, Piemontite has a deep ruddy violet tone & adding water produces an attractive violet-brown granulation with a carmine tone. Perfect for adding interest to shadows or painting the mottled surfaces of autumn leaves. Hematite Genuine 156 Ground from a heavy silvery-black mineral known as Hematite (or Bloodstone), which is naturally rich in iron. Producing a soft dove grey when applied in a thin wash & creating bold granulation in a thick wash.

GBP 41.99
1

GOLDEN - Crackle Paste (237ml)

GOLDEN - Crackle Paste (237ml)

Acrylic painting medium Designed to develop deep fissure-like cracks Water-based Cleans up with soap and water Made in the USA Video: Golden Artist Colours - Exploring Crackle Paste Golden Crackle Paste is a thick, opaque cracking material, designed to develop deep fissure-like cracks as it cures. The size and extent of the crackle pattern is dependent on many factors, including the thickness of application, and the environmental conditions (temperature, relative humidity and air flow) during drying. This product utilises defects in the film formation process, and controlled failure is problematic. This results in the cracking performance being variable and to some extent unpredictable. Golden has provided the most current and comprehensive knowledge of what may be expected while using this product, but artist-conducted testing will ultimately assure more reproducible and sound applications. Crackle Paste is a water-based product formulated with styrene-acrylic copolymer emulsions, and may have a tendency to yellow. This product has white, low-density solids that replace traditional fillers. Its unique ratio of specific solids and binders allows for a "controlled failure" to occur and the result is its tendency to crack. It has a consistency similar to cake icing, easily manipulated by a palette knife. Peaks will maintain their height and appearance. It is a harder film than the GOLDEN Light Moulding Paste, yet still retains an absorbent surface. Films dry to an opaque, matte finish to which subsequent layers of acrylic paint and mediums can be applied. Crackle Paste can be easily tinted with Golden Heavy Body, Matte, High Load and Fluid Acrylic Paints. It is imperative to test all aspects when working with Golden Crackle Paste. This is a highly variable product, and it should NOT be assumed that it will perform exactly the same each time the product is used. Review this information carefully and conduct testing before using this product on artwork or decorative finishes. Drying times greatly depend upon film thickness. Very thin films will dry to the touch in several hours but may not develop much cracking. Increasing film thickness will increase the tendency to crack and also the size of the cracks and platelets. Cracks can take several days to fully develop. Do not force dry Crackle Paste, nor try to slow the drying by adding Retarder or other additives, as both conditions may interfere with the products ability to crack. Product should be allowed to cure between 65oF and 75oF, and under 75% Relative Humidity. Crackle Paste cleans up with soap and water. Do not let products dry on tools. Keep tools wet while in use. Soak tools in soapy water to remove dried films. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 17.99
1