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Winsor & Newton - Series 7 Miniature Kolinsky Sable Brush Size 6

Winsor & Newton - Series 7 Miniature Kolinsky Sable Brush Size 6

Widely considered the world's finest watercolour brush! Bristles: Kolinsky Sable Sizes: 9 Sold Individually Professional-Quality brushes Available in several sizes Miniature size ideal for fine details Made using only the finest Kolinsky Sable hair Seamless nickel-plated ferrules & short black polished handles Click here to view the full-size range! Originally developed at the behest of Her Majesty Queen Victoria, the Series 7 earned Winsor & Newton the Royal Warrant.  Offering a rapier-like point, perfectly balanced spring with extraordinary colour-holding capacity & flow control, they're still widely considered to be the greatest range for professional watercolourists. With the same professional quality application as their full size counterparts, the Series 7 Miniature brush range is available in 9 sizes ideal for incredibly fine, detailed work. Handmade in England since 1866 using only the finest Kolinsky Sable hairs, the Series 7 has proven itself to be the standard–bearer in the three essential qualities that define the finest watercolour brush; "Point", "Snap and Spring" and "Flow Control". Point Every Series 7 brush should come to a crisp point and maintain that point during use. Pointing without colour – swirl the brush in water, give the brush head a hard flick of the wrist. Point when painting – drain excess colour into palette and then twist brush head gently to get the perfect point. Snap and Spring The brush snaps back crisply into shape with the right degree of spring to allow the artist superior control with a degree of give and take between the brush and painting surface. Flow Control – Speed and control of painting The larger belly of the Series 7 brush hold more colour than other sable brushes and this makes applying washes so much easier. Along with the colour carry capacity the Series 7 comes with such a fine point too. The same fine line can be achieved with a size 10 as it would be with a size 0 as the reason for the larger size brush is when you want a reservoir of colour.

GBP 53.03
1

Winsor & Newton - Series 7 Kolinsky Sable Brush Size 4

Winsor & Newton - Series 7 Kolinsky Sable Brush Size 4

Widely considered the world's finest watercolour brush! Bristles: Kolinsky Sable Sizes: 13 Sold Individually Professional-Quality brushes Available in several sizes Made using only the finest Kolinsky Sable hair Seamless nickel-plated ferrules & short black polished handles Originally developed at the behest of Her Majesty Queen Victoria, the Series 7 earned Winsor & Newton the Royal Warrant.  Offering a rapier-like point, perfectly balanced spring with extraordinary colour-holding capacity & flow control, they're still widely considered to be the greatest range for professional watercolourists. Handmade in England since 1866 using only the finest Kolinsky Sable hairs, the Series 7 has proven itself to be the standard–bearer in the three essential qualities that define the finest watercolour brush; "Point", "Snap and Spring" and "Flow Control". Point Every Series 7 brush should come to a crisp point and maintain that point during use. Pointing without colour – swirl the brush in water, give the brush head a hard flick of the wrist. Point when painting – drain excess colour into palette and then twist brush head gently to get the perfect point. Snap and Spring The brush snaps back crisply into shape with the right degree of spring to allow the artist superior control with a degree of give and take between the brush and painting surface. Flow Control – Speed and control of painting The larger belly of the Series 7 brush hold more colour than other sable brushes and this makes applying washes so much easier. Along with the colour carry capacity the Series 7 comes with such a fine point too. The same fine line can be achieved with a size 10 as it would be with a size 0 as the reason for the larger size brush is when you want a reservoir of colour.

GBP 53.03
1

Winsor & Newton - Series 7 Kolinsky Sable Brush Size 6

Winsor & Newton - Series 7 Kolinsky Sable Brush Size 6

Widely considered the world's finest watercolour brush! Bristles: Kolinsky Sable Sizes: 13 Sold Individually Professional-Quality brushes Available in several sizes Made using only the finest Kolinsky Sable hair Seamless nickel-plated ferrules & short black polished handles Originally developed at the behest of Her Majesty Queen Victoria, the Series 7 earned Winsor & Newton the Royal Warrant.  Offering a rapier-like point, perfectly balanced spring with extraordinary colour-holding capacity & flow control, they're still widely considered to be the greatest range for professional watercolourists. Handmade in England since 1866 using only the finest Kolinsky Sable hairs, the Series 7 has proven itself to be the standard–bearer in the three essential qualities that define the finest watercolour brush; "Point", "Snap and Spring" and "Flow Control". Point Every Series 7 brush should come to a crisp point and maintain that point during use. Pointing without colour – swirl the brush in water, give the brush head a hard flick of the wrist. Point when painting – drain excess colour into palette and then twist brush head gently to get the perfect point. Snap and Spring The brush snaps back crisply into shape with the right degree of spring to allow the artist superior control with a degree of give and take between the brush and painting surface. Flow Control – Speed and control of painting The larger belly of the Series 7 brush hold more colour than other sable brushes and this makes applying washes so much easier. Along with the colour carry capacity the Series 7 comes with such a fine point too. The same fine line can be achieved with a size 10 as it would be with a size 0 as the reason for the larger size brush is when you want a reservoir of colour.

GBP 85.64
1

Winsor & Newton - Series 7 Kolinsky Sable Brush Size 5

Winsor & Newton - Series 7 Kolinsky Sable Brush Size 5

Widely considered the world's finest watercolour brush! Bristles: Kolinsky Sable Sizes: 13 Sold Individually Professional-Quality brushes Available in several sizes Made using only the finest Kolinsky Sable hair Seamless nickel-plated ferrules & short black polished handles Originally developed at the behest of Her Majesty Queen Victoria, the Series 7 earned Winsor & Newton the Royal Warrant.  Offering a rapier-like point, perfectly balanced spring with extraordinary colour-holding capacity & flow control, they're still widely considered to be the greatest range for professional watercolourists. Handmade in England since 1866 using only the finest Kolinsky Sable hairs, the Series 7 has proven itself to be the standard–bearer in the three essential qualities that define the finest watercolour brush; "Point", "Snap and Spring" and "Flow Control". Point Every Series 7 brush should come to a crisp point and maintain that point during use. Pointing without colour – swirl the brush in water, give the brush head a hard flick of the wrist. Point when painting – drain excess colour into palette and then twist brush head gently to get the perfect point. Snap and Spring The brush snaps back crisply into shape with the right degree of spring to allow the artist superior control with a degree of give and take between the brush and painting surface. Flow Control – Speed and control of painting The larger belly of the Series 7 brush hold more colour than other sable brushes and this makes applying washes so much easier. Along with the colour carry capacity the Series 7 comes with such a fine point too. The same fine line can be achieved with a size 10 as it would be with a size 0 as the reason for the larger size brush is when you want a reservoir of colour.

GBP 69.34
1

Teloman - Matrix Carrying Case A1

Mapac - Quartz Case A1

GOLDEN - Heavy Body Acrylic Colour (946ml) Mars Black (S1)

GOLDEN - Heavy Body Acrylic Colour (946ml) Mars Black (S1)

Large 946ml tubs of premium quality acrylic Available in Titanium White and Mars Black Exceptionally smooth, buttery consistency Excellent permanency and lightfastness Golden acrylics are noted for their thickness Great flexibility when dry Ideal for priming surfaces Video: Golden Artist Colours - Acrylic Paint Demo The first acrylic colours offered by Golden Artist Colors, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. They offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body colour formula reflects the qualities of its pigment. Colours that tolerate a higher pigment load dry to a more opaque, matte finish. Colours that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colours contain no matting agents, the gloss of each colour will be different.  Golden Heavy Body Acrylics are noted for their thickness. These paints have the ability to "stand up" and retain brush strokes or palette knife marks on the canvas. All Heavy Body colours are thixotropic in nature. This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. These paints retain excellent flexibility when dry, greatly diminishing the possibility of cracking that occurs in other natural and synthetic polymer systems. The acrylics can absorb the constant stress and strain placed on canvas when shipped or as it expands and contracts with changes in temperature and humidity. Please note: acrylics begin to harden at 15 degrees Centigrade or 59 degrees Fahrenheit, and become quite hard at temperatures below freezing. This is especially important to remember when shipping a painting in freezing conditions or when unrolling a painting that has been kept in cold storage. Mixing Abilities Heavy Body Colours can be mixed with all of our Golden Mediums, Gels and other paint lines, including our High Flow Acrylics, Fluid Acrylics, High Load Colors, Iridescent Colors, Paste Paints, and Matte Acrylics. By mixing paint lines, artists can produce a wide range of paint consistencies without compromising color strength. Heavy Body viscosity can also be reduced successfully with water. Remember: the more water added to the acrylics, the greater the subsequent shrinking of the paint layer. Too much water will reduce the binding capability of acrylic paints and tends to flatten out their sheen. Some artists have used other solvents, including alcohols, to thin these Acrylics. All of the acrylics are sensitive to additions of solvent. If you require this addition it is advisable to dilute the solvent first with water to reduce the shocking effect of the solvent. In some cases, adding solvent too quickly will coagulate the acrylic. Gloss Variations When producing the Heavy Body line, Golden consciously broke the mould of acrylics made in the past. Most acrylics were produced to have an even satin sheen across the range of colors. Manufacturers felt artists wanted this even sheen to avoid the differences encountered by oils. Each pigment is made to its own level of matte or gloss depending upon its own unique nature. It is always possible to add matting agents and other whitening materials to the product, but once added, it is impossible to take them away. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of the pigments. It is quite evident when looking at our color chart that colors in the HB line do differ in gloss. For example, the sheen of Golden Ultramarine Blue or Burnt Umber is almost a dead matte, whereas the sheen of Green Gold or Dioxazine Purple is extremely glossy. Some artists may find this problematic; yet for many artists the variations offer the same nuances of color that are so appreciated in oil paints and give what many describe as an organic look to the colors. Without the need for opacifiers we can offer colors as similar in hue as the Cadmiums and Hansas, yet quite different in their ability to cover and in their clarity when mixing. Mixture Colours The mixture colours within the Golden Heavy Body line of acrylics include Green Gold, Jenkins Green, Quinacridone Crimson and Turquois (Phthalo), as well as our Neutral Greys, Historical Colours, Blended Colours and Primaries. Some mixture colours, such as Historical Colours, offer safe and lightfast alternatives for pigments that, otherwise, would be dangerous or insufficiently light stable for artist use. The range is divided among inorganic and organ

GBP 57.99
1

GOLDEN - Heavy Body Acrylic Colour (946ml) Titanium White (S1)

GOLDEN - Heavy Body Acrylic Colour (946ml) Titanium White (S1)

Large 946ml tubs of premium quality acrylic Available in Titanium White and Mars Black Exceptionally smooth, buttery consistency Excellent permanency and lightfastness Golden acrylics are noted for their thickness Great flexibility when dry Ideal for priming surfaces Video: Golden Artist Colours - Acrylic Paint Demo The first acrylic colours offered by Golden Artist Colors, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. They offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body colour formula reflects the qualities of its pigment. Colours that tolerate a higher pigment load dry to a more opaque, matte finish. Colours that are more reactive and do not allow as much pigment loading tend to have a glossier, more transparent, finish. Because Heavy Body colours contain no matting agents, the gloss of each colour will be different.  Golden Heavy Body Acrylics are noted for their thickness. These paints have the ability to "stand up" and retain brush strokes or palette knife marks on the canvas. All Heavy Body colours are thixotropic in nature. This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. These paints retain excellent flexibility when dry, greatly diminishing the possibility of cracking that occurs in other natural and synthetic polymer systems. The acrylics can absorb the constant stress and strain placed on canvas when shipped or as it expands and contracts with changes in temperature and humidity. Please note: acrylics begin to harden at 15 degrees Centigrade or 59 degrees Fahrenheit, and become quite hard at temperatures below freezing. This is especially important to remember when shipping a painting in freezing conditions or when unrolling a painting that has been kept in cold storage. Mixing Abilities Heavy Body Colours can be mixed with all of our Golden Mediums, Gels and other paint lines, including our High Flow Acrylics, Fluid Acrylics, High Load Colors, Iridescent Colors, Paste Paints, and Matte Acrylics. By mixing paint lines, artists can produce a wide range of paint consistencies without compromising color strength. Heavy Body viscosity can also be reduced successfully with water. Remember: the more water added to the acrylics, the greater the subsequent shrinking of the paint layer. Too much water will reduce the binding capability of acrylic paints and tends to flatten out their sheen. Some artists have used other solvents, including alcohols, to thin these Acrylics. All of the acrylics are sensitive to additions of solvent. If you require this addition it is advisable to dilute the solvent first with water to reduce the shocking effect of the solvent. In some cases, adding solvent too quickly will coagulate the acrylic. Gloss Variations When producing the Heavy Body line, Golden consciously broke the mould of acrylics made in the past. Most acrylics were produced to have an even satin sheen across the range of colors. Manufacturers felt artists wanted this even sheen to avoid the differences encountered by oils. Each pigment is made to its own level of matte or gloss depending upon its own unique nature. It is always possible to add matting agents and other whitening materials to the product, but once added, it is impossible to take them away. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of the pigments. It is quite evident when looking at our color chart that colors in the HB line do differ in gloss. For example, the sheen of Golden Ultramarine Blue or Burnt Umber is almost a dead matte, whereas the sheen of Green Gold or Dioxazine Purple is extremely glossy. Some artists may find this problematic; yet for many artists the variations offer the same nuances of color that are so appreciated in oil paints and give what many describe as an organic look to the colors. Without the need for opacifiers we can offer colors as similar in hue as the Cadmiums and Hansas, yet quite different in their ability to cover and in their clarity when mixing. Mixture Colours The mixture colours within the Golden Heavy Body line of acrylics include Green Gold, Jenkins Green, Quinacridone Crimson and Turquois (Phthalo), as well as our Neutral Greys, Historical Colours, Blended Colours and Primaries. Some mixture colours, such as Historical Colours, offer safe and lightfast alternatives for pigments that, otherwise, would be dangerous or insufficiently light stable for artist use. The range is divided among inorganic and organ

GBP 57.99
1

Spraycraft - SP25K Dual-Action Airbrush Kit

Spraycraft - SP25K Dual-Action Airbrush Kit

Trigger: Dual-Action Mixture: Internal Feed: Gravity Pressure: 15 - 50 PSI Nozzle: 0.3mm Needle: 0.3mm Cup: 2cc User-friendly kit Classic airbrush design Accurate dual-action trigger Efficient internal mixture Low to medium operating pressure Ideal for both fine & medium detail Perfect for graphic art & modelling Simple & user-friendly, this kit from Spraycraft contains everything you need to start experimenting with airbrush techniques including the SP25K airbrush itself, a 1.8m (60") hose, wrench & pipette. Ideal for fine to medium detailing, the SP25K airbrush is reliable, efficient & accurate with it's dual-action trigger providing tight control & smooth, precise strokes from the 0.3mm nozzle. Dual-Action (aka Double-Action) Provides a more refined level of control over both line width & spread, allowing for finer details, along with smoother blending & fading for detailed work. Essentially requiring two trigger inputs, mastering this is paramount to really getting the most of your airbrush. Press down on the lower trigger for air release Pull back on the upper trigger for paint release. Internal Mix (aka Internal Atomisation) Simply put, the paint & compressed air mix in the airbrush itself, before being propelled out via the nozzle & needle. The gentle spray of atomized paint replicates the look & dot pattern of a photograph, popular for creating sharp focus realistic paintings, where a gentle controlled spray is preferred. Gravity Feed Popular amongst artists looking to produce fine detailed work, the paint cup is situated on top of the airbrush itself. The medium is then drawn into the airbrush & towards the needle via gravity, for a controlled, natural flow.

GBP 49.99
1

Cowling & Wilcox - Piccadilly Studio Easel

Cowling & Wilcox - Piccadilly Studio Easel

A-Frame studio easel Adjustable to a variety of heights & angles 3 legs: 2 stationary front & 1 adjustable back Holds a canvas, pad or board up to 50" high Made using strengthened FSC-certified beechwood Easy to assemble, complete with instructions Our Piccadilly studio easel is a classic lyre style A-Frame made using strengthened beechwood & held tightly with steel fitting for additional stability.  Able to easily hold a canvas, board or pad up to 50" in height, this versatile easel is perfect for use in a studio or home setting.  When not in use, it folds completely flat for easy, compact storage. Able to be heightened or lowered as desired, along with tilting vertically to accommodate a number of art styles, techniques & preferences.  For instance, tilting the easel forward by 10° is ideal for pastel work, allowing for any excess pastel dust to naturally fall away from the surface. Features several ways to adjust: Easily alter the height by raising & lowering the centre mast, using the ratchet height mechanism.  Underneath the lower canvas shelving, pull the loop (or trigger) to lift the mast, releasing it to rest upon one of the pronounced levels when appropriate. The upper attachment moves seamlessly along the centre mast also, sandwiching & gripping any canvas tightly.  Simply loosen & tighten this into position using the ergonomically designed knob on the front. The rear leg can be tilted to a wide variety of angles, simply using the butterfly clips visible on the back. Dimensions:  88.9 x 66 x 159cm / 35 x 26 62" Maximum Height:  226cm / 89" Weight: 7.48kg

GBP 64.99
1

Da Vinci - Maestro 10 Kolinsky Sable Brush Size 8

PRAT Paris - Pampa Black Presentation Book (Polypropylene Sleeves) A4

PRAT Paris - Pampa Black Presentation Book (Polypropylene Sleeves) A3

PRAT Paris - Pampa Black Presentation Book (Polypropylene Sleeves) A3 Landscape

PRAT Paris - Pampa Black Presentation Book (Polypropylene Sleeves) Super A3 (13 x 19")

Fredrix - White Canvas Pads 16 x 20"

Gamblin - Gamvar Gloss Picture Varnish (500ml)

Nitram - Stylus Charcoal Holder Set (Includes 4 Charcoal Sticks)

Nitram - Stylus Charcoal Holder Set (Includes 4 Charcoal Sticks)

Stylus set with 4 charcoal sticks Stylus can hold thickness of up to 6mm 4 different grades of charcoal Each grade colour-coded Set includes coloured caps to match This Nitram Stylus Charcoal Holder Set contains a high quality stylus, designed to hold charcoal sticks up to 6mm thick, along with 4 sticks, one example of each grade available in their range. Stylus Charcoal Holder Work using charcoal, with the ease & precision of a standard pencil. Simply unscrew the cap, place the charcoal inside, replace cap & you're ready to go. Ergonomically designed, the body measuring just under 14cm when empty. Constructed using a combination of high-grade polycarbonate & surgical-grade stainless steel, providing a comfortable weight in the hand when in use. Colour Coding Also included are several coloured caps. These indicate which lead in currently in use at any given time. The Charcoal Sticks included are represented by the following colours: H (hard):  Blue HB (medium):  Orange B (soft):  Green   B+ (extra soft):  Yellow   Nitram Charcoal is the preferred charcoal of professional artists, academies and ateliers around the globe due to it's unique qualities.   Amazingly durable & less prone to breakage than standard willow & stick charcoals, thanks to their unique manufacturing process, which preserves the internal cell structure of the wood used.  On top of this, they are easy to erase, sharpen to a point (Sharpener Block recommended) & generate much less dust than comparable materials.

GBP 49.95
1

Daler-Rowney - Cotswold Studio Easel

Daler-Rowney - Cotswold Studio Easel

Cotswold Studio easel is complete with a premium beechwood finish Tilting facility for a variety of angles Adjustable height Holds max. canvas height of 127 cm Weight: 10.5 kg Video: Daler-Rowney Easels Range Constructed from premium oiled beechwood, Daler-Rowney's Cotswold Studio Easel is designed to provide a substantial framework for the artist. Offering a range of canvas positions, this easel can be titled forwards and backwards, in addition to being adjustable in height. Why use an Easel? Many artists prefer to use an easel because it enables them to work more freely, and to step back and view artwork from a distance. Working in a vertical position reduces the possibility of perspective being skewed, prevents dust gathering on slow-drying media, and the build up of loose pastel, chalk or charcoal sitting on the support. Why choose Daler-Rowney Cotswold Studio Easel? Easily self-assembled, using the five Allen screws and key provided, the Daler-Rowney Cotswold Easel may be transported without difficulty. A sturdy A-frame design, this easel features a metal ratchet, which allows the artist to adjust its position to an optimal working height. What are the dimensions of Daler-Rowney Cotswold Studio Easel? Standing at a height of 174cm, the Cotswold Studio Easel extends to a maximum height of 267cm, and weighs 10.5kg. Able to accommodate a canvas or board up to 127cm in height, this easel has a width of 64cm and depth of 16.5cm. How do I use an easel? The following videos give further information on using an easel: Starting To Draw: Using An Easel What types of Easel are available? We stock a variety of easels to ensure the artist's every requirement is met. Field or Portable Easels are designed to be taken outdoors, and are the perfect choice for travelling artists or those wanting to plein air paint. This type of easel is also preferable for artists who prefer a level of mobility around their studio. Folding to a lightweight, compact size, portable easels require little storage space. Available in H-Frame, A-Frame and Single Mast designs, Studio Easels  are ideal for the artist who has a dedicated studio space, where an easel can remain standing indefinitely. H-Frame easels have a strong base that makes them sturdier than A-Frame easels, and better able to handle large canvases. A-Frame or Lyre easels have two legs at the front and one at the rear, which pushes forward allowing the easel to be flattened and easily stored. Single Mast easels are simple and affordable, a great choice for beginning artists, art students, or anyone with limited storage space. Portable and easy to store, Table Easels are small enough to place on a table top, and perfect for artists who prefer to sit while working, or whose work is on a more modest scale. Who are Daler-Rowney? Established in 1783, by Richard and Thomas Rowney, Daler-Rowney has been manufacturing the finest art materials for over 230 years. In 1963, Rowney became the first manufacturer in Europe to introduce artists' acrylic colour.  Widely used by artists, including well-known proponents Peter Blake and Bridget Riley, throughout the 1960s and 1970s, Rowney's "Cryla" heralded a new era in art practice, which became known as 'Pop Art'. In 1983, the Daler Board Company purchased the George Rowney Company, forming Daler-Rowney Limited, as the company is known today.  Daler-Rowney now operates from three manufacturing bases, two in the UK and one in the Dominican Republic, where their artists' brushes are made.

GBP 79.50
1

GOLDEN - SoFlat Matte Acrylic POP! Set (6 x 59ml)

GOLDEN - SoFlat Matte Acrylic POP! Set (6 x 59ml)

Set of 6 vibrant tones* Professional-grade acrylic colours Durable & quick drying to a uniform matte finish Unique formula for greater opacity & coverage Natural levelling reduces appearance of brushstrokes Made using 100% acrylic polymers & the finest pigments *please check "Contents" tab for more information As the name suggests, the POP! set from Golden has been inspired by mid-century pop art work & features a range of vibrant tones to reflect this! Create immersive fields of colour without the distraction of texture & glare with the SoFlat range from Golden Acrylics. Although gouache has always been recognisable for it's opacity & matte finish, some artists find it restrictive thanks to it's sensitive paint film. SoFlat moves beyond this, providing the same results with a more durable, quick-drying & water-resistant surface. Each of the 40 colours available has been made with 100% acrylic polymers & the highest-quality pigments, uniquely formulated for greater opacity than other paints of a similar quality.  This, combined with their flowing consistency, ensures a silky-smooth application & exceptional coverage for largescale work. Quick drying to a matte, water-resistant finish, the natural levelling quality of this range helps to reduce brushstrokes during the drying process for a truly uniform surface. Contents Cadmium Primrose Naphthol Red Light Ultramarine Blue Permanent Green Black Titanium White

GBP 49.99
1

Blackwing - Palomino Starting Point Set

Blackwing - Palomino Starting Point Set

A perfect introduction to these iconic, timeless pencils!* Includes 4 pencils, 1 from each core range (Matte, Pearl, Natural & 602) "One-Step Long Point Sharpener", for extra fine points 1 pack of 10 black replacement erasers The perfect set to introduce any newcomer to Blackwing pencils. The 4 pencils included feature soft, balanced, firm & extra-firm graphite cores, providing a taste of all the possibilities afforded with Blackwing. The "One-Step Long Point" sharpener easily creates a long, curved point that's able to effectively resist breakage. And finally, the pack of 10 erasers included ensure that your pencils are always functional, no matter what! About Blackwing Pencils Originally introduced in the 1930s, Blackwing pencils very quickly gained a cult following amongst creatives, with notable examples including author John Steinbeck & cartoonist Chuck Jones (who proudly used them to create Bugs Bunny & other Looney Tunes characters). Despite this, due to cost-cutting measures, these were discontinued in the 90s... however, this only lead the truly devoted to head online & spend upwards of $40 a pencil!  Then in 2010, due to the obvious immense customer demand, they were brought back into circulation for the modern generation. And now, here at Cowling & Wilcox, you can experience these legendary pencils for yourself & find out why people have been so desperate to get their hands on them! So what makes them so unique anyway?! Of course, the design is timeless but there are several features that separate these from other pencils! To begin with, each pencil is made using genuine incense-cedar wood & finished with several layers of lacquer, making them ideal for use anywhere, including the studio, home & out in the field. Encased in this reinforced wood is a premium Japanese graphite, carefully blended & crafted using clay for strength & wax for a smooth, comfortable finish. And finally, all Blackwing pencils feature an iconic, rectangular ferrule. This allows for the eraser to be extended & ultimately replaced when necessary, ensuring the pencil is always functional, no matter how much it's used! Replacement erasers are available in several colours, to make your Blackwing as unique as yourself!

GBP 49.99
1

Cowling & Wilcox - Danube A2 Art & Craft Workstation

Pina Zangaro - Vista Screwpost Binder Portfolios (Snow Cover) A4 (Portrait)

Pina Zangaro - Vista Screwpost Binder Portfolios (Snow Cover) A4 (Landscape)

Pina Zangaro - Vista Screwpost Binder Portfolios (Onyx Cover) A4 (Landscape)