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Bob Ross - The Best of The Joy of Painting

Search Press - The Art of Drawing: A Complete Guide

Search Press - The Art of Drawing: A Complete Guide

Author: Giovanni Civardi Dimensions: 220 x 152mm Format: Paperback Pages: 440 An invaluable resource Comprehensive guide to drawing techniques Expert advice & demonstrative illustrations Draw portraits, clothed figures, hands, feet & scenery Compiles all 7 books from the "Art of Drawing" series Learning to draw? Looking to improve your techniques? In this invaluable resource Giovanni Civardi divulges expert technical advice & practical tips learned through a rich lifetime of knowledge & experience. Conveniently sized for travel, this lightweight paperback book holds an impressive 440 pages complete with gorgeous artwork from Civardi himself. Opening with the fundamentals before moving on to describe a variety of scenarios, techniques & ideas including drawing portraiture, clothed figures, hands, feet, scenery & finally, the importance of light & shade. This comprehensive guide finally brings together all seven of the books from the successful Art of Drawing series, including: Drawing Techniques Drawing Portraits Drawing the Clothed Figure Drawing Hands & Feet Drawing Scenery Drawing Light & Shade The Nude About The Author Born in Milan in 1947, Giovanni Civardi trained as a sculptor, portrait artist & illustrator at the Free Life-Study School of the Accademia di Brera whilst simultaneously studying medicine & surgery.  As a professional illustrator, he produced commissions for a variety of publications including newspapers, magazines & book covers for over a decade. Pursuing his fascination in medical anatomy & the human form as depicted in artwork, Civardi would put on one-man exhibitions whilst travelling to France & Denmark. This extensive experience in anatomy, life drawing & portraiture led to a career teaching others in schools & institutions over many years, further leading to numerous published works in which Civardi's experiences can truly shine & be brought into focus.

GBP 12.99
1

Crayola - Colours of the World Crayon Pack (24pc)

Crayola - Colours of the World Pencil Pack (24pc)

Search Press - The Printmaking Bible

Search Press - The Printmaking Bible

Authors: Ann d'Arcy Hughes & Hebe Vernon-Morris Dimensions: 228 x 260mm Format: BC Paperback Pages: 416 The Printmaking Bible: The Complete Guide to Materials & Techniques A comprehensive guide ideal for students & professionals alike Includes five chapters: intaglio, relief, lithography monotype/monoprint & screenprinting Inspirational and authoritative, The Printmaking Bible is a complete guide to this traditional art practice that constantly evolves through the creative input of each new generation of artists. This guide has been created to reflect developments in different techniques and to showcase examples of new work by leading international artists across a range of print styles. Broken down into five chapters, each focuses on a major print medium: intaglio, relief, lithography, monotype/monoprint, and screenprinting. This definitive volume presents the tips and tools needed to create great artwork at any level. A brief overview of each medium is followed by illustrated step-by-step instructions, detailed historical information, troubleshooting tips, an extensive resource section, and interviews with working artists. This comprehensive guide is ideal for students and professionals alike. About the Authors Ann d'Arcy Hughes has enjoyed an illustrious career in printmaking. She assisted Anthony Gross at the Slade School of Art in London, and worked with S. W. Hayter at Atelier 17 in Paris before embarking on her lecturing career at the University of Brighton in the UK. Ann was the Regional Organizer with the Open College of the Arts (OCA) for 10 years before co-founding Bip-Art independent printmaking workshop in Brighton. She was joint first prize winner of the Fine Press Book Association Award in 2004. Permanent collections of her work include prints at Xerox headquarters, BBC, and the Victoria & Albert Museum in London. She lives in Brighton. Hebe Vernon-Morris studied as a ceramicist and metalworker before turning to printmaking. She now specializes in lithography and woodcut. She is a founder member and co-director of Bip-Art printmaking studio in Brighton.

GBP 25.00
1

Daler-Rowney - Simply Acrylic Glow in the Dark (75ml)

Royal & Langnickel - Junior Painting By Numbers Set: In The Shadows

Search Press - The Colour Mixing Companion

Search Press - The Colour Mixing Companion

Author: Julie Collins Dimensions: 127 x 180mm Format: Hardback Pages: 160 A comprehensive guide to colour mixing Mediums include Acrylic, Watercolour & Oils Features 1800 clear, straightforward illustrations Compiled from the hugely popular Colour Mixing Guides series, this portable, pocket-sized companion from Julie Collins is a clear, comprehensive guide to colour mixing with Acrylics, Watercolours & Oils. Starting with simple colour theory, this book includes 1800 vivid illustrations, an array of swatches & colour wheels throughout providing guidance on warm, cool, dull, bright & complementary colours, tones, working with a limited palette & factoring in local colour, followed by an array of essential colour mixes. Also included are templates for you to practice & develop your own colour wheels! About the Author Julie Collins studied Fine Art at the University of Reading, becoming an artist, writer & teacher. An associate Member of the Society of Women Artists, Julie has enjoyed a prominent career, winning numerous prestigious awards for her watercolour paintings, including 1st Prize for Watercolour at the Royal West of England Academy Annual Exhibition. When Julie isn't exploring painting, drawing and crafts at her studio in Hampshire, she's writing for The Artist magazine & producing incredibly successful colour mixing guides and artists' problem-solving books.  These include 3 Colour Mixing Guides (selling over 3.75k copies overall) & "Colour Demystified" in 2021 (selling 6850 copies to date).

GBP 12.99
1

Nitram - Charcoal 5mm: HB (medium) - Pack of 5

Da Vinci - Casaneo 498 Wash Brush Size 2

Da Vinci - Casaneo 498 Wash Brush Size 6

Da Vinci - Casaneo 498 Wash Brush Size 4

Da Vinci - Casaneo 498 Wash Brush Size 8

Da Vinci - Casaneo 498 Wash Brush Size 0

Copic - Black Multiliner Wallet (8pc)

Copic - Black Multiliner Wallet (4pc)

Winsor & Newton - Designers Gouache (14ml) Oxide of Chromium 459 (S2)

Winsor & Newton - Designers Gouache (14ml) Oxide of Chromium 459 (S2)

Size: 14ml Colours: 82 sold individually Artist-Quality Gouache Highly-pigmented & opaque Quick-drying to a matte finish Also available in 37ml tubes, click here to view! Video: Winsor & Newton Designers Gouache - 82 Opaque Watercolours First developed in 1937, Designers Gouache quickly became popular amongst designers, illustrators & commercial artists for it's ability to create bold, vibrant work. Featuring 82 colours, chosen for their strength of colour, undertone and relative opacity, the extensive choice within the Designers Gouache range includes both bright and lightfast colours. Winsor & Newton's Designers Gouache Spectrum Violet is an opaque pigment, deep purple-blue in colour. Moderately durable, with a lower lightfastness rating, Spectrum Violet is provided for its brilliance of colour. Colour Chart: Designers Gouache What is gouache? Gouache is an opaque water-based paint which, in addition to its colour pigment, contains a white pigment, such as chalk, and a binder (usually Gum Arabic).It is the presence of the additional white pigment which gives the medium its characteristic opacity. Gouache is applied, with water, to a support such as water colour paper. The pigment fixes to the support upon evaporation of the water. Gouache dries very quickly and, unlike acrylic, can be reactivated with water. It is possible to overpaint dry gouache with lighter or darker colours, without activating the colour underneath, although this should be done carefully. Brushes used to apply gouache paint should be cared for in the same manner as water colour brushes, and need only mild soap and water to clean them after use. This video illustrates how simple it is to clean and care for water colour brushes. Why use Winsor & Newton Designers Gouache? Available in 14ml and 37ml tubes, all Winsor & Newton Designers Gouache colours are fully intermixable within the range, and with Winsor & Newton Water Colours.Exceptionally high levels of pigmentation, along with the natural attribute of each pigment, strengthen the opacity of Winsor & Newton Designers Gouache. Drying to a matt finish, this provides both clean colour mixing and excellent covering power. The pigments used in the range determine the permanence of each individual colour. Further information on the permanence and durability of each shade is given on Winsor & Newton Designers Gouache colour chart. How does gouache differ from water colour paint? Originally used to illuminate manuscripts, gouache is heavier than traditional transparent water colour. Containing more colour pigment and an additional white pigment, particles of gouache paint are larger than those of water colour. The tiny particles of water colour pigment become enmeshed in the fibre of the paper being painted, whereas gouache colour rests on the surface of the paper, forming a continuous layer. More versatile than water colour, when gouache is applied with a bristle brush, it is possible to achieve a slight impasto effect. These videos show how gouache and water colour paint compare: An Introduction to the Differences Between Gouache and Water Colour Comparison of Gouache and Water Colour Painting. What to do if your tube dries up? Keeping the caps closed tightly on the tubes will help prevent the paint drying up. Once a tube has dried up, gouache cannot be re-softened. However, the colour may still be used by cutting open the tube, removing the dried paint, then crushing with a pestle and mortar. Place the powder in a container, add a small amount of water, a drop of Gum Arabic, and then mix thoroughly. The resulting mixture may be used as a wash. An alternative method is to add only a couple of drops of water to the powder, to make a paste.  Place the paste in a water colour pan or ice cube tray, and leave to dry. The dried cake of gouache can be used in the same way as a pan of water colour. Which surfaces best support gouache? When choosing a support for gouache, it is important to consider the absorbency, colour and stability of the paper. Our range of Water Colour Paper & Pads offers an extensive choice of size and style, to meet artists' every requirement. Which brushes are best for painting with gouache? Gouache and water colour paint have the same properties, and therefore require brushes with the same characteristics. Water Colour Brushes are designed to hold and evenly control colour, have a fine point, and are able to spring back into shape after every stroke. With a middle body able to hold a good reservoir of colour, a Sable Brush has excellent spring and resilience. The hairs are particularly strong at the brush's fine tip, allowing the brush to be used both delicately and aggressively. Advancements in the production of synthetic hair have resulted in a rise in popularity of Synthetic Water Colour Brushes, especially if price and durability are an issue. Which techniques work best with gouache? The following l

GBP 5.66
1

Winsor & Newton - Black Indian Drawing Ink (250ml)

Bob Ross - New Joy of Painting - A Collection of His Favourites

Schmincke - Akademie Watercolour Pearl Metallic Tin

PRAT Paris - Pampa Cristal Laser 502 Polypropylene Sleeves (Packs of 10) A4

Nitram - Charcoal 5mm: H (hard) - Pack of 5

Loxley - Plaster of Paris (1kg)

PRAT Paris - Pampa Cristal Laser 502 Polypropylene Sleeves (Packs of 10) A3 Landscape

PRAT Paris - Pampa Cristal Laser 502 Polypropylene Sleeves (Packs of 10) A4 Landscape