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Michael Moss on Archives Beyond the Four Corners of the Page

Michael Moss on Archives Beyond the Four Corners of the Page

Michael Moss on Archives brings together selected outputs from an internationally renowned archival scholar who explored the theory and practice of archives and records management. Comprising a selection of 11 of Moss’ most significant archival writings the book demonstrates the development of his thinking in archival theory and practice over the past 20 years. Michael Moss was a towering figure in modern archival writing and was able to push the boundaries of the discipline notably with his analysis of how modern governments create records and his speculations about the future of the archive in the digital world. Bringing together in one place Moss’ most significant writings alongside a comprehensive bibliography this book documents a significant contribution to British and international archival theory and practice. Each essay is preceded by a critical introduction written by a leading archival scholar assessing the piece and setting it in a wider archival or historical context while an overall introduction by the editors provides biographical information and describes the development of Michael’s archival thinking. Michael Moss on Archives will be of interest to scholars and students engaged in the study of archival science library and information science history digital humanities and media studies. It should also be of interest to professionals who work in archives and records management. | Michael Moss on Archives Beyond the Four Corners of the Page

GBP 130.00
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Failed Methods and Ideology in Canonical Interpretation of Biblical Texts Changing Perspectives 9

Governance Networks for Sustainable Cities Connecting Theory and Practice in Europe

Oribatid Mites Biodiversity Taxonomy and Ecology

Real Recognition What Literary Texts Reveal about Social Validation and the Politics of Identity

Real Recognition What Literary Texts Reveal about Social Validation and the Politics of Identity

Real Recognition investigates the complexities of literary and social recognition with the aim of putting a fresh cross-disciplinary spin on reader identification and social acknowledgment. Engaging with contemporary Danish and Anglophone works on racialization disability and gender Marie-Elisabeth Lei Pihl argues in favor of a close relation between aesthetic appeals to recognition and the political dimensions of literary texts. Moreover she proposes a framework bent on experience and relations as opposed to identity and status for articulating new fruitful understandings of how literary texts call for aesthetic and social recognition. Based on this she argues that literary texts can make readers get what social validation is about – and thereby help us redefine a key concept in the social sciences. Marie-Elisabeth Lei Pihl earned her PhD in literature and sociology from the University of Southern Denmark in 2020. Currently she works as a postdoctoral researcher within narrative medicine and literature-based social interventions at the University of Southern Denmark in collaboration with the National Institute of Public Health in Copenhagen. Chapter 3 of this book is available for free in PDF format as Open Access from the individual product page at www. routledge. com. It has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4. 0 license. | Real Recognition What Literary Texts Reveal about Social Validation and the Politics of Identity

GBP 120.00
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An Introduction to Quantum Mechanics From Facts to Formalism

An Introduction to Quantum Mechanics From Facts to Formalism

The core content of even the most intricate intellectual edifices is often a simple fact or idea. So is it with quantum mechanics; the entire mathematical fabric of the formal description of quantum mechanics stems essentially from the fact that quantum probabilities interfere (i. e. from the superposition principle). This book is dedicated to substantiating this claim. In the process the book tries to demonstrate how the factual content of quantum mechanics can be transcribed in the formal language of vector spaces and linear transformations by disentangling the empirical content from the usual formal description. More importantly it tries to bring out what this transcription achieves. The book uses a pedagogic strategy which reverse engineers the postulates of quantum mechanics to device a schematic outline of the empirical content of quantum mechanics from which the postulates are then reconstructed step by step. This strategy is adopted to avoid the disconcerting details of actual experiments (however simplified) to spare the beginner of issues that lurk in the fragile foundations of the subject. In the Copenhagen interpretation of quantum mechanics the key idea is measurement. But measurement carries an entirely different meaning from the connotation that the term carries elsewhere in physics. This book strives to underline this as strongly as possible. The book is intended as an undergraduate text for a first course in quantum mechanics. Since the book is self contained it may also be used by enthusiastic outsiders interested to get a glimpse of the core content of the subject. Features: Demonstrates why linear algebra is the appropriate mathematical language for quantum mechanics. Uses a reconstructive approach to motivate the postulates of quantum mechanics. Builds the vocabulary of quantum mechanics by showing how the entire body of its conceptual ingredients can be constructed from the single notion of quantum measurement. | An Introduction to Quantum Mechanics From Facts to Formalism

GBP 105.00
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Gothic in the Oceanic South Maritime Marine and Aquatic Uncanny in Southern Waters

Gothic in the Oceanic South Maritime Marine and Aquatic Uncanny in Southern Waters

This dynamic multidisciplinary collection of essays examines the uncanny eerie wondrous and dreaded dimensions of oceans seas waterways and watery forms of the oceanic South a haunted global precinct stretching across the Pacific Southern and Indian Oceans and around Australasia Oceania Aotearoa New Zealand and South Africa. Presenting work from leading scholars the chapters contend with the contemporary fears and repressions associated with the return of environmental traumas colonial traumas and the spectres of the precolonial deep past that resurface in the present. The book examines the manifestations of these Gothic aesthetics and propensities across a range of watery spaces – seas oceans waterholes and swamps – in vessels ports shorelines journeys strandings and transformations in amphibious bodies and the drowned all of which promote haunted engagement with the materiality of water. This collection renews the interdisciplinary breadth of Gothic criticism and the relevance of Gothic affect and sensibility to understanding the histories and cultures of the oceanic South through an exploration of the rarely considered uncanniness of the oceans waterways and aqueous forms of the Southern Hemisphere haunted by colonial and precolonial imaginings of the Antipodes the legacies of imperialism and the “double vision” between Oceanic and settler-colonial epistemologies and the encroaching menace of climate change. Comprising diverse contributions from screen literary and cultural studies environmental humanities human geography and creative practice in ecological sound art and poetry the collection examines the uncanny and the sublime in watery fictions and authentic settings of a range of aqueous southern forms – ocean surfaces and depths haunted shallows and reefs moist mangroves moss and lichen the awesome horror of tidal apocalypse. This book will be illuminating reading for students and scholars of cultural studies postcolonial studies area studies and Indigenous studies. | Gothic in the Oceanic South Maritime Marine and Aquatic Uncanny in Southern Waters

GBP 130.00
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