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Norbert Elias and Sigmund Freud The Psychoanalytic Foundations of the Civilizing Process

The Foundations of Psychoanalytic Theories Project for a Scientific Enough Psychoanalysis

What is this Professor Freud Like? A Diary of an Analysis with Historical Comments

A Dangerous Legacy Judaism and the Psychoanalytic Movement

Feminine Law Freud Free Speech and the Voice of Desire

Reading Paul Howard The Art of Ross O'Carroll-Kelly

Reading Paul Howard The Art of Ross O'Carroll-Kelly

Reading Paul Howard: The Art of Ross O’Carroll Kelly offers a thorough examination of narrative devices satirical modes cultural context and humour in Howard’s texts. The volume argues that his academic critical neglect is due to a classic bifurcation in Irish Studies between high and popular culture and it will use the thought of Pierre Bourdieu Sigmund Freud Mikhail Bakhtin and Jacques Derrida to critique this division building a theoretical platform from which to examine the significance of Howard’s work as an Irish comic and satirical writer. Addressing both the style and the substance of his work this text locates him in a tradition of Irish satirical writing that dates back to the Gaelic bards and it includes writers like Swift Wilde Flann O’Brien and Joyce. Through textual and contextual analysis this book makes the case for Howard as a significant and original voice in Irish writing whose fusion of the three traditional types of satire (Horatian Juvenalian and Menippean) has created a parallel Ireland that shines a satirical light on its real counterpart. As Freud suggests humour is a way of accessing aspects of the psyche that normative discourses cannot enunciate and Howard through the confessional voice of Ross offers a fictive truth on 20 years of Irish society a truth that is not accessed by discourse in the public sphere or by what could be termed literary or high cultural fiction. | Reading Paul Howard The Art of Ross O'Carroll-Kelly

GBP 130.00
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Freud Alder and Jung Discovering the Mind

Freud Alder and Jung Discovering the Mind

Walter Kaufmann completed this the third and final volume of his landmark trilogy shortly before his death in 1980. The trilogy is the crowning achievement of a lifetime of study writing and teaching. This final volume contains Kaufmann's tribute to Sigmund Freud the man he thought had done as much as anyone to discover and illuminate the human mind. Kaufmann's own analytical brilliance seems a fitting reflection of Freud's and his acute commentary affords fitting company to Freud's own thought. Kaufmann traces the intellectual tradition that culminated in Freud's blending of analytic scientific thinking with humanistic insight to create a poetic science of the mind. He argues that despite Freud's great achievement and celebrity his work and person have often been misunderstood and unfairly maligned the victim of poor translations and hostile critics. Kaufmann dispels some of the myths that have surrounded Freud and damaged his reputation. He takes pains to show how undogmatic how open to discussion and how modest Freud actually was. Kaufmann endeavors to defend Freud against the attacks of his two most prominent apostate disciples Alfred Adler and Carl Gustav Jung. Adler is revealed as having been jealous hostile and an ingrate a muddled thinker and unskilled writer and remarkably lacking in self-understanding. Jung emerges in Kaufmann's depiction as an unattractive petty and envious human being an anti-Semite an obscure and obscurantist thinker and like Adler lacking insight into himself. Freud on the contrary is argued to have displayed great nobility and great insight into himself and his wayward disciples in the course of their famous fallings-out. | Freud Alder and Jung Discovering the Mind

GBP 145.00
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