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Australian Overseas Aid

Black Men in Law School Unmatched or Mismatched

Studying Medieval Rulers and Their Subjects Central Europe and Beyond

Shelley: Selected Poems

Biocentrism and Modernism

Grainger the Modernist

After Effects for Designers Graphic and Interactive Design in Motion

Decadent Romanticism: 1780-1914

British Romanticism and the Reception of Italian Old Master Art 1793-1840

British Romanticism and the Reception of Italian Old Master Art 1793-1840

As a result of Napoleon’s campaigns in Italy Old Master art flooded into Britain and its acquisition became an index of national prestige. Maureen McCue argues that their responses to these works informed the writing of Romantic period authors enabling them to forge often surprising connections between Italian art the imagination and the period’s political social and commercial realities. Dr McCue examines poetry plays novels travel writing exhibition catalogues early guidebooks and private experiences recorded in letters and diaries by canonical and noncanonical authors including Felicia Hemans William Buchanan Henry Sass Pierce Egan William Hazlitt Percy Shelley Lord Byron Anna Jameson Maria Graham Callcott and Samuel Rogers. Her exploration of the idea of connoisseurship shows the ways in which a knowledge of Italian art became a key marker of cultural standing that was no longer limited to artists and aristocrats while her chapter on the literary production of post-Waterloo Britain traces the development of a critical vocabulary equally applicable to the visual arts and literature. In offering cultural historical and literary readings of the responses to Italian art by early nineteenth-century writers Dr McCue illuminates the important role they played in shaping the themes that are central to our understanding of Romanticism. | British Romanticism and the Reception of Italian Old Master Art 1793-1840

GBP 38.99
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Sexual Privatism in British Romantic Writing A Public of One

Sexual Privatism in British Romantic Writing A Public of One

The Romantic age though often associated with free erotic expression was ambivalent about what if anything sex had to do with the public sphere. Late-eighteenth- and early-nineteenth-century British texts often repressed the very sexual energies they claimed to be bringing into the open. The delineation of what could and could not be said and done in the name of physical pleasure was of a piece with the capitalist consecration of the social trust to the individual profit-motive. Both these practices moreover presupposed a determinate self with sovereignty over its own interests. Writings from and about some nominally public institutions were thus characterized by privatism—a sexual economic and ontological withdrawal from otherness. Sexual Privatism in British Romantic Writing: A Public of One explores how this threefold ideology was both propagated and resisted wittingly and unwittingly successfully and unsuccessfully in such Romantic publics as rape-law sodomy-law adultery-law high-profile scandals the population debates and club-culture. It includes readings of imaginative literature by William Beckford William Blake Erasmus Darwin Mary Hays Percy Shelley and Mary Wollstonecraft; works of political economy by Jeremy Bentham William Cobbett William Godwin William Hazlitt and Thomas Robert Malthus; as well as contemporary legal treatises popular journalism and satirical pamphlets. | Sexual Privatism in British Romantic Writing A Public of One

GBP 38.99
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The Ongoing End: On the Limits of Apocalyptic Narrative

The Ongoing End: On the Limits of Apocalyptic Narrative

The world keeps turning to apocalypticism. Time is imagined as proceeding ineluctably to a catastrophic perhaps revelatory conclusion. Even when evacuated of distinctly religious content a broadly ecclesial structure persists in conceptions of our precarious life and our collective journey to an inevitable fate—the extinction of the human species. It is commonly believed that we are propelled along this course by human turpitude myopia hubris or ignorance and by the irreparable damage we have wrought to the world we inhabit. Yet this apprehension is insidious. Such teleological convictions and crises-laden narratives lead us to undervalue contingent hesitant and provisional forms of experience and knowledge. The essays comprising this volume concern a range of writers’ engagements with apocalyptic reasoning. Extending from a reading of Percy Bysshe Shelley’s ‘Triumph of Life’ to critiques of contemporary American novels they examine the ways in which ‘end times’ reasoning can inhibit imaginative reflection blunt political advocacy or – more positively – provide a repertoire for the critique of complacency. By gathering essays concerning a wide range of periods and literary dispositions this volume makes an important contribution to thinking about apocalypticism in literature but also as a social and political discourse. This book was originally published as a special issue of Studia Neophilologica. | The Ongoing End: On the Limits of Apocalyptic Narrative

GBP 38.99
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Motivating Ministers to Morality

Concert Design The Road The Craft The Industry

China’s Regional Relations in Comparative Perspective From Harmonious Neighbors to Strategic Partners

The Difficult Triangle Mexico Central America And The United States

Commercial Dance An Essential Guide

A Short History of British Psychology 1840-1940

Contemporary Theories of Learning Learning Theorists ... In Their Own Words

The Poems of Shelley: Volume One 1804-1817

The Poems of Shelley: Volume One 1804-1817

Percy Bysshe Shelley (1792-1822) was one of the major Romantic poets and wrote what is critically recognised as some of the finest lyric poetry in the English language. This is the first volume of the five-volume The Poems of Shelley which presents all of Shelley’s poems in chronological order and with full annotation. Date and circumstances of composition are provided for each poem and all manuscript and printed sources relevant to establishing an authoritative text are freshly examined and assessed. Headnotes and footnotes supply the personal literary historical and scientific information necessary to an informed reading of Shelley’s varied and allusive verse. The present volume includes the 'Esdaile' poems which only entered the public domain in the 1950s printed in chronological order and integrated with the rest of Shelley's early output and Queen Mab the first of Shelley’s major poems together with its extensive prose notes. The seminal Alastor volume is placed in the detailed context of Shelley’s overall poetic development. The ‘Scrope Davies’ notebook only discovered in 1976 furnishes two otherwise unknown sonnets as well as alternative versions of ‘Hymn to Intellectual Beauty’ and ‘Mont Blanc’ which significantly influence our understanding of these important poems. This first volume contains new datings and makes numerous corrections to long-established errors and misunderstandings in the transmission of Shelley's work. Its annotations and headnotes provide new perspectives on Shelley's literary philosophical and political development The volumes of The Poems of Shelley form the most comprehensive edition of Shelley's poetry available to students and scholars. | The Poems of Shelley: Volume One 1804-1817

GBP 32.99
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Between Art Practice and Psychoanalysis Mid-Twentieth Century Anton Ehrenzweig in Context

Between Art Practice and Psychoanalysis Mid-Twentieth Century Anton Ehrenzweig in Context

The work of mid-twentieth century art theorist Anton Ehrenzweig is explored in this original and timely study. An analysis of the dynamic and invigorating intellectual influences institutional framework and legacy of his work Between Art Practice and Psychoanalysis reveals the context within which Ehrenzweig worked how that influenced him and those artists with whom he worked closely. Beth Williamson looks to the writing of Melanie Klein Marion Milner Adrian Stokes and others to elaborate Ehrenzweig’s theory of art a theory that extends beyond the visual arts to music. In this first full-length study on his work including an inventory of his library previously unexamined archival material and unseen artworks sit at the heart of a book that examines Ehrenzweig’s working relationships with important British artists such as Bridget Riley Eduardo Paolozzi and other members of the Independent Group in London in the 1950s and 1960s. In Ehrenzweig’s second book The Hidden Order of Art (1967) his thinking on Jackson Pollock is important too. It was this book that inspired American artists Robert Smithson and Robert Morris when they deployed his concept of ’dedifferentiation’. Here Williamson offers new readings of process art c. 1970 showing how Ehrenzweig’s aesthetic retains relevance beyond the immediate post-war era. | Between Art Practice and Psychoanalysis Mid-Twentieth Century Anton Ehrenzweig in Context

GBP 38.99
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The Poems of Shelley: Volume Two 1817 - 1819

The Poems of Shelley: Volume Two 1817 - 1819

Percy Bysshe Shelley (1792-1822) was one of the major Romantic poets and wrote what is critically recognised as some of the finest lyric poetry in the English language. This is the second volume of the five-volume The Poems of Shelley which presents all of Shelley’s poems in chronological order and with full annotation. Date and circumstances of composition are provided for each poem and all manuscript and printed sources relevant to establishing an authoritative text are freshly examined and assessed. Headnotes and footnotes furnish the personal literary historical and scientific information necessary to an informed reading of Shelley’s varied and allusive verse. This volume makes extensive use of the Shelley manuscripts in the Bodleian Library and draws on the substantial recent research which has appeared on Shelley's text and contexts and on members of his circle such as Mary Shelley Byron Godwin and others. It offers significant new datings and contextual exposition of major works including Prometheus Unbound Laon and Cythna 'Julian and Maddalo' The Cenci and Shelley's translations from the Greek notably his highly original translation of Euripides' The Cyclops. There are also comprehensive treatments of some of Shelley's best known shorter poems such as 'Lines written among the Euganean Hills' and 'Ozymandias'. The annotation demonstrates the extraordinary range and richness of Shelley's literary intelligence and situates his work in the revolutionary politics and social upheavals of the early nineteenth century. The text and annotation are supported by an extensive bibliography a chronology indexes and appendices which include a detailed examination of the history of the Cenci story. The volumes of The Poems of Shelley form the most comprehensive edition of Shelley's poetry available to students and scholars. | The Poems of Shelley: Volume Two 1817 - 1819

GBP 32.99
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Advances in the Psychobiology of Sleep and Circadian Rhythms

Advances in the Psychobiology of Sleep and Circadian Rhythms

Advances in the Psychobiology of Sleep and Circadian Rhythms features international experts from the fields of psychobiology sleep research and chronobiology to address and review cutting-edge scientific literature concerning recent advances in the psychobiology of sleep sleep disorders such as sleep apnoea and insomnia and circadian rhythms across the lifespan. In this illuminating volume Melinda L. Jackson and Sean P. A. Drummond bring together leading international researchers to review cross-cutting issues in the field including sleep and pain sleep and dementia risk and sleep issues in paediatric populations as well as the interaction between sleep and health conditions in different populations. The chapters offer coverage of the major explanatory models which underpin the empirical work as well as a discussion of the relevant theoretical and conceptual models on issues arising with specific psychiatric and medical disorders including depression dementia posttraumatic stress disorder and pain. They also address new research in the area of chronobiology and circadian impacts on health and diseases. The chapters also discuss important methodological and ethical issues arising in research and include sections addressing implications for public policy and practitioner interventions in the context of different social and cultural environments. This volume will be a crucial resource for professionals practitioners and researchers engaged in the field as well as for postgraduate and upper-level undergraduate students undertaking research in areas related to psychobiology neuropsychology health psychology and other disciplines such as biology physiology and psychopharmacology.

GBP 36.99
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Animism and Shamanism in Twentieth-Century Art Kandinsky Ernst Pollock Beuys

Animism and Shamanism in Twentieth-Century Art Kandinsky Ernst Pollock Beuys

Wassily Kandinsky Max Ernst Jackson Pollock and Joseph Beuys were the leading artists of their generations to recognize the rich possibilities that animism and shamanism offered. While each of these artists' connection with shamanism has been written about separately Evan Firestone brings the four together in order to compare their individual approaches to anthropological materials and to define similarities and differences between them. The author's close readings of their works and examination of the relevant texts available to them reveal fresh insights and new perspectives. The importance of indigenous beliefs in animism for Kandinsky's philosophy of art and practice especially the animism of inanimate objects is analyzed for the first time in conjunction with his well-known enthusiasms for Symbolism and Theosophy. Ernst's collage novel La femme 100 tetes (1929) previously found to have significant alchemical content also is shown to extensively utilize shamanism thereby merging different branches of the occult that prove to have remarkable similarities. The in-depth examination of Pollock's works both known and overlooked for shamanic content identifies textual sources that heretofore have escaped notice. Firestone also demonstrates how shamanism was employed by this artist to express his desire for healing and transformation. The author further argues that the German edition of Mircea Eliade's Shamanism: Archaic Techniques of Ecstasy (1957) helped to revitalize Beuys's life and art and that his ecological campaigns reflected a new consciousness later termed ecoanimism. | Animism and Shamanism in Twentieth-Century Art Kandinsky Ernst Pollock Beuys

GBP 39.99
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Aquaculture Landscapes Fish Farms and the Public Realm

Aquaculture Landscapes Fish Farms and the Public Realm

Aquaculture Landscapes explores the landscape architecture of farms reefs parks and cities that are designed to entwine the lives of fish and humans. In the twenty-first century aquaculture’s contribution to the supply of fish for human consumption exceeds that of wild-caught fish for the first time in history. Aquaculture has emerged as the fastest growing food production sector in the world but aquaculture has agency beyond simply converting fish to food. Aquaculture Landscapes recovers aquaculture as a practice with a deep history of constructing extraordinary landscapes. These landscapes are characterized and enriched by multispecies interdependency performative ecologies collaborative practices and aesthetic experiences between humans and fish. Aquaculture Landscapes presents over thirty contemporary and historical landscapes spanning six continents with incisive diagrams and vivid photographs. Within this expansive scope is a focus on urban aquaculture projects by leading designers—including Turenscape James Corner Field Operations and SCAPE—that employ mutually beneficial strategies for fish and humans to address urban coastal resiliency wastewater management and other contemporary urban challenges. Michael Ezban delivers a compelling account of the coalitions of fish and humans that shape the form function and identity of cities and he offers a forward-thinking theorization of landscape as the preeminent medium for the design of ichthyological urbanism in the Anthropocene. With over two hundred evocative images including ninety original drawings by the author Aquaculture Landscapes is a richly illustrated portrayal of aquaculture seen through the disciplinary lens of landscape architecture. As the first book devoted to this topic Aquaculture Landscapes is an original and essential resource for landscape architects urbanists animal geographers aquaculturists and all who seek and value multispecies cohabitation of a shared public realm. Winner of the 2020 John Brinckerhoff Jackson Book Prize! | Aquaculture Landscapes Fish Farms and the Public Realm

GBP 42.99
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